59:
29:
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104, 988) and Pindar (Olympian 4.9, Pythian 5.22). There are also depictions of torch-lit processions in vase painting, yet it is not always clear from the evidence of vases if they depict
248:
for not wearing a mask during the komos, as was the custom (On the
Embassy 19.287), suggesting costume or disguise may have been involved. The playing of music during the
374:
121:). Its precise nature has been difficult to reconstruct from the diverse literary sources and evidence derived from vase painting.
384:
410:
426:
Kenneth S. Rothwell Jr. ‘’Nature, Culture and the
Origins of Greek Comedy: A Study of Animal Choruses’’. CUP 2006.
113:) was a ritualistic drunken procession performed by revelers in ancient Greece, whose participants were known as
332:(the Dorian word for village). Nevertheless, it remains unclear exactly how the revel-song developed into the
439:
84:
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345:
98:
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describes them taking place at the city festivals (Pythian 5.21, 8.20, Olympian 4.9), while
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58:
8:
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138:, which indicates it took place as part of wedding festivities (line 281). And famously
229:, as if the formal song were a preliminary to spontaneous revelry. Nevertheless, some
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celebrations for winning athletes, the choral singers often present themselves as
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36:
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Rothwell maintains there is some ambiguity to this, see note 7 p.214
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211:, script, or rehearsal. In the performance of Greek victory odes (
69:
321:
314:
157:
129:
51:
285:, "comedy", are etymologically related, the derivation being
20:
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The Poet's Voice: Essays on
Poetics and Greek Literature
152:. However, no one kind of event is associated with the
237:" ("modest", "decent"), which implies that standard
336:of the Dionysian festival in the 6th century BC.
431:
379:. Cambridge University Press. p. 135.
244:Demosthenes upbraids the brother-in-law of
182:(Speeches 21.10), which may indicate the
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57:
27:
301:, "sing"). However, in part III of the
16:Ancient Greek drunken ritual procession
432:
225:, or extend an invitation to join the
186:might have been a competitive event.
164:mentions them taking place after the
309:records the tradition that the word
320:that took place in the villages of
203:, both of which were scripted. The
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13:
14:
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199:, or ritual procession, and the
193:must be distinguished from the
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273:It is now widely thought that
124:The earliest reference to the
1:
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233:were expressly described as "
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44:
85:Staatliche Antikensammlungen
7:
339:
10:
461:
102:
18:
346:Corpus vasorum antiquorum
373:Goldhill, Simon (1991).
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178:on the first day of the
19:Not to be confused with
414:cites both etymologies.
88:
55:
35:revellry scene from a
252:is also mentioned by
148:while carousing in a
61:
31:
440:Ancient Greek comedy
241:were anything but.
135:Shield of Herakles
89:
56:
386:978-0-521-39570-0
313:derives from the
259:Thesmophoriazusae
142:gate-crashes the
72:by member of the
452:
445:Cult of Dionysus
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334:Greek Old comedy
180:Greater Dionysia
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74:Tyrrhenian group
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293:, "song" (from
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266:, choruses or
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209:chorus leader
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99:Ancient Greek
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363:Rothwell, p8
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291:ᾠδή - o(i)de
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254:Aristophanes
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67:black-figure
62:
32:
25:
162:Demosthenes
117:(κωμασταί,
87:(Inv. 1432)
434:Categories
421:References
217:) at post-
140:Alcibiades
81: 560
48: 575
41:KY Painter
37:Komast cup
307:Aristotle
246:Aeschines
207:lacked a
145:Symposium
340:See also
311:kōmoedia
283:komoidia
264:symposia
214:epinikia
175:choregoi
119:kōmastaí
315:Megaran
303:Poetics
279:κωμῳδία
223:kōmasts
115:kōmasts
70:amphora
65:scene,
54:(E 742)
39:by the
383:
322:Sicily
235:semnoí
201:chorus
158:Pindar
130:Hesiod
128:is in
52:Louvre
352:Notes
299:aeido
295:ἀείδω
287:komos
275:kōmos
268:kōmoi
250:kōmos
239:kōmoi
231:kōmoi
227:kōmos
205:kōmos
196:pompe
191:kōmos
184:kōmos
168:pompe
154:kōmos
150:kōmos
126:kōmos
111:kōmoi
103:κῶμος
94:kōmos
63:Kōmos
33:Kōmos
21:Comus
411:SOED
408:The
381:ISBN
330:kōme
326:κώμη
318:mime
277:and
219:Game
189:The
172:and
91:The
83:BC,
50:BC,
132:'s
107:pl.
436::
328:–
305:,
297:–
289:+
281:–
270:.
156::
109::
105:;
101::
78:c.
76:,
45:c.
43:,
389:.
256:(
97:(
23:.
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