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406:(VIII, 9), convincing Calandrino that he has become pregnant (IX, 3), convincing Calandrino that a particular scroll can cause a woman to fall in love with him (IX, 5). Throughout the stories, Buonamico is frequently depicted at work painting in the houses of notable gentlemen in Florence but eager to take time to eat, drink, and be merry.
523:
of
Orvieto. Vasari further presents conflicting information regarding Buonamico's death, dating it to the year 1340, but also stating that he was still alive in 1351. In any case, he is said to have died at the age of 78, in poverty, and to have been buried at the hospital of
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and their animals occupy the central part of the fresco. These rich young men and women riding horses, surrounded by their decorative hunting dogs, have gone on a pleasant journey. But suddenly, their path, somewhere deep in the wood, is barred by three open coffins with
495:(already destroyed by the 16th century), works for the abbey of Settimo (now also lost), tempera paintings for the monks of the abbey of Certosa (also in Florence), and frescoes in the Badia at Florence. He describes a series of paintings depicting the life of
490:
Vasari discusses various paintings by the artist which no longer exist, and many of which had already perished by the time of Vasari's writing in the 16th century. He describes a series of paintings at the convent of Faenza in
423:, and his habit of embedding texts within his paintings. Dismissed by Vasari as just another of the witty painter's gags, which his "clumsy" contemporaries had misunderstood and foolishly imitated, the frescoes located in the
182:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
419:(1550–1568), in which he tells several anecdotes about his comic escapades. Vasari tells of Buonamico's youthful tricking of his master Tafi during his apprenticeship, various pranks and tricks that Buonamico played on his
511:. Vasari does not attribute the famed Pisan frescoes now associated with Buonamico to the painter, but rather, credits him with four frescoes preserved in the Campo Santo, depicting the
168:
435:("Triumph of Death"), for instance, it's written: "Since prosperity has completely deserted us, O Death, you who are the medicine for all pain, come to give us our last supper".
415:
431:
are actually scattered with texts, a possible indication of the veracity of Vasari's remark. In the scroll over the cripple beggars in the center of the
398:. Typically in these stories, Buonamico uses his wits to play tricks on his friends and associates: convincing Calandrino that a stone he possesses (
185:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
402:) confers invisibility (VIII, 3), stealing a pig from Calandrino (VIII, 6), convincing the physician Master Simone of an opportunity to
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both describe
Buonamico Buffalmacco as being a practical joker. Boccaccio features Buonamico along with his friends and fellow painters
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Content in this edit is translated from the existing
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273:. Although none of his known work has survived, he is widely assumed to be the painter of a most influential
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Imagining the Human
Condition in Medieval Rome: The Cistercian fresco cycle at Abbazia delle Tre Fontane
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in 1348, the cycle enjoyed an extraordinary success after that date, and was often imitated throughout
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standing above them teaches the youngsters a lesson about life and death by reading from a scroll.
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piles mounds of corpses all around is likely to have inspired the setting of
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Trans. A. B. Hinds. New York: Everyman's
Library. 1980. Vol. 1, Pp. 109-122.
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Land, Norman, “Vasari’s
Buffalmacco and the Transubstantiation of Paint,”
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320:. The youngsters' party enjoying themselves in a beautiful garden while
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to the source of your translation. A model attribution edit summary is
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Lives of the Most
Excellent Painters, Sculptors, and Architects
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668:. Di fronte e attraverso. Storia dell'arte (in Italian).
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Gardner's Art through the Ages: Renaissance and
Baroque
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mounted on fine horses encounter three coffin-encased
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included a biography of
Buonamico Buffalmacco in his
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Vasari, Giorgio; translation by George Bull (1965).
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The Lives of the
Painters, Sculptors and Architects.
396:(Day VIII, tales 3, 6, and 9; Day IX, tales 3 and 5)
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a machine-translated version of the Italian article.
60:. Unsourced material may be challenged and removed.
665:Come un prato fiorito. Studi sull'arte tardogotica
519:, which later scholars have instead attributed to
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466:("Triumph of Death"), a group of leisurely young
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361:(disputed); both are currently preserved in the
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200:accompanying your translation by providing an
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350:("The Three Dead and the Three Living") and
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706:Paoletti, John T.; Radke, Gary M. (2012).
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446:("Triumph of Death"): three stylish young
240:17th-century engraving of Buffalmacco by
120:Learn how and when to remove this message
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301:(several episodes from the lives of the
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27:14th-century Italian Renaissance painter
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348:L'incontro dei tre vivi e dei tre morti
212:{{Translated|it|Buonamico Buffalmacco}}
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58:adding citations to reliable sources
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283:The Three Dead and the Three Living
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308:Painted some ten years before the
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554:Kleiner, Fred S., ed. (2016).
254:(active c. 1315–1336), was an
210:You may also add the template
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876:14th-century Italian painters
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891:Italian Renaissance painters
616:. Routledge (1st ed.).
499:in a chapel in her honor in
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318:Italy during the Renaissance
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881:Characters in The Decameron
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404:ally himself with the Devil
394:and Bruno in several tales
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610:: To Remember One's Death"
174:Machine translation, like
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505:Basilica of Saint Francis
151:the corresponding article
708:Art in Renaissance Italy
672:: Jaca Book. p. 9.
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515:through the building of
497:Saint Catherine of Siena
475:in different degrees of
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277:cycle preserved in the
221:For more guidance, see
69:"Buonamico Buffalmacco"
789:Renaissance Quarterly,
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409:Italian art historian
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896:Painters from Tuscany
886:Italian male painters
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223:Knowledge:Translation
194:copyright attribution
781:Lives of the Artists
628:. pp. 131–132.
346:From left to right:
248:Buonamico di Martino
54:improve this article
791:58 (2005): 881–895.
783:. Penguin Classics.
526:Santa Maria Novella
464:Trionfo della Morte
444:Trionfo della Morte
433:Trionfo della Morte
352:Trionfo della Morte
281:of Pisa, featuring
259:Renaissance painter
765:Vasari, 1980, 122.
756:Vasari, 1980, 109.
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388:Il trecentonovelle
374:Giovanni Boccaccio
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710:. Prentice Hall.
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562:(15th ed.).
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