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Burn (Deep Purple album)

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1022:"Coronarias Redig" previously appeared as the non-album single B-Side of "Burn". Originally recorded on 10 December 1973 at Rosenborg Studios in Copenhagen, right after their first 'Mark III' line-up touring appearance had been concluded, it was the only track to be left out of the album. It follows as another instrumental track incorporating Lord’s organ whereabouts and vibrancy of its similar funk-tone approach. Coverdale fell asleep in the studio and lost his voice, forcing it to commend without a vocal track. So Blackmore played a long guitar solo over the melody line as the only highlight noted in its composition. Coverdale and Glenn Hughes only sang a few chorus lines that ended up as stems on the track. While in the studio, the band was unable to come up with a title, but engineer Freddy Hanssen gave them a working title, named "Skideflud", meaning pissed off, which later re-worded to "Drunk At The Revolution". The song was remixed and featured on the 30th-anniversary edition of the album. 1626:† All writing was officially written by Blackmore, Coverdale, Lord and Paice, except as noted. Glenn Hughes had participated most of the songwriting, but was not credited on any tracks in the original 1974 pressing. This was largely made due to unexpired contractual obligations with Ritchie Blackmore, particularly with his publishing contract, which resulted Glenn being cheated out of his songwriting credits. Glenn was credited as a songwriter on the whole album except "Sail Away" and "Mistreated" based from a 2004 reissue. However, on some future pressings since 2004, Glenn's publishing credits were featured in some of the songs but was left out completely. This was made to change recently in a 2018 podcast interview that Hughes settled his dispute in royalties from his songwriting credits with the band. 1006:
was so bad I just sat down and cried because I wanted it to be so good," Coverdale remembered the following night. The next night followed another session and Coverdale took a second try to attempt to get the perfect voice he wanted on the record. Coverdale admitted the pressure he was going through during the recording, although he was very timid at that time. Blackmore’s solo near the end of the song was at first layered heavily by Coverdale and Hughes’ chorus vocals, making it extremely hard to hear the solo. As a result, the stems that aided the vocals were deleted, which again upset Coverdale. Although Coverdale took the chorus vocals as nearly fantastic as it was, he admitted on Blackmore's argument that he can't have too many vocal recordings, otherwise it would disorient the guitar's sound.
585: 640:"You could say a Beatles-feel with a hard rock backing is the basic thing. We expect a vocalist to take on the part of a lead instrument and that's why we're quite knocked out with matey (Coverdale) there. Who knows? After the LP, I might be saying he's a shitty vocalist as well. I'm not going to say he's the best vocalist in the world but when we heard him, we thought, "Christ he's good". There are now two other guys involved, so it makes it more or less a new band to me. It's not Deep Purple anymore, although it's still the same name. Really, it's a completely different band". 930:. He also wanted to avoid traditional rock themes such as bands, hotels, and touring life. He equated his opinion to the fact that no one is interested in listening to plumbers' stories about installation work or bankers talking about the financial world. According to Coverdale, during the album recording in Montreux, he spent all night writing four-to-six different lyrics, and Blackmore would choose which finally ended up on the official recording. To add in his writing style, Coverdale viewed them as "science fiction" poems. 565: 980:"You Fool No One" was inspired by Paice's drumming pattern, initiating a compromised rhythm sequence, whereas this is the only track Coverdale and Hughes sang together, to create an effect. After Paice took about four tries to create drumming stems in the studio, he dosed off entirely in sweat and angrily told other recording members that they were apparently not able to keep up with the rhythm, threatening to walk out if the latter continued. According to Hughes, Paice's drumming pattern was partially inspired from 776:
prepared a set of lyrics. The sessions got off to a slow start, according to Lord, there was nonsense among with the previous night the band had attended a local club. On the contrary, Coverdale was still exhausted from the other night, so he preferred not to sing on that track except doing chorus lines with Glenn. There, the sessions resulted in a composition that was later named, "Coronarias Redig". The band later left the studio by 6:30 in the evening as it had already been booked for someone else.
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composition. "Everyone should get what they do," Blackmore stated. However, the new practice was followed only in the songs "Sail Away", "Mistreated" (credited to Blackmore and Coverdale) and "'A' 200" (credited to Blackmore, Lord, and Paice). Hughes participated in songwriting but was cheated out of his credits due to unexpired contractual obligations from Blackmore. However, the 30th-anniversary edition of the album included Hughes in the credits for all the tracks except "Sail Away", "
965:" (released one year later). At first, Coverdale sang the parts so low that he wasn't satisfied with the results, but when the finished song was later listened to in the studio, with Coverdale's re-recorded vocal tracks, it sounded exceptional, getting what he wanted. It was first played on a tape of a cymbal played in reverse, in order to achieve an effect. Blackmore also uses the Synthi Hi-Fli guitar synthesizer in the song to play its "lyrical and haunting fade-out solo" with a 727: 5601: 207: 385:“My relationship with the band was changing. I was doing my work properly, playing well, yet I got this coldness, I finally confronted the manager about it and he denied everything. I wanted to know why I was unpopular. When we came offstage in those days the decision to do an encore wasn't just Ritchie's, it was everyone's. All of a sudden I wasn't involved anymore. The manager finally told me that Ritchie had said he would stay in 1243: 1238: 1233: 1228: 1223: 723:. However, during the mixing of "Mistreated", Coverdale and Hughes recorded a dozen vocal tracks for the final chorus towards the end of the song. In Blackmore's view, the backing vocals overlapped the guitar solo, so the vocal stems were muted throughout the process. Coverdale was upset about the change and felt that the drama created by overlapping vocal tracks had been almost completely lost. 1091: 467:, so he mutually declined on that offer. "They did ask", Rodgers recalled, "and I spoke to all of them at length about the possibility. Purple had toured Australia with Free's final lineup. I didn't do it because I was very much into the idea of forming Bad Company." Blackmore was disappointed as he wanted to take the band's music in a blues direction. 860:-oriented rock sound which is made in the same way it follows suit with soul and funk. For the first time, it features a more mainstream blues tone approach to their albums since Coverdale's introduction, although Blackmore wanted to give a new sound with different methods of genres. Lord said that the biggest difference between  1148:
helicopter, avoiding fire marshals, police officers, and ABC executives. In the end, Deep Purple only had to replace a $ 5,000 camera. California Jam has even been considered the highlight of Deep Purple's career, as the band has not performed for such a large audience since then. A month later, the band's 22 May performance at the
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During the studio recording for "Mistreated", most of the instrumental tracks were recorded from 11 p.m. to 7:30 a.m. When it was time for Coverdale to hear his own vocal parts after the first playback, he found it to be very mediocre which upset him, demanding it to be perfect for the next take. "It
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However, despite disagreement about Hughes' exact singing role, they considered themselves working as a four-piece group but settled on the idea of having a solo lead singer. They needed a new lead vocalist with a more mature tone, to replace Gillan. Lord affirmed that they had a "golden" opportunity
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The phenomenal title track started things off at full throttle, actually challenging the seminal "Highway Star" for the honor of best opener to any Deep Purple album, while showcasing the always impressive drumming of Ian Paice. The fantastic slow-boiling blues of "Mistreated"'s greatness qualifies
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Mark III embarked on a US spring tour that started in Detroit on 3 March 1974. Although the tour was sold out in record time, due to the new line-up and playing style, the audience at the first concerts received mixed reactions. Hughes' cocaine usage started to affect his performance throughout the
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chart, and in 1978, charted at number 45 in the UK. In many interviews, the band wanted to put out the appropriate tracks as singles, but in this case, took word from the record label's advice. Coverdale explained that "Sail Away" was originally envisioned to be a single but Warner Bros. said that
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The band members agreed that Coverdale was very confident despite the lack of experience in the studio. "We had a good time recording that album," Lord claimed, "David had always been a very self-confident man and if he was overawed to be working with us, it only showed when we were talking between
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Lord had called the end of Mark II while the band was at their peak: "the biggest shame in rock and roll; God knows what we would have done over the next three or four years. We were writing so well." With Gillan and Glover out of the group, the rest of the members took a five-month hiatus to start
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With no upcoming candidates for a lead single role, the band was desperate to find Gillan's successor. Promotional audition posters for a replacement singer were produced and the band found themselves buried in demo tapes from aspiring singers at the band's management offices in London. Some later
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It was decided that Hughes would sing on the upcoming album. However, Blackmore wanted a vocal soloist in the band with a more masculine voice, and Lord and Paice also agreed to Blackmore's proposal to add more vocal elements to the band's music. Eventually, an agreement was made that Hughes would
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recording sessions as elusive, prompting by leaving the band. At the time, they were able to dissuade him from quitting. However, in early December 1972, he wrote management a letter declaring that he wanted to leave on 30 June 1973; the decision was made "not impulsive but at least six months of
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and features Paice's drums, cowbell, and tambourine in a prominent role. At first, the song had a slightly different arrangement and its working title was "That's Alright". Coverdale claimed that the composition had the alternate working title of "Shit Fuck Cack Wank"; according to him,
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features performances from Blackmore, Coverdale, Hughes, Paice and Lord. However, this time they were recording on the top floor of the new Convention Centre, giving them the advantage of recording in a soundproof room. Recordings began on 8 November. Despite Coverdale's limited experience in the
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after Gillan and Glover had just joined. Coverdale and Lord met together on the road and became good friends but haven't gotten any contact recently later on until Gillan's departure. Coverdale was asked to send a demo and a photo of himself. During the recording of the demo tapes, Coverdale said
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The album cover features burning candles that resemble the faces of the band members photographed by Fin Costello. He took the photo quickly, as it was just to give the band an idea of his idea, but unbeknownst to him, it ended up being the album cover. Years later, Costello reshot the cover for
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were all performed by Lord as the lead keyboardist. Blackmore, feeling that he was not required to be on the track chimed in on a guitar solo right before the song ended with the synths works panned across the audio channels. It was not clear where the "'A'" on the track was conceived, but fans
937:"Chest Fever" based on a blues-oriented sound. From its lyrical context, according to Coverdale, it was meant for a group of people who have laughed at him and Hughes at their backs when they first thought of joining the group in 1973. The arrangement sets off without a guitar solo, alongside a 775:
After their first gig concluded, the band celebrated at a local club until 4 in the morning. They were booked to Rosenberg Studios but arrived late as Coverdale stayed back at his hotel room sleeping from the previous night. Lord reportedly led the session to lay out the tracks, while Coverdale
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When the recording for the album concluded, the band flew back to London to have Birch mix the record at Gillan's studio, Kingsway Recorders. Birch made certain Paice's drums levels were normalized, while Blackmore made sure his own guitar was audible in the mix while being aided by assistant
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about his style. Hughes, mistakenly, thought the Deep Purple musicians were expressing their admiration for Trapeze but not for Hughes himself. Hughes was offered the job but declined at first. By the end of the following month, Paice was frustrated at the instability due to Glover's upcoming
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Television in the US, exposing the band to a wider audience. During the show, Blackmore struck one of the cameras five times with a guitar and set off a pyrotechnic device in one of his amplifiers, creating a large fireball that was quickly extinguished. The band quickly exited the venue by
987:"What's Goin' On Here" starts off with a 28-bar verse, later 32-bar in the final verse, with Lord playing piano and Blackmore playing slide guitar in the chorus. Coverdale and Hughes again sang mostly in parts equally. According to Coverdale, he affirmed that the song was merely based from 1013:
A' 200" is an instrumental composition that was played to a 'Bolero' rhythm. Originally composed by Lord, Paice, and Blackmore, this was the only instrumental without vocals, with the exception of "Coronarias Redig", to be performed by the 'Mark III' line-up. The multi-tracked digital
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In previous albums, all members of the band were automatically entered in the composer information of the songs, but now the practice was changed under Blackmore's initiative. He was tired of dividing the royalties into five parts, even if the others had little involvement in the
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in 20 March for sales of 500,000 units in the country, later would be certified platnium. Overall, the album charted in 13 countries, cracking the top spot in Austria, Denmark, Germany, and Norway, while receiving gold certification levels in France, Germany, and Sweden.
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change, and a tambourine was added to the percussion mix. Lord finishes it off with the Hammond organ solo arrangement nearly at the end of the track. Blackmore's guitar solo was in the mix but sounded inaudible due to an overlay of the organ solo and other instruments.
998:"Mistreated" is a slow-rolling blues tone that Coverdale only sings alone featured as the longest track in the album. According to the 30th-anniversary linear booklet, the song was written by Blackmore a few years ago and was even considered one of the tracks for the 3862: 344:
charted in 13 countries, including reaching number three in the UK and number nine in the US. Followed by a successful tour, internal tensions would start to abrupt during the recording of their follow-up album would result in Blackmore's departure in early 1975.
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if I left and I said, "What have I done?" He said it was nothing personal but Ritchie feels the band has became stagnant and he wants new blood in the band. I was really hurt by it and thought it was totally unfair. I said, "I'm not going to get pushed out. I'll
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searching for a new vocalist. A misleading headlining article came up into the picture about their split, which was confirmed false when Hughes replaced Glover at that time. Blackmore took the lead in instructing the personnel line-up during the search.
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had also planned to leave the band due to the band's refusal to consider his ideas for songs. Blackmore's insisted that Glover go at the time Gillan departed. Glover recalled his talk with the band's manager shortly about his departure, writing:
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Paice received Coverdale's demo tape from the management office and was impressed with his vocal technique and told Lord and Blackmore he found the lead singer the band had envisioned. In mid-August 1973, Coverdale auditioned for the band at
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After the album had been mixed and was ready to be mastered, the band started to perform as a warm-up set in Europe. They set out rehearsals in early December of 1973 to start doing a six-show setlist their debut originally being planned in
463:, who was the only person approached for the job. Although having good relations with the band, Paice affirmed that Rodgers would sometimes turn down offers from "people he respects and admires". At that same time, Rodgers had just formed 1187:
The original candles have not been for sale, but another, unused set of candles has been up for auction. At the turn of the millennium, there were copies graded as low quality on the market, which were also advertised on the internet.
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speculated it as a work of science fiction, which Coverdale denied. However, a lice treatment shampoo product that had the name "A-200" was conceived by Lord and used as a song title, according to the 30th-anniversary booklet notes.
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A' 200" (collectively titled "Racing Cloth") were dated 8 November, then proceeded with two multi-tracks, "Mistreated" and "What's Going On Here", recorded on 12 November, and the final two tracks, "You Fool No One" and
950:"Glenn Hughes and I would wrap our golden tonsils around those swear-words throughout rehearsals until I came up with 'Lay Down, Stay Down' â€“ wherever the fuck that came from. I suppose it was like all those 933:"Might Just Take Your Life" starts as a mid-paced song with a funky-blues tone approach with an organ chord progression Lord had played, inserted as a solo intro. Coverdale explained that the track was influenced by 771:
on 9 December 1973, marked the actual first Mark III live debut. Coverdale recalled the event, describing it as "nervous" and challenging for the new line-up, given that the band had not toured for six months.
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studio, the recording went on smoothly, laying down the tracks at about one song per day. Five of the multi-track versions of the song "Lay Down, Stay Down", "Sail Away", "Might Just Take Your Life", and "
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that he was welcomed into the band. On 23 September, a day after his 22nd birthday, the band held a press conference to announce Coverdale's recruitment as the next official lead singer of Deep Purple.
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On the back cover, the same candles are extinguished and partially melted, and the band members' faces are in the background. The tracklist and technical data of the disc are also marked on the cover.
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for the "Might Just Take Your Life" single in 1974. It appears as a bonus track (in remixed form) on the anniversary edition re-release. The 2004 remix version of "Burn" was later used in
864: and the previous albums is in the vocal parts, which the band did "in a completely different way". According to Lord, the song sounds much more liberated on the album than before: 4950: 636:
Blackmore was very excited about the new line-up, taking it as a "blues-commercial pop" approach. On the way that he envisioned the 'Mark III' Deep Purple sound, he commented:
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Blackmore and Paice flew to Europe to search for a new recording location for the upcoming album but were unsuccessful. Ultimately, they settled on recording entirely at the
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that said the band was hiring auditions for a lead singer, considering unknowns. Coverdale, who fronted his band "The Government", had opened up for Deep Purple in 1969 at
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In 2005, an unauthorised documentary about the album was produced as part of "The Ultimate Critical Review" series. It featured a brand new interview with Glenn Hughes.
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According to Paice, Glover told him and Lord a few months before his official termination that he wanted to leave the band, so they had started to drop in on
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and persuaded Hughes to join the band as vocalist and bassist. He was introduced as a new bassist and vocalist at the same time Gillan and Glover departed.
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Some record pressings have the translated album title in some countries; in Argentina, it was named "Quemar", while in Uruguay, it was named "Arde".
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it for the highest echelons of hard rock achievement, and therefore ranks as an essential item in the discography of any self-respecting music fan.
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in Europe and Warner Bros. in North America. It debuted at number seventeen on 2 March, then peaked at number three the following week on their
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hairstyle to a certain length. Lastly, Coletta insisted Coverdale on changing his name but lightly refused. In his experience, Coverdale told
5298: 5013: 4778: 4185: 4936: 945:"Lay Down, Stay Down", the third track of the album, was the first to be finished in the studio. It contains influences from funk and  5027: 683:
On 3 November 1973, the Mark III line-up flew to Montreux to commence the official recording. The band worked with producer and engineer
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escalated, resulting in Gillan leaving the group on 29 June 1973 in Osaka, Japan, after their tour had concluded. Gillan described the
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At the beginning of 9 September 1973, the yet-incomplete 'Mark III' line-up commenced two weeks of writing material and rehearsal in
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On 13 December 1973, a press conference was held to announce the final shows of the promotional warm-up tour. The latter went on to
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ourselves over a beer later, never during the actual recording." Birch agreed, saying "It was a much happier recording session than
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lyrics, looking for trouble and stuff – that was a cracker." Paice affirmed that this was his favorite track on this album.
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In the early 1970s, Deep Purple was the best-selling group in the world, particularly in North America. Their 1973 album
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to have two singers in the band. However, as time continued, there was no official word on the replacement, except
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thought". Gillan also predicted in his letter that the group would eventually disband after his departure. Bassist
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received a reissue in 2004, featuring remastered and remixed versions along with a previously unreleased track.
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Two singles were released, all of which charted. "Might Just Take Your Life" charted at number 95 on the US
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was commercially successful, though the tour supporting it was cut short. Tensions between then-lead singer
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shows. During their promotional tour in April 1973, Ritchie, Lord, and Paice went on to see Trapeze at the
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that he looked just fine as a rockstar, but referred to those changes as Coletta's "paranoid" opinion.
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and Germany. The second promotional tour was abruptly cut short when Lord was hospitalized with acute
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for sales of over 100,000 copies in the UK. In the US, the album reached number three on the
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bassist joined the group as Glover's replacement on the same day the departure was announced.
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was remastered and released with bonus tracks. "Coronarias Redig" was recorded during the
973:, which the band was originally inspired on that track by its rhythm from Wonder's song, " 584: 8: 5554: 5462: 5108: 5101: 4834: 4820: 4715: 4613: 4557: 4515: 4508: 3642: 3611: 3478: 3240: 3160: 2478: 1906: 1128: 974: 962: 889: 803: 689: 503: 447: 394:
Glover's departure was announced the second week of July. Later, he took over as head of
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album, but was scrapped until Coverdale brought the lyrics up for its composition.
650: 432: 3736: 3123: 543:.) For the photo, Coverdale obtained a younger version of himself as a Boy Scout. 206: 5452: 5196: 4901: 4887: 4599: 4467: 4452: 4014: 3556: 3299: 3294: 3188: 2003: 1955: 1654: 1339: 1153: 1112: 1041: 938: 897: 791:. After the concert, they returned to Copenhagen to sign records and autographs. 735: 654: 590: 499: 289: 137: 3347: 1055:, marking its appearance for 30 weeks, and was eventually certified gold by the 5580: 5548: 5543: 5442: 5422: 5059: 4894: 4680: 3931:(in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. p. 166. 3867: 3707: 3703: 3103: 3017: 2787: 2304: 2276: 1881: 1120: 1095: 1037: 896:. Paice's drumming is strongly featured in the song. The riff is borrowed from 571: 423: 399: 301: 281: 221: 130: 3672: 3085: 2999: 2842: 5619: 5487: 5457: 5427: 5189: 5182: 4813: 4592: 4424: 4164:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 426. 3651: 3064: 2638: 2046: 2019: 1274: 1136: 1132: 1049: 992: 970: 957:"Sail Away" is written with a funk-bluesier sound that is even compared with 946: 919: 831: 564: 518: 288:
internationally. It was the first album to feature then-unknown lead singer
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Set "Tipo" on "Album". Then, in the "Artista" field, search "Deep Purple".
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Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972
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was inspired by "Burn" to write "I Stole Your Love" (the opening track of
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in a similar vein to that of the group's preceding albums, particularly
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Before the new line-up was announced, however, the band's management,
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sing more on later tracks, gradually increasing on proceeding albums
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Ritchie Blackmore celebrating The California Jam (Part 2)|websource=
5512: 4432: 3128: 1980: 1666: 1343: 1316: 1215: 1177: 1163: 934: 914: 795: 739: 669: 309: 74: 4331:"Classic Rock – 100 Greatest British Rock Album Ever – April 2006" 4634: 4208: 850:, which would become much more prominent on the follow-up album, 819: 811: 799: 760: 619:
weight-loss drugs that exhausted him while recording sessions of
419: 3830:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. 4951:
Knocking at Your Back Door: The Best of Deep Purple in the 80's
4042: 2937: 2935: 1968: 1295: 857: 823: 822:). Later that month, the band toured only five concerts across 780: 756: 623:. Coverdale was also asked to shave his mustache and groom his 517:
that he was "very drunk" at that time while singing tunes from
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singles chart, number 84 in Canada, and number 55 in the UK. "
3741: 3156:"The Meaning Behind the Witchy Woman in Deep Purple's "Burn"" 951: 327: 38: 3290:"Deep Purple songs and albums - full Official Chart history" 2932: 2608:"How Deep Purple reinvented themselves: the making of Burn" 1090: 847: 4082:(in Spanish) (1st ed.). Spain: FundaciĂłn Autor-SGAE. 3908: 904:", and the song has some influences from classical music. 4744:
King Biscuit Flower Hour Presents: Deep Purple in Concert
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Classic Albums: Deep Purple – The Making of Machine Head
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joined the band shortly thereafter Hughes' announcement.
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in Los Angeles. There, they complimented then-bassist,
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Christgau's Record Guide: Rock Albums of the Seventies
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tour. The group later continue on to include shows at
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line-up for their recording debut included Coverdale,
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Live at Montreux 2006: They All Came Down to Montreux
4292:"British album certifications – Deep Purple – Burn" 4059: 1156:, London, was recorded and later released in 1982 as 783:, where they received a gold certification disc from 5562:
Re-Machined: A Tribute to Deep Purple's Machine Head
4216:"French album certifications – Deep Purple – Burn" 3853:(in German). Hung Medien. Retrieved March 25, 2024. 3549: 3389:"American album certifications – Deep Purple – Burn" 4039:
Oricon Album Chart Book: Complete Edition 1970–2005
3917:(in Dutch). Hung Medien. Retrieved March 25, 2024. 3321:"British album certifications – Deep Purple – Burn" 2944:"The Growing Pains Of Whitesnake's David Coverdale" 1098:in 1974. They played to over 250,000 people at the 3147: 2645:(second ed.). Wymer Publishing. p. 151. 2601: 2599: 2597: 2595: 2593: 1635:Credits are adapted from the album's liner notes. 842:Purple's hard-rock sound incorporated elements of 814:), then concluded with the show on 17 December at 779:At that following day, the group went en-route to 2591: 2589: 2587: 2585: 2583: 2581: 2579: 2577: 2575: 2573: 2134: 1082:"Might Just Take Your Life" was more commercial. 5617: 4923:When We Rock, We Rock, and When We Roll, We Roll 3792:"Deep Purple's former manager Tony Edwards dies" 3236:"Top 20 Deep Purple songs from the '70s, ranked" 272:is the eighth studio album by English rock band 4141:"Official Rock & Metal Albums Chart Top 40" 3720:: CS1 maint: others in cite AV media (notes) ( 3525:"Deep Purple's Glenn Hughes digs into his past" 3202: 3200: 3198: 2777: 2775: 2773: 2771: 2769: 2767: 2765: 2763: 2761: 2759: 2757: 2755: 2753: 2751: 2749: 2747: 2745: 2743: 2741: 2739: 2737: 2735: 2733: 2731: 2729: 2727: 2725: 2723: 2721: 2224:Shipments figures based on certification alone. 3688: 3686: 3684: 3175: 3078: 3050:"From Music Capitals of the World - Stockholm" 2921:Ling, Dave (March 2000). "My classic career". 2819:, p. 41. Harmony Books. Retrieved 1 March 2012 2719: 2717: 2715: 2713: 2711: 2709: 2707: 2705: 2703: 2701: 2570: 2504:30th-anniversary release in the US and Japan. 1220: 730:Collage of Deep Purple Mark III in 1974, with 5299:In Concert with The London Symphony Orchestra 5014:Winning Combinations: Deep Purple and Rainbow 4779:In Concert with The London Symphony Orchestra 4369: 4112: 3227: 1819:Easy On The Eye – artwork remastering, design 1115:four days later. The band co-headlined (with 834:in February but was pushed back until March. 644: 4937:Deepest Purple: The Very Best of Deep Purple 4249: 4247: 3953:"Le DĂ©tail des Albums de chaque Artiste – D" 3195: 2817:The Harmony Illustrated Encyclopedia of Rock 2806:p. 279. Rough Guides. Retrieved 1 March 2012 881:A' 200" and bonus track "Coronarias Redig". 551:. He then received a call a week later from 3681: 3117: 3115: 3113: 2992: 2781: 2698: 2220:Sales figures based on certification alone. 479:well-known singers who auditioned included 4376: 4362: 4134: 4066:"Norwegiancharts.com – Deep Purple – Burn" 3993:"Offiziellecharts.de – Deep Purple – Burn" 205: 29: 4244: 4096: 4077: 4068:. Hung Medien. Retrieved March 25, 2024. 3737:"#8 Glenn Hughes - Music and Me on Acast" 3596: 3512:Smoke on the Water: The Deep Purple Story 3496: 3479:""Burn" by Deep Purple: UK Singles Chart" 3393:Recording Industry Association of America 3094:. Dunwoody, GA. 15 March 1974. p. 48 2879: 2830:Joel Whitburn's Top Pop Singles 1955–2006 2684:Recording Industry Association of America 2666:Smoke on the Water: The Deep Purple Story 1622: 336:, but there was an additional element of 276:. It was released on 15 February 1974 by 3926: 3851:"Austriancharts.at – Deep Purple – Burn" 3110: 1143:. Portions of the show were telecast on 1089: 1025: 725: 529:" and "Lonely Town, Lonely Street") and 410:Hughes & Coverdale introduction and 3568: 3348:"Deep Purple – Billboard Chart History" 3008:. London. 25 September 1973. p. 14 2941: 2364:First released on CD formats in Japan. 1807:Simon Robinson – research, coordination 787:. On that same day, they played at the 5618: 5334:History, Hits & Highlights '68–'76 3856: 3734: 3641: 3559:://www.youtube.com/watch?v=3fFlvPYpdNI 2637: 2551:100 Greatest British Rock Albums Ever 1604: 1590: 1576: 1562: 676:, where the group previously recorded 471:(who would later become the singer of 431:departure, so he approached Hughes in 4723:In the Absence of Pink: Knebworth '85 4357: 3915:"Dutchcharts.nl – Deep Purple – Burn" 3886:"Danske Hitliter: Burn - Deep Purple" 3635: 3121: 2970: 2964: 1548: 1528:30th anniversary edition bonus tracks 1505: 1487: 1473: 1459: 1420: 1406: 1392: 1374: 1201: 4156: 3920: 3822: 3153: 2952:. London: Future plc. pp. 10–24 2920: 1832: 1810:Nigel Young – sleeve notes, material 1687:Ritchie Blackmore – producer, mixing 1033:was released on 15 February 1974 by 18:1974 studio album by Deep Purple 4993:Smoke on the Water & Other Hits 4916:The Deep Purple Singles A's and B's 4278:"Guldskivor: Burn - Stormbringer '" 4031: 3816: 2679:"RIAA Gold & Platinum database" 1751:Nesbit, Phipps and Froome – artwork 1294:recording sessions, used only as a 1222: 837: 13: 3735:Olsson, Kylie (29 November 2018). 3571:"Music Review: Deep Purple - Burn" 3569:Bowling, David (1 December 2011). 3233: 3000:"Out Of The Blue-Into Deep Purple" 2898:. Vintage Rock.com. Archived from 2815:Mike Clifford, Pete Frame (1992). 2605: 2417:Released on CD formats worldwide. 2232: 2064: 1769:Koh Sakai – reissued sleeve notes 1690:David Coverdale – producer, mixing 402:and focused mostly on production. 14: 5652: 4080:SĂłlo Ă©xitos: año a año, 1959–2002 3086:"Coverdale's Rise Real Hollywood" 2119: 1775:Tony Edwards – executive producer 1754:Fin Costello – sleeve photography 1328: 5600: 5599: 5257:Concerto for Group and Orchestra 4667:Concerto for Group and Orchestra 4041:(in Japanese). Roppongi, Tokyo: 3631:– via robertchristgau.com. 3414:"Deep Purple – Burn Discography" 3091:The Atlanta Journal-Constitution 3059:. 29 December 1973. p. 36. 1837: 1757:Candle Makers Supplies – candles 1241: 1236: 1231: 1226: 1221: 1181:for an article in the magazine. 1102:in Ontario, Southern California. 856:. There was a huge influence of 583: 563: 5158:Sometimes I Feel Like Screaming 4958:Smoke on the Water: The Best Of 4793:This Time Around: Live in Tokyo 4383: 4323: 4309: 4270: 4266:. 10 December 1974. p. 64. 4178: 4162:Australian Chart Book 1970–1992 4150: 4103:"Official Albums Chart Top 100" 4071: 4002: 3945: 3878: 3828:Australian Chart Book 1970–1992 3784: 3756: 3728: 3666: 3590: 3562: 3542: 3517: 3505: 3471: 3457: 3431: 3406: 3381: 3367: 3340: 3313: 3282: 3273: 3264: 3255: 3042: 3033: 3024: 2971:Rolli, Bryan (24 August 2023). 2942:Chirazi, Steffan (March 2011). 2914: 2888: 2870: 2861: 2070:Year-end chart performance for 1780:(at Metropolis Studios, London) 1693:Glenn Hughes – producer, mixing 1552:"Coronarias Redig" (2004 remix) 5382:The Songs That Built Rock Tour 2835: 2822: 2809: 2794: 2671: 2659: 2631: 1732:Baz Marshall – road management 1594:"You Fool No One" (2004 remix) 1533: 1444: 1359: 1315:In a retrospective review for 918:). Lord took the solos on the 707:", recorded on 14 November. 611:told Coverdale to correct his 211:30th Anniversary Edition cover 1: 4986:Days May Come and Days May Go 4807:Inglewood: Live in California 4296:British Phonographic Industry 3863:"Top RPM Albums: Issue 5022a" 3326:British Phonographic Industry 2784:Burn 30th Anniversary Edition 2563: 1738:Ron Quinton – road management 1301:Guitar Hero: Warriors of Rock 1111:, New York, on 13 March, and 1094:Deep Purple co-headlined the 352: 5292:Total Abandon: Australia '99 5271:Deep Purple Rises Over Japan 4979:The Very Best of Deep Purple 4965:30: Very Best of Deep Purple 4772:Total Abandon: Australia '99 4186:"Top 100 Album-Jahrescharts" 4147:. Retrieved March 25, 2024. 4131:. Retrieved March 25, 2024. 4119:"Deep Purple Chart History ( 4109:. Retrieved March 25, 2024. 4078:Salaverri, Fernando (2005). 3999:. Retrieved March 25, 2024. 3875:. Retrieved March 25, 2024. 3439:"Arde (Burn) by Deep Purple" 2896:"The Glenn Hughes Interview" 2510: 2055: 2026: 2012: 1997: 1985: 1973: 1961: 1947: 1935: 1923: 1911: 1899: 1887: 1873: 1861: 1699:Ian Paice – producer, mixing 1630: 1191: 1169: 666:Rolling Stones Mobile Studio 71:Rolling Stones Mobile Studio 7: 3959:(in French). Archived from 3873:Library and Archives Canada 3124:"Deep Purple - Burn review" 1919:The Official Finnish Charts 1797:Nigel Reeve – coordination 1741:Ian Broad – road management 1696:Jon Lord – producer, mixing 1396:"Might Just Take Your Life" 237:"Might Just Take Your Life" 10: 5657: 5144:Knocking at Your Back Door 5067:River Deep – Mountain High 4930:The Mark II Purple Singles 4786:Live at the Rotterdam Ahoy 4758:Mk III: The Final Concerts 3978:from the menu, then press 2455:30th-anniversary release. 2047:UK Rock & Metal Albums 1813:Jorgen Angel – photography 1761: 1715: 1679: 1640: 1334:All tracks are written by 1319:, Eduardo Rivadavia said: 1117:Emerson, Lake & Palmer 1085: 645:Production and composition 5595: 5526: 5395: 5372:Deep Purple European Tour 5364: 5248: 5174: 5044: 4879: 4658: 4486: 4391: 2832:, p. 227. Record Research 2540: 2459: 2421: 2368: 2327: 2288: 2265: 2260: 2257: 2254: 2251: 2248: 2245: 2217: 2202: 2187: 2172: 2157: 2142: 2131: 2128: 2097: 2085: 2045: 2017: 2002: 1990: 1978: 1966: 1952: 1940: 1928: 1916: 1904: 1892: 1878: 1866: 1854: 1827: 1816:Ian Dickson – photography 1723:Tony Edwards – management 1669:– keyboards, synthesizers 1580:"Mistreated" (2004 remix) 1543: 1540: 1537: 1532: 1454: 1451: 1448: 1443: 1369: 1366: 1363: 1358: 1310: 1209: 1206: 261: 231: 220: 216: 204: 200: 195: 191: 154: 146: 136: 124: 108: 80: 66: 58: 50: 37: 28: 23: 5377:Rapture of the Deep tour 5239:Vavoom: Ted the Mechanic 4190:GfK Entertainment Charts 3997:GfK Entertainment Charts 3602:"Consumer Guide '70s: D" 3191:. 2015. 8 024391 068373. 1778:Matthew Tait – remixing 1735:Magnet – road management 1608:"Sail Away" (2004 remix) 1263:Christgau's Record Guide 5518:Black Country Communion 5278:Come Hell or High Water 5028:The Platinum Collection 4765:Live at The Olympia '96 4737:Come Hell or High Water 4572:The House of Blue Light 4145:Official Charts Company 4107:Official Charts Company 3927:Pennanen, Timo (2006). 2828:Whitburn, Joel (2008). 2803:The Rough Guide to Rock 1879:Canada Top Albums/CDs ( 1771:(Japanese version only) 594:(pictured in 2015 with 253:Released: May 1974 (US) 5218:When a Blind Man Cries 5035:BBC Sessions 1968–1970 5007:Listen, Learn, Read On 4695:Deep Purple in Concert 4586:The Battle Rages On... 4537:Who Do We Think We Are 4192:. 1974. Archived from 3890:Royal Library, Denmark 3555:19 August 2013 at the 2800:Peter Buckley (2003). 2643:The Deep Purple Family 1555:Blackmore, Lord, Paice 1516:Blackmore, Lord, Paice 1477:"What's Goin' On Here" 1326: 1141:Earth, Wind & Fire 1125:Ontario Motor Speedway 1103: 1100:Ontario Motor Speedway 1079:Bubbling Under Hot 100 1000:Who Do We Think We Are 870: 751: 713:Who Do We Think We Are 642: 392: 373:Who Do We Think We Are 360:Who Do We Think We Are 304:) on bass and vocals, 240:Released: 4 March 1974 161:Who Do We Think We Are 5641:Purple Records albums 5636:Warner Records albums 5503:Hughes Turner Project 5387:The Long Goodbye Tour 5348:Live at Montreux 2011 5327:Around the World Live 5320:Live at Montreux 2006 5313:Live in Concert 72/73 5285:Live at Montreux 1996 5264:Live in California 74 5088:Strange Kind of Woman 5000:The Soundboard Series 4856:Live at Montreux 2011 4828:Live at Montreux 1996 4688:Last Concert in Japan 4495:Shades of Deep Purple 4218:(in French). InfoDisc 3529:Sydney Morning Herald 2978:Ultimate Classic Rock 1410:"Lay Down, Stay Down" 1321: 1109:Madison Square Garden 1093: 1026:Release and promotion 866: 729: 638: 549:Scorpio Sound Studios 493:Steve Parsons (Snips) 489:Gary Pickford-Hopkins 383: 4842:Live in Denmark 1972 4502:The Book of Taliesyn 4043:Oricon Entertainment 3612:Ticknor & Fields 3122:Rivadavia, Eduardo. 2843:"Deep Purple People" 2782:Deep Purple (2004). 2238:Release formats for 1711:– assistant engineer 1611:Blackmore, Coverdale 1583:Blackmore, Coverdale 1498:Blackmore, Coverdale 1427:Blackmore, Coverdale 1197:Professional ratings 1162:. The tour ended at 1150:Gaumont State Cinema 693:four years earlier. 576:(performing in 2017) 498:Twenty-one-year-old 5555:Deep Purple Tribute 4835:Live in Montreux 69 4821:Live in Europe 1993 4716:Scandinavian Nights 4614:Rapture of the Deep 4558:Come Taste the Band 4516:Deep Purple in Rock 4280:. 20 December 2020. 3716:cite AV media notes 3647:"Deep Purple: Burn" 3161:American Songwriter 2849:. BBC2. 8 July 1995 2790:. 7243 4 73621 2 4. 2520: 2242: 2125: 2086:Australian Albums ( 2074: 1855:Australian Albums ( 1675:– drums, percussion 1566:"Burn" (2004 remix) 1529: 1440: 1355: 1198: 984:from Led Zeppelin. 963:Trampled Under Foot 884:The opening track " 804:Festhalle Frankfurt 690:Deep Purple in Rock 527:Everybody's Talkin' 514:Bradford University 448:Come Taste the Band 322:mostly consists of 5626:Deep Purple albums 5413:The Flower Pot Men 5232:Soldier of Fortune 5116:Smoke on the Water 4880:Compilation albums 4800:Live in Paris 1975 4751:California Jamming 4579:Slaves and Masters 3963:on 22 October 2014 3896:on 17 October 2015 3804:. 13 November 2010 3772:. 16 December 2018 2867:Ekblad: p. 39, 43. 2515: 2431:24 September 2004 2309:LP, Cass, 8-track 2281:LP, Cass, 8-track 2237: 2124: 2100:Offizielle Top 100 2069: 1979:Norwegian Albums ( 1943:Offizielle Top 100 1791:Abbey Road Studios 1705:– engineer, mixing 1527: 1438: 1353: 1196: 1104: 902:Fascinating Rhythm 752: 659:Smoke On The Water 312:on keyboards, and 5613: 5612: 5587:Bogus Deep Purple 5483:Paice Ashton Lord 5468:Blackmore's Night 5137:Perfect Strangers 4730:Gemini Suite Live 4565:Perfect Strangers 4438:Ritchie Blackmore 3938:978-951-1-21053-5 3645:(25 April 1974). 3598:Christgau, Robert 3550:https://www.https 3134:All Media Network 3030:Ekblad: p. 41–42. 2847:Rock Family Trees 2652:978-1-908724-42-7 2561: 2560: 2508: 2507: 2411: 2408:0 7599-27283-2 4 2405: 2337:21 December 1987 2301:15 February 1974 2269:15 February 1974 2230: 2229: 2225: 2221: 2116: 2115: 2109: 2108: 2088:Kent Music Report 2060: 2059: 2031: 2030: 1967:Japanese Albums ( 1867:Austrian Albums ( 1857:Kent Music Report 1825: 1824: 1804: 1794: 1781: 1772: 1709:Tapani Tapanainen 1649:Ritchie Blackmore 1627: 1618: 1617: 1523: 1522: 1463:"You Fool No One" 1434: 1433: 1350:(except as noted) 1336:Ritchie Blackmore 1284: 1283: 748:Ritchie Blackmore 721:Tapani Tapanainen 617:amphetamine-based 599: 577: 506:saw an advert in 369:Ritchie Blackmore 306:Ritchie Blackmore 265: 264: 187: 186: 5648: 5603: 5602: 5575:Rock Aid Armenia 5569:The Purple Album 5527:Related articles 5498:Yngwie Malmsteen 5151:Call of the Wild 5123:Woman from Tokyo 4972:Shades 1968–1998 4709:Nobody's Perfect 4642:Turning to Crime 4378: 4371: 4364: 4355: 4354: 4348: 4347: 4345: 4343: 4327: 4321: 4320: 4313: 4307: 4306: 4304: 4302: 4288: 4282: 4281: 4274: 4268: 4267: 4259: 4251: 4242: 4240: 4227: 4225: 4223: 4212: 4206: 4205: 4203: 4201: 4182: 4176: 4175: 4154: 4148: 4138: 4132: 4116: 4110: 4100: 4094: 4093: 4075: 4069: 4063: 4057: 4056: 4035: 4029: 4027: 4025: 4023: 4006: 4000: 3990: 3984: 3972: 3970: 3968: 3949: 3943: 3942: 3924: 3918: 3912: 3906: 3905: 3903: 3901: 3892:. Archived from 3882: 3876: 3860: 3854: 3848: 3842: 3841: 3820: 3814: 3813: 3811: 3809: 3788: 3782: 3781: 3779: 3777: 3760: 3754: 3753: 3751: 3749: 3732: 3726: 3725: 3719: 3711: 3690: 3679: 3670: 3664: 3663: 3661: 3659: 3639: 3633: 3632: 3630: 3628: 3594: 3588: 3587: 3585: 3583: 3566: 3560: 3546: 3540: 3539: 3537: 3535: 3521: 3515: 3509: 3503: 3500: 3494: 3493: 3491: 3489: 3475: 3469: 3468: 3461: 3455: 3454: 3452: 3450: 3435: 3429: 3428: 3426: 3424: 3410: 3404: 3403: 3401: 3399: 3385: 3379: 3378: 3371: 3365: 3364: 3362: 3360: 3344: 3338: 3337: 3335: 3333: 3317: 3311: 3310: 3308: 3306: 3286: 3280: 3279:Thompson: p. 186 3277: 3271: 3268: 3262: 3259: 3253: 3252: 3250: 3248: 3234:Popoff, Martin. 3231: 3225: 3224: 3222: 3220: 3204: 3193: 3192: 3184:The Purple Album 3179: 3173: 3172: 3170: 3168: 3151: 3145: 3144: 3142: 3140: 3119: 3108: 3107: 3101: 3099: 3082: 3076: 3075: 3073: 3071: 3054: 3046: 3040: 3037: 3031: 3028: 3022: 3021: 3015: 3013: 2996: 2990: 2989: 2987: 2985: 2968: 2962: 2961: 2959: 2957: 2939: 2930: 2929: 2918: 2912: 2911: 2909: 2907: 2892: 2886: 2883: 2877: 2874: 2868: 2865: 2859: 2858: 2856: 2854: 2839: 2833: 2826: 2820: 2813: 2807: 2798: 2792: 2791: 2779: 2696: 2695: 2693: 2691: 2675: 2669: 2663: 2657: 2656: 2635: 2629: 2628: 2626: 2624: 2603: 2521: 2514: 2495:0 8122 74641 2 7 2449:7243 4 73621 2 4 2409: 2403: 2243: 2223: 2219: 2188:United Kingdom ( 2126: 2123: 2075: 2068: 2033: 2032: 1991:Spanish Albums ( 1953:Italian Albums ( 1917:Finnish Albums ( 1842: 1841: 1833: 1798: 1788: 1779: 1770: 1638: 1637: 1625: 1621: 1535: 1530: 1526: 1512: 1446: 1441: 1437: 1361: 1356: 1352: 1246: 1245: 1244: 1240: 1239: 1235: 1234: 1230: 1229: 1225: 1224: 1199: 1195: 1166:on 29 May 1974. 1012: 880: 838:Music and lyrics 701: 651:Clearwell Castle 593: 587: 575: 574:'s Glenn Hughes 567: 540:The Purple Album 254: 251: 241: 238: 209: 156: 155: 120: 119: 115: 54:15 February 1974 33: 21: 20: 5656: 5655: 5651: 5650: 5649: 5647: 5646: 5645: 5616: 5615: 5614: 5609: 5591: 5522: 5453:Ian Gillan Band 5391: 5360: 5244: 5211:Maybe I'm a Leo 5170: 5040: 5021:The Early Years 4902:24 Carat Purple 4895:Mark I & II 4888:Purple Passages 4875: 4654: 4482: 4468:Joe Lynn Turner 4453:David Coverdale 4387: 4382: 4352: 4351: 4341: 4339: 4329: 4328: 4324: 4315: 4314: 4310: 4300: 4298: 4290: 4289: 4285: 4276: 4275: 4271: 4257: 4253: 4252: 4245: 4238: 4221: 4219: 4214: 4213: 4209: 4199: 4197: 4196:on 12 June 2018 4184: 4183: 4179: 4172: 4155: 4151: 4139: 4135: 4117: 4113: 4101: 4097: 4090: 4076: 4072: 4064: 4060: 4053: 4037: 4036: 4032: 4021: 4019: 4015:Musica e Dischi 4008: 4007: 4003: 3991: 3987: 3966: 3964: 3951: 3950: 3946: 3939: 3925: 3921: 3913: 3909: 3899: 3897: 3884: 3883: 3879: 3861: 3857: 3849: 3845: 3838: 3821: 3817: 3807: 3805: 3790: 3789: 3785: 3775: 3773: 3762: 3761: 3757: 3747: 3745: 3733: 3729: 3713: 3712: 3710:. 1974. W 2766. 3692: 3691: 3682: 3671: 3667: 3657: 3655: 3640: 3636: 3626: 3624: 3622: 3595: 3591: 3581: 3579: 3567: 3563: 3557:Wayback Machine 3547: 3543: 3533: 3531: 3523: 3522: 3518: 3510: 3506: 3501: 3497: 3487: 3485: 3477: 3476: 3472: 3463: 3462: 3458: 3448: 3446: 3445:. RateYourMusic 3437: 3436: 3432: 3422: 3420: 3412: 3411: 3407: 3397: 3395: 3387: 3386: 3382: 3373: 3372: 3368: 3358: 3356: 3346: 3345: 3341: 3331: 3329: 3319: 3318: 3314: 3304: 3302: 3288: 3287: 3283: 3278: 3274: 3269: 3265: 3260: 3256: 3246: 3244: 3232: 3228: 3218: 3216: 3206: 3205: 3196: 3181: 3180: 3176: 3166: 3164: 3154:McDowell, Jay. 3152: 3148: 3138: 3136: 3120: 3111: 3097: 3095: 3084: 3083: 3079: 3069: 3067: 3052: 3048: 3047: 3043: 3038: 3034: 3029: 3025: 3011: 3009: 2998: 2997: 2993: 2983: 2981: 2969: 2965: 2955: 2953: 2940: 2933: 2919: 2915: 2905: 2903: 2902:on 3 April 2012 2894: 2893: 2889: 2884: 2880: 2875: 2871: 2866: 2862: 2852: 2850: 2841: 2840: 2836: 2827: 2823: 2814: 2810: 2799: 2795: 2780: 2699: 2689: 2687: 2677: 2676: 2672: 2664: 2660: 2653: 2636: 2632: 2622: 2620: 2606:Barton, Geoff. 2604: 2571: 2566: 2548:United Kingdom 2513: 2501: 2486: 2469: 2452: 2440: 2428: 2414: 2393: 2378: 2361: 2355:4 988014 360135 2346: 2334: 2321: 2298: 2235: 2233:Release history 2222: 2203:United States ( 2136:Certified units 2122: 2117: 2098:German Albums ( 2067: 2065:Year-end charts 2040: 1956:Musica e Dischi 1941:German Albums ( 1929:French Albums ( 1893:Danish Albums ( 1849: 1840: 1830: 1655:David Coverdale 1633: 1619: 1524: 1510: 1435: 1340:David Coverdale 1331: 1313: 1242: 1237: 1232: 1227: 1194: 1172: 1113:Nassau Coliseum 1088: 1028: 1010: 898:George Gershwin 878: 840: 736:David Coverdale 699: 655:Gloucestershire 647: 625:Edgar Broughton 605: 604: 603: 602: 601: 591:David Coverdale 588: 580: 579: 568: 500:David Coverdale 416: 355: 290:David Coverdale 257: 252: 245: 244: 239: 236: 235: 212: 182: 173: 164: 117: 113: 112: 104: 46: 19: 12: 11: 5: 5654: 5644: 5643: 5638: 5633: 5628: 5611: 5610: 5608: 5607: 5596: 5593: 5592: 5590: 5589: 5584: 5581:Green Bullfrog 5577: 5572: 5565: 5558: 5551: 5549:Funky Junction 5546: 5544:Purple Records 5541: 5536: 5530: 5528: 5524: 5523: 5521: 5520: 5515: 5510: 5505: 5500: 5495: 5490: 5485: 5480: 5478:Coverdale–Page 5475: 5470: 5465: 5460: 5455: 5450: 5445: 5443:Captain Beyond 5440: 5435: 5430: 5425: 5420: 5415: 5410: 5405: 5399: 5397: 5393: 5392: 5390: 5389: 5384: 5379: 5374: 5368: 5366: 5362: 5361: 5359: 5358: 5355:Live in Verona 5351: 5344: 5341:Phoenix Rising 5337: 5330: 5323: 5316: 5309: 5302: 5295: 5288: 5281: 5274: 5267: 5260: 5252: 5250: 5246: 5245: 5243: 5242: 5235: 5228: 5221: 5214: 5207: 5204:Space Truckin' 5200: 5193: 5186: 5178: 5176: 5172: 5171: 5169: 5168: 5161: 5154: 5147: 5140: 5133: 5126: 5119: 5112: 5105: 5098: 5091: 5084: 5077: 5070: 5063: 5060:Kentucky Woman 5056: 5048: 5046: 5042: 5041: 5039: 5038: 5031: 5024: 5017: 5010: 5003: 4996: 4989: 4982: 4975: 4968: 4961: 4954: 4947: 4940: 4933: 4926: 4919: 4912: 4905: 4898: 4891: 4883: 4881: 4877: 4876: 4874: 4873: 4870:Live in Verona 4866: 4863:Phoenix Rising 4859: 4852: 4845: 4838: 4831: 4824: 4817: 4810: 4803: 4796: 4789: 4782: 4775: 4768: 4761: 4754: 4747: 4740: 4733: 4726: 4719: 4712: 4705: 4702:Live in London 4698: 4691: 4684: 4681:Made in Europe 4677: 4670: 4662: 4660: 4656: 4655: 4653: 4652: 4645: 4638: 4631: 4624: 4617: 4610: 4603: 4596: 4589: 4582: 4575: 4568: 4561: 4554: 4547: 4540: 4533: 4526: 4519: 4512: 4505: 4498: 4490: 4488: 4484: 4483: 4481: 4480: 4475: 4470: 4465: 4460: 4455: 4450: 4445: 4440: 4435: 4429: 4428: 4421: 4414: 4407: 4400: 4392: 4389: 4388: 4381: 4380: 4373: 4366: 4358: 4350: 4349: 4322: 4319:. 25 May 2024. 4308: 4283: 4269: 4243: 4207: 4177: 4170: 4149: 4133: 4111: 4095: 4088: 4070: 4058: 4051: 4030: 4001: 3985: 3944: 3937: 3919: 3907: 3877: 3855: 3843: 3836: 3815: 3783: 3755: 3727: 3680: 3665: 3634: 3620: 3589: 3561: 3541: 3516: 3504: 3502:Ekblad: p. 45. 3495: 3470: 3456: 3430: 3405: 3380: 3377:. 25 May 2024. 3366: 3339: 3312: 3281: 3272: 3263: 3261:Bloom: p. 212. 3254: 3226: 3194: 3174: 3146: 3109: 3104:Newspapers.com 3077: 3041: 3039:Bloom: p. 212. 3032: 3023: 3018:Newspapers.com 2991: 2963: 2931: 2913: 2887: 2885:Bloom: p. 207. 2878: 2869: 2860: 2834: 2821: 2808: 2793: 2788:Purple Records 2786:(CD Booklet). 2697: 2670: 2658: 2651: 2639:Popoff, Martin 2630: 2568: 2567: 2565: 2562: 2559: 2558: 2555: 2552: 2549: 2546: 2538: 2537: 2534: 2531: 2528: 2525: 2516:Accolades for 2512: 2509: 2506: 2505: 2502: 2500: 2499: 2496: 2492: 2490: 2487: 2485: 2484: 2481: 2475: 2473: 2470: 2468: 2467: 2464: 2460: 2457: 2456: 2453: 2451: 2450: 2446: 2444: 2441: 2439: 2438: 2434: 2432: 2429: 2427: 2426: 2422: 2419: 2418: 2415: 2413: 2412: 2406: 2399: 2397: 2394: 2392: 2391: 2388: 2384: 2382: 2379: 2377: 2376: 2373: 2369: 2366: 2365: 2362: 2360: 2359: 2356: 2352: 2350: 2347: 2345: 2344: 2340: 2338: 2335: 2333: 2332: 2328: 2325: 2324: 2322: 2320: 2319: 2316: 2312: 2310: 2307: 2302: 2299: 2297: 2296: 2293: 2289: 2286: 2285: 2282: 2279: 2270: 2267: 2263: 2262: 2259: 2256: 2253: 2250: 2247: 2234: 2231: 2228: 2227: 2215: 2214: 2211: 2208: 2200: 2199: 2196: 2193: 2185: 2184: 2181: 2178: 2170: 2169: 2166: 2163: 2155: 2154: 2151: 2148: 2140: 2139: 2133: 2130: 2121: 2120:Certifications 2118: 2114: 2113: 2107: 2106: 2103: 2095: 2094: 2091: 2083: 2082: 2079: 2066: 2063: 2061: 2058: 2057: 2054: 2043: 2042: 2037: 2029: 2028: 2025: 2015: 2014: 2011: 2000: 1999: 1996: 1988: 1987: 1984: 1976: 1975: 1972: 1964: 1963: 1960: 1950: 1949: 1946: 1938: 1937: 1934: 1926: 1925: 1922: 1914: 1913: 1910: 1905:Dutch Albums ( 1902: 1901: 1898: 1890: 1889: 1886: 1876: 1875: 1872: 1864: 1863: 1860: 1852: 1851: 1846: 1839: 1836: 1831: 1829: 1826: 1823: 1822: 1821: 1820: 1817: 1814: 1811: 1808: 1805: 1795: 1787:– remastering 1782: 1776: 1773: 1766: 1765: 1760: 1759: 1758: 1755: 1752: 1748: 1747: 1743: 1742: 1739: 1736: 1733: 1730: 1724: 1720: 1719: 1714: 1713: 1712: 1706: 1700: 1697: 1694: 1691: 1688: 1684: 1683: 1678: 1677: 1676: 1670: 1664: 1663:– bass, vocals 1658: 1652: 1645: 1644: 1632: 1629: 1616: 1615: 1612: 1609: 1606: 1602: 1601: 1598: 1595: 1592: 1588: 1587: 1584: 1581: 1578: 1574: 1573: 1570: 1567: 1564: 1560: 1559: 1556: 1553: 1550: 1546: 1545: 1542: 1539: 1536: 1525: 1521: 1520: 1517: 1514: 1507: 1503: 1502: 1499: 1496: 1489: 1485: 1484: 1481: 1478: 1475: 1471: 1470: 1467: 1464: 1461: 1457: 1456: 1453: 1450: 1447: 1436: 1432: 1431: 1428: 1425: 1422: 1418: 1417: 1414: 1411: 1408: 1404: 1403: 1400: 1397: 1394: 1390: 1389: 1386: 1383: 1376: 1372: 1371: 1368: 1365: 1362: 1332: 1330: 1329:Track listings 1327: 1312: 1309: 1282: 1281: 1280:(unfavourable) 1278: 1270: 1269: 1266: 1258: 1257: 1254: 1248: 1247: 1218: 1212: 1211: 1208: 1204: 1203: 1193: 1190: 1171: 1168: 1159:Live in London 1121:California Jam 1096:California Jam 1087: 1084: 1027: 1024: 839: 836: 646: 643: 589: 582: 581: 569: 562: 561: 560: 559: 558: 424:Whisky a Go Go 415: 408: 400:Purple Records 367:and guitarist 354: 351: 300:(joining from 292:. The group's 263: 262: 259: 258: 256: 255: 242: 232: 229: 228: 218: 217: 214: 213: 210: 202: 201: 198: 197: 196:Reissued cover 193: 192: 189: 188: 185: 184: 175: 166: 152: 151: 144: 143: 140: 134: 133: 128: 122: 121: 110: 106: 105: 103: 102: 97: 92: 86: 84: 78: 77: 68: 64: 63: 60: 56: 55: 52: 48: 47: 42: 35: 34: 26: 25: 17: 9: 6: 4: 3: 2: 5653: 5642: 5639: 5637: 5634: 5632: 5629: 5627: 5624: 5623: 5621: 5606: 5598: 5597: 5594: 5588: 5585: 5583: 5582: 5578: 5576: 5573: 5571: 5570: 5566: 5564: 5563: 5559: 5557: 5556: 5552: 5550: 5547: 5545: 5542: 5540: 5537: 5535: 5532: 5531: 5529: 5525: 5519: 5516: 5514: 5511: 5509: 5506: 5504: 5501: 5499: 5496: 5494: 5491: 5489: 5488:Black Sabbath 5486: 5484: 5481: 5479: 5476: 5474: 5471: 5469: 5466: 5464: 5461: 5459: 5456: 5454: 5451: 5449: 5446: 5444: 5441: 5439: 5436: 5434: 5431: 5429: 5426: 5424: 5421: 5419: 5416: 5414: 5411: 5409: 5406: 5404: 5401: 5400: 5398: 5396:Related bands 5394: 5388: 5385: 5383: 5380: 5378: 5375: 5373: 5370: 5369: 5367: 5365:Concert tours 5363: 5357: 5356: 5352: 5350: 5349: 5345: 5343: 5342: 5338: 5336: 5335: 5331: 5329: 5328: 5324: 5322: 5321: 5317: 5315: 5314: 5310: 5308: 5307: 5303: 5301: 5300: 5296: 5294: 5293: 5289: 5287: 5286: 5282: 5280: 5279: 5275: 5273: 5272: 5268: 5266: 5265: 5261: 5259: 5258: 5254: 5253: 5251: 5247: 5240: 5236: 5233: 5229: 5226: 5222: 5219: 5215: 5212: 5208: 5205: 5201: 5198: 5194: 5191: 5190:Child in Time 5187: 5184: 5183:Mandrake Root 5180: 5179: 5177: 5173: 5166: 5165:Vincent Price 5162: 5159: 5155: 5152: 5148: 5145: 5141: 5138: 5134: 5131: 5127: 5124: 5120: 5117: 5113: 5110: 5106: 5103: 5099: 5096: 5092: 5089: 5085: 5082: 5078: 5075: 5071: 5068: 5064: 5061: 5057: 5054: 5050: 5049: 5047: 5043: 5037: 5036: 5032: 5030: 5029: 5025: 5023: 5022: 5018: 5016: 5015: 5011: 5009: 5008: 5004: 5002: 5001: 4997: 4995: 4994: 4990: 4988: 4987: 4983: 4981: 4980: 4976: 4974: 4973: 4969: 4967: 4966: 4962: 4960: 4959: 4955: 4953: 4952: 4948: 4946: 4945: 4944:The Anthology 4941: 4939: 4938: 4934: 4932: 4931: 4927: 4925: 4924: 4920: 4918: 4917: 4913: 4911: 4910: 4906: 4904: 4903: 4899: 4897: 4896: 4892: 4890: 4889: 4885: 4884: 4882: 4878: 4872: 4871: 4867: 4865: 4864: 4860: 4858: 4857: 4853: 4851: 4850: 4846: 4844: 4843: 4839: 4837: 4836: 4832: 4830: 4829: 4825: 4823: 4822: 4818: 4816: 4815: 4814:Perks and Tit 4811: 4809: 4808: 4804: 4802: 4801: 4797: 4795: 4794: 4790: 4788: 4787: 4783: 4781: 4780: 4776: 4774: 4773: 4769: 4767: 4766: 4762: 4760: 4759: 4755: 4753: 4752: 4748: 4746: 4745: 4741: 4739: 4738: 4734: 4732: 4731: 4727: 4725: 4724: 4720: 4718: 4717: 4713: 4711: 4710: 4706: 4704: 4703: 4699: 4697: 4696: 4692: 4690: 4689: 4685: 4683: 4682: 4678: 4676: 4675: 4674:Made in Japan 4671: 4669: 4668: 4664: 4663: 4661: 4657: 4651: 4650: 4646: 4644: 4643: 4639: 4637: 4636: 4632: 4630: 4629: 4625: 4623: 4622: 4618: 4616: 4615: 4611: 4609: 4608: 4604: 4602: 4601: 4597: 4595: 4594: 4593:Purpendicular 4590: 4588: 4587: 4583: 4581: 4580: 4576: 4574: 4573: 4569: 4567: 4566: 4562: 4560: 4559: 4555: 4553: 4552: 4548: 4546: 4545: 4541: 4539: 4538: 4534: 4532: 4531: 4527: 4525: 4524: 4520: 4518: 4517: 4513: 4511: 4510: 4506: 4504: 4503: 4499: 4497: 4496: 4492: 4491: 4489: 4487:Studio albums 4485: 4479: 4476: 4474: 4471: 4469: 4466: 4464: 4461: 4459: 4456: 4454: 4451: 4449: 4446: 4444: 4441: 4439: 4436: 4434: 4431: 4430: 4427: 4426: 4425:Simon McBride 4422: 4420: 4419: 4415: 4413: 4412: 4408: 4406: 4405: 4401: 4399: 4398: 4394: 4393: 4390: 4386: 4379: 4374: 4372: 4367: 4365: 4360: 4359: 4356: 4338: 4337: 4332: 4326: 4318: 4312: 4297: 4293: 4287: 4279: 4273: 4265: 4264: 4256: 4255:"Purple Gold" 4250: 4248: 4241: 4234: 4230: 4217: 4211: 4195: 4191: 4188:(in German). 4187: 4181: 4173: 4171:0-646-11917-6 4167: 4163: 4159: 4153: 4146: 4142: 4137: 4130: 4129: 4124: 4122: 4115: 4108: 4104: 4099: 4091: 4089:84-8048-639-2 4085: 4081: 4074: 4067: 4062: 4054: 4052:4-87131-077-9 4048: 4044: 4040: 4034: 4017: 4016: 4011: 4010:"Classifiche" 4005: 3998: 3995:(in German). 3994: 3989: 3983: 3979: 3975: 3962: 3958: 3954: 3948: 3940: 3934: 3930: 3923: 3916: 3911: 3895: 3891: 3888:(in Danish). 3887: 3881: 3874: 3870: 3869: 3864: 3859: 3852: 3847: 3839: 3837:0-646-11917-6 3833: 3829: 3825: 3819: 3803: 3799: 3798: 3793: 3787: 3771: 3770: 3765: 3759: 3744: 3743: 3738: 3731: 3723: 3717: 3709: 3705: 3701: 3697: 3696: 3689: 3687: 3685: 3678: 3674: 3669: 3654: 3653: 3652:Rolling Stone 3648: 3644: 3638: 3623: 3617: 3613: 3609: 3608: 3603: 3599: 3593: 3578: 3577: 3572: 3565: 3558: 3554: 3551: 3545: 3530: 3526: 3520: 3513: 3508: 3499: 3484: 3480: 3474: 3466: 3460: 3444: 3443:RateYourMusic 3440: 3434: 3419: 3415: 3409: 3394: 3390: 3384: 3376: 3370: 3355: 3354: 3349: 3343: 3328: 3327: 3322: 3316: 3301: 3297: 3296: 3291: 3285: 3276: 3267: 3258: 3243: 3242: 3237: 3230: 3215: 3214: 3209: 3203: 3201: 3199: 3190: 3186: 3185: 3178: 3163: 3162: 3157: 3150: 3135: 3131: 3130: 3125: 3118: 3116: 3114: 3105: 3093: 3092: 3087: 3081: 3066: 3062: 3058: 3051: 3045: 3036: 3027: 3019: 3007: 3006: 3001: 2995: 2980: 2979: 2974: 2967: 2951: 2950: 2945: 2938: 2936: 2928:. p. 90. 2927: 2925: 2917: 2901: 2897: 2891: 2882: 2876:Bloom: p. 205 2873: 2864: 2848: 2844: 2838: 2831: 2825: 2818: 2812: 2805: 2804: 2797: 2789: 2785: 2778: 2776: 2774: 2772: 2770: 2768: 2766: 2764: 2762: 2760: 2758: 2756: 2754: 2752: 2750: 2748: 2746: 2744: 2742: 2740: 2738: 2736: 2734: 2732: 2730: 2728: 2726: 2724: 2722: 2720: 2718: 2716: 2714: 2712: 2710: 2708: 2706: 2704: 2702: 2686: 2685: 2680: 2674: 2667: 2662: 2654: 2648: 2644: 2640: 2634: 2619: 2615: 2614: 2609: 2602: 2600: 2598: 2596: 2594: 2592: 2590: 2588: 2586: 2584: 2582: 2580: 2578: 2576: 2574: 2569: 2556: 2553: 2550: 2547: 2545: 2544: 2539: 2535: 2532: 2529: 2526: 2523: 2522: 2519: 2503: 2497: 2494: 2493: 2491: 2488: 2482: 2480: 2477: 2476: 2474: 2471: 2465: 2463:United States 2462: 2461: 2458: 2454: 2448: 2447: 2445: 2442: 2436: 2435: 2433: 2430: 2424: 2423: 2420: 2416: 2407: 2402:CDP 792611 2 2401: 2400: 2398: 2395: 2389: 2386: 2385: 2383: 2380: 2375:United States 2374: 2371: 2370: 2367: 2363: 2357: 2354: 2353: 2351: 2348: 2342: 2341: 2339: 2336: 2330: 2329: 2326: 2323: 2317: 2314: 2313: 2311: 2308: 2306: 2303: 2300: 2294: 2292:North America 2291: 2290: 2287: 2283: 2280: 2278: 2274: 2271: 2268: 2264: 2244: 2241: 2226: 2216: 2212: 2209: 2206: 2201: 2197: 2194: 2191: 2186: 2182: 2179: 2176: 2171: 2167: 2164: 2161: 2156: 2152: 2149: 2146: 2141: 2137: 2132:Certification 2127: 2112: 2104: 2101: 2096: 2092: 2089: 2084: 2080: 2078:Chart (1974) 2077: 2076: 2073: 2062: 2052: 2048: 2044: 2038: 2036:Chart (2020) 2035: 2034: 2024: 2022: 2016: 2009: 2005: 2001: 1994: 1989: 1982: 1977: 1970: 1965: 1958: 1957: 1951: 1944: 1939: 1932: 1927: 1920: 1915: 1908: 1907:Album Top 100 1903: 1896: 1891: 1884: 1883: 1877: 1870: 1865: 1858: 1853: 1847: 1845:Chart (1974) 1844: 1843: 1838:Weekly charts 1835: 1834: 1818: 1815: 1812: 1809: 1806: 1802: 1796: 1792: 1786: 1783: 1777: 1774: 1768: 1767: 1763: 1762: 1756: 1753: 1750: 1749: 1745: 1744: 1740: 1737: 1734: 1731: 1728: 1725: 1722: 1721: 1717: 1716: 1710: 1707: 1704: 1701: 1698: 1695: 1692: 1689: 1686: 1685: 1681: 1680: 1674: 1671: 1668: 1665: 1662: 1659: 1656: 1653: 1650: 1647: 1646: 1642: 1641: 1639: 1636: 1628: 1624: 1613: 1610: 1607: 1603: 1599: 1596: 1593: 1589: 1585: 1582: 1579: 1575: 1571: 1568: 1565: 1561: 1557: 1554: 1551: 1547: 1531: 1518: 1515: 1508: 1504: 1500: 1497: 1494: 1490: 1486: 1482: 1479: 1476: 1472: 1468: 1465: 1462: 1458: 1442: 1429: 1426: 1423: 1419: 1415: 1412: 1409: 1405: 1401: 1398: 1395: 1391: 1387: 1384: 1381: 1377: 1373: 1357: 1351: 1349: 1345: 1341: 1337: 1325: 1320: 1318: 1308: 1305: 1303: 1302: 1297: 1293: 1289: 1279: 1277: 1276: 1275:Rolling Stone 1272: 1271: 1267: 1265: 1264: 1260: 1259: 1255: 1253: 1250: 1249: 1219: 1217: 1214: 1213: 1205: 1202:Review scores 1200: 1189: 1185: 1182: 1180: 1179: 1167: 1165: 1161: 1160: 1155: 1151: 1146: 1142: 1138: 1134: 1133:Black Sabbath 1130: 1126: 1122: 1118: 1114: 1110: 1101: 1097: 1092: 1083: 1080: 1076: 1072: 1070: 1064: 1061: 1058: 1054: 1052: 1047: 1043: 1039: 1036: 1032: 1023: 1020: 1017: 1007: 1003: 1001: 996: 994: 993:Highway Chile 990: 985: 983: 978: 976: 972: 971:Stevie Wonder 968: 964: 960: 955: 953: 948: 947:rock and roll 943: 940: 936: 931: 929: 925: 921: 920:Hammond organ 917: 916: 911: 907: 903: 899: 895: 891: 887: 882: 876: 869: 865: 863: 859: 855: 854: 849: 845: 835: 833: 832:United States 829: 825: 821: 817: 813: 809: 805: 801: 797: 792: 790: 786: 782: 777: 773: 770: 766: 762: 758: 749: 745: 741: 737: 733: 728: 724: 722: 716: 714: 708: 706: 696: 692: 691: 686: 681: 679: 675: 671: 667: 662: 660: 656: 652: 641: 637: 634: 632: 631: 626: 622: 618: 614: 610: 597: 592: 586: 573: 566: 557: 554: 550: 544: 542: 541: 536: 532: 528: 524: 520: 519:Harry Nilsson 515: 511: 510: 505: 501: 496: 494: 490: 486: 482: 476: 474: 470: 466: 462: 458: 452: 450: 449: 444: 443: 436: 434: 429: 425: 421: 413: 407: 403: 401: 397: 391: 388: 382: 379: 374: 370: 366: 362: 361: 350: 348: 343: 339: 335: 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Index


Studio album
Deep Purple
Rolling Stones Mobile Studio
Montreux
Genre
Hard rock
heavy metal
blues rock
Label
Purple
Producer
Deep Purple
Who Do We Think We Are
Stormbringer

Singles
Burn
Deep Purple
Warner Bros.
Purple
EMI
David Coverdale
Mark III
Glenn Hughes
Trapeze
Ritchie Blackmore
Jon Lord
Ian Paice
hard rock

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