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223:... The only way to paint wild animals is to gradually accumulate a large number of studies and a great knowledge of the animal itself, before you can paint its picture ... I paint from dead animals as well as from live ones. I have had the body of a fine lioness in my studio ... I have done a great deal of work in the dissecting rooms at the Zoological Gardens from time to time.
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I have always been a great lover of dogs but I have worked at them so much that I've grown tired of having them about me. However, you can never paint a dog unless you are fond of it. I never work from a dog without the assistance of a man who is well acquainted with animals ... Collies, I think, are
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at Oxford in 1891. He was narrowly defeated in the election for
President of the Royal Academy in 1896. His wife, Mary Alice Rivière (née Dobell; 1844–1931) whom he married in 1867, was a painter and exhibited briefly at the
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164:. Briton was educated at Cheltenham College and Oxford, where he took his degree in 1867. For his art training he was indebted almost entirely to his father. His paternal uncle
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with four of his drawings (and an etching "The king drinks"), which complements the dozens of prints made after his work housed there, especially by
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lying down beside the slain dragon is a radical departure from the triumphant equestrian position in which this saint is traditionally depicted.
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284:(1869–1956), became a portraitist; another son (Evelyn) married the eminent psychoanalyst and translator of Sigmund Freud known as
187:, but it was not until 1863 that he became a regular contributor to the Academy exhibitions. In that year he was represented by
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210:, entitled "How I paint animals", Rivière explained some of the practicalities of painting both tame and wild animals:
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One or more of the preceding sentences incorporates text from a publication now in the
280:. The artist and his wife had seven children; five sons and two daughters. One of the sons,
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Department of Image
Collections, National Gallery of Art Library, Washington, DC
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Victorian Taste, The complete catalogue of paintings at Royal
Holloway College
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Early in his career, Rivière made some mark as an illustrator, beginning with
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Frederick
Smallfield, his sale, Christie's, London, 27 March 1896, lot 141.
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461:. Vol. 23 (11th ed.). Cambridge University Press. p. 387.
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Samuel
Armitage, his sale, Christie's, London, 13 June 1919, lot 155.
168:(1811–1888) was also a noted watercolourist, exhibiting works at the
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Paintings by Rivière are held by public institutions including the
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328:(1874; Chrysler Museum of Art, Norfolk, Virginia: 2011.9)
144:, but devoted much of his life to animal paintings.
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descent. He exhibited a variety of paintings at the
542:. Surrey: Royal Holloway College. pp. 126–27.
156:(1806–1876), was for some years drawing-master at
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596:Reynolds, Simon. "Riviere, Briton (1840–1920)".
338:'There's many a slip twixt the cup and the lip'
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268:in 1869–70. After his death she presented the
183:, and in 1857 he exhibited three works at the
467:, "Briton Riviere, R.A.: His Life and Work",
698:Profile on Royal Academy of Arts Collections
602:(online ed.). Oxford University Press.
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132:– 20 April 1920 in London) was a British
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599:Oxford Dictionary of National Biography
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517:"Pallas Athena and the Herdsman's Dogs"
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688:54 artworks by or after Briton Rivière
590:Briton Rivière, R.A; His Life and Work
398:Art Gallery of New South Wales, Sydney
253:Associate of the Royal Academy of Arts
112:– Rivière's depiction of an exhausted
743:People educated at Cheltenham College
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306:Royal Holloway, University of London
259:in 1881, and received the degree of
219:are also very restless, and so are
179:His first pictures appeared at the
174:Royal Birmingham Society of Artists
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758:20th-century English male artists
753:19th-century English male artists
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633:"British Artists. Briton Riviere"
160:, and then an art teacher at the
679:Works by or about Briton Rivière
519:. The Metropolitan Museum of Art
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419:Ann Lauren: Biography of Rivière
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232:Rivière by J. P. Mayall from
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373:Daniel's Answer to the King
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302:Metropolitan Museum of Art
215:the most restless dogs ...
42:Philip Hermogenes Calderon
170:Royal Watercolour Society
109:St. George and the Dragon
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631:Dafforne, James (1878).
538:Chapel, Jeannie (1982).
354:Daniel in the Lions' Den
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480:"How I paint animals",
458:Encyclopædia Britannica
608:10.1093/ref:odnb/35766
377:Manchester Art Gallery
310:Chrysler Museum of Art
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728:English male painters
586:Armstrong, Sir Walter
278:William Henry Simmons
266:Royal Academy of Arts
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166:Henry Parsons Rivière
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465:Sir Walter Armstrong
282:Hugh Goldwin Rivière
251:. He was elected an
162:University of Oxford
97:Paintings of animals
274:Frederick Stacpoole
261:Doctor of Civil Law
194:, and in 1864 by a
181:British Institution
128:(14 August 1840 in
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358:Walker Art Gallery
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202:Sleeping Deerhound
158:Cheltenham College
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614:(Subscription or
592:, The Art Annual.
482:Chums Boys Annual
257:Royal Academician
207:Chums Boys Annual
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152:Briton's father,
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75:(1920-04-20)
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718:1920 deaths
713:1840 births
463:This cites
86:Nationality
707:Categories
618:required.)
469:Art Annual
406:References
393:Requiescat
217:greyhounds
114:St. George
55:1840-08-14
657:2152-243X
643:: 33–36.
148:Biography
665:20569177
588:(1891).
334:(c.1878)
332:Sympathy
326:War Time
138:Huguenot
681:at the
579:Sources
471:(1891).
446::
396:(1888;
375:(1890;
356:(1872;
89:British
692:Art UK
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497:. Tate
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340:(1881)
322:(1873)
134:artist
130:London
661:JSTOR
523:1 May
501:1 May
320:Argus
292:Works
248:Punch
694:site
653:ISSN
544:ISBN
525:2014
503:2014
308:and
298:Tate
276:and
70:Died
49:Born
645:doi
604:doi
455:".
136:of
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
