88:
410:
160:
642:
828:, but his most significant efforts are reflected in the operas, of which he composed fifteen of varying proportions. Besides children's music (which includes four fairytale operas as well as the aforementioned songs), three other special categories of compositions stand out among his works: pieces inspired by and dedicated to the Comtesse de Mercy-Argenteau (whom the composer knew from 1885 to her death in 1890), works associated with the Circle of Russian Music Lovers (the "Kerzin Circle"), and pieces inspired by the
756:
45:
740:
1968:
514:
849:), one of the four children's operas he composed, has gained wide appeal in Germany. Nevertheless, despite the fact that more of Cui's music has been made available in recent years, both in recordings and in new printed editions, his status in today's repertoire is considerably limited, based (in the West) primarily on some of his piano and chamber music (such as the
671:
Cui's primary goal as a critic was to promote the music of contemporary
Russian composers, especially the works of his now better-known co-members of The Five. Even they, however, were not spared negative reactions from him here and there, especially in his blistering review of the first production
619:
Because of rules related to his status in the
Russian military, in the early years his musico-critical articles had to be published under a pseudonym, which consisted of three asterisks (***); in Petersburg musical circles, however, it became clear who was writing the articles. His musical reviews
587:
As a writer on music, Cui contributed almost 800 articles to various newspapers and other publications in Russia and Europe between 1864 and 1918 (he "retired" from regular music criticism in 1900). His wide coverage included concerts, recitals, musical life, new publications of music, and
489:, Mariya Kerzina, with her husband Arkadiy Kerzin, formed a performance society in 1896 called the Circle of Russian Music Lovers, which began in 1898 to give special place to works by Cui (among those of other Russian composers) in its concerts.
861:. The received wisdom is that he is not a particularly talented composer, at least for large forms; his strongest talent is said to lie in the crystallization of mood at an instant as captured in his art songs and instrumental miniatures.
543:, from whom she was taking singing lessons. Among the musical works Cui dedicated to her is the early Scherzo, Op. 1 (1857), which uses themes based on her maiden name (BAmBErG) and his own initials (C. C.), and the comic opera
89:
588:
personalities. A significant number of his articles (ca. 300) dealt with opera. Several of his themed sets of articles were reissued as monographs; these covered topics as varied as the original 1876 production of
1045:
492:
Throughout his rather long and active musical life, Cui won many accolades. In the late 1880s and early 1890s, several foreign musical societies honored Cui with memberships. Shortly after the staging of
872:, however, the vast majority of Cui's vocal music is based on Russian texts. Overt attempts at Russian "folk" musical style can be detected in passages from his first act of the collaborative
1645:
333:); it did not ultimately have success, partially because of the harshness of his own writings in the music press. All but one of his operas were composed to Russian texts; the one exception,
2650:
884:, a couple of his children's operas, and a few songs; many other passages in his music reflect the stylistic curiosities associated with Russian art music of the 19th century, such as
616:
music of 1888–1889 (see list of writings below). In addition, as indicated above as part of his profession, Cui also published many books and articles about military fortifications.
205:
descent, the youngest of five children. The original French spelling of his surname was "Queuille." His French father, Antoine (Anton
Leonardovich) Cui, entered Russia with
2585:
505:. In 1896, he was made a member of the Belgian Royal Academy of Literature and Art. In 1909 and 1910, events were held in honor of Cui's 50th anniversary as a composer.
687:
Russian composers outside of The Five, however, were often more likely to produce a negative reaction. This derived at least partly from distrust of the
Western-style
547:. César and Malvina had two children, Lidiya and Aleksandr. Lidiya, an amateur singer, married and had a son named Yuri Borisovich Amoretti; in the period before the
1042:
268:. Cui eventually ended up teaching at three of the military academies in Saint Petersburg. Cui's study of fortifications gained from a frontline assignment during the
2645:
272:
proved important to his career. As an expert on military fortifications, Cui eventually attained the academic rank of professor in 1880 and the military rank of
719:
Late in life, Cui's presumed progressiveness (as espoused in the 1860s and '70s) faded, and he showed firm hostility towards the younger "modernists" such as
292:'s works, and began composing little pieces at fourteen years of age. In the few months before he was sent to Petersburg, he managed to have some lessons in
2590:
284:
Despite his achievements as a professional military academic, Cui is best known in the West for his 'other' life in music. As a boy in
Vilnius, he received
678:
in 1874. Later in life, Cui championed the music of this late colleague of his to the point of making the first completion of
Mussorgsky's unfinished opera
256:, which he did the following year at age 16. In 1855, he graduated from the academy; following advanced studies at the Nikolaevsky Engineering Academy (now
712:
as progressives. He admired Wagner's aspirations concerning music drama, but did not agree with that composer's methods to achieve them (such as the
2002:
1561:
Abraham, Gerald, "Heine, Cui, and
William Ratcliff," his Essays on Russian and East European Music (Oxford: Clarendon Press, 1985), p. 61-62.
793:, have a prominent place in Cui's catalogue. Several of his songs are available also in versions with orchestral accompaniment, including his
2565:
2088:
691:
system in favor of the autodidactic approach that The Five had practiced. For instance, Cui lambasted
Tchaikovsky's second performed opera,
2600:
276:
in 1906. His writings on fortifications included textbooks that were widely used, in several successive editions (see bibliography below).
559:
In 1916, Cui went blind, although he was still able to compose small pieces by means of dictation. He died on 26 March 1918 from cerebral
307:
Even though he was composing music and writing music criticism in his spare time, Cui turned out to be an extremely prolific composer and
260:), he began his military career in 1857 as an instructor in fortifications. His students over the decades included several members of the
2595:
2580:
2560:
2555:
1706:
257:
253:
2625:
311:. His public "debut" as a composer occurred in 1859 with the performance of his orchestral Scherzo, Op. 1, under the baton of
1955:
1754:
917:
857:(op. 50, No. 9)) and a number of solo songs. His abilities as an orchestrator have been disparaged, notably by his compatriot
143:
2615:
2605:
2055:
1835:
1971:
2655:
366:
1772:
764:
2640:
2620:
2550:
805:" ("Царскосельская статyя") and "The Burnt Letter," ("Сожжённое письмо"), both based on poems by Cui's most valued poet,
2660:
1995:
269:
2081:
1859:
880:
2635:
2570:
1787:
868:; with the exception of Pushkin, his operas do not display a strong attraction to Russian sources. In the area of
2545:
1006:
As Cui wrote to Felipe
Pedrell in 1897: "Bien que russe, je suis d’origine mi-française, mi-lithuanienne." See
727:. Cui's last published articles (from 1917) constituted merciless parodies, including the little song "Hymn to
2630:
2406:
1929:
1886:
1583:
400:
was performed outside Russia, but this was also its sole performance outside Russia) and the children's opera
2575:
1988:
698:
103:
22:
2610:
2074:
355:), but it did not succeed either. Cui's more successful stage works during his lifetime were the one-act
1681:
940:
is used for his name here. ALA-LC system: T͡sezarʹ Antonovich Ki͡ui, ISO 9 system: Cezarʹ Antonovič Kûi.
564:
1603:
969:
473:
Two personalities of direct significance for Cui were women who were specially devoted to his music. In
1747:
2401:
1843:
478:
206:
107:
1053:
1624:
622:
731:" and "Concise Directions on How to Become a Modern Composer of Genius without Being a Musician".
701:
are often cited; fortunately, both works have survived their unfavorable premieres for posterity.
646:
421:
Cui's activities in musical life also included membership on the opera selection committee at the
2314:
2042:
1937:
1702:
1548:Ларош, Герман Августович, "Один из наших шуманистов: Ц.А. Кюи как композитор опер и романсов" ,
937:
858:
680:
631:
594:
498:
440:
426:
376:
316:
67:
2442:
300:, who was residing in Vilnius at the time. Cui's musical direction changed in 1856, when he met
2411:
2289:
1803:
651:
599:
540:
325:
127:
2259:
2179:
2119:
297:
245:
218:
135:
1902:
1894:
1851:
1819:
1795:
1716:
841:
674:
657:
402:
360:
335:
131:
1740:
1199:Словарь опер впервые поставленных или изданных в дореволюционной России и в СССР, 1836–1959.
2540:
2535:
2294:
2254:
2194:
2011:
1130:, составитель И. Л. Гусин (Ленинград: Гос. муз. изд-во, 1952), editor's notes, pp. 542–543.
865:
627:
576:
397:
289:
119:
2124:
1724:
8:
2482:
2097:
1827:
1712:
466:. In addition, Liszt valued the music of Russian composers quite highly; for Cui's opera
237:
164:
2129:
2452:
2214:
1618:
1609:
1019:
829:
786:
548:
409:
241:
123:
2366:
2114:
649:. The gladiators in the center bear shields inscribed with the titles of Cui's operas
2447:
2432:
2319:
2309:
2264:
2037:
2027:
1579:
916:
A selected list of Cui's writings on music and military architecture can be found at
806:
798:
748:
724:
641:
430:
422:
381:
371:
248:
in 1850. Later that year, before completing his gymnasium education, Cui was sent to
202:
178:
2371:
2507:
2361:
2336:
2209:
1878:
885:
846:
769:
Cui composed in almost all genres of his time, with the distinct exceptions of the
609:
572:
568:
535:
518:
502:
312:
261:
249:
233:
217:
Julia
Gucewicz; some sources indicate that her father was the Lithuanian architect
111:
82:
58:
2477:
2351:
344:
159:
2356:
1352:
1049:
893:
720:
634:) and his advocacy of originality in music. Sarcasm was a regular feature of his
414:
229:
225:
190:
115:
95:
2341:
2502:
2299:
2284:
2234:
2224:
2199:
2184:
2164:
2022:
1811:
941:
905:
901:
821:
802:
774:
755:
728:
705:
663:
589:
389:
330:
301:
2381:
2529:
2492:
2462:
2274:
2169:
2154:
817:
781:(unlike his compatriots Balakirev, Borodin, Mussorgsky and Rimsky-Korsakov).
778:
693:
435:
340:
198:
139:
44:
2331:
2512:
2497:
2472:
2396:
2391:
2244:
2144:
1662:
688:
293:
1594:
Die Russischen Fünf: Balakirew, Borodin, Cui, Mussorgski, Rimski-Korsakow
1589:
1126:Кюи, Ц. А., "Первые композиторские шаги Ц. А. Кюи (письмо к редактору)",
833:
739:
709:
463:
447:
356:
265:
1342:, Библиографический указатель статей Ц. А. Кюи, 1864–1918 , pp. 624–660.
388:, the only other operas by Cui performed in his lifetime outside of the
2139:
1512:
744:
635:
563:
and was buried next to his wife Mal'vina (who had died in 1899) at the
308:
122:– a group of composers combined by the idea of creating a specifically
26:
2066:
1402:, опера г. Мусоргского, дважды забракованная водивильным комитетом" ,
864:
Cui's works are not so nationalistic as those of the other members of
575:
at the Alexander Nevsky Monastery, to lie beside the other members of
825:
713:
439:. From 1896 to 1904, he was director of the Petersburg branch of the
213:
and (following the defeat) would settle in Vilnius. He married local
186:
1673:
869:
782:
770:
604:
560:
481:(1837–1890) was most influential in making possible the staging of
214:
210:
1525:Николай Андреевич Римский-Корсаков: воспоминания В.В. Ястребцева,
889:
474:
273:
182:
34:
1692:. В трех томах. Т. 3. Москва: Искусство, 1952, p. 387–408.
1527:, (Ленинград: Гос. муз. изд-во, 1959–1960), т. 1, p. 145, 149.
897:
850:
486:
194:
106:
6 January] 1835 – 26 March 1918) was a
1638:
Guglielmi, Edoardo. "Cesar Cui e l'Ottocento musicale russo,"
1921:
1678:. PhD dissertation (2002), Indiana University, United States.
1502:
Boas, Robert. "Nuremberg." Opera , v. 32 (1981), pp. 288–289.
874:
813:
613:
348:
320:
285:
1732:
1201:(Москва: Советский композитор, 1962). pp. 125–126, 288, 170.
801:. Some of his most famous art songs include "The Statue at
513:
2651:
Academic staff of Military Engineering-Technical University
1980:
790:
497:
in Paris, Cui was elected as a correspondent member of the
1725:"His Musical Excellency" by the composer Andrei Tikhomirov
1441:"Театр и музыка. Третий Русский симфонический концерт" ,
462:
for orchestra, Op. 12, formed the basis for Liszt's last
1675:
Story, style, and structure in the operas of César Cui
1530:
1463:Кюи, "Несколько слов о современных оперных формах" ,
645:
Caricature of Cui by Rayevsky, based on a painting by
892:. Nevertheless, his style is more often compared to
525:
Cui married Malvina Rafailovna Bamberg (Russian:
458:, Op. 21, are dedicated to the elder composer. Cui's
72:
304:
and began to be more seriously involved with music.
2586:
19th-century male musicians from the Russian Empire
1099:
1602:
759:Portrait of Cesar Cui by Ilya Repin (sketch), 1900
429:left the committee in protest of its rejection of
1933:(Dargomyzhsky, Introduction and end of Tableau 1)
1690:Избранные сочинение: живопись, скульптура, музыка
209:; in 1812, he was injured during the battle near
2646:Military Engineering-Technical University alumni
2527:
551:, Aleksandr was a member of the Russian Senate.
1604:"Cui, César [Kyui, Tsezar' Antonovich]"
1094:Биографии композиторов с IV-XX век с портретами
716:system and the predominance of the orchestra).
446:Among the many musicians Cui knew in his life,
244:) student in Wilno, he took music lessons with
1684:"Цезарь Антонович Кюи: биографический очерк"
319:. In 1869, the first public performance of an
2082:
1996:
1748:
1688:, no. 34 (1894); reprinted and edited in his
1667:Handbuch der russischen und sowjetischen Oper
1307:, editor's notes, pp. 635, 395, 703, 715–716.
526:
425:; this stint ended in 1883, when both he and
396:(in Liège, 1886; the first time any opera by
279:
16:Russian composer and army officer (1835–1918)
2591:19th-century writers from the Russian Empire
1227:, p. 112 (also editor's notes, pp. 571–572).
797:, Op. 17, which was dedicated to the singer
364:(premiered publicly in 1878), the three-act
1669:. 1st ed. Kassel: Bärenreiter, 1989, c1985.
970:"Russian – BGN/PCGN transliteration system"
536:[mɐlʲˈvʲinərəfɐˈiɫəvnəˈbam⁽ʲ⁾bʲɪrk]
470:, he expressed some of the highest praise.
177:Cesarius-Benjaminus Cui was born in Wilno,
2089:
2075:
2003:
1989:
1755:
1741:
1600:
1536:
1454:Кюи, "Первые композиторские шаги", p. 554.
1096:(Москва: Изд. К.А. Дурново, 1904), p. 518.
1007:
539:) in 1858. He had met her at the home of
142:in Russian military academies and wrote a
1707:International Music Score Library Project
1387:Русский оперный театр XIX века, 1857–1872
1168:Русский оперный театр XIX века, 1857–1872
602:, the development of the Russian romance
258:Military Engineering-Technical University
754:
738:
640:
582:
512:
408:
158:
154:
43:
2096:
1642:, v. 25, no. 5 (1968), p. 187–195.
571:). In 1939, his body was reinterred in
554:
2528:
812:In addition, Cui wrote many works for
626:, expressing disdain for music before
612:'s seminal lectures on the history of
83:[ˈt͡sjezərʲɐnˈtonəvʲɪt͡ɕkʲʊˈi]
2070:
2056:Pyotr Ilyich Tchaikovsky and The Five
1984:
1736:
1601:Norris, Geoffrey; Neff, Lyle (n.d.).
1043:Antoine Cui and his Lithuanian family
534:
138:(equivalent to full General), taught
81:
2566:Russian people of Lithuanian descent
1588:
1513:http://nla.gov.au/nla.mus-an14448987
1105:
908:or to Cui's Russian contemporaries.
734:
2601:20th-century Russian male musicians
1170:(Ленинград, Музыка, 1971), 228–235.
918:List of literary works by César Cui
13:
1632:
824:), numerous choruses, and several
704:Of Western composers, Cui favored
14:
2672:
1696:
911:
765:List of compositions by César Cui
697:, and his stinging remarks about
501:and was awarded the cross of the
224:The young César grew up learning
2596:20th-century classical composers
2581:19th-century classical composers
2561:Russian people of Polish descent
2556:Russian people of French descent
1967:
1966:
1925:(Act I, with three others, 1872)
517:Grave of Malvina and César Cui,
413:Cui among artists of the Moscow
2626:Military personnel from Vilnius
1659:, 1979, no.10, p. 141–142.
1655:Муселак, Анри . "Предки Кюи" ,
1646:Mercy-Argenteau, La Comtesse de
1574:Назаров, Александр Федорович :
1555:
1542:
1517:
1505:
1496:
1483:
1470:
1457:
1448:
1435:
1418:
1409:
1392:
1379:
1370:
1345:
1332:
1323:
1310:
1297:
1288:
1279:
1270:
1261:
1252:
1239:
1230:
1217:
1204:
1191:
1182:
1173:
1160:
1151:
1142:
1133:
1120:
1111:
1092:Ильинский, А.А.; Пахулский, Г.
1086:
1077:
1056:, 13 March 2004 (in Lithuanian)
997:(Moscow: Muzyka, 1989), p. 221.
1432:, 23 апр. 1874, No. 110, 1874.
1353:"César Cui | Russian composer"
1068:
1059:
1035:
1026:
1012:
1000:
987:
962:
930:
270:Russo-Turkish War of 1877–1878
1:
1762:
1552:, т. 180 (1885), p. 985-1008.
1430:Санкт-Петербургские ведомости
1404:Санкт-Петербургские ведомости
955:
168:
23:Eastern Slavic naming customs
2616:Russian male opera composers
2606:20th-century Russian writers
2010:
1650:César Cui: esquisse critique
1406:, 6 февр. 1874, No. 37, 1874
699:Rachmaninoff's Symphony No.1
483:The Prisoner of the Caucasus
394:The Prisoner of the Caucasus
367:The Prisoner of the Caucasus
343:), premiered in 1894 at the
149:
7:
2656:Burials at Tikhvin Cemetery
1652:. Paris: Fischbacher, 1888.
565:Smolensky Lutheran Cemetery
528:Мальвина Рафаиловна Бамберг
479:Comtesse de Mercy-Argenteau
181:of the Russian Empire (now
73:
10:
2677:
2641:Russian Romantic composers
2621:Russian military engineers
2551:People from Vilensky Uyezd
1578:. Москва, 1989. "Музыка".
1568:
1428:, опера г. Чайковского" ,
938:transliteration of Russian
762:
280:A vocational life in music
21:In this name that follows
20:
2661:Russian untitled nobility
2422:
2402:Charles Villiers Stanford
2104:
2051:
2018:
1964:
1948:
1913:
1870:
1836:A Feast in Time of Plague
1779:
1770:
1445:, 17 марта No. 75, 1897.]
1443:Новости и биржевая газета
1329:Назаров, p. 155, 221–222.
1117:Назаров, p. 106-110, 194.
946:Caesar Antonii filius Cui
839:In the last few decades,
743:Portrait of César Cui by
527:
508:
351:(twenty-five years after
329:(based on the tragedy by
296:with the Polish composer
240:. As a secondary school (
163:Portrait of César Cui by
134:, he rose to the rank of
62:
1788:Prisoner of the Caucasus
1703:Free scores by César Cui
923:
820:groups (including three
623:St. Petersburg Vedomosti
315:and the auspices of the
254:Chief Engineering School
252:to prepare to enter the
2636:Russian opera composers
2571:Russian Roman Catholics
2315:Nikolai Rimsky-Korsakov
2043:Nikolai Rimsky-Korsakov
1938:The Fair at Sorochyntsi
1424:"Музыкальные заметки.
1398:Кюи, "Театр и музыка.
1357:Encyclopedia Britannica
681:The Fair at Sorochyntsi
608:, music in Russia, and
595:Der Ring des Nibelungen
450:looms large. His book,
441:Russian Musical Society
317:Russian Musical Society
102:; 18 January [
100:Cesarius Benjaminus Cui
2546:Musicians from Vilnius
2412:Ralph Vaughan Williams
2290:Alexander Dargomyzhsky
1956:List of literary works
1887:Little Red Riding Hood
1860:The Captain's Daughter
1236:Назаров, pp. 147, 184.
1008:Norris & Neff n.d.
945:
881:The Captain's Daughter
760:
752:
668:
541:Alexander Dargomyzhsky
522:
418:
174:
99:
74:Tsezar Antonovich Kyui
51:
2631:Russian music critics
1537:Norris & Neff n.d
1415:Назаров, pp. 214–215.
1285:Назаров, pp. 201–205.
1267:Назаров, pp. 150–157.
1188:Назаров, pp. 132–135.
758:
742:
644:
583:Cui as a music critic
516:
412:
406:(in Rome, 1915).
162:
155:Upbringing and career
132:Imperial Russian Army
124:Russian type of music
47:
2576:The Five (composers)
2443:Antônio Carlos Gomes
2195:Carl Maria von Weber
1773:List of compositions
1728:(with music samples)
1623:: CS1 maint: year (
1607:. In L. Macy (ed.).
1576:Цезарь Антонович Кюи
1048:11 June 2016 at the
995:Цезарь Антонович Кюи
555:Last years and death
452:La musique en Russie
339:(based on a play by
144:number of monographs
63:Цезарь Антонович Кюи
55:César Antonovich Cui
2611:Composers for piano
2483:Silvestre Revueltas
2407:Alexander Mackenzie
2260:Stanisław Moniuszko
2180:Camille Saint-Saëns
2098:Musical nationalism
1511:Score available at
1376:Назаров, pp. 68–69.
1276:Назаров, pp. 35–36.
1179:Назаров, pp. 58–61.
1148:Назаров, pp. 25–27.
1139:Назаров, pp. 12–14.
1083:Назаров, p. 22, 35.
1041:Eduardas Budreika.
974:transliteration.com
464:piano transcription
374:), and the one-act
323:by Cui took place,
298:Stanisław Moniuszko
246:Stanisław Moniuszko
219:Laurynas Gucevičius
165:Konstantin Makovsky
2453:Heitor Villa-Lobos
1796:The Mandarin's Son
1672:Neff, Lyle Kevin.
1610:Grove Music Online
1596:. Berlin: E. Kuhn.
1074:Назаров, p. 15-16.
1065:Назаров, p. 14-15.
900:composers such as
830:Russo-Japanese War
761:
753:
669:
658:The Mandarin's Son
567:in Petrograd (now
549:October Revolution
545:The Mandarin's Son
523:
521:, Saint Petersburg
499:Académie Française
485:there in 1885. In
419:
361:The Mandarin's Son
175:
52:
2523:
2522:
2448:Francisco Mignone
2433:Alberto Ginastera
2320:Alexander Borodin
2310:Modest Mussorgsky
2265:Henryk Wieniawski
2064:
2063:
2038:Modest Mussorgsky
2028:Alexander Borodin
1978:
1977:
1871:Children's operas
1844:Mademoiselle Fifi
1729:
1523:Ястребцев, В.В.,
1465:Избранные статьи,
1385:Гозенпуд, А. А.,
1166:Гозенпуд, А. А.,
886:whole-tone scales
807:Alexander Pushkin
799:Marcella Sembrich
785:, including many
749:Tretyakov Gallery
735:Cui as a composer
423:Mariinsky Theatre
382:Guy de Maupassant
380:(1903) (based on
377:Mademoiselle Fifi
370:(1883) (based on
288:lessons, studied
179:Vilna Governorate
71:
2668:
2508:Edward MacDowell
2362:Enrique Granados
2337:Alexander Moyzes
2130:Bohuslav Martinů
2091:
2084:
2077:
2068:
2067:
2005:
1998:
1991:
1982:
1981:
1970:
1969:
1879:The Snow Bogatyr
1804:William Ratcliff
1757:
1750:
1743:
1734:
1733:
1727:
1723:
1657:Советская Музыка
1628:
1622:
1614:
1606:
1597:
1562:
1559:
1553:
1546:
1540:
1534:
1528:
1521:
1515:
1509:
1503:
1500:
1494:
1491:Избранные статьи
1487:
1481:
1478:Избранные статьи
1474:
1468:
1461:
1455:
1452:
1446:
1439:
1433:
1422:
1416:
1413:
1407:
1396:
1390:
1383:
1377:
1374:
1368:
1367:
1365:
1363:
1349:
1343:
1340:Избранные статьи
1336:
1330:
1327:
1321:
1318:Избранные письма
1314:
1308:
1305:Избранные письма
1301:
1295:
1292:
1286:
1283:
1277:
1274:
1268:
1265:
1259:
1258:Назаров, p. 120.
1256:
1250:
1247:Избранные письма
1243:
1237:
1234:
1228:
1225:Избранные письма
1221:
1215:
1210:Бернандт, Г. Б.
1208:
1202:
1197:Бернандт, Г. Б.
1195:
1189:
1186:
1180:
1177:
1171:
1164:
1158:
1155:
1149:
1146:
1140:
1137:
1131:
1128:Избранные статьи
1124:
1118:
1115:
1109:
1103:
1097:
1090:
1084:
1081:
1075:
1072:
1066:
1063:
1057:
1039:
1033:
1032:Назаров, p. 7-8.
1030:
1024:
1023:
1016:
1010:
1004:
998:
991:
985:
984:
982:
980:
966:
949:
934:
890:harmonic devices
853:and piano piece
826:orchestral works
787:children's songs
672:of Mussorgsky's
652:William Ratcliff
647:Jean-Léon Gérôme
610:Anton Rubinstein
573:Tikhvin Cemetery
569:Saint Petersburg
538:
533:
530:
529:
519:Tikhvin Cemetery
503:Légion d'honneur
468:William Ratcliff
456:Suite pour piano
326:William Ratcliff
313:Anton Rubinstein
250:Saint Petersburg
173:
170:
146:on the subject.
136:Engineer-General
114:, member of the
108:Russian composer
93:
92:
91:
85:
80:
76:
66:
64:
2676:
2675:
2671:
2670:
2669:
2667:
2666:
2665:
2526:
2525:
2524:
2519:
2418:
2388:United Kingdom
2367:Joaquín Rodrigo
2357:Manuel de Falla
2255:Frédéric Chopin
2115:Bedřich Smetana
2111:Czech Republic
2100:
2095:
2065:
2060:
2047:
2014:
2009:
1979:
1974:
1960:
1944:
1930:The Stone Guest
1909:
1866:
1775:
1766:
1761:
1721:
1699:
1635:
1633:Further reading
1616:
1615:
1571:
1566:
1565:
1560:
1556:
1550:Русский вестник
1547:
1543:
1535:
1531:
1522:
1518:
1510:
1506:
1501:
1497:
1488:
1484:
1475:
1471:
1462:
1458:
1453:
1449:
1440:
1436:
1423:
1419:
1414:
1410:
1397:
1393:
1384:
1380:
1375:
1371:
1361:
1359:
1351:
1350:
1346:
1337:
1333:
1328:
1324:
1315:
1311:
1302:
1298:
1294:Назаров, p. 42.
1293:
1289:
1284:
1280:
1275:
1271:
1266:
1262:
1257:
1253:
1244:
1240:
1235:
1231:
1222:
1218:
1214:, pp. 125, 148.
1209:
1205:
1196:
1192:
1187:
1183:
1178:
1174:
1165:
1161:
1157:Назаров, p. 46.
1156:
1152:
1147:
1143:
1138:
1134:
1125:
1121:
1116:
1112:
1104:
1100:
1091:
1087:
1082:
1078:
1073:
1069:
1064:
1060:
1050:Wayback Machine
1040:
1036:
1031:
1027:
1018:
1017:
1013:
1005:
1001:
992:
988:
978:
976:
968:
967:
963:
958:
953:
952:
935:
931:
926:
914:
894:Robert Schumann
859:Rimsky-Korsakov
822:string quartets
789:and some vocal
767:
737:
721:Richard Strauss
585:
557:
531:
511:
427:Rimsky-Korsakov
415:Bolshoi Theatre
282:
264:, most notably
262:Imperial family
207:Napoleon's army
171:
157:
152:
116:Belyayev circle
87:
86:
78:
50:
49:César Cui, 1910
42:
17:
12:
11:
5:
2674:
2664:
2663:
2658:
2653:
2648:
2643:
2638:
2633:
2628:
2623:
2618:
2613:
2608:
2603:
2598:
2593:
2588:
2583:
2578:
2573:
2568:
2563:
2558:
2553:
2548:
2543:
2538:
2521:
2520:
2518:
2517:
2516:
2515:
2510:
2505:
2503:Horatio Parker
2500:
2495:
2489:United States
2487:
2486:
2485:
2480:
2475:
2467:
2466:
2465:
2457:
2456:
2455:
2450:
2445:
2437:
2436:
2435:
2426:
2424:
2420:
2419:
2417:
2416:
2415:
2414:
2409:
2404:
2399:
2394:
2386:
2385:
2384:
2376:
2375:
2374:
2372:Joaquín Turina
2369:
2364:
2359:
2354:
2346:
2345:
2344:
2339:
2334:
2326:
2325:
2324:
2323:
2322:
2317:
2312:
2307:
2302:
2300:Mily Balakirev
2292:
2287:
2285:Mikhail Glinka
2279:
2278:
2277:
2269:
2268:
2267:
2262:
2257:
2249:
2248:
2247:
2239:
2238:
2237:
2235:Bernard Zweers
2229:
2228:
2227:
2225:Giuseppe Verdi
2219:
2218:
2217:
2212:
2204:
2203:
2202:
2200:Richard Wagner
2197:
2189:
2188:
2187:
2185:Romain Bussine
2182:
2174:
2173:
2172:
2167:
2165:Leevi Madetoja
2159:
2158:
2157:
2149:
2148:
2147:
2142:
2134:
2133:
2132:
2127:
2122:
2120:Antonín Dvořák
2117:
2108:
2106:
2102:
2101:
2094:
2093:
2086:
2079:
2071:
2062:
2061:
2059:
2058:
2052:
2049:
2048:
2046:
2045:
2040:
2035:
2030:
2025:
2023:Mily Balakirev
2019:
2016:
2015:
2008:
2007:
2000:
1993:
1985:
1976:
1975:
1965:
1962:
1961:
1959:
1958:
1952:
1950:
1946:
1945:
1943:
1942:
1934:
1926:
1917:
1915:
1914:Collaborations
1911:
1910:
1908:
1907:
1899:
1891:
1883:
1874:
1872:
1868:
1867:
1865:
1864:
1856:
1848:
1840:
1832:
1824:
1816:
1808:
1800:
1792:
1783:
1781:
1777:
1776:
1771:
1768:
1767:
1760:
1759:
1752:
1745:
1737:
1731:
1730:
1719:
1710:
1698:
1697:External links
1695:
1694:
1693:
1679:
1670:
1660:
1653:
1643:
1634:
1631:
1630:
1629:
1598:
1586:
1570:
1567:
1564:
1563:
1554:
1541:
1529:
1516:
1504:
1495:
1493:, pp. 550–552.
1482:
1469:
1456:
1447:
1434:
1417:
1408:
1391:
1378:
1369:
1344:
1331:
1322:
1309:
1296:
1287:
1278:
1269:
1260:
1251:
1238:
1229:
1216:
1203:
1190:
1181:
1172:
1159:
1150:
1141:
1132:
1119:
1110:
1108:, p. 136.
1098:
1085:
1076:
1067:
1058:
1054:Šiaurės Atėnai
1034:
1025:
1011:
999:
993:Назаров, А.ф.
986:
960:
959:
957:
954:
951:
950:
928:
927:
925:
922:
913:
912:Literary works
910:
906:Mikhail Glinka
803:Tsarskoye Selo
775:symphonic poem
736:
733:
725:Vincent d'Indy
584:
581:
556:
553:
510:
507:
390:Russian Empire
331:Heinrich Heine
302:Mily Balakirev
281:
278:
156:
153:
151:
148:
140:fortifications
48:
15:
9:
6:
4:
3:
2:
2673:
2662:
2659:
2657:
2654:
2652:
2649:
2647:
2644:
2642:
2639:
2637:
2634:
2632:
2629:
2627:
2624:
2622:
2619:
2617:
2614:
2612:
2609:
2607:
2604:
2602:
2599:
2597:
2594:
2592:
2589:
2587:
2584:
2582:
2579:
2577:
2574:
2572:
2569:
2567:
2564:
2562:
2559:
2557:
2554:
2552:
2549:
2547:
2544:
2542:
2539:
2537:
2534:
2533:
2531:
2514:
2511:
2509:
2506:
2504:
2501:
2499:
2496:
2494:
2493:Aaron Copland
2491:
2490:
2488:
2484:
2481:
2479:
2478:Carlos Chávez
2476:
2474:
2471:
2470:
2468:
2464:
2463:Claude Vivier
2461:
2460:
2458:
2454:
2451:
2449:
2446:
2444:
2441:
2440:
2438:
2434:
2431:
2430:
2428:
2427:
2425:
2421:
2413:
2410:
2408:
2405:
2403:
2400:
2398:
2395:
2393:
2390:
2389:
2387:
2383:
2380:
2379:
2377:
2373:
2370:
2368:
2365:
2363:
2360:
2358:
2355:
2353:
2352:Isaac Albéniz
2350:
2349:
2347:
2343:
2340:
2338:
2335:
2333:
2330:
2329:
2327:
2321:
2318:
2316:
2313:
2311:
2308:
2306:
2303:
2301:
2298:
2297:
2296:
2293:
2291:
2288:
2286:
2283:
2282:
2280:
2276:
2275:George Enescu
2273:
2272:
2270:
2266:
2263:
2261:
2258:
2256:
2253:
2252:
2250:
2246:
2243:
2242:
2240:
2236:
2233:
2232:
2230:
2226:
2223:
2222:
2220:
2216:
2215:Zoltán Kodály
2213:
2211:
2208:
2207:
2205:
2201:
2198:
2196:
2193:
2192:
2190:
2186:
2183:
2181:
2178:
2177:
2175:
2171:
2170:Jean Sibelius
2168:
2166:
2163:
2162:
2160:
2156:
2155:Rudolf Tobias
2153:
2152:
2150:
2146:
2143:
2141:
2138:
2137:
2135:
2131:
2128:
2126:
2123:
2121:
2118:
2116:
2113:
2112:
2110:
2109:
2107:
2103:
2099:
2092:
2087:
2085:
2080:
2078:
2073:
2072:
2069:
2057:
2054:
2053:
2050:
2044:
2041:
2039:
2036:
2034:
2031:
2029:
2026:
2024:
2021:
2020:
2017:
2013:
2006:
2001:
1999:
1994:
1992:
1987:
1986:
1983:
1973:
1963:
1957:
1954:
1953:
1951:
1947:
1940:
1939:
1935:
1932:
1931:
1927:
1924:
1923:
1919:
1918:
1916:
1912:
1905:
1904:
1903:Puss in Boots
1900:
1897:
1896:
1895:Ivan the Fool
1892:
1889:
1888:
1884:
1881:
1880:
1876:
1875:
1873:
1869:
1862:
1861:
1857:
1854:
1853:
1852:Mateo Falcone
1849:
1846:
1845:
1841:
1838:
1837:
1833:
1830:
1829:
1825:
1822:
1821:
1820:Le flibustier
1817:
1814:
1813:
1809:
1806:
1805:
1801:
1798:
1797:
1793:
1790:
1789:
1785:
1784:
1782:
1778:
1774:
1769:
1765:
1758:
1753:
1751:
1746:
1744:
1739:
1738:
1735:
1726:
1720:
1718:
1714:
1711:
1708:
1704:
1701:
1700:
1691:
1687:
1683:
1680:
1677:
1676:
1671:
1668:
1664:
1661:
1658:
1654:
1651:
1647:
1644:
1641:
1637:
1636:
1626:
1620:
1612:
1611:
1605:
1599:
1595:
1591:
1587:
1585:
1581:
1577:
1573:
1572:
1558:
1551:
1545:
1538:
1533:
1526:
1520:
1514:
1508:
1499:
1492:
1486:
1480:, pp. 537–550
1479:
1473:
1466:
1460:
1451:
1444:
1438:
1431:
1427:
1421:
1412:
1405:
1401:
1400:Борис Годунов
1395:
1388:
1382:
1373:
1358:
1354:
1348:
1341:
1335:
1326:
1319:
1313:
1306:
1300:
1291:
1282:
1273:
1264:
1255:
1248:
1242:
1233:
1226:
1220:
1213:
1207:
1200:
1194:
1185:
1176:
1169:
1163:
1154:
1145:
1136:
1129:
1123:
1114:
1107:
1102:
1095:
1089:
1080:
1071:
1062:
1055:
1052:article from
1051:
1047:
1044:
1038:
1029:
1021:
1015:
1009:
1003:
996:
990:
975:
971:
965:
961:
947:
943:
939:
936:The BGN/PCGN
933:
929:
921:
919:
909:
907:
903:
899:
895:
891:
887:
883:
882:
877:
876:
871:
867:
862:
860:
856:
852:
848:
844:
843:
842:Puss in Boots
837:
835:
831:
827:
823:
819:
815:
810:
808:
804:
800:
796:
792:
788:
784:
780:
779:solo concerto
776:
772:
766:
757:
750:
746:
741:
732:
730:
726:
722:
717:
715:
711:
707:
702:
700:
696:
695:
694:The Oprichnik
690:
685:
683:
682:
677:
676:
675:Boris Godunov
666:
665:
660:
659:
654:
653:
648:
643:
639:
637:
633:
629:
625:
624:
620:began in the
617:
615:
611:
607:
606:
601:
597:
596:
591:
580:
578:
574:
570:
566:
562:
552:
550:
546:
542:
537:
520:
515:
506:
504:
500:
496:
495:Le flibustier
490:
488:
484:
480:
476:
471:
469:
465:
461:
457:
453:
449:
444:
442:
438:
437:
436:Khovanshchina
432:
428:
424:
416:
411:
407:
405:
404:
403:Puss in Boots
399:
395:
391:
387:
383:
379:
378:
373:
369:
368:
363:
362:
358:
354:
350:
346:
345:Opéra-Comique
342:
341:Jean Richepin
338:
337:
336:Le flibustier
332:
328:
327:
322:
318:
314:
310:
309:feuilletonist
305:
303:
299:
295:
291:
287:
277:
275:
271:
267:
263:
259:
255:
251:
247:
243:
239:
235:
231:
227:
222:
220:
216:
212:
208:
204:
200:
196:
192:
188:
184:
180:
166:
161:
147:
145:
141:
137:
133:
129:
125:
121:
117:
113:
109:
105:
101:
97:
90:
84:
75:
69:
60:
56:
46:
40:
36:
33: and the
32:
28:
24:
19:
2513:Charles Ives
2498:Henry Cowell
2473:Manuel Ponce
2397:Edward Elgar
2392:Joseph Parry
2342:Eugen Suchoň
2304:
2245:Edvard Grieg
2231:Netherlands
2145:Carl Nielsen
2125:Leoš Janáček
2032:
1941:(Mussorgsky)
1936:
1928:
1920:
1901:
1893:
1885:
1877:
1858:
1850:
1842:
1834:
1826:
1818:
1810:
1802:
1794:
1786:
1763:
1722:(in Russian)
1689:
1685:
1682:Stasov, V.V.
1674:
1666:
1663:Neef, Sigrid
1656:
1649:
1639:
1608:
1593:
1590:Neef, Sigrid
1575:
1557:
1549:
1544:
1532:
1524:
1519:
1507:
1498:
1490:
1485:
1477:
1472:
1464:
1459:
1450:
1442:
1437:
1429:
1425:
1420:
1411:
1403:
1399:
1394:
1386:
1381:
1372:
1360:. Retrieved
1356:
1347:
1339:
1334:
1325:
1317:
1312:
1304:
1299:
1290:
1281:
1272:
1263:
1254:
1246:
1241:
1232:
1224:
1219:
1212:Словарь опер
1211:
1206:
1198:
1193:
1184:
1175:
1167:
1162:
1153:
1144:
1135:
1127:
1122:
1113:
1101:
1093:
1088:
1079:
1070:
1061:
1037:
1028:
1014:
1002:
994:
989:
977:. Retrieved
973:
964:
932:
915:
888:and certain
879:
873:
863:
854:
840:
838:
811:
794:
768:
718:
703:
692:
689:conservatory
686:
679:
673:
670:
662:
656:
650:
621:
618:
603:
593:
586:
558:
544:
524:
494:
491:
482:
472:
467:
459:
455:
451:
445:
434:
420:
401:
393:
385:
375:
365:
359:
352:
334:
324:
306:
294:music theory
283:
223:
176:
172: 1880s
112:music critic
54:
53:
38:
30:
18:
2541:1918 deaths
2536:1835 births
2382:Hugo Alfvén
2210:Béla Bartók
1828:The Saracen
834:World War I
636:feuilletons
448:Franz Liszt
384:). Besides
357:comic opera
266:Nicholas II
35:family name
2530:Categories
2429:Argentina
2332:Ján Cikker
2140:Niels Gade
1584:5714001516
979:2 December
956:References
763:See also:
745:Ilya Repin
532:pronounced
460:Tarantelle
454:, and his
431:Mussorgsky
386:Flibustier
238:Lithuanian
215:noblewoman
203:Lithuanian
193:family of
167:(detail),
31:Antonovich
27:patronymic
2328:Slovakia
2305:César Cui
2033:César Cui
1764:César Cui
1713:César Cui
1619:cite book
1389:, p. 235.
1320:, p. 477.
1249:, p. 506.
1106:Neef 1992
1020:"Cui Bio"
855:Orientale
783:Art songs
747:, 1890, (
714:leitmotif
630:(such as
628:Beethoven
242:gymnasium
189:) into a
187:Lithuania
150:Biography
68:romanized
2423:Americas
2295:The Five
2271:Romania
2206:Hungary
2191:Germany
2161:Finland
2151:Estonia
2136:Denmark
2012:The Five
1972:Category
1717:AllMusic
1640:Chigiana
1592:(1992).
1426:Опричник
1362:19 April
1046:Archived
904:than to
878:(1872),
870:art song
866:The Five
847:Perrault
816:and for
777:and the
771:symphony
729:Futurism
605:art song
600:Bayreuth
577:The Five
561:apoplexy
398:The Five
353:Ratcliff
211:Smolensk
191:Catholic
126:. As an
120:The Five
2469:Mexico
2459:Canada
2439:Brazil
2378:Sweden
2281:Russia
2251:Poland
2241:Norway
2176:France
1949:Related
1709:(IMSLP)
1705:at the
1569:Sources
1467:p. 416.
896:and to
818:chamber
706:Berlioz
475:Belgium
372:Pushkin
274:general
234:Russian
183:Vilnius
130:of the
128:officer
70::
59:Russian
2348:Spain
2221:Italy
2105:Europe
1906:(1915)
1898:(1913)
1890:(1911)
1882:(1905)
1863:(1909)
1855:(1907)
1847:(1903)
1839:(1901)
1831:(1899)
1823:(1894)
1815:(1876)
1812:Angelo
1807:(1869)
1799:(1859)
1791:(1858)
1780:Operas
1686:Артист
1582:
902:Gounod
898:French
851:violin
845:(from
795:Bolero
664:Angelo
661:, and
632:Mozart
590:Wagner
509:Family
487:Moscow
477:, the
417:, 1902
290:Chopin
230:Polish
226:French
199:Polish
195:French
96:French
25:, the
1922:Mlada
1489:Кюи,
1476:Кюи,
1338:Кюи,
1316:Кюи,
1303:Кюи,
1245:Кюи,
1223:Кюи,
942:Latin
924:Notes
875:Mlada
814:piano
791:duets
710:Liszt
614:piano
392:were
349:Paris
321:opera
286:piano
1625:link
1580:ISBN
1364:2021
981:2020
832:and
723:and
708:and
236:and
197:and
118:and
110:and
104:O.S.
79:IPA:
1715:at
598:in
592:'s
433:'s
347:in
39:Cui
37:is
29:is
2532::
1665:.
1648:,
1621:}}
1617:{{
1355:.
972:.
944::
920:.
836:.
809:.
773:,
684:.
655:,
638:.
579:.
443:.
232:,
228:,
221:.
185:,
169:c.
98::
94:;
77:;
65:,
61::
2090:e
2083:t
2076:v
2004:e
1997:t
1990:v
1756:e
1749:t
1742:v
1627:)
1613:.
1539:.
1366:.
1022:.
983:.
948:.
751:)
667:.
201:–
57:(
41:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)