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Callot Soeurs

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168: 30: 105: 300: 22: 249: 264: 276: 288: 183:, "Rita designed most of her own clothes and they were made for her by Callot Soeurs." Supposedly, Rita was such a fashion plate that when she learned her husband was having an affair with a poorly dressed woman, she sent the mistress to Callot Soeurs for new clothing. Rita wore a silver Callot Soeurs dress when she posed for 236:
Twenty-one Callot Soeurs dresses are preserved in the Acton Art Collection at New York University's Villa La Pietra in Florence. Additional dresses are held by the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Museum at FIT, Palais Galliera, the Victoria and Albert Museum, The Kyoto
116:, American support was vital to the continued success of Callot Soeurs. While European sales fell, American buyers would order between 300 and 800 pieces every July. In response to the proliferation of knockoffs in the 1910s and 1920s, Callot Soeurs regularly placed advertisements in 204:
In 1928, Pierre Gerber, Marie Callot Gerber's son, took over the business but could not survive in the highly competitive market and, in 1937, the House of Callot Soeurs closed and was absorbed into the House of Calvet (Marie-Louise Calvet); under the Callot label. However,
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was head seamstress at Callot. It was here that she refined her technique in couture. She explained that "Without the example of the Callot Soeurs, I would have continued to make Fords. It is because of them that I have been able to make Rolls-Royces."
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Callot Soeurs opened in 1895 at 24, rue Taitbout in Paris, France. It was operated by the four Callot sisters: Marie Callot Gerber, Marthe Callot Bertrand, Regina Callot Tennyson-Chantrell and Joséphine Callot Crimon.
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Callot Soeurs's day dresses were well received at the 1915 Universal Exhibition in San Francisco. In 1916, Henri Bendel was the largest buyer of Callot Soeurs in New York City. That same year, American
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In 1900, they were featured at the Paris World's Fair. That year, they had a staff of two hundred and did two million francs in sales. By 1901, they had tripled their workforce and doubled their sales.
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In 1920, Marthe Callot Bertrand suddenly died and the widowed Regina Callot Tennyson-Chantrell retired to care for her son. Marie Callot Gerber single-handedly ran the house for the next seven years.
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at that time considering Callot Soeurs' dresses out of date and unfashionable, she happily wore their "simple clothes with wonderful embroidery" that lasted her for several years.
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claimed that "Callot probably has more rich clients than any other establishment in the world. They come from South America, from South Africa, and as far east as Japan."
65:, having earlier worked for Raudnitz and Co., prominent Parisian dressmakers, and they were all taught by their mother, a lacemaker. The sisters began working with antique 101:
dubbed the sisters the Three Fates, and declared them "foremost among the powers that rule the destinies of a woman's life and increase the income of France."
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made matters difficult in France. Similarly to what happened with the House of Vionnet in 1939, Calvet and the Callot label finally closed in 1952.
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In 1897, Joséphine was rumored to have committed suicide. There is no substantiated proof and family members believe her death was accidental.
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Callot Soeurs clothing was known for its exotic detail. They were among the first designers to use gold and silver
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Fashion: The Collection of the Kyoto Costume Institute : a History from the 18th to the 20th Century
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commented: "One of the most beautiful figures of the Parisian luxury business has now disappeared."
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Costume Institute, LACMA, the Indianapolis Museum of Art and the Ulster Museum, Belfast
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In 1919, Callot Soeurs moved to larger premises at 9-11 Avenue Matignon.
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who ordered dozens of dresses at a time. According to her sister
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The sales room of the haute couture house Callot Soeurs, c.1910.
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Dresses by the Callot sisters at the Philadelphia Museum of Art
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Callot Soeurs at Chicago History Museum Digital Collections
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Portrait of Rita de Acosta Lydig by Giovanni Boldini, 1911
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Hollywood Before Glamour: Fashion in American Silent Film
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was another designer who trained with the Callot Soeurs.
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In the 1920s, Callot Soeurs established branches in
328:"The Fashion Designers | Transatlantic Modernities" 905:Hatcher, Jessamyn; Dukovic, Pari (23 March 2015). 195:Marie Callot Gerber died in 1927. Her obituary in 122:listing the official retailers of their designs. 932: 175:Callot Soeurs's greatest American supporter was 467:Polan, Brenda; Tredre, Roger (1 October 2009). 904: 497:Finamore, Michelle Tolini (28 January 2013). 816:Indianapolis Museum of Art Online Collection 787:"Woman's Evening Dress | LACMA Collections" 466: 891:Marie, Marthe, Regina and Joséphine Callot 61:The eldest sister, Marie, was trained in 851:"Callot Soeurs | Evening dress | French" 732:"Evening dress, Callot Soeurs | V&A" 686:"The Museum at FIT - Online Collections" 496: 293:day dress with collarless tunic, ca 1924 166: 103: 28: 20: 986:Design companies disestablished in 1952 711:"Evening gown and stole, Callot Soeurs" 533: 361: 212: 933: 587:"Twenty-One Dresses - Villa La Pietra" 365:Elements of Fashion and Apparel Design 539: 391: 44: 981:Design companies established in 1895 555: 553: 492: 490: 462: 460: 458: 456: 454: 452: 450: 423: 421: 419: 417: 415: 387: 385: 357: 355: 353: 322: 320: 546:. Random House. pp. Chapter 6. 13: 87: 14: 1012: 872: 550: 487: 447: 412: 382: 362:Sumathi, G. J. (1 January 2007). 350: 317: 33:A Callot Soeurs dress, circa 1915 996:1952 disestablishments in France 976:French businesspeople in fashion 298: 286: 274: 262: 247: 190: 843: 829: 804: 779: 749: 724: 703: 678: 658: 652: 632: 626: 601: 579: 429:"Portfolio: Twenty-One Dresses" 392:Fukai, Akiko (1 January 2002). 156:In 1926, the American designer 946:French women fashion designers 855:The Metropolitan Museum of Art 517: 1: 991:1895 establishments in France 659:Art, Philadelphia Museum of. 633:Art, Philadelphia Museum of. 310: 147:. A January 1922 article in 7: 1001:Defunct companies of France 470:The Great Fashion Designers 10: 1017: 562:Twenty First Century Blues 240: 52: 540:Hawes, Elizabeth (1938). 368:. New Age International. 25:Callot Soeurs dress label 971:Companies based in Paris 941:French fashion designers 690:fashionmuseum.fitnyc.edu 526:The Ladies' Home Journal 269:Evening dress, 1910-1914 503:. Palgrave Macmillan. 172: 109: 34: 26: 884:26 April 2012 at the 837:"National Museums NI" 791:collections.lacma.org 170: 107: 42:French pronunciation: 32: 24: 907:"Twenty-one dresses" 338:on 22 September 2016 224:Marie-Louise Bruyère 213:Influence and legacy 177:Rita de Acosta Lydig 150:Ladies' Home Journal 16:French fashion house 767:on 20 December 2016 665:www.philamuseum.org 639:www.philamuseum.org 565:. SIU Press. 2004. 305:Cocktail suit, 1935 543:Fashion Is Spinach 332:vlpcollections.org 181:Mercedes de Acosta 173: 119:The New York Times 110: 35: 27: 613:www.metmuseum.org 589:. 15 October 2015 529:. 1 January 1922. 233:to make dresses. 219:Madeleine Vionnet 46:[kalosœʁ] 1008: 927: 925: 923: 866: 865: 863: 861: 847: 841: 840: 833: 827: 826: 824: 822: 808: 802: 801: 799: 797: 783: 777: 776: 774: 772: 763:. Archived from 753: 747: 746: 744: 742: 728: 722: 721: 719: 717: 707: 701: 700: 698: 696: 682: 676: 675: 673: 671: 656: 650: 649: 647: 645: 630: 624: 623: 621: 619: 605: 599: 598: 596: 594: 583: 577: 576: 557: 548: 547: 537: 531: 530: 521: 515: 514: 494: 485: 484: 464: 445: 444: 442: 440: 425: 410: 409: 389: 380: 379: 359: 348: 347: 345: 343: 334:. Archived from 324: 302: 290: 278: 266: 251: 185:Giovanni Boldini 48: 43: 1016: 1015: 1011: 1010: 1009: 1007: 1006: 1005: 931: 930: 921: 919: 886:Wayback Machine 875: 870: 869: 859: 857: 849: 848: 844: 835: 834: 830: 820: 818: 812:"evening dress" 810: 809: 805: 795: 793: 785: 784: 780: 770: 768: 755: 754: 750: 740: 738: 730: 729: 725: 715: 713: 709: 708: 704: 694: 692: 684: 683: 679: 669: 667: 657: 653: 643: 641: 631: 627: 617: 615: 607: 606: 602: 592: 590: 585: 584: 580: 573: 559: 558: 551: 538: 534: 523: 522: 518: 511: 495: 488: 481: 465: 448: 438: 436: 435:. 15 March 2015 427: 426: 413: 406: 390: 383: 376: 360: 351: 341: 339: 326: 325: 318: 313: 306: 303: 294: 291: 282: 279: 270: 267: 258: 252: 243: 215: 193: 158:Elizabeth Hawes 90: 88:Growth and peak 55: 41: 17: 12: 11: 5: 1014: 1004: 1003: 998: 993: 988: 983: 978: 973: 968: 963: 958: 953: 948: 943: 929: 928: 912:The New Yorker 902: 897: 888: 874: 873:External links 871: 868: 867: 842: 828: 803: 778: 748: 723: 702: 677: 651: 625: 600: 578: 571: 549: 532: 516: 509: 486: 479: 446: 433:The New Yorker 411: 404: 381: 374: 349: 315: 314: 312: 309: 308: 307: 304: 297: 295: 292: 285: 283: 280: 273: 271: 268: 261: 259: 253: 246: 242: 239: 217:The couturier 214: 211: 192: 189: 89: 86: 54: 51: 15: 9: 6: 4: 3: 2: 1013: 1002: 999: 997: 994: 992: 989: 987: 984: 982: 979: 977: 974: 972: 969: 967: 966:1920s fashion 964: 962: 961:1910s fashion 959: 957: 956:1900s fashion 954: 952: 951:Haute couture 949: 947: 944: 942: 939: 938: 936: 918: 914: 913: 908: 903: 901: 898: 896: 892: 889: 887: 883: 880: 877: 876: 856: 852: 846: 838: 832: 817: 813: 807: 792: 788: 782: 766: 762: 761:www.kci.or.jp 758: 752: 737: 736:www.vam.ac.uk 733: 727: 712: 706: 691: 687: 681: 666: 662: 655: 640: 636: 629: 614: 610: 604: 588: 582: 574: 572:9780809388806 568: 564: 563: 556: 554: 545: 544: 536: 528: 527: 520: 512: 510:9780230389489 506: 502: 501: 493: 491: 482: 480:9780857851741 476: 472: 471: 463: 461: 459: 457: 455: 453: 451: 434: 430: 424: 422: 420: 418: 416: 407: 405:9783822812068 401: 397: 396: 388: 386: 377: 375:9788122413717 371: 367: 366: 358: 356: 354: 337: 333: 329: 323: 321: 316: 301: 296: 289: 284: 277: 272: 265: 260: 256: 250: 245: 244: 238: 234: 232: 227: 225: 220: 210: 208: 202: 200: 199: 191:Later history 188: 186: 182: 178: 169: 165: 163: 159: 154: 152: 151: 146: 142: 138: 134: 129: 126: 123: 121: 120: 115: 106: 102: 100: 94: 85: 82: 80: 76: 72: 68: 64: 59: 50: 47: 39: 38:Callot Soeurs 31: 23: 19: 920:. 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Index



[kalosœʁ]
dressmaking
laces
ribbons
blouses
lingerie

World War I
The New York Times
Nice
Biarritz
Buenos Aires
London
Ladies' Home Journal
Elizabeth Hawes
buyers

Rita de Acosta Lydig
Mercedes de Acosta
Giovanni Boldini
Le Figaro
World War II
Madeleine Vionnet
Marie-Louise Bruyère
lamé
Negligee, 1898-1902
Negligee
Evening dress, 1910-1914

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