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sensual flesh tones and accentuated color contrasts. Pietro Longhi's series of paintings on the walls depict scenes from everyday life; a visit to a painting studio, a hairdresser at work, scenes of family and family life, concerts, events and entertainment. Longhi appears in them as an insightful observer of forms and ways of life, submitting in detail the empty habits and pompous weaknesses of his heroes and their world. He distinguishes himself by presenting house interiors as, to a certain extent, by
Canaletto with his vedute.
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424:. Pindemonte sold all the furnishings and art collections of the palazzo. Only the frescos remained in situ. In 1837, Pindemonte sold the empty building to Count Ladislao Zelinsky, who in turn rented the palazzo to the Baron von BĂźlow, then to count Zichj Cerner. From 1840 to 1857, it was rented to the Duke of Modena and his family, which included Don Carlo, the Duke of Madrid, the pretender to the Spanish throne.
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dramatic space. He laid out a ceremonial route that would take visitors from the dock and gateway on the Grand Canal to a fountain in the interior courtyard, surmounted by the coat of arms of the
Rezzonico in marble; then taking a triumphal hallway to the monumental stairway which took them up to the grand salon or ballroom. As soon as the salons were completed, their ceilings were painted with frescoes by
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plan of
Longhena, but made a number of modifications to suit the lighter rococo tastes. He removed some ponderous double columns on the facade replacing them with more slender pillars, and eliminated a heavy plinth of columns, giving the building a lighter, more graceful appearance. He also installed a row of small oval windows above the larger windows on the second floor, adding light and a rococo touch.
272:, a Venice baroque landmark. By 1661 Longhena had combined the two earlier structures, and work had begun on the facade facing the canal, and had reached as high as the first, or Noble, floor. However, neither architect nor client was to see the completion of the Palazzo Bon: Longhena died in 1682, and Filippo Bon saw his finances ruined by the cost of the palazzo. He was forced to halt the work.
1042:, looks out at both the Grand Canal and the Rio San Barnaba. It takes its name from an elaborate gilded and sculpted wooden throne which was used during the brief visit of Pope Pius VI in 1778, on his way from Rome to Vienna. It was also the bridal chamber of Ludovico Rezzonico and Faustina Savorgnan. Besides the throne, the other notable features of the room are the ceiling frescos, titled
2071:(Padua, 1741 - Venice, 1811), member of the Guild of the painters of Venice and professor at the Academy of Fine Arts of Venice. The fresco was originally in the palace Nani in Cannaregio. It was transferred in the 1930s to its current location. The frame surrounding the fresco is older than a century ago and is due to the quadraturist Antonio Felice Ferrari (1667 - 1720).
3373:. On the ceiling of the hall is the fresco of Giovanni Antonio Guardi's triumph of Diana, from the Barbarigo-DabalĂ palace to Angelo Raffaele. The allegorico-mythological work, created in the 1850s, is a perfect example of the talent of the artist in the style of rock, bright and full of fantasy. The walls of the room are decorated with vedute and landscapes.
546:. The building is narrow and deep, with the facade on the canal only three rooms wide. Visitors passed through the entrance, and down a long corridor to the courtyard, where a fountain is placed, with the coat of arms of the Rezzonico family. The entrance to the streets of Venice is behind the fountain. From the ground floor, visitors climb to the
1122:. Unlike the other Tiepolo ceilings, this ceiling, painted in 1744â45, was not made for the Ca' Rezzonico, but for the family of Pietro Barbarigo for his own house in Santa Maria del Giglio. It was bought by the city of Venice in 1934 and installed in the museum. The room also displays paintings by Venetian artists, including
2564:. The round fresco on the ceiling depicts Pulcinella seen from below walking across a tightrope. These paintings were made between 1793 and 1797 at the Villa Zianigo, at the time of the first occupation of Venice by the French, and the beginning of downfall of the Venetian Republic, and its particular style of life and art.
1357:, the most celebrated Venetian baroque wood sculptor. The works displayed are dated 1706, and use different colored woods, including ebony, and extremely ornate baroque curves and twists to portray action and emotion. The room also features a notable chandelier with multi-colored glass in floral forms from the
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and his son, Giandomenico
Tiepolo, depicting the groom and his bride ferried by Apollo's chariot. It was one of the last works of Tiepolo in Venice, before his departure for Madrid in 1762. Tiepolo completed the work on the ceiling in only twelve days on the scaffolding. The Tiepolo fresco, like the
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The global depression of the 1930s brought an end to
Minerbi's funds and extravagance, and he sought a buyer for the Palace. After four years of negotiations, in June 1935 the city of Venice purchased the Palazzo and began to transform it into a museum of Venetian art from the 18th century. Works of
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for the unfinished building. Municipal inspectors examined the building, and concluded that most of the structure was a ruin, in danger of collapse. Only the rear part of the building, completed up to the second floor, had a roof and could be saved. Rezzonico hired the most prestigious architect of
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The third and top floor (second floor in U.S. usage) has a recreation of an 18th-century
Venetian pharmacy, which was reconstituted in 1936 with original materials from a pharmacy of the period. It also includes an art gallery devoted to the collection of 264 paintings of collector Egidio Martini,
407:, and in 1762, when Ludovico Rezzonico was elected to the same position. For three nights, the facades and interiors of the palace were lit with torches and candles in celebration. Upon his election as Pope, Carlo Rezzonico transferred a large part of the family art collection from Venice to Rome.
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The facade was finished between 1750 and 1752. Turning his attention to the interior, Massari broke with
Venetian custom and put the major ceremonial room at the back of the building, not overlooking the canal. He doubled the height of the ceiling in this room and eliminated walls to create a more
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completed, and a temporary roof protecting the structure from the elements. The
Rezzonicos rushed the reconstruction along. In 1752, the accidental dropping of a piece of marble caused the scaffolding to collapse, dropping five stonemasons to the ground below. Massari largely followed the original
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is a room which displays paintings by
Giandomenico Tiepolo for the chapel of the Villa Zianigo, which was consecrated in 1758. The paintings are signed by Tiepolo with the date 1759. The main figure in the paintings is Saint Jerome Ămilien, depicted with handcuffs to represent his imprisonment in
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hanging on the walls. The canvas of
Tiepolo, painted in the 1730s for Ca' Pesaro, is part of the beginnings of his work. The joint presence of Zephyr, one of the four winds, and Flore is a reference to spring, so to fertility. The colors are bright and transparent. The artist has virtually drawn
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riding his carriage between Europe, Asia, Africa and the Americas. The coat of arms of the Rezzonico family, with a double-headed eagle, also is prominently displayed on the wall of the ballroom facing the entry door. The two enormous chandeliers made of wood and gilded metal, from the mid-18th
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Beginning in about 1850, the second floor of the palace was rented by the antiquarian and art dealer Jacobo Querci della Rovere, who used it as a gallery to sell paintings by Rubens, Rembrandt, Caravaggio, Canaletto, and other old masters. In the 1880s, it became the home of the painter
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In the corridor leading to the hall, on the left wall, a scene of the liberated Jerusalem of the Cup: "Renaud who abandons the Garden of Armida" by Giandomenico Tiepolo, who was on the ground floor of the villa from Zianigo. On the right wall of the vestibule two canvases of
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1462:, or passing lounge, was the largest room of the building, intended to play the role of a performance room. This space today presents marble busts of the eighteenth century representing allegorical portraits and figures, while the walls are covered with
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art of the 18th century, including ceiling frescoes, from other houses and collections owned by the municipality were brought together in the Ca' Rezzonico, to accompany the original frescoes on the ceilings. The city also purchased additional works by
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was originally a room for holding audiences; in that room the Papal Legate informed Cardinal Rezzonico that he had been elected Pope the day before. The ceiling is decorated with frescos depicting the Triumph of the Arts over Ignorance, presented in a
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and two views of the Grand Canal, painted in 1719-20 during his youth. They marked the beginning of his famous series of Venice scenes. They were purchased for the museum by the City of Venice in 1983. Another large-scale depiction of the port
2759:, the frescoes of this room were covered with plaster during the nineteenth century and found during a restoration of the Palace Barbarigo DabalĂ in 1936. Detached and mounted they were transferred to Ca' Rezzonico. They are three in number:
240:, at the point where it is joined by the Rio di San Barnaba. The site was previously occupied by two houses, visible in early paintings of Venice in 1500, which a century and a half later were in a sad state of decay. They belonged to the
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2533:; a long fresco in the corridor which was originally on the ground floor of the Villa Zianigo, depicting a line of Venetians, including one in a Pulcinella costume with a long a fork, waiting to look into a magic lantern presentation,
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Filippo Bon died in 1712, and the unfinished palace, already decaying, was inherited by his sons and then grandsons, but none had the funds to complete the construction. In 1750 The Bons offered the unfinished palazzo to
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The paintings in this room offer the opportunity to compare two different trends in the Venetian painting school of the Eighteenth century: vivid, sensual, rococo, visible in the allegorical and mythological works of
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from 1715 to 1716. The furnishings also pieces of Venetian baroque furniture, including a gaming table, and an ornate painted secretary, or cabinet, used to hold previous objects, made in Germany in the 18th century.
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and doves, the figure of Fame, holding a trumpet; the three graces on a cloud; a bearded old man with a laurel crown symbolizing Merit; and a lion, the symbol of Venice, along with coats of arms of the two families.
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Fifty years after the completion of the palace, in 1810, the last member of the Venetian branch of the Rezzonicos, cardinal Abbondio of Pisa, died, bringing an end to the family line. The palace nearly became a
3690:, and who emigrated to Venice in 1945. He donated his collection to the museum in December 2001 and October 2009. It consists of about thirty paintings from the 15th to 20th century. It includes major works by
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339:(1687-1766), who had built the churches of the Jesuits and the church of the PietĂ in Venice, as well as the palazzo of the Grassi family, which faced the Rezzonico palace on the other side of the Grand Canal.
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in various comic or satiric scenes. They were originally made by the elder Tiepolo for his own country house. They were finished in about 1797. Another important Tiepolo work is displayed in tho section; the
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since the 17th century, a figure for ridicule and satire; he wore a tall white hat and gown, a mask, and carried a club or long forks. The frescos were begun in about 1759, and illustrate the stories of
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676:, who also did the painted frames in the Grand Salon. The painting depicts the bridal couple in a chariot, being led by the sun god, Apollo. Other allegorical figures include cupid blindfold, a flight of
1046:, which were painted by Tiepolo and his sons in just twelve days. The furniture in the room is also notable, particularly sculpted and gilded tables, mirrors and candlesticks, ornamented with statues of
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The interior work was nearly finished in 1756. The pinnacle of the Rezzonico's power and the Palazzo's grandeur came in 1758, when Carlo, the younger brother of Giambattista Rezzonico, was elected
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1303:, from the end of the 17th century. The room also features a very fine marquetry desk, inlaid with ivory and decorated with gilded bronze, by the ebenist Pietro Pifetti, signed and dated 1741.
1701:
1287:, from the end of the 17th century. The three large mythological paintings in the room were attributed to him in the 19th century. More recent scholarship attributes one painting in the room,
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659:, a room decorated to commemorate the 1758 marriage of Ludovico Rezzonico, the nephew of Pope Clement XIII Rezzonico, and future procurator of San Marco, to Faustina Savorgnan, is also on the
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458:, a deputy of the Italian parliament and a collector of modern art. The Palazzo became the setting for spectacular costume balls, celebrations by torchlight and candlelight, and concerts.
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The second (third, in U.S. use), or upper floor, contains a series of galleries displaying Venetian paintings and decorative arts from the 18th century. Several major paintings by
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The furnishings of the salon included paintings and furnishings by Italian artists of the first half and mid-18th century, including portrait of Pope Clement XIII Rezzonico by
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or ballroom, fourteen by twenty-four meters in size, at the rear of the building. This room, created by Massari, is of double height, and appears even higher because of the
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by Johann Anton Eismann, an Austrian painter born in Salzburg and active in Verona and Venice. He mainly painted scenes of port and battle genre. He died in Venice in 1698.
2579:, which is said to be a tribute to the poet Homer, along with medallions and images of mythological scenes and creatures. On the ceiling is a large rectangular painting of
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The mezzanine, reached by the stairway to the ground floor, contains another gallery displaying the Mestrovich Collection, by Ferrucio Mestrovich, whose family lived in
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married Faustina Savorgnan, uniting the two richest families in Venice. To mark that occasion, Rezzonico commissioned the most celebrated painter of Venice, the aging
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including works from the 15th to the end of the 19th century by the major Venetian masters. It occupies nearly the entire third floor. It includes important works by
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1263:(1699-1781), which were acquired for the museum by the City of Venice in 1935. The ceiling has a fresco on the same theme as the Tiepolo fresco in the Throne Room,
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features three large Flemish tapestries from the end of the 17th century, as well as sculpted and gilded furniture from the period. The ceiling frescoes represent
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by Carriera. Another notable pastel portrait is that of Cecilia Guardi Tiepolo, wife of the painter Tiepolo, painted by her son Lorenzo. It was painted in 1757.
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554:. Le Court was the leading sculptor in Venice in the late 17th century, and worked closely on many projects with the first architect of the building, Longhena.
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1983:
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252:, a Procurator of the city and patron of the arts, decided to transform the two houses into a single large palazzo on the site. For this purpose he employed
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2575:, with monochromatic scenes by Giandomenico Tiepolo of themes and creatures. The ceiling of the Cabinet of Centaurs has a red monochrome meed image called
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2067:. The fresco of the ceiling entitled: Conjugal Concorde crowned by Virtue in the presence of Justice, Prudence, Temperance, Fame, Abundance is a work of
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1030:. The yellow door is also notable; it portrays a lacquered painting of a Chinese man with a parasol, surrounded by floral motifs, and dates from 1760.
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2001:
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2775:, represents the allegory of Purity, is the work of the Venetian sculptor Antonio Corradini, who was known for his depiction of figures under veils.
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century, are among the few fixtures that date to the original period of the building. The ballroom is now decorated with 18th century statues by
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is said to show Tiepolo himself, to the right, looking at the scene ironically through his eyeglass. On the opposite wall are two more scenes,
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College, but went instead through several families, and in 1832 to Carlo Pindemonte, the grandson of a Piedomontese poet and political figure,
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93:
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489:, and other artists to augment the collection. The building underwent a major restoration in the late 1970s and was completed in 2001.
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1511 by soldiers of the Holy Roman Empire, and his liberation, according to the legend, through the intervention of the Virgin Mary.
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1259:(or Morlaiter hall) with four large bookcases filled with small sculptures in terra-cotta or baked earth by the Venetian sculptor
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2771:. The frescoes were framed with plasterwork. These restored frescoes are the only examples of this type of work by Guardi. The
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805:, date from the time when Tiepolo was working in the main salon, and are usually attributed to either Giambattista Crosato or
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2847:, with a ceiling, "zephyr and Flore" ironic and the critical spirit of the Venetian Lights, visible in the paintings of
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322:, a banker and fabric merchant from Lombardy, whose family had bought a title of Venetian nobility in 1648, during the
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architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including
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4186:, a full text exhibition catalog from The Metropolitan Museum of Art, which includes material on Ca' Rezzonico
436:, the poet, died in his apartment on the mezzanine floor in 1889. At this time, the American portrait painter
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and figures representing the different virtues. The room also features several fine Chinese porcelain vases.
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3388:, Italian vedute engraver and painter. Main initiator Venetian landscape in the eighteenth century.
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1691:, is also on display, along with several celebrated scenes of life in Venice during the period by
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and other notable Venetian artists. They include a fine pastel portrait of the opera singer
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painted frame, with allegorical scenes painted in the corners. The paintings, particularly
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with chinoiserie motifs, very popular in Venetian eighteenth century. The set comes from
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582:(not by Pietro Visconti, as long believed). The centerpiece of the ceiling, painted by
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by the staircase of honour, which has marble balustrades decorated with statuary by
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3713:. Also represented in the museum collection, with a pastel, is the Venetian artist
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architectural style. Longhena was the designer of the famous dome of the Church of
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La donna nella pittura italiana del Seicento e Settecento: il genio e la grazia
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1299:. The five oval paintings on the ceiling, also on mythological themes, are by
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Visitors typically arrived by gondola at the main entrance, opening onto the
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Ground floor passage from the Grand Canal to the inner courtyard and fountain
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The Pulcinella Room, in this section, contains a group of three frescoes by
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in 1726. The unfinished Palazzo is the white building the center on the left
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Other major works that can be seen on the top floor include the historical
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Madonna col Bambino adorata da San Girolamo Miani e da San Giacomo apostolo
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of Belluno. The room takes its name from the number of pastel portraits by
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Wedding couple in chariot on the ceiling of the Salon of the Allegory, by
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rented Ca' Rezzonico for $ 4,000 a month in the 1920s. Porter engaged 50
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painting of the early 18th century shows only the ground floor and first
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Third Floor and mezzanine: Martini Collection and Mestrovich Collection
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of carved walnut illustrating the fantasy of the Italian rococo style.
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chandelier in the Brustolon Hall by Giuseppe Briani (mid-18th century)
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Other Venetian artists whose works can be seen on this floor include
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workshop of Giuseppe Briani, made in the middle of the 18th century.
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The Pulicinella section contains two more rooms, the Cabinet of the
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2568:
1118:
Has the third of the four Tiepolo ceilings in the building, called
2059:
The Parlor Hall takes its name from Francesco Guardi's painting:
1478:
1459:
478:
257:
194:
173:
2376:
A section on the second floor contains rooms with of frescos by
4272:
4199:
2572:
2385:
708:
587:
486:
482:
210:
198:
190:
78:
4415:
4403:
399:
The palace was the site of further celebrations in 1759, when
1047:
596:
3842:
672:
paintings of architecture, including a false balustrade, by
443:
In 1906 Browning received an offer from the German Emperor,
4039:
3798:
3796:
3794:
3758:
3756:
3754:
2755:
Commissioned by Maria Barbarigo Savorgnan from the painter
2417:; on the right, an "Allegory of Summer"; on the back wall:
1353:
is devoted to the sculpted furniture and carved figures of
388:, to paint the ceilings of two salons, along painters with
373:
44:
The white marble façade of Ca' Rezzonico on the Grand Canal
4075:
4051:
4001:
3977:
3965:
1458:
In the traditional structure of the Venetian palace, the
410:
3907:
3905:
3903:
3888:
3791:
3751:
4063:
3739:
3361:) is a set of furniture painted green and gold, called
1502:
Pair of Atlantis marble supporting a lintel chimney by
595:, including a statue of an Ethiopian warrior carved of
4127:
Ca' Rezzonico: MusĂŠe de l'art vĂŠnitien du XVIII siĂŠcle
3989:
3953:
3941:
3929:
1108:
Pietro Barbarigo detto lo Zoppo by Bernardino Castelli
4392:
3900:
3779:
231:
2510:
Falchetto che piomba sullo stormo di passeri in fuga
1062:
Allegory of Merit Accompanied by Nobility and Virtue
711:
stucco sculpture on the white walls, and a retable,
447:, to buy the building, but sold it instead to Count
2384:, which were originally in the Villa Zianigo, near
611:
The ballroom, the largest room in the Ca' Rezzonico
564:The Palazzo's ceremonial rooms are located on the
300:The Palazzo in the mid-19th century, by Carlo Naya
578:architecture painted on the walls and ceiling by
518:Fountain in courtyard with Rezzonico coat of arms
492:
4440:
3843:Nielsen Business Media, Inc. (29 October 1949).
2083:The room with Francesco Guardi's famous painting
256:(1597-1682), the greatest proponent of Venetian
4093:
3090:Portrait of William Graham (2e duc de Montrose)
2816:Venere e Amore di fronte alla fucina di Vulcano
1291:, to Lazzari. The others are now attributed to
236:Ca' Rezzonico stands on the right bank of the
4454:Art museums and galleries established in 1936
4257:
3849:. Nielsen Business Media, Inc. pp. 45â.
2419:Falcon chasing a flock of sparrows on the run
2371:
214:
184:
33:Ca' Rezzonico â Museum of 18th-century Venice
925:Cornelia Foscolo Balbi - Marianna Carlevaris
862:Suor Maria Caterina Puppi - Rosalba Carriera
4087:
1900:Interno della basilica di San Pietro a Roma
668:paintings in the Grand salon, is framed by
473:to "perform in a blaze of colored lights".
4264:
4250:
3727:List of buildings and structures in Venice
2129:The Foyer of Dandolo's palace in San Moisè
2065:The Foyer of Dandolo's palace in San Moisè
913:Gerolamo Maria Balbi - Marianna Carlevaris
703:A passage from the Salon leads to a small
626:fresco on the ceiling of the ballroom, by
219:) and one of the 11 venues managed by the
3709:; and a collection of three portraits by
1664:
1283:takes its name from the Venetian painter
568:. The largest and most impressive is the
4124:
4081:
4069:
4057:
4045:
4007:
3995:
3983:
3971:
3959:
3947:
3935:
3911:
3894:
3816:"Cole Porter Is Dead; Songwriter Was 72"
3802:
3785:
3762:
3745:
3180:Ritratto di Adriana Giustinian Barbarigo
2063:(1740-1745) exhibited in the hall with |
1130:, and two early works in oval frames by
784:Tapestry with arms of the Tiepolo family
767:The holy family and St. John the Baptist
3836:
3808:
1884:Mucius Scaevola in front of Porsenna -
1148:Nobility and Virtue defeating Ignorance
1120:Nobility and Virtue defeating Ignorance
901:Giambattista Sartori - Rosalba Carriera
789:
248:clans. In 1649 the head of the family,
27:Palazzo and art museum in Venice, Italy
14:
4441:
4142:
2750:
2482:Rinaldo lasciando il giardino d'Armida
2111:The Parlor of the Nuns at San Zaccaria
2061:The Parlor of the Nuns at San Zaccaria
1870:Canal Grande da Palazzo Balbi a Rialto
1708:Ritratto del cardinale Federico Corner
647:decoration of the ballroom ceiling by
411:19th-20th century- decline and revival
51:Click on the map for a fullscreen view
4245:
3352:
1972:Ritratto del Senatore Giovanni Correr
1289:Orpheus massacred by the Bacchanantes
167:
4271:
3683:, and other major Venetian masters.
3396:Caprice with the fountain of Neptune
2765:Venus and Love before Vulcan's forge
2519:was a standard character in Italian
1669:
1017:
937:Caterina Balbi - Marianna Carlevaris
663:. The ceiling has a large fresco by
4479:Palaces on the Grand Canal (Venice)
4449:Art museums and galleries in Venice
3530:Capriccio con la fontana di Nettuno
2163:Martyrdom of Saint Theodora of Rome
1113:
889:Lucietta Sartori - Rosalba Carriera
24:
3378:Landscape with monks and travelers
2403:Achilles and the girls of Licomede
1744:Ritratto di gentiluomo in parrucca
1033:
440:also had a studio in the palazzo.
232:Construction (17th-18th centuries)
221:Fondazione Musei Civici di Venezia
213:dedicated to 18th-century Venice (
25:
4490:
4190:Virtual tour of the Ca' Rezzonico
4161:
3382:Landscape with mill and laundress
1344:
1274:
949:Marco Balbi - Marianna Carlevaris
461:American songwriter and composer
449:Lionello von Hierschel de Minerbi
4426:
4414:
4402:
4198:
3650:Paesaggio con riposo al torrente
3642:
3627:
3612:
3597:
3582:
3567:
3552:
3537:
3522:
3507:
3500:Paesaggio con mulino e lavandaie
3492:
3485:Paesaggio con monaci e viandanti
3477:
3462:
3450:
3337:
3322:
3307:
3292:
3277:
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3247:
3232:
3217:
3202:
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3127:
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3097:
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3067:
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2977:
2962:
2947:
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2902:
2884:
2869:
2857:
2822:
2808:
2794:
2780:
2736:
2724:
2709:
2695:
2681:
2667:
2653:
2639:
2625:
2609:
2595:
2502:
2488:
2474:
2459:
2444:
2426:
2409:; overcoming these two canvases
2217:
2202:
2184:
2170:
2155:
2139:
2121:
2103:
2088:
2076:
2036:
2018:
2000:
1982:
1964:
1946:
1928:
1918:La comunione di San Filippo Neri
1910:
1892:
1877:
1862:
1844:
1826:
1808:
1790:
1772:
1754:
1736:
1718:
1700:
1649:
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1604:
1586:
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1239:
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1191:
1176:
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1086:
1071:
1055:
999:
984:
969:
954:
942:
930:
918:
906:
894:
882:
867:
855:
840:
822:
777:
759:
744:
728:
635:
616:
604:
523:
511:
499:
305:
293:
277:
38:
4184:Giambattista Tiepolo, 1696-1770
4118:
4013:
3917:
3675:, the Tiepolos father and son,
2633:Centauro che rimuove una satira
2558:Pulcinella and the Saltimboques
2434:Achille e le figlie di Licomede
1936:Ritratto di gentiluomo in rosso
848:Ritratto di gentiluomo in rosso
557:
260:, a style slowly replacing the
4464:Baroque architecture in Venice
4372:Santa Maria Gloriosa dei Frari
3768:
3433:, already met in other rooms:
3357:The decoration of this piece (
2837:
2054:
1254:
493:The ground floor and courtyard
216:Museo del Settecento Veneziano
13:
1:
4474:Palaces in Sestiere Dorsoduro
4459:Baldassare Longhena buildings
3732:
1489:. Active in Padua and Venice.
962:Ritratto di un bambino nobile
4326:History of the Doge's Palace
2603:Minuetto in villa di Zianigo
1685:The festival of Saint Martha
1611:Atlas by Alessandro Vittoria
696:, a pupil of Tiepolo, and a
169:[Ëka(r)retËtsÉËniko]
7:
4129:, Milan: Marsilio Editori,
3720:
3707:Giovanni Battista Piazzetta
2703:Il casotto dei saltimbanchi
1886:Giovanni Antonio Pellegrini
1078:Gian Rinaldo Carli 1749 by
284:View of the Grand Canal by
10:
4495:
4145:CaractĂŠristique des Styles
4125:Pedrocco, Filippo (2012),
3635:Paesaggio con la mungitura
3416:Landscape with a waterfall
2876:Longhi Room - Ceilling by
2372:Frescos from Villa Zianigo
1678:are on display, including
1513:A marble bust of the Pope
1453:
226:
4282:
4194:Google Arts & Culture
3000:La cioccolata del mattino
2970:Il concertino in famiglia
2940:La venditrice di frittole
2581:Scenes from Roman History
2421:by Giandomenico Tiepolo.
2354:Giuseppe Bernardino Bison
1389:Allegory of the fortitude
715:, by a pupil of Tiepolo,
674:Girolamo Mengozzi Colonna
649:Girolamo Mengozzi Colonna
628:Giovanni Battista Crosato
584:Giovanni Battista Crosato
580:Girolamo Mengozzi Colonna
469:and employed a troupe of
386:Giovanni Battista Tiepolo
367:Girolamo Mengozzi Colonna
357:Giovanni Battista Crosato
146:
138:
124:
109:45.4334250°N 12.3268167°E
85:
71:
56:
49:
37:
4469:Houses completed in 1758
4367:Santa Maria della Salute
4094:Alberto Cottino (2003).
3439:Landscape with shepherds
3410:Landscape with a caravan
3225:La passaggiata a cavallo
3030:La venditrice di essenze
2411:The Apotheosis of Venice
2294:Giovan Battista Langetti
2178:View of St. Mark's Basin
2026:Testa di vecchio barbuto
1954:Giustina DonĂ dalle Rose
1798:Veduta di porto fluviale
1506:(1525 -1608) a sculptor
1261:Giovanni Maria Morlaiter
1093:Gerolamo Maria Balbi by
270:Santa Maria della Salute
152:carezzonico.visitmuve.it
4332:Gallerie dell'Accademia
4143:Ducher, Robert (1988),
3420:Landscape with a marine
3359:Sala delle Lacche Verdi
2717:Altalena dei pulcinelli
2562:Departure of Pulcinella
2552:from the Villa, called
2469:by Francesco Fontebasso
2407:The Sabines' kidnapping
2165:by Giambattista Tiepolo
1834:Il convegno diplomatico
1816:Prospettiva con portico
1780:La Sagra di Santa Marta
1510:of the Venetian school.
1249:by Giandomenico Tiepolo
1216:by Giambattista Tiepolo
1201:by Giambattista Tiepolo
992:Ritratto di gentildonna
964:- Gian Antonio Lazzari
430:Robert Barrett Browning
405:Procurator of San Marco
60:25 April 1936
4377:Santi Giovanni e Paolo
4205:Ca' Rezzonico (Venice)
3677:Giambattista Piazzetta
3562:by Johann Anton Eisman
3560:Paesaggio con Carovana
3547:by Johann Anton Eisman
3443:Landscape with milking
2496:Camerino del falchetto
1665:Second floor galleries
1007:Cecilia Guardi Tiepolo
994:- Gian Antonio Lazzari
979:- Gian Antonio Lazzari
320:Giambattista Rezzonico
215:
185:
176:and art museum on the
165:Italian pronunciation:
114:45.4334250; 12.3268167
4317:Ca' Vendramin Calergi
4234:Ca' Vendramin Calergi
4147:, Paris: Flammarion,
3605:Paesaggio con pastore
3575:Paesaggio con cascata
3406:Landscape with marine
3345:L'atelier del pittore
3315:L'ambasciata del moro
3120:La visita al convento
3075:La famiglia Rezzonico
2689:Pulcinella innamorato
2661:Lâaltalena del satiro
1904:Giovanni Paolo Panini
1852:Il rio dei Mendicanti
1680:Architectural Caprice
1443:Lot and his daughters
1429:Giambattista Langetti
1411:Giambattista Langetti
1247:Young man with helmet
1044:The Allegory of Merit
1024:The Triumph of Virtue
977:Ritratto di un nobile
803:The Triumph of Poetry
713:The Virgin and Saints
657:Salon of the Allegory
624:The Chariot of Apollo
238:Grand Canal of Venice
4362:San Giorgio Maggiore
4207:at Wikimedia Commons
3590:Paesaggio con marina
3545:Paesaggio con marina
3392:Caprice with an arch
3367:Palazzo Calbo Crotta
3363:Salotto Calbo-Crotta
2878:Giambattista Tiepolo
2845:Giambattista Tiepolo
2550:Giandomenico Tiepolo
2415:Francesco Fontebasso
2382:Giambattista Tiepolo
2378:Giandomenico Tiepolo
2242:Bonifacio de' Pitati
1766:Francesco Zuccarelli
1659:by Giuseppe Torretti
1487:Gian Lorenzo Bernini
1334:Hercules and Omphale
1233:Giandomenico Tiepolo
1152:Giambattista Tiepolo
1132:Giambattista Tiepolo
1065:Giambattista Tiepolo
790:The Salon of Pastels
751:Francesco Falier by
737:Giambattista Tiepolo
665:Giambattista Tiepolo
312:Detail of the facade
254:Baldassarre Longhena
207:Giambattista Tiepolo
4048:, pp. 139â148.
3703:The Death of Darius
3532:by Luca Carlevarijs
3517:by Luca Carlevarijs
3285:Visita all'ammalato
3240:La prova dell'abito
3105:Colloquio fra baute
3015:La scuola di lavoro
2832:(1772) by Corradini
2751:Antonio Guardi Room
2744:HiĂŤronymus Emiliani
2675:Pulcinelli a riposo
2647:La danza dei satiri
2571:and the Cabinet of
2467:Apoteosi di Venezia
2210:Benedetto Ganassoni
1990:Ragazzo con piffero
1748:Sebastiano Bombelli
1726:Ritratto di vecchia
1598:Alessandro Vittoria
1504:Alessandro Vittoria
1407:The suicide of Cato
1229:Old man with diadem
1184:Giacomo il Maggiore
1095:Fortunato Pasquetti
753:Bernardino Castelli
686:Anton Raphael Mengs
438:John Singer Sargent
422:Ippolito Pindemonte
105: /
34:
4382:St Mark's Basilica
4347:Punta della Dogana
4084:, pp. 159â65.
4060:, pp. 154â55.
3880:has generic name (
3821:The New York Times
3775:Canaletto painting
3696:Bonifazio Veronese
3592:by Jacob de Heusch
3577:by Jacob de Heusch
3515:Capriccio con arco
3457:Green lacquer room
3353:Green lacquer room
3150:Il gigante Magrath
3135:La visita in bauta
2554:Pulcinella in Love
2521:Commedia dell'arte
2452:Ratto delle Sabine
2234:Cima da Conegliano
1994:Domenico Maggiotto
1285:Gregorio Lazzarini
1199:St Martin of Tours
1186:by Giuseppe Angeli
1038:At the end of the
877:- Rosalba Carriera
850:- Rosalba Carriera
382:Ludovico Rezzonico
244:, one of Venice's
32:
4390:
4389:
4240:
4239:
4230:Succeeded by
4203:Media related to
4136:978-88-317-1425-9
4010:, pp. 75â88.
3986:, pp. 58â63.
3974:, pp. 48â57.
3897:, pp. 16â21.
3824:. 16 October 1964
3805:, pp. 14â15.
3765:, pp. 10â11.
3692:Jacopo Tintoretto
3060:Famiglia Patrizia
2454:by Nicolò Bambini
2196:Bartolomeo Nazari
2097:Costantino Cedini
2069:Costantino Cedini
2048:Francesco Capella
2012:Antonio Marinetti
1670:Portego paintings
1643:Giuseppe Torretti
1623:Bust of the Pope
1530:Giuseppe Torretti
1477:Italian sculptor
1464:Red Verona marble
1316:Allegory of Merit
1265:Allegory of Merit
1080:Bartolomeo Nazari
1018:The Tapestry Hall
530:Grand stairway -
471:high-rope walkers
401:Aurelio Rezzonico
209:. It is a public
158:
157:
142:Alberto Craievich
16:(Redirected from
4486:
4431:
4430:
4429:
4419:
4418:
4407:
4406:
4398:
4342:Piazza San Marco
4266:
4259:
4252:
4243:
4242:
4224:Venice landmarks
4214:Preceded by
4211:
4210:
4202:
4180:
4179:
4169:
4157:
4139:
4112:
4111:
4100:. U. Allemandi.
4091:
4085:
4079:
4073:
4067:
4061:
4055:
4049:
4043:
4037:
4036:
4034:
4032:
4023:. Archived from
4017:
4011:
4005:
3999:
3993:
3987:
3981:
3975:
3969:
3963:
3957:
3951:
3945:
3939:
3933:
3927:
3921:
3915:
3909:
3898:
3892:
3886:
3885:
3879:
3875:
3873:
3865:
3863:
3861:
3840:
3834:
3833:
3831:
3829:
3812:
3806:
3800:
3789:
3783:
3777:
3772:
3766:
3760:
3749:
3748:, pp. 9â10.
3743:
3698:, among others.
3669:Francesco Maffei
3665:Bernardo Strozzi
3652:by Giuseppe Zais
3646:
3637:by Giuseppe Zais
3631:
3622:by Giuseppe Zais
3616:
3607:by Giuseppe Zais
3601:
3586:
3571:
3556:
3541:
3526:
3511:
3496:
3481:
3470:Trionfo di diana
3466:
3454:
3400:Luca Carlevarijs
3341:
3326:
3311:
3300:Visita del frate
3296:
3281:
3266:
3251:
3236:
3221:
3206:
3191:
3176:
3161:
3146:
3131:
3116:
3101:
3086:
3071:
3056:
3041:
3026:
3011:
2996:
2981:
2966:
2955:L'allegra coppia
2951:
2936:
2921:
2906:
2888:
2873:
2861:
2826:
2812:
2798:
2784:
2740:
2728:
2713:
2699:
2685:
2671:
2657:
2643:
2629:
2613:
2599:
2506:
2492:
2478:
2463:
2448:
2430:
2358:Natale Schiavoni
2322:Rosalba Carriera
2290:Francesco Maffei
2286:Bernardo Strozzi
2282:Palma il Giovane
2227:by Giuseppe Zais
2221:
2212:by Pietro Longhi
2206:
2188:
2174:
2159:
2150:by Pietro Longhi
2148:Francesco Guardi
2143:
2133:Francesco Guardi
2125:
2115:Francesco Guardi
2107:
2092:
2080:
2044:Madonna leggente
2040:
2022:
2008:Ragazzo con mela
2004:
1986:
1976:Antonio Bellucci
1968:
1958:Lodovico Gallina
1950:
1932:
1914:
1896:
1881:
1866:
1848:
1838:Francesco Guardi
1830:
1820:Giuseppe Moretti
1812:
1802:Luca Carlevarijs
1794:
1776:
1758:
1740:
1722:
1712:Bernardo Strozzi
1704:
1693:Francesco Guardi
1653:
1635:
1620:
1608:
1590:
1576:Allegory of Envy
1572:
1554:
1542:
1493:Allegory of Envy
1439:
1425:Tantalus chained
1421:
1403:
1385:
1370:
1355:Andrea Brustolon
1338:Antonio Bellucci
1330:
1320:Mattia Bortoloni
1312:
1301:Francesco Maffei
1297:Antonio Molinari
1293:Antonio Bellucci
1269:Mattia Bortoloni
1243:
1225:
1210:
1195:
1180:
1162:
1144:
1128:Francesco Guardi
1114:The Tiepolo Hall
1105:
1090:
1075:
1059:
1003:
988:
973:
958:
946:
934:
922:
910:
898:
886:
875:Faustina Bordoni
871:
859:
844:
834:Rosalba Carriera
826:
815:Faustina Bordoni
811:Rosalba Carriera
781:
763:
748:
732:
639:
620:
608:
593:Andrea Brustolon
527:
515:
503:
457:
380:, the same year
309:
297:
281:
218:
203:Francesco Guardi
188:
171:
166:
154:
120:
119:
117:
116:
115:
110:
106:
103:
102:
101:
98:
67:
65:
42:
35:
31:
21:
4494:
4493:
4489:
4488:
4487:
4485:
4484:
4483:
4439:
4438:
4437:
4427:
4425:
4413:
4401:
4393:
4391:
4386:
4292:Bridge of Sighs
4278:
4270:
4231:
4226:
4215:
4171:
4170:
4167:
4164:
4155:
4137:
4121:
4116:
4115:
4108:
4092:
4088:
4080:
4076:
4068:
4064:
4056:
4052:
4044:
4040:
4030:
4028:
4027:on 29 June 2013
4019:
4018:
4014:
4006:
4002:
3994:
3990:
3982:
3978:
3970:
3966:
3958:
3954:
3946:
3942:
3934:
3930:
3922:
3918:
3910:
3901:
3893:
3889:
3877:
3876:
3867:
3866:
3859:
3857:
3841:
3837:
3827:
3825:
3814:
3813:
3809:
3801:
3792:
3784:
3780:
3773:
3769:
3761:
3752:
3744:
3740:
3735:
3723:
3711:Pietro Bellotti
3681:Gaspare Diziani
3660:
3653:
3647:
3638:
3632:
3623:
3617:
3608:
3602:
3593:
3587:
3578:
3572:
3563:
3557:
3548:
3542:
3533:
3527:
3518:
3512:
3503:
3497:
3488:
3482:
3473:
3467:
3458:
3455:
3424:Jacob de Heusch
3355:
3348:
3342:
3333:
3327:
3318:
3312:
3303:
3297:
3288:
3282:
3273:
3270:Il parrucchiere
3267:
3258:
3252:
3243:
3237:
3228:
3222:
3213:
3207:
3198:
3195:La pettinatrice
3192:
3183:
3177:
3168:
3162:
3153:
3147:
3138:
3132:
3123:
3117:
3108:
3102:
3093:
3087:
3078:
3072:
3063:
3057:
3048:
3042:
3033:
3027:
3018:
3012:
3003:
2997:
2988:
2982:
2973:
2967:
2958:
2952:
2943:
2937:
2928:
2922:
2913:
2907:
2898:
2889:
2880:
2874:
2865:
2862:
2840:
2833:
2830:The Veiled Lady
2827:
2818:
2813:
2804:
2799:
2790:
2785:
2753:
2746:
2741:
2732:
2729:
2720:
2714:
2705:
2700:
2691:
2686:
2677:
2672:
2663:
2658:
2649:
2644:
2635:
2630:
2621:
2614:
2605:
2600:
2512:
2507:
2498:
2493:
2484:
2479:
2470:
2464:
2455:
2449:
2440:
2431:
2374:
2364:, Mancini, and
2306:Niccolò Bambini
2278:Giovanni Segala
2262:Lambert Sustris
2258:Paolo Fiammingo
2238:Alvise Vivarini
2228:
2222:
2213:
2207:
2198:
2189:
2180:
2175:
2166:
2160:
2151:
2144:
2135:
2126:
2117:
2108:
2099:
2093:
2084:
2081:
2057:
2050:
2041:
2032:
2030:Giuseppe Nogari
2023:
2014:
2005:
1996:
1987:
1978:
1969:
1960:
1951:
1942:
1940:Niccolò Cassana
1933:
1924:
1922:Giuseppe Angeli
1915:
1906:
1897:
1888:
1882:
1873:
1867:
1858:
1849:
1840:
1831:
1822:
1813:
1804:
1795:
1786:
1784:Gaspare Diziani
1777:
1768:
1759:
1750:
1741:
1732:
1730:Pietro Bellotti
1723:
1714:
1705:
1689:Gaspare Diziani
1672:
1667:
1660:
1654:
1645:
1636:
1627:
1621:
1612:
1609:
1600:
1591:
1582:
1580:Giusto Le Court
1573:
1564:
1555:
1546:
1543:
1517:above the door.
1497:Giusto Le Court
1456:
1449:
1440:
1431:
1422:
1413:
1404:
1395:
1393:Nicolas RĂŠgnier
1386:
1377:
1371:
1347:
1340:
1331:
1322:
1313:
1277:
1257:
1250:
1244:
1235:
1226:
1217:
1211:
1202:
1196:
1187:
1181:
1172:
1170:Giuseppe Angeli
1163:
1154:
1145:
1116:
1109:
1106:
1097:
1091:
1082:
1076:
1067:
1063:
1060:
1036:
1034:The Throne Room
1020:
1013:
1011:Lorenzo Tiepolo
1004:
995:
989:
980:
974:
965:
959:
950:
947:
938:
935:
926:
923:
914:
911:
902:
899:
890:
887:
878:
872:
863:
860:
851:
845:
836:
827:
807:Gaspare Diziani
792:
785:
782:
773:
771:Francesco Zugno
764:
755:
749:
740:
733:
717:Francesco Zugno
694:Francesco Zugno
651:
640:
631:
621:
612:
609:
562:
552:Giusto Le Court
538:
536:Giusto Le Court
528:
519:
516:
507:
504:
495:
451:
434:Robert Browning
432:, whose father
413:
390:Gaspare Diziani
337:Giorgio Massari
313:
310:
301:
298:
289:
282:
234:
229:
164:
150:
113:
111:
107:
104:
99:
96:
94:
92:
91:
76:
75:Dorsoduro 3136,
63:
61:
52:
45:
28:
23:
22:
15:
12:
11:
5:
4492:
4482:
4481:
4476:
4471:
4466:
4461:
4456:
4451:
4436:
4435:
4423:
4411:
4388:
4387:
4385:
4384:
4379:
4374:
4369:
4364:
4359:
4354:
4349:
4344:
4339:
4334:
4329:
4319:
4314:
4309:
4304:
4299:
4294:
4289:
4283:
4280:
4279:
4269:
4268:
4261:
4254:
4246:
4238:
4237:
4228:
4227:Ca' Rezzonico
4221:
4209:
4208:
4196:
4187:
4181:
4177:museum website
4163:
4162:External links
4160:
4159:
4158:
4153:
4140:
4135:
4120:
4117:
4114:
4113:
4106:
4086:
4074:
4072:, p. 156.
4062:
4050:
4038:
4012:
4000:
3988:
3976:
3964:
3952:
3940:
3928:
3924:Tiepolo fresco
3916:
3899:
3887:
3835:
3807:
3790:
3778:
3767:
3750:
3737:
3736:
3734:
3731:
3730:
3729:
3722:
3719:
3673:Pietro Vecchia
3659:
3656:
3655:
3654:
3648:
3641:
3639:
3633:
3626:
3624:
3618:
3611:
3609:
3603:
3596:
3594:
3588:
3581:
3579:
3573:
3566:
3564:
3558:
3551:
3549:
3543:
3536:
3534:
3528:
3521:
3519:
3513:
3506:
3504:
3502:by Marco Ricci
3498:
3491:
3489:
3487:by Marco Ricci
3483:
3476:
3474:
3468:
3461:
3459:
3456:
3449:
3446:
3445:
3427:
3413:
3403:
3389:
3354:
3351:
3350:
3349:
3343:
3336:
3334:
3330:Il rinoceronte
3328:
3321:
3319:
3313:
3306:
3304:
3298:
3291:
3289:
3283:
3276:
3274:
3268:
3261:
3259:
3253:
3246:
3244:
3238:
3231:
3229:
3223:
3216:
3214:
3208:
3201:
3199:
3193:
3186:
3184:
3178:
3171:
3169:
3165:Gli alchimisti
3163:
3156:
3154:
3148:
3141:
3139:
3133:
3126:
3124:
3118:
3111:
3109:
3103:
3096:
3094:
3088:
3081:
3079:
3073:
3066:
3064:
3058:
3051:
3049:
3043:
3036:
3034:
3028:
3021:
3019:
3013:
3006:
3004:
2998:
2991:
2989:
2983:
2976:
2974:
2968:
2961:
2959:
2953:
2946:
2944:
2938:
2931:
2929:
2923:
2916:
2914:
2908:
2901:
2899:
2890:
2883:
2881:
2875:
2868:
2866:
2863:
2856:
2839:
2836:
2835:
2834:
2828:
2821:
2819:
2814:
2807:
2805:
2800:
2793:
2791:
2786:
2779:
2757:Antonio Guardi
2752:
2749:
2748:
2747:
2742:
2735:
2733:
2730:
2723:
2721:
2715:
2708:
2706:
2701:
2694:
2692:
2687:
2680:
2678:
2673:
2666:
2664:
2659:
2652:
2650:
2645:
2638:
2636:
2631:
2624:
2622:
2615:
2608:
2606:
2601:
2594:
2514:
2513:
2508:
2501:
2499:
2494:
2487:
2485:
2480:
2473:
2471:
2465:
2458:
2456:
2450:
2443:
2441:
2438:Nicolò Bambini
2432:
2425:
2399:Nicolò Bambini
2394:
2393:
2373:
2370:
2362:Ippolito Caffi
2342:Antonio Marini
2274:Pietro Vecchia
2230:
2229:
2223:
2216:
2214:
2208:
2201:
2199:
2192:Samuel Egerton
2190:
2183:
2181:
2176:
2169:
2167:
2161:
2154:
2152:
2145:
2138:
2136:
2127:
2120:
2118:
2109:
2102:
2100:
2095:The fresco of
2094:
2087:
2085:
2082:
2075:
2056:
2053:
2052:
2051:
2042:
2035:
2033:
2024:
2017:
2015:
2006:
1999:
1997:
1988:
1981:
1979:
1970:
1963:
1961:
1952:
1945:
1943:
1934:
1927:
1925:
1916:
1909:
1907:
1898:
1891:
1889:
1883:
1876:
1874:
1868:
1861:
1859:
1850:
1843:
1841:
1832:
1825:
1823:
1814:
1807:
1805:
1796:
1789:
1787:
1778:
1771:
1769:
1760:
1753:
1751:
1742:
1735:
1733:
1724:
1717:
1715:
1706:
1699:
1671:
1668:
1666:
1663:
1662:
1661:
1655:
1648:
1646:
1637:
1630:
1628:
1622:
1615:
1613:
1610:
1603:
1601:
1592:
1585:
1583:
1574:
1567:
1565:
1562:Filippo Parodi
1556:
1549:
1547:
1544:
1537:
1534:
1533:
1518:
1511:
1500:
1490:
1483:Genoese school
1475:Filippo Parodi
1455:
1452:
1451:
1450:
1441:
1434:
1432:
1423:
1416:
1414:
1405:
1398:
1396:
1387:
1380:
1378:
1372:
1365:
1351:Brustolon Hall
1346:
1345:Brustolon Hall
1343:
1342:
1341:
1332:
1325:
1323:
1314:
1307:
1281:Lazzarini Hall
1276:
1275:Lazzarini Hall
1273:
1256:
1253:
1252:
1251:
1245:
1238:
1236:
1227:
1220:
1218:
1212:
1205:
1203:
1197:
1190:
1188:
1182:
1175:
1173:
1164:
1157:
1155:
1146:
1139:
1115:
1112:
1111:
1110:
1107:
1100:
1098:
1092:
1085:
1083:
1077:
1070:
1068:
1061:
1054:
1035:
1032:
1028:Jacopo Guarana
1019:
1016:
1015:
1014:
1005:
998:
996:
990:
983:
981:
975:
968:
966:
960:
953:
951:
948:
941:
939:
936:
929:
927:
924:
917:
915:
912:
905:
903:
900:
893:
891:
888:
881:
879:
873:
866:
864:
861:
854:
852:
846:
839:
837:
830:Madonna orante
828:
821:
791:
788:
787:
786:
783:
776:
774:
765:
758:
756:
750:
743:
741:
734:
727:
653:
652:
641:
634:
632:
622:
615:
613:
610:
603:
561:
556:
540:
539:
529:
522:
520:
517:
510:
508:
505:
498:
494:
491:
412:
409:
394:Jacopo Guarana
328:Ottoman Empire
315:
314:
311:
304:
302:
299:
292:
290:
283:
276:
233:
230:
228:
225:
156:
155:
148:
144:
143:
140:
136:
135:
126:
122:
121:
89:
83:
82:
73:
69:
68:
58:
54:
53:
50:
47:
46:
43:
26:
9:
6:
4:
3:
2:
4491:
4480:
4477:
4475:
4472:
4470:
4467:
4465:
4462:
4460:
4457:
4455:
4452:
4450:
4447:
4446:
4444:
4434:
4424:
4422:
4417:
4412:
4410:
4405:
4400:
4399:
4396:
4383:
4380:
4378:
4375:
4373:
4370:
4368:
4365:
4363:
4360:
4358:
4357:Rialto Bridge
4355:
4353:
4350:
4348:
4345:
4343:
4340:
4338:
4335:
4333:
4330:
4327:
4323:
4322:Doge's Palace
4320:
4318:
4315:
4313:
4312:Ca' Rezzonico
4310:
4308:
4305:
4303:
4300:
4298:
4295:
4293:
4290:
4288:
4285:
4284:
4281:
4277:
4274:
4267:
4262:
4260:
4255:
4253:
4248:
4247:
4244:
4236:
4235:
4229:
4225:
4222:
4220:
4219:
4213:
4212:
4206:
4201:
4197:
4195:
4191:
4188:
4185:
4182:
4178:
4176:
4175:Ca' Rezzonico
4166:
4165:
4156:
4154:2-08-011539-1
4150:
4146:
4141:
4138:
4132:
4128:
4123:
4122:
4109:
4107:9788842211754
4103:
4099:
4098:
4090:
4083:
4082:Pedrocco 2012
4078:
4071:
4070:Pedrocco 2012
4066:
4059:
4058:Pedrocco 2012
4054:
4047:
4046:Pedrocco 2012
4042:
4026:
4022:
4021:"Third floor"
4016:
4009:
4008:Pedrocco 2012
4004:
3998:, p. 72.
3997:
3996:Pedrocco 2012
3992:
3985:
3984:Pedrocco 2012
3980:
3973:
3972:Pedrocco 2012
3968:
3962:, p. 45.
3961:
3960:Pedrocco 2012
3956:
3950:, p. 43.
3949:
3948:Pedrocco 2012
3944:
3938:, p. 33.
3937:
3936:Pedrocco 2012
3932:
3925:
3920:
3914:, p. 21.
3913:
3912:Pedrocco 2012
3908:
3906:
3904:
3896:
3895:Pedrocco 2012
3891:
3883:
3878:|author=
3871:
3856:
3852:
3848:
3847:
3839:
3823:
3822:
3817:
3811:
3804:
3803:Pedrocco 2012
3799:
3797:
3795:
3788:, p. 13.
3787:
3786:Pedrocco 2012
3782:
3776:
3771:
3764:
3763:Pedrocco 2012
3759:
3757:
3755:
3747:
3746:Pedrocco 2012
3742:
3738:
3728:
3725:
3724:
3718:
3716:
3712:
3708:
3704:
3699:
3697:
3693:
3689:
3684:
3682:
3678:
3674:
3670:
3666:
3651:
3645:
3640:
3636:
3630:
3625:
3621:
3615:
3610:
3606:
3600:
3595:
3591:
3585:
3580:
3576:
3570:
3565:
3561:
3555:
3550:
3546:
3540:
3535:
3531:
3525:
3520:
3516:
3510:
3505:
3501:
3495:
3490:
3486:
3480:
3475:
3471:
3465:
3460:
3453:
3448:
3447:
3444:
3440:
3436:
3432:
3431:Giuseppe Zais
3428:
3425:
3421:
3417:
3414:
3411:
3407:
3404:
3401:
3397:
3393:
3390:
3387:
3383:
3379:
3376:
3375:
3374:
3372:
3368:
3364:
3360:
3346:
3340:
3335:
3331:
3325:
3320:
3316:
3310:
3305:
3301:
3295:
3290:
3286:
3280:
3275:
3271:
3265:
3260:
3256:
3250:
3245:
3241:
3235:
3230:
3226:
3220:
3215:
3211:
3205:
3200:
3196:
3190:
3185:
3181:
3175:
3170:
3166:
3160:
3155:
3151:
3145:
3140:
3136:
3130:
3125:
3121:
3115:
3110:
3106:
3100:
3095:
3091:
3085:
3080:
3076:
3070:
3065:
3061:
3055:
3050:
3046:
3040:
3035:
3031:
3025:
3020:
3016:
3010:
3005:
3001:
2995:
2990:
2986:
2985:Il Ciarlatano
2980:
2975:
2971:
2965:
2960:
2956:
2950:
2945:
2941:
2935:
2930:
2926:
2920:
2915:
2911:
2905:
2900:
2897:
2896:Pietro Longhi
2893:
2887:
2882:
2879:
2872:
2867:
2860:
2855:
2854:
2853:
2850:
2849:Pietro Longhi
2846:
2831:
2825:
2820:
2817:
2811:
2806:
2803:
2797:
2792:
2789:
2783:
2778:
2777:
2776:
2774:
2770:
2766:
2762:
2758:
2745:
2739:
2734:
2727:
2722:
2718:
2712:
2707:
2704:
2698:
2693:
2690:
2684:
2679:
2676:
2670:
2665:
2662:
2656:
2651:
2648:
2642:
2637:
2634:
2628:
2623:
2619:
2612:
2607:
2604:
2598:
2593:
2592:
2591:
2588:
2584:
2582:
2578:
2574:
2570:
2565:
2563:
2559:
2555:
2551:
2546:
2544:
2540:
2536:
2532:
2527:
2522:
2518:
2511:
2505:
2500:
2497:
2491:
2486:
2483:
2477:
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2315:
2314:Nicola Grassi
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133:Historic site
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100:12°19â˛36.54âłE
90:
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30:
19:
4409:Architecture
4352:Il Redentore
4311:
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4216:
4192:provided by
4174:
4168:(in English)
4144:
4126:
4119:Bibliography
4096:
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4029:. Retrieved
4025:the original
4015:
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3858:. Retrieved
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2910:Le lavandaie
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2146:Portrait of
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1989:
1971:
1953:
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1374:Murano glass
1359:Murano glass
1350:
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1214:Saint Blaise
1213:
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1043:
1040:piano nobile
1039:
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829:
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683:
677:
670:trompe-l'Ĺil
669:
661:Piano Nobile
660:
656:
654:
644:Trompe-l'Ĺil
642:
623:
575:trompe-l'Ĺil
573:
569:
566:piano nobile
565:
563:
559:Piano Nobile
558:
548:Piano Nobile
547:
541:
531:
475:
460:
442:
426:
414:
403:was elected
398:
378:Clement XIII
371:
362:trompe-l'Ĺil
360:
353:
348:piano nobile
347:
341:
316:
235:
160:
159:
97:45°26â˛0.33âłN
29:
18:Ca Rezzonico
4421:Visual arts
4337:Grand Canal
4302:Ca' Foscari
3860:26 November
3828:26 November
3715:Maria Molin
3386:Marco Ricci
3255:La toeletta
2864:Longhi Hall
2838:Longhi Hall
2773:Veiled Lady
2616:Ceiling of
2392:The hallway
2366:Emma Ciardi
2330:Marco Ricci
2055:Parlor Room
1872:- Canaletto
1625:Innocent XI
1515:Innocent XI
1485:, pupil of
1255:The library
570:grand salon
544:Grand Canal
463:Cole Porter
452: [
332:gold ducats
262:Renaissance
250:Filippo Bon
178:Grand Canal
112: /
87:Coordinates
57:Established
4443:Categories
4307:Ca' Pesaro
4218:Ca' Pesaro
4031:17 January
3733:References
3371:Cannaregio
3210:L'indovina
3045:La furlane
2925:La Polenta
2719:- Ceilling
2618:Mondo Novo
2587:The Chapel
2560:, and the
2526:Pulcinella
2517:Pulcinella
2346:Zuccarelli
2334:Pellegrini
2326:Sebastiano
2266:Padovanino
2246:Tintoretto
1657:Heraclitus
1639:Democritus
1526:Heraclitus
1522:Democritus
586:, depicts
467:gondoliers
445:Wilhelm II
335:his time,
242:Bon family
129:Art museum
64:1936-04-25
4297:Ca' d'Oro
4276:landmarks
4173:Official
3870:cite book
3855:0006-2510
3846:Billboard
3620:Paesaggio
3472:- Ceiling
3435:Landscape
3227:1755-1760
3182:1776-1779
2894:1740, by
2539:Promenade
2535:Promenade
2531:New World
2380:, son of
2310:Piazzetta
2270:Carpinoni
2250:Schiavone
1856:Canaletto
1762:Pastorale
1676:Canaletto
1520:Busts of
1508:Mannerist
1166:San Rocco
721:prie-dieu
698:prie-dieu
344:Canaletto
286:Canaletto
266:Palladian
246:patrician
182:Dorsoduro
3721:See also
3688:Dalmatia
2577:Rhapsody
2569:Centaurs
2302:Balestra
2256:family,
1558:Lucrezia
1471:Lucretia
186:sestiere
139:Director
72:Location
4395:Portals
4287:Arsenal
2788:Minerva
2761:Minerva
2338:Amigoni
2254:Bassano
1545:Portego
1481:of the
1479:Baroque
1460:portego
1454:Portego
690:retable
479:Tiepolo
359:and in
258:Baroque
227:History
195:baroque
180:in the
174:palazzo
172:) is a
147:Website
81:, Italy
62: (
4273:Venice
4151:
4133:
4104:
3853:
2802:Apollo
2769:Apollo
2767:; and
2573:Satyrs
2543:Minuet
2386:Mirano
2252:, the
2225:squall
739:(1758)
719:, and
709:rococo
705:chapel
630:(1753)
588:Apollo
532:Winter
487:Canova
483:Guardi
418:Jesuit
211:museum
199:rococo
191:Venice
79:Venice
77:30123
4433:Italy
3429:From
3257:1760
1594:Atlas
1267:, by
1048:putti
1026:, by
769:, by
678:putti
597:ebony
456:]
4149:ISBN
4131:ISBN
4102:ISBN
4033:2016
3882:help
3862:2012
3851:ISSN
3830:2012
3694:and
3418:and
3408:and
3394:and
3380:and
3347:1740
3332:1751
3317:1751
3302:1775
3287:1774
3272:1760
3242:1760
3212:1752
3197:1760
3167:1757
3152:1760
3137:1760
3122:1760
3107:1760
3092:1755
3077:1758
3062:1755
3047:1750
3032:1756
3017:1752
3002:1775
2987:1757
2972:1752
2957:1740
2942:1755
2927:1740
2912:1740
2620:Hall
2541:and
2405:and
2350:Zais
2328:and
2268:and
1524:and
1349:The
1295:and
1279:The
688:, a
655:The
392:and
374:Pope
264:and
205:and
197:and
125:Type
3705:by
3422:by
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3384:by
3369:in
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376:as
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189:of
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