132:
105:
54:
161:(a type of lyre). The participants in the procession head off with bouncy steps. A few details, such as their headbands and vine wreaths are painted in the same red as their skin. the tondo image and the barbiton player are images which were often reproduced in the literary tradition and other media.
77:
of the more than a hundred forms of Attic pottery cups. The contours of the vessel are perfectly worked from lip to foot. On the untreated clay inside of the left handle, the potter Brygos has left his signature in dainty letters: ΒΡΥΓΟΣ ΕΠΟΙΕΣΕΝ (Brygos made this). In the scholarship it is
124:. Both are depicted wearing garlands. The young man supports himself with his walking stick, which is the symbol of leisure. Probably he is a young aristocrat. The image is surrounded by a
120:
who is vomiting as a result of overindulgence. A blonde woman helpfully and carefully holds his head. Because only prostitutes were generally present at such parties, she should also be a
89:, who also argued that the potter of the Würzburg cup was one of very great ability. The cup is 14 centimetres high and has a diameter of 32.2 centimetres. It once belonged to the
153:(cloak), and are crowned with grape vines. The cloaks are depicted with the scattered dots which are typical of the Brygos painter. One of the revelers plays the
407:
78:
controversial as to whether it was personally produced by the Brygos painter and the Brygos potter. The painter was identified with the
214:
397:
73:
Apart from a fracture on the base of the cup, the kylix remains intact. It is a kylix, a particularly successful example of
179:
Begegnung mit der Antike. Zeugnisse aus vier
Jahrtausenden mittelmeerischer Kultur im Südflügel der Würzburger Residenz
402:
257:
186:
149:), the boisterous event which occurred at the end of a symposion. The komasts are largely naked, dressed in only a
341:
222:
47:
94:
371:
250:
211:
35:
8:
282:
351:
32:
297:
182:
366:
243:
90:
218:
170:
131:
104:
53:
21:
43:
391:
346:
125:
287:
86:
315:
174:
113:
98:
361:
320:
376:
310:
117:
305:
207:
158:
62:
325:
274:
150:
121:
79:
39:
29:
266:
229:, von Zabern, Mainz 1981 shows this image on the dust jacket.
154:
145:
136:
66:
58:
235:
101:, where it has the inventory number HA 428 (= L 479).
221:
take the barbiton player as a symbolic image, while
389:
227:Rotfigurige Vasen in Athen. Die archaische Zeit
46:. It depicts some of the best-known images of
251:
143:The exterior shows a procession of revelers (
42:potter and painted by the man known as the
258:
244:
135:Exterior of the Brygos cup of Würzburg:
130:
103:
57:Exterior of the Brygos cup of Würzburg:
52:
390:
38:from about 480 BC. It was made by the
239:
157:(a double flute), another plays the
408:Archaeological discoveries in Italy
13:
14:
419:
212:music and dance in ancient Greece
116:) shows a young participant at a
164:
398:Individual ancient Greek vases
200:
1:
206:For example, this website on
193:
108:Interior with vomiting scene
7:
265:
173:. "Die „Brygosschale“", in
10:
424:
177:, Irma Wehgartner (ed.s):
334:
296:
273:
403:Martin von Wagner Museum
181:. Ergon, Würzburg 2001,
95:Martin von Wagner Museum
217:April 29, 2012, at the
112:The image in the bowl (
26:Würzburger Brygosschale
357:Brygos cup of Würzburg
140:
109:
93:, but today is in the
70:
69:player at middle right
18:Brygos Cup of Würzburg
372:Oxford Palmette Class
134:
107:
56:
48:ancient Greek pottery
283:Chalcidianising cup
352:Berlin Foundry Cup
342:Typology of shapes
298:Little-master cups
141:
110:
71:
385:
384:
208:music archaeology
415:
367:Merrythought cup
260:
253:
246:
237:
236:
230:
210:and this one on
204:
91:Feoli collection
65:player at left,
423:
422:
418:
417:
416:
414:
413:
412:
388:
387:
386:
381:
330:
292:
269:
264:
234:
233:
219:Wayback Machine
205:
201:
196:
171:Irma Wehgartner
167:
12:
11:
5:
421:
411:
410:
405:
400:
383:
382:
380:
379:
374:
369:
364:
359:
354:
349:
344:
338:
336:
332:
331:
329:
328:
323:
318:
313:
308:
302:
300:
294:
293:
291:
290:
285:
279:
277:
271:
270:
263:
262:
255:
248:
240:
232:
231:
198:
197:
195:
192:
191:
190:
166:
163:
83:Brygos Painter
44:Brygos Painter
9:
6:
4:
3:
2:
420:
409:
406:
404:
401:
399:
396:
395:
393:
378:
375:
373:
370:
368:
365:
363:
360:
358:
355:
353:
350:
348:
347:Arkesilas Cup
345:
343:
340:
339:
337:
333:
327:
324:
322:
319:
317:
314:
312:
309:
307:
304:
303:
301:
299:
295:
289:
286:
284:
281:
280:
278:
276:
272:
268:
261:
256:
254:
249:
247:
242:
241:
238:
228:
224:
223:John Boardman
220:
216:
213:
209:
203:
199:
188:
187:3-935556-72-1
184:
180:
176:
172:
169:
168:
162:
160:
156:
152:
148:
147:
138:
133:
129:
127:
123:
119:
115:
106:
102:
100:
96:
92:
88:
84:
81:
76:
68:
64:
61:on the move,
60:
55:
51:
49:
45:
41:
37:
34:
31:
27:
23:
19:
356:
288:Dionysus Cup
226:
225:'s handbook
202:
178:
165:Bibliography
144:
142:
111:
87:John Beazley
82:
74:
72:
25:
17:
15:
316:Gordion cup
189:, S. 76–77.
175:Ulrich Sinn
139:on the move
392:Categories
362:Komast cup
321:Kassel cup
194:References
33:red-figure
377:Siana cup
311:Droop cup
118:symposium
306:Band cup
275:Eye-cups
215:Archived
159:barbiton
99:Würzburg
63:barbiton
28:) is an
326:Lip cup
267:Kylikes
151:chlamys
137:Komasts
126:meander
122:hetaira
80:notname
59:Komasts
185:
75:Type B
40:Brygos
335:Other
155:aulos
146:komos
114:tondo
67:aulos
36:kylix
30:Attic
183:ISBN
16:The
128:.
97:in
85:by
394::
50:.
24::
22:de
259:e
252:t
245:v
20:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
