753:. Unlike funk carioca, brega funk has a glossy sound that features glistening syncopated MIDI pianos, synths, often filtered guitars, and the distinct pitched metallic snares called caixas, vocal chops are a common companion to the wonky kick rhythm and up-down bass inherited from brega, and even though the genre commonly ranges from 160 to 180 BPM, the half-time beat makes it feel slower than other funk subgenres. An example of the Brega funk genre is the song "Parabéns" by
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962:, creating a distinct and aggressive sound, with lyrics that address topics such as violence, drugs, sex and ostentation. Both VanMilli and MC Binn are two of the heavy-hitters in the genre. The term “Brazilian phonk” was popularized by the Norwegian producer William Rød, better known as Slowboy. The genre itself was popularised by Slowboy, FXRCE, $ pidxrs808, $ werve and many others.
682:, both of which had a growing audience in Brazil. The two eventually came to host parties together, infusing the heavy sounding records from Big Boy's (primarily) rock background with Lemos' funkier influences. Thus formed the Baile da Pesada, or "Heavy Dance", which brought (North American) funk music to the forefront of Rio's street scene as the city entered the 70's.
421:(another Miami-based genre) music from the US. The reason why these genres, very localized in the US, became popular and influential in Rio de Janeiro is due to proximity. Miami was a popular plane stop for Rio DJs to buy the latest American records. Along with the Miami influence came the longtime influence of the
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rival gang members and cops, intimidating opposers, claiming power over the favelas, robbery, drug use and the illicit life of drug dealers in general. Authorities view some of these lyrics as "recruiting" people to organized crime and inciting violence, and playing some of these songs are thus considered a crime.
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of criminality in the favelas is also frequently viewed as another negative consequence of funk carioca. Some funk songs, belonging to a style known as "proibidão" ("the forbidden"), have very violent lyrics and are sometimes composed by drug-dealing gangs. Its themes include praising the murders of
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Other indie video-documentaries have been made in Europe, especially in
Germany and Sweden. These generally focused on the social issues in the favelas. One of the most famous of these series of documentaries is Mr Catra the faithful (2005) by Danish filmmaker Andreas Rosforth Johnsen, broadcast by
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In Brazil, funk carioca lyrics are often criticized due to their violent and sexually explicit lyrics. Girls are called "cachorras" (bitches) and "popozudas" – women with large buttocks, and many songs revolve around sex. "Novinhas" (young/pubescent girls) are also a frequent theme in funk carioca
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started to emerge in Rio de
Janeiro. As time went on, DJs started to look for other rhythms of black music, but the original name did not remain. Funk carioca first emerged and is played throughout the state of Rio de Janeiro, but not only in the city of Rio, like Rio natives like to believe. Funk
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tempo, while a few artists composed them with actual drum machines. The most common drum beat was a loop of DJ Battery Brain's "808 volt", commonly referred to as "Voltmix", though Hassan's "Pump Up the Party" is also notable. Nowadays, carioca funk rhythms are mostly based on tamborzão rhythms
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is used to refer to the parties in which funk carioca is played. The history of these parties were important in shaping the
Brazilian funk scene, and in fact predate the genre itself. In the late '60s, legendary Brazilian DJ and radio personality Big Boy (born Newton Alvarenga Duarte) was on a
576:" theme. Funk carioca has always used a small catalog of rhythms and samples that almost all songs take from (commonly with several in the same song). Funk carioca songs can either be instrumental or include rapping, singing, or something in between the two. Popularized by Brazilians and other
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in 2008. The lyrical and thematic content of songs in this style focuses mainly on conspicuous consumption, as well as a focus on materialistic activities, glorification of style of urban life and ambitions to leave the favela. Since then, funk ostentação has been strongly associated with the
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More popular funk carioca artists usually compose two different sets of similar lyrics for their songs: one gentler, more "appropriate" version, and another with a harsher, cruder set of lyrics (not unlike the concept of "clean" and "explicit" versions of songs). The first version is the one
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documentary Eu Sou Feia Mas Tô Na Moda by filmmaker Denise Garcia which was co-produced by Tetine in London, and first shown in the city at the Slum Dunk Film
Program at Brady Arts Centre in Bricklane in March 2005. Apart from this, Tetine also produced two albums with experimental DIY
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Due to the lack of regulation and the locations where they usually take place, "bailes funk" are also very crime prone environments. They are popular hot spots for drug trade and consumption, dealers display power frequenting the parties heavily armed, and even murder rates are high.
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104.4. Their radio show was entirely dedicated to funk carioca and worked as a platform for the duo to produce and organize a series of film programmes as well as interviews and gigs involving funk carioca artists from Rio. Tetine were also responsible for the first screening of the
365:" has become increasingly popular among working classes in other parts of Brazil. In the whole country, funk carioca is most often simply known as "funk", although it is very musically different from what with "funk music" is internationally meant. In fact, it still shows its urban
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in 2006 through Essay
Recordings. He launched the international career of Popozuda Rock n´Roll artist Edu K, whose baile funk anthem was used in a soft drink commercial in Germany. Haaksman continued to produce and distribute many new baile funk records, especially the
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kick drum drops, and over-the-top loud mixing to the point of extreme distortion. Beat
Bruxaria (literally "Witchcraft Beat") is commonly associated with imagery of evil clowns and first reached notoriety online with producers such as DJ ARANA and DJ MENOR 7.
1046:, which was not a big hit in Brazil, was then used in a sports car commercial in Europe, and it helped increase the popularity of funk carioca. Brazilian duo Tetine compiled and mixed the compilation Slum Dunk Presents Funk Carioca, released by British label
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Proibidão is a derivative of funk carioca related to prohibited practices. The content of the genre involves the sale of illegal drugs and the war against police agencies, as well as the glorification and praise of the drug cartels, similar to gangsta rap.
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broadcast by local radio stations; the second is played in dance halls, parties, and in public by sound cars. Recurrent lyric topics in funk carioca are explicit sexual positions, the funk party, the police force, and the life of slum dwellers in the
907:. Mandelão is characterized by having simple and repetitive lyrics. The musical production is minimalist and raw, with heavy beats and blown basses, that create a catchy and danceable rhythm. Some of the instruments used in mandelão are the
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Fusion of funk carioca with pagode, the term also refers to parties where both genres are played, the origins of the subgenre can be traced back to the mid 90s, in 1997, the duo
Claudinho & Buchecha released the song Fuzuê on the album
1323:. Another large part of the lyrics is the use of the world around them – mainly the poverty that has enveloped the area. This is usually denounced in the lyrics and the hope for a better life is carried through many of their messages.
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released the 2005 compilation Colors Music #4: Rio Funk. Many small labels (notably
European label Arcade Mode and American labels Flamin´Hotz and Nossa) labels released several compilations and EPs in bootleg formats.
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carioca is mostly appealing to the youth. In the decade of the 1980s, anthropologist Herman Vianna was the first social scientist to take funk as an object to study in his masters thesis, which gave origin to the book
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and associations with illegalities. Despite these parallels, gqom and baile funk are distinct, especially in their production styles. Over time, it became common for musical artists to integrate baile funk with gqom.
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from all over the world, he gained popularity on air for his wide taste of music, as well as the relaxed way of presenting his programs. His success on air also attracted large audiences for parties he DJ'd in the
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Until the year 2000, funk carioca was only a regional phenomenon. Then the
European media began to report its peculiar combination of music, social issues with a strong sexual appeal (often pornographic).
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1102:, increased the popularity of funk carioca due to the strong sexual appeal of the music and dance, also known as Bonde das Popozudas. Many funk carioca artists started to do shows abroad at that time.
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Melodies are usually sampled. Older songs typically chopped up freestyle samples for the melody, or had none at all. Modern funk uses a set of samples from various sources, notably horn and accordion
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689:(sound teams). Soul music became the immediate focus of the parties, and quickly ushered in a new wave of Brazilian soul artists to the mainstream. Soon, the soul movement was overshadowed by
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538:, sex, violence, and social injustice. Social analysts believe that funk carioca is a genuine expression of the severe social issues that burden the poor and black people in Rio.
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For almost two decades afterwards, other DJs from the streets of Rio would use evolving forms of
African-American and American music in their own block parties, put together by
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Funk melody is based on electro rhythms but with a romantic lyrical approach. It has been noted for being powered by female artists. Among the popular funk melody singers are
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people, the saying "Bum-Cha-Cha, Bum Cha-Cha", "Bum-Cha-Cha, Cha Cha" or even "Boom-Pop-Pop, Pop, Pop" is a representation of the beat that comes along in most funk songs.
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678:, and soul music, and many described the tunes he played as 'heavy'. At the same time, Ademir Lemos had been hosting his own block parties centering more around soul and
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987:, A. Marques and Geraldão, which alluded to funk carioca. In 2014, the song was reinterpreted with elements of carioca funk with Arlindo Cruz himself with
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London-based artist Sandra D'Angelo was the first Italian singer-producer to bring funk carioca to Italy. She performed in London with MC Gringo at
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brought mainstream international popularity to funk carioca with her single Bucky Done Gun released in 2005, and brought attention to American DJ
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is viewed as a negative aspect of the funk carioca culture. Besides the moral considerations, in favelas, where sanitary conditions are poor and
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is close to nonexistent. This environment results in unwanted pregnancies, population overgrowth, and eventually the growth of the communities (
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in 2008. Sandra D'Angelo performed Baile Funk also in New York and produced tracks with EDU KA (Man Recordings) and DJ Amazing Clay from Rio.
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Sansone, Livio. "The Localization of Global Funk in Bahia and Rio." Brazilian Popular Music & Globalization, 139. London: Routledge, 2002
1190:, in 2004 after Ivanna Bergese shared with him some compiled remix mixtapes of her performance act Yours Truly. He also produced documentary
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and Favela Chic Paris club were the pioneer travelers and producers. The funk carioca production was until then limited to playing in the
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the track "I Go to the Doctor", included in the LP L.I.C.K My Favela in 2005 and later on their album Let Your X's Be Y's, released by
923:. Funk mandelão is also marked by having its own choreography, which consists of fast and synchronized movements of the arms and legs.
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slums. From the mid-1990s on, it was a mainstream phenomenon in Brazil. Funk songs discuss topics as varied as poverty, human dignity,
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and pagode, in the lyrics, the duo pays tribute to pagode artists. Grupo Raça was successful with "Ela sambou, eu dancei", written by
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remained in Rio's party scene. DJs would incorporate local sound with Miami bass beats, including their own lyrics in Portuguese.
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in Polivalência from the album of the same name released in 2000, in 2020, she released Numanice, an EP dedicated to the pagode.
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625:. At the time, the then teenager Fernando Luís Mattos da Matta was interested in the discotheque when listening to the program
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how astonished he was with the sudden overseas interest in the genre. He would go on to travel in over 10 European countries.
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550:
102:
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Francisco Oliveira (1997). "Claudinho & Buchecha – funk, charme, alegria e muito balanço editora - Editora Símbolo".
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before it was sold to the United States. All of these areas with similar music genres retain the influence of American
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and the Brazilian pop market. DJ Marlboro, a major composer of funk carioca's tunes declared in 2006 in the Brazilian
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and many black Brazilians identify as being part of this religion. This genre of music was mainly started by those in
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were brought with the enslaved Africans to the Americas. The same beat is found in Afro-religious music in the
17:
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1220:, the debut album by German MC Gringo — the only non-Brazilian MC performing in the bailes of Rio de Janeiro.
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was the pioneer of this phenomenon, and was the first to engineer the sound that would become known in Rio as
88:
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1763:"Pabllo Vittar lança brega-funk em parceria com Márcio Victor, do Psirico | Viver: Diário de Pernambuco"
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In 2001, for the first time, funk carioca tracks appeared on a non-Brazilian label. One example is the album
674:, which like his show, featured a wide array of different music. His sound mainly featured elements of rock,
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Mc Leozinho, made use of the cavaquinho in the song Sente a pegada from 2008. Artists such as MC Delano and
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or 150 BPM was created by DJs Polyvox and Rennan da Penha. In 2019, the funk carioca 150 BPM was adopted by
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2724:"G1 > Edição Rio de Janeiro – NOTÍCIAS – Vagner Love nega conhecer homens que aparecem armados em vídeo"
2657:"Folha Online – Cotidiano – Atlas aponta natalidade maior que a média em favelas da Grande SP – 22/11/2006"
2091:"Mulheres no pagode: conheça cantoras que comandam ritmo em Salvador e lutam por reconhecimento e respeito"
1039:. It contained three old-school funk carioca hits, including the song "Popozuda Rock n' Roll" by De Falla.
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1194:, which was released in July 2010 and documents the role, culture, and character of funk carioca in Rio's
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2117:"União da Ilha ensaia presença de pagode no meio da bateria e Laíla cria novo modelo de treino na rua"
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given its closer proximity to Brazil. The DJs took a liking to various forms of hip-hop, most notably
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1612:
2830:"In The Fight Club Of Rio" article on "corridor balls" at Free Radical by Canadian Nicole Veash 2000
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also use the cavaquinho in some songs, in 2015, Ludimilla also participated in a duet with the band
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Rasteirinha or Raggafunk is a slower style of Rio de Janeiro funk that rests around 96 BPM and uses
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2819:
2013:
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Yúdice, George. "The Funkification of Rio". In Microphone Fiends, 193–220. London: Routledge, 1994.
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2000:"Bibi Babydoll e o funk que virou hit na Ucrânia com gravação no cobertor e divulgação por R$ 30"
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930:”, sung by the Brazilian artist Bibi Babydoll, which reached the top of Spotify music charts in
484:, Louisiana, also has a similar beat. New Orleans, originally a French territory, was a hub for
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on Radio City of Rio de Janeiro (102.9 FM). Years later, Fernando would adopt the nickname of
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1986:"Qual vai ser o hit do carnaval? De pagodão a mandelão, conheça 10 músicas que chegam fortes"
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863:, created in 2016 by DJ GBR. Among rave funk's most popular songs is "É Rave Que Fala Né" by
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Funk carioca is different from the funk originated in the US. Starting in 1970, styles like
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2269:"Ludmilla entra com naturalidade no pagode em EP que transita entre a festa e a sofrência"
2214:"Arlindo Cruz comemora as 700 músicas gravadas e agradece a Deus em CD | Diversão | O Dia"
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In London, duo Tetine assembled a compilation album called Slum Dunk Presents Funk Carioca
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A particularly extreme subgenre of funk originating in the late 2010s and early 2020s in
607:(1988). During that decade, funk dances lost a bit of popularity due to the emergence of
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2321:"Brazil-era, please tell me what kind of drugs your baile funk/funk carioca DJs are on"
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in 2004. Tetine also ran the weekly radio show Slum Dunk on London's radio art station
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1262:, South Africa, is often conflated with baile funk due to similar origins in ghettos,
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883:. "Ela É Do Tipo", by Kevin O Chris, is one of the most popular songs of the genre.
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2820:"Ghetto Fabulous" Observer Music Monthly article on Baile Funk by Alex Bellos 2005
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Article with Baile Funk master Sany Pitbull by Sabrina Fidalgo at Musibrasil 2007
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music, a pop version of soul and funk, especially after the release of the film
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2065:"Funk e pagode se misturam? Veja como isso vem acontecendo no universo do funk"
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personal mission to introduce Brazil to the best sounds from around the globe.
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1914:"Funk carioca acelera e chega a 150 bpm em renovação liderada pelo DJ Polyvox"
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329:. Despite its name, funk carioca has no musical correlation with the American
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Funk mandelão, also known as Ritmo dos Fluxos, is a subgenre that emerged in
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2039:"Como música brasileira ficou em primeiro lugar nas mais ouvidas da Ucrânia"
1968:"Drake canta em português em remix de 'Ela é do Tipo', com MC Kevin O Chris"
1781:"Pabllo Vittar lança o bregafunk 'Clima Quente' em parceria com Jerry Smith"
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1541:"A História do 'Tamborzão', a Levada Que Deu Cara ao Ritmo do Funk Carioca"
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2368:"Tejo, Black Alien & Speed – Follow Me Follow Me (Quem Que Caguetou?)"
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in Brazil, therefore a boiling pot of influences to derive the hall-mark.
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1407:"Musical conta história de 4 décadas do funk no Brasil; relembre 40 hits"
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Brazilian Phonk is a subgenre that combines elements of funk carioca and
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851:. "Fuleragem" by MC WM is the best known songs of the Rasteirinha genre.
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693:, but disco music was not easily embraced by many of the DJs hosting the
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2825:"Samba, That's So Last Year" article by Alex Bellos at The Guardian 2004
2701:"Vídeo » Proibidões nos bailes funks das favelas do Rio de janeiro"
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in the late 2010s, inspired by the Baile do Mandela, a popular party in
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1666:"Black Rio: The rise of black music and dances | Black Women of Brazil"
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545:, the main influence for the emergence of funk carioca was the single "
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1824:"Funk Ostentação symbolizes in SP emergegência da 'nova classe média'"
1639:"Big Boy: o brasileiro que tocou, em primeira mão, um hit dos Beatles"
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Caceres, Guillermo; Ferrari, Lucas; Palombini, Carlos (May 30, 2014).
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Carioca in its early days were mostly loops of electronic drums from
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1950:"Blocos do carnaval de rua do Rio adotam 'funk 150 bpm'; veja vídeo"
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on the tracks Baile Funk One, Baile Funk Two, and Baile Funk Three.
377:
37:
5433:
4925:
4520:
3707:
3613:
3588:
3573:
3513:
3488:
3483:
3468:
3448:
3351:
3205:
3200:
3087:
2921:
2914:
2840:"The Funk Phenomenon" article by Bruno Natal at XLR8R magazine 2005
2607:"Moonchild Sanelly is on the prowl in the "Where De Dee Kat" video"
1099:
920:
832:
622:
561:
465:
366:
4822:
1209:
in 2008. She performed her baile funk productions for the contest
5520:
5407:
5166:
5003:
4713:
4658:
3618:
3583:
3568:
3458:
3428:
2887:
1526:
1295:
are hardly available and due to lack of education and awareness,
1095:
1054:, Taty Quebra Barraco, Bonde do Tigrão amongst others. From 2002
935:
931:
864:
793:
Funk ostentação is a sub-genre of Rio de Janeiro funk created in
453:
362:
246:
5146:
2531:"Gqom is the explosive South African sound bursting into Europe"
5505:
5485:
5387:
4935:
4670:
4036:
3578:
3296:
3097:
2556:"Listen To A Thrilling New Lafawndah Song In Her Mix For Kenzo"
1497:"A noite em que a Soul Grand Prix enfrentou a Ditadura Militar"
1320:
1259:
1195:
1107:
999:
943:
899:. The term “mandelão” comes from “Mandela”, a reference to the
776:
523:
386:
337:
2632:"An introduction to baile funk's abrasive, addictive new wave"
848:
5515:
5392:
5305:
5232:
4903:
4827:
4812:
4675:
3563:
3553:
3363:
3156:
3134:
1736:"Notes on the historiography of Música soul and Funk carioca"
1136:
1042:
In 2003, the tune Quem Que Caguetou (Follow Me Follow Me) by
980:
908:
698:
697:. Many of these DJs bought records from the US, particularly
690:
608:
573:
469:
430:
394:
1932:"Como o 150 BPM se tornou o ritmo dominante do funk carioca"
5336:
5222:
2721:
1890:(in Brazilian Portuguese). December 7, 2019. Archived from
1253:
1141:, released by Brazilian label Bizarre Records in 2004, and
737:
There are a number of subgenres derived from funk carioca.
679:
658:
511:
music. One of the bands that was formed in this period was
504:
457:
330:
2856:
1616:
340:, "baile funk" refers not to the music, but to the actual
2243:"Cavaquinho pancadão: instrumento do samba invade o funk"
1066:
and interviewed artists in their radio show Slum Dunk on
1558:[The Lula / Tamborzão era and political sound].
1276:
songs. Some of these songs, however, are sung by women.
2508:
1553:
2191:| IMMuB – O maior catálogo online da música brasileira
1523:"Afrika Bambaataa celebra os 30 anos de ‘Planet Rock’"
1279:
The extreme banalization of sex and the incitement of
633:
and the radio would be known as the Rio "rock radio".
503:
During the 1970s, nightclubs in Rio de Janeiro played
2649:
1850:"Introducing Rasterinha, the Evolution of Baile Funk"
1691:"Funk Carioca Music: A Brief History of Funk Carioca"
1613:"RIOFUNK.org – INFORMATION ABOUT BAILE FUNK !!!"
361:, meaning "ball"). Although originated in Rio, "funk
2693:
1354:
1352:
1227:
claim the drum patterns used on their Top 40 single
926:
An example of the success of Mandelão was the song “
1884:"Five funk-rave explodes dance to us você conhecer"
1291:and social issues. In such communities, definitive
448:Many similar types of music genres can be found in
321:from Rio de Janeiro, blending the rap subgenres of
4640:
2167:
1870:"DJ Marlboro cria gênero Ragafunk em novo projeto"
1202:many European open and cable television channels.
2679:"G1 – Rio de Janeiro: notícias e vídeos da Globo"
1349:
1094:In 2004, dance clubs from Eastern Europe, mainly
979:, an instrument present in genres such as samba,
5533:
2752:
1405:RJ, José Raphael BerrêdoDo G1 (August 9, 2012).
1400:
1398:
2792:"The Sound of Brazil's Funk Carioca: NPR Music"
1474:"Origins of Funk Carioca | Eyes On Brazil"
4911:
2671:
2295:"Cliquemusic : Disco : POLIVALÊNCIA"
1607:
1605:
1584:"TAMBORZÃO baile funk beats (english version)"
1216:In 2008, Berlin label Man Recordings released
5321:
4626:
2872:
2505:"Andreas Rosforth Johnsen – Official website"
1465:
1395:
518:Funk carioca was popularized in the 1980s in
393:Funk carioca was once a direct derivative of
2760:"G1 – O Portal de Notícias da Globo – BUSCA"
2715:
1974:(in Brazilian Portuguese). November 6, 2019.
1830:(in Brazilian Portuguese). November 10, 2013
1556:"A Era Lula/Tamborzão política e sonoridade"
1014:that combines funk vocals with loud reverb,
2744:: CS1 maint: numeric names: authors list (
2123:(in Brazilian Portuguese). January 16, 2020
1602:
1560:Revista do Instituto de Estudos Brasileiros
1431:: CS1 maint: numeric names: authors list (
1258:Gqom, an electronic dance music genre from
649:Collecting records covering genres such as
5328:
5314:
4633:
4619:
2879:
2865:
2774:
2466:"M.I.A. – Piracy Funds Terrorism Volume 1"
1761:Pernambuco, Diario de (October 18, 2019).
1760:
1471:
1178:, who had worked on M.I.A.'s 2004 mixtape
151:Audio sample of a simple funk carioca beat
142:
1733:
1576:
1567:
1521:Carlos Albuquerque (September 12, 2012).
1439:
745:Brega funk born in Recife, influenced by
565:instead of the older drum machine loops.
122:Learn how and when to remove this message
2579:
2211:
1242:
1022:
376:
292:
2789:
2582:"DJ Lag: The gqom whisperer comes home"
2249:(in Brazilian Portuguese). June 5, 2016
1707:
1538:
859:Rave funk is a mix of funk carioca and
843:. It also incorporates influences from
14:
5534:
2659:. .folha.uol.com.br. November 22, 2006
2237:
2235:
1663:
1645:(in Brazilian Portuguese). May 4, 2015
1590:from the original on December 14, 2021
560:or freestyle records and the 4–6 beat
381:Funk carioca was born in the 1980s in
58:Please improve this article by adding
5309:
4614:
4573:LGBT representations in hip hop music
2860:
2485:
2483:
2014:"Your Guide to Brazilian Phonk Music"
1569:10.11606/issn.2316-901X.v0i58p157-207
1375:
1074:released the seminal CD-compilations
352:
4902:
2580:Reporter, Staff (December 7, 2018).
2390:"Rio Baile Funk: Favela Booty Beats"
2346:"Various – Favela Chic: Funk Favela"
1797:
1539:Ribeiro, Eduardo (August 20, 2014).
621:and with its soundtrack of the band
572:, as well as the horn intro to the "
551:Afrika Bambaataa and Soulsonic Force
31:
2232:
1247:
1151:in 2005. Tetine also recorded with
1139:funk carioca tracks: Bonde do Tetão
942:. It spread throughout the rest of
290:Brazilian Portuguese pronunciation:
24:
2790:Artists, Various (July 21, 2005).
2480:
2297:. December 2, 2009. Archived from
1664:Travae, Marques (April 10, 2013).
1494:
1404:
953:
782:
25:
5563:
2813:
2722:Carolina Lauriano Do G1, no Rio.
1708:Origins, Music (April 27, 2020).
1076:Rio Baile Funk Favela Booty Beats
1070:. Berlin music journalist and DJ
875:In 2018, the Funk carioca of 150
713:, which changed the style of the
429:. Various African religions like
301:, in other parts of the world as
4591:
4590:
1005:
886:
294:[ˈfɐ̃k(i)kɐɾiˈɔkɐ,-kaɾ-]
36:
2783:
2624:
2599:
2573:
2548:
2523:
2497:
2458:
2444:
2430:
2408:
2382:
2360:
2338:
2313:
2287:
2261:
2205:
2176:
2161:
2135:
2109:
2083:
2057:
2031:
2006:
1992:
1978:
1960:
1942:
1924:
1906:
1876:
1862:
1842:
1816:
1800:Funk carioca: crime ou cultura?
1791:
1773:
1754:
1727:
1701:
1683:
1657:
1631:
1547:
1231:were inspired by those used on
1091:" on his label Man Recordings.
1050:featuring funk artists such as
934:in 2023 and reached #3 on both
870:
5335:
2507:. Rosforth.com. Archived from
1532:
1515:
1488:
1456:
1376:Frere, Sasha (July 25, 2005).
1369:
820:
802:(new middle class) in Brazil.
760:
636:
348:in which the music is played (
13:
1:
1802:. Terceiro Nome. p. 19.
1472:tudobeleza (August 7, 2008).
1343:
740:
407:traditional African religious
60:secondary or tertiary sources
4578:Feminist activism in hip hop
1476:. Eyesonbrazil.wordpress.com
1270:
854:
805:
779:, Babi and Copacabana Beat.
732:
717:once again. Still, the term
27:Genre of hip hop style music
7:
4568:Partner violence in hip hop
2886:
1562:(in Portuguese) (58): 157.
1326:
1087:series "Funk Mundial" and "
965:
526:, the city's predominantly
372:
10:
5568:
2170:Raça Brasil – Edição Extra
1734:Palombini, Carlos (2010).
1710:"30 years of Funk Carioca"
1450:November 18, 2008, at the
1251:
824:
809:
786:
764:
751:Northeast region of Brazil
749:in the early 2010s in the
5547:Brazilian styles of music
5421:
5343:
5287:
5246:
5193:
5175:
5132:
5094:
5048:
5041:
5012:
4976:
4918:
4862:Música popular brasileira
4684:
4649:
4586:
4498:
4457:
4432:
4257:
4192:
4032:Bosnian and Herzegovinian
4005:
3893:
3771:
3760:
3726:
3657:
3646:
3522:
3497:
3407:
3396:
3315:
3268:
3064:
3053:
3045:Bristol underground scene
3012:
2939:
2896:
2275:(in Brazilian Portuguese)
2220:(in Brazilian Portuguese)
2193:(in Brazilian Portuguese)
2149:(in Brazilian Portuguese)
2097:(in Brazilian Portuguese)
1714:The Music Origins Project
1503:(in Brazilian Portuguese)
1413:(in Brazilian Portuguese)
350:Portuguese pronunciation:
260:
255:
221:
209:
176:
156:
141:
136:
2143:"Pancadão da Turbininha"
1287:low, this might lead to
1186:made a bootleg mixtape,
480:, which originates from
452:island nations such as;
2586:The Mail & Guardian
1239:, a funk carioca song.
1223:English indie pop band
1211:Edison Change the Music
1080:More Favela Booty Beats
1044:Black Alien & Speed
5439:List of funk musicians
4977:Fusion genres of Samba
4736:Brazilian thrash metal
2703:. OsMelhoresVideos.net
1742:(23 (Otoño)): 99–106.
1740:Historia Actual Online
1363:April 7, 2008, at the
1207:Notting Hill Arts Club
1180:Piracy Funds Terrorism
1121:which was released by
928:Automotivo Bibi Fogosa
605:The Carioca Funk World
603:, which translates to
390:
47:relies excessively on
5274:São Tomé and Príncipe
4887:Música Sertaneja Raiz
3746:Alternative reggaeton
3025:Universal Zulu Nation
2396:on September 26, 2008
1293:contraceptive methods
1243:Stylistic differences
1225:Everything Everything
1023:Recognition in Europe
380:
5552:2010s in Latin music
4511:Contemporary R&B
4320:Minneapolis/St. Paul
1988:. February 10, 2023.
1787:. February 20, 2020.
1767:Diário de Pernambuco
1619:on September 8, 2006
1598:– via YouTube.
1586:. January 15, 2007.
614:Saturday Night Fever
601:O Mundo Funk carioca
553:, released in 1982.
486:Atlantic slave trade
4643:Lusophone countries
3115:Chopped and screwed
3020:Five-Percent Nation
2852:by Carlos Palombini
2418:. Manrecordings.com
2301:on December 2, 2009
1798:Medeiros, Janaína.
1495:FP (June 5, 2022).
946:, mainly in former
222:Typical instruments
2762:. Busca2.globo.com
2511:on January 3, 2014
2452:"É BIG MIX O MANÉ"
2002:. August 16, 2023.
1872:. August 26, 2017.
1670:Black Brazil Today
1149:Kute Bash Records
1089:Baile Funk Masters
975:, the song uses a
800:nova classe média
462:Dominican Republic
391:
5529:
5528:
5403:Minneapolis sound
5303:
5302:
5128:
5127:
5124:
5123:
5120:
5119:
5037:
5036:
5033:
5032:
5020:Samba de Gafieira
4704:Brazilian hip hop
4664:Batidão romântico
4608:
4607:
4494:
4493:
3756:
3755:
3642:
3641:
3392:
3391:
2972:Feminist activism
2491:"Favela on Blast"
1697:. August 6, 2021.
1188:Favela on Blastin
1157:Soul Jazz Records
1143:L.I.C.K My Favela
1016:four-on-the-floor
627:Cidade Disco Club
585:bailes da pesada,
443:black communities
309:, or even simply
297:), also known as
283:
282:
177:Stylistic origins
147:
132:
131:
124:
106:
16:(Redirected from
5559:
5413:Psychedelic funk
5330:
5323:
5316:
5307:
5306:
5203:Cante Alentejano
5046:
5045:
5039:
5038:
4946:Pagode romântico
4916:
4915:
4909:
4908:
4900:
4899:
4858:
4790:
4761:
4749:
4709:Brasília hip hop
4635:
4628:
4621:
4612:
4611:
4599:
4594:
4593:
4461:
4436:
4298:Washington, D.C.
4261:
4196:
4009:
3897:
3775:
3769:
3768:
3764:
3729:
3661:
3655:
3654:
3650:
3594:Na mele paleoleo
3526:
3501:
3411:
3405:
3404:
3400:
3319:
3272:
3068:
3062:
3061:
3057:
2931:
2924:
2917:
2910:
2903:
2890:
2881:
2874:
2867:
2858:
2857:
2808:
2807:
2805:
2803:
2787:
2781:
2778:
2772:
2771:
2769:
2767:
2756:
2750:
2749:
2743:
2735:
2733:
2731:
2719:
2713:
2712:
2710:
2708:
2697:
2691:
2690:
2688:
2686:
2681:. Rjtv.globo.com
2675:
2669:
2668:
2666:
2664:
2653:
2647:
2646:
2644:
2642:
2628:
2622:
2621:
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2597:
2596:
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2577:
2571:
2570:
2568:
2566:
2552:
2546:
2545:
2543:
2541:
2527:
2521:
2520:
2518:
2516:
2501:
2495:
2494:
2487:
2478:
2477:
2475:
2473:
2462:
2456:
2455:
2448:
2442:
2441:
2434:
2428:
2427:
2425:
2423:
2412:
2406:
2405:
2403:
2401:
2392:. Archived from
2386:
2380:
2379:
2377:
2375:
2364:
2358:
2357:
2355:
2353:
2342:
2336:
2335:
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2291:
2285:
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2256:
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2229:
2227:
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2209:
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2202:
2200:
2198:
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2174:
2173:
2165:
2159:
2158:
2156:
2154:
2139:
2133:
2132:
2130:
2128:
2113:
2107:
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2102:
2087:
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2078:
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2055:
2054:
2052:
2050:
2035:
2029:
2028:
2026:
2024:
2010:
2004:
2003:
1996:
1990:
1989:
1982:
1976:
1975:
1964:
1958:
1957:
1946:
1940:
1939:
1928:
1922:
1921:
1920:. March 8, 2018.
1910:
1904:
1903:
1901:
1899:
1880:
1874:
1873:
1866:
1860:
1859:
1855:Complex Networks
1846:
1840:
1839:
1837:
1835:
1820:
1814:
1813:
1795:
1789:
1788:
1777:
1771:
1770:
1758:
1752:
1751:
1731:
1725:
1724:
1722:
1720:
1705:
1699:
1698:
1687:
1681:
1680:
1678:
1676:
1661:
1655:
1654:
1652:
1650:
1635:
1629:
1628:
1626:
1624:
1615:. Archived from
1609:
1600:
1599:
1597:
1595:
1580:
1574:
1573:
1571:
1551:
1545:
1544:
1536:
1530:
1519:
1513:
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1510:
1508:
1492:
1486:
1485:
1483:
1481:
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1463:
1460:
1454:
1443:
1437:
1436:
1430:
1422:
1420:
1418:
1402:
1393:
1392:
1390:
1388:
1373:
1367:
1356:
1248:In African music
1123:Mr Bongo Records
1048:Mr Bongo Records
877:beats per minute
861:electronic music
617:(1977) starring
476:, among others.
439:African diaspora
356:
354:[ˈbajli]
351:
296:
291:
210:Cultural origins
197:
149:
148:
134:
133:
127:
120:
116:
113:
107:
105:
64:
40:
32:
21:
5567:
5566:
5562:
5561:
5560:
5558:
5557:
5556:
5532:
5531:
5530:
5525:
5417:
5339:
5334:
5304:
5299:
5283:
5242:
5238:Portuguese rock
5189:
5171:
5116:
5090:
5029:
5008:
4972:
4963:Samba de breque
4912:Rio urban samba
4898:
4872:Sertanejo music
4852:
4784:
4755:
4743:
4680:
4645:
4639:
4609:
4604:
4597:
4582:
4548:Music sequencer
4490:
4459:
4453:
4434:
4428:
4427:
4393:Outside the US:
4390:
4386:Native American
4259:
4253:
4194:
4188:
4007:
4001:
3895:
3889:
3773:
3763:Regional scenes
3762:
3752:
3727:
3722:
3659:
3648:
3638:
3524:
3518:
3499:
3493:
3464:Psychedelic rap
3409:
3398:
3388:
3317:
3311:
3270:
3264:
3225:Progressive rap
3066:
3055:
3049:
3008:
2935:
2929:
2922:
2915:
2908:
2901:
2892:
2888:
2885:
2816:
2811:
2801:
2799:
2788:
2784:
2779:
2775:
2765:
2763:
2758:
2757:
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2737:
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2729:
2727:
2720:
2716:
2706:
2704:
2699:
2698:
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2684:
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2676:
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2625:
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2600:
2590:
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2578:
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2554:
2553:
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2539:
2537:
2529:
2528:
2524:
2514:
2512:
2503:
2502:
2498:
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2488:
2481:
2471:
2469:
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2463:
2459:
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2449:
2445:
2436:
2435:
2431:
2421:
2419:
2414:
2413:
2409:
2399:
2397:
2388:
2387:
2383:
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2371:
2366:
2365:
2361:
2351:
2349:
2344:
2343:
2339:
2329:
2327:
2319:
2318:
2314:
2304:
2302:
2293:
2292:
2288:
2278:
2276:
2267:
2266:
2262:
2252:
2250:
2241:
2240:
2233:
2223:
2221:
2210:
2206:
2196:
2194:
2182:
2181:
2177:
2166:
2162:
2152:
2150:
2141:
2140:
2136:
2126:
2124:
2115:
2114:
2110:
2100:
2098:
2089:
2088:
2084:
2074:
2072:
2071:(in Portuguese)
2063:
2062:
2058:
2048:
2046:
2045:(in Portuguese)
2037:
2036:
2032:
2022:
2020:
2012:
2011:
2007:
1998:
1997:
1993:
1984:
1983:
1979:
1966:
1965:
1961:
1948:
1947:
1943:
1930:
1929:
1925:
1912:
1911:
1907:
1897:
1895:
1882:
1881:
1877:
1868:
1867:
1863:
1848:
1847:
1843:
1833:
1831:
1822:
1821:
1817:
1810:
1796:
1792:
1779:
1778:
1774:
1759:
1755:
1732:
1728:
1718:
1716:
1706:
1702:
1689:
1688:
1684:
1674:
1672:
1662:
1658:
1648:
1646:
1637:
1636:
1632:
1622:
1620:
1611:
1610:
1603:
1593:
1591:
1582:
1581:
1577:
1552:
1548:
1537:
1533:
1520:
1516:
1506:
1504:
1501:Saravá Cultural
1493:
1489:
1479:
1477:
1470:
1466:
1461:
1457:
1452:Wayback Machine
1444:
1440:
1424:
1423:
1416:
1414:
1403:
1396:
1386:
1384:
1378:"Brazilian Wax"
1374:
1370:
1365:Wayback Machine
1357:
1350:
1346:
1329:
1297:family planning
1273:
1256:
1250:
1245:
1192:Favela on Blast
1112:Isto É magazine
1072:Daniel Haaksman
1062:also broadcast
1060:Eliete Mejorado
1025:
1008:
968:
956:
954:Brazilian phonk
889:
881:carnival blocks
873:
857:
829:
823:
814:
808:
791:
789:Funk ostentação
785:
783:Funk ostentação
769:
763:
743:
735:
639:
513:Soul Grand Prix
427:Colonial Brazil
375:
349:
289:
279:
251:
205:
193:
172:
152:
143:
128:
117:
111:
108:
65:
63:
57:
53:primary sources
41:
28:
23:
22:
15:
12:
11:
5:
5565:
5555:
5554:
5549:
5544:
5527:
5526:
5524:
5523:
5518:
5513:
5508:
5503:
5498:
5493:
5488:
5483:
5478:
5473:
5468:
5467:
5466:
5461:
5456:
5451:
5441:
5436:
5431:
5425:
5423:
5419:
5418:
5416:
5415:
5410:
5405:
5400:
5395:
5390:
5385:
5380:
5379:
5378:
5368:
5363:
5358:
5353:
5347:
5345:
5341:
5340:
5333:
5332:
5325:
5318:
5310:
5301:
5300:
5298:
5297:
5291:
5289:
5285:
5284:
5282:
5281:
5276:
5271:
5266:
5261:
5256:
5250:
5248:
5244:
5243:
5241:
5240:
5235:
5230:
5225:
5220:
5215:
5210:
5205:
5199:
5197:
5191:
5190:
5188:
5187:
5181:
5179:
5173:
5172:
5170:
5169:
5164:
5159:
5154:
5149:
5144:
5138:
5136:
5130:
5129:
5126:
5125:
5122:
5121:
5118:
5117:
5115:
5114:
5109:
5104:
5098:
5096:
5092:
5091:
5089:
5088:
5083:
5078:
5073:
5068:
5063:
5058:
5052:
5050:
5043:
5035:
5034:
5031:
5030:
5028:
5027:
5022:
5016:
5014:
5013:Ballroom dance
5010:
5009:
5007:
5006:
5001:
4996:
4991:
4986:
4980:
4978:
4974:
4973:
4971:
4970:
4965:
4960:
4955:
4950:
4949:
4948:
4943:
4933:
4928:
4922:
4920:
4919:Main subgenres
4913:
4906:
4897:
4896:
4891:
4890:
4889:
4884:
4882:Música Caipira
4879:
4869:
4864:
4859:
4847:
4846:
4845:
4840:
4835:
4825:
4820:
4815:
4810:
4805:
4800:
4799:
4798:
4797:
4796:
4779:
4769:
4768:
4767:
4762:
4750:
4738:
4731:Brazilian rock
4728:
4726:Brazilian jazz
4723:
4722:
4721:
4716:
4711:
4701:
4696:
4690:
4688:
4682:
4681:
4679:
4678:
4673:
4668:
4667:
4666:
4655:
4653:
4647:
4646:
4638:
4637:
4630:
4623:
4615:
4606:
4605:
4603:
4602:
4587:
4584:
4583:
4581:
4580:
4575:
4570:
4565:
4560:
4555:
4550:
4545:
4540:
4535:
4534:
4533:
4528:
4523:
4513:
4508:
4502:
4500:
4496:
4495:
4492:
4491:
4489:
4488:
4483:
4478:
4477:
4476:
4465:
4463:
4460:South American
4455:
4454:
4452:
4451:
4446:
4440:
4438:
4430:
4429:
4426:
4425:
4420:
4415:
4410:
4405:
4400:
4391:
4389:
4388:
4383:
4378:
4376:Asian American
4373:
4372:
4371:
4366:
4356:
4355:
4354:
4349:
4344:
4334:
4333:
4332:
4327:
4322:
4317:
4312:
4302:
4301:
4300:
4295:
4290:
4285:
4280:
4268:United States:
4266:
4265:
4263:
4260:North American
4255:
4254:
4252:
4251:
4246:
4241:
4236:
4231:
4226:
4221:
4216:
4211:
4206:
4200:
4198:
4195:Middle Eastern
4190:
4189:
4187:
4186:
4181:
4176:
4171:
4166:
4161:
4156:
4151:
4146:
4141:
4136:
4131:
4126:
4121:
4116:
4111:
4106:
4101:
4096:
4091:
4086:
4081:
4076:
4071:
4066:
4061:
4056:
4051:
4050:
4049:
4044:
4034:
4029:
4024:
4019:
4013:
4011:
4003:
4002:
4000:
3999:
3994:
3989:
3984:
3979:
3974:
3969:
3964:
3959:
3954:
3949:
3944:
3939:
3938:
3937:
3927:
3922:
3917:
3912:
3907:
3901:
3899:
3891:
3890:
3888:
3887:
3882:
3877:
3872:
3867:
3862:
3857:
3852:
3851:
3850:
3840:
3835:
3830:
3825:
3820:
3815:
3810:
3805:
3800:
3795:
3790:
3785:
3779:
3777:
3766:
3758:
3757:
3754:
3753:
3751:
3750:
3749:
3748:
3738:
3732:
3730:
3724:
3723:
3721:
3720:
3715:
3710:
3705:
3700:
3695:
3694:
3693:
3683:
3682:
3681:
3679:Florida breaks
3676:
3674:Baltimore club
3665:
3663:
3652:
3644:
3643:
3640:
3639:
3637:
3636:
3631:
3626:
3624:Urban Pasifika
3621:
3616:
3611:
3606:
3604:Romany hip hop
3601:
3596:
3591:
3586:
3581:
3576:
3571:
3566:
3561:
3559:Hip hop galsen
3556:
3551:
3546:
3541:
3536:
3530:
3528:
3520:
3519:
3517:
3516:
3511:
3505:
3503:
3495:
3494:
3492:
3491:
3486:
3481:
3476:
3471:
3466:
3461:
3456:
3454:New jack swing
3451:
3446:
3441:
3436:
3431:
3426:
3421:
3415:
3413:
3402:
3394:
3393:
3390:
3389:
3387:
3386:
3381:
3376:
3371:
3366:
3361:
3356:
3355:
3354:
3349:
3344:
3339:
3337:Brooklyn drill
3329:
3323:
3321:
3313:
3312:
3310:
3309:
3304:
3299:
3294:
3293:
3292:
3282:
3276:
3274:
3266:
3265:
3263:
3262:
3257:
3252:
3247:
3242:
3241:
3240:
3235:
3227:
3222:
3221:
3220:
3210:
3209:
3208:
3198:
3193:
3188:
3183:
3182:
3181:
3171:
3166:
3165:
3164:
3154:
3149:
3144:
3143:
3142:
3132:
3127:
3122:
3117:
3112:
3107:
3106:
3105:
3095:
3090:
3085:
3084:
3083:
3072:
3070:
3059:
3051:
3050:
3048:
3047:
3042:
3037:
3032:
3027:
3022:
3016:
3014:
3010:
3009:
3007:
3006:
3001:
2996:
2991:
2986:
2981:
2976:
2975:
2974:
2969:
2959:
2954:
2949:
2943:
2941:
2937:
2936:
2934:
2933:
2926:
2919:
2912:
2905:
2897:
2894:
2893:
2884:
2883:
2876:
2869:
2861:
2855:
2854:
2842:
2837:
2832:
2827:
2822:
2815:
2814:External links
2812:
2810:
2809:
2782:
2773:
2751:
2726:. G1.globo.com
2714:
2692:
2670:
2648:
2623:
2598:
2572:
2547:
2522:
2496:
2479:
2457:
2443:
2438:"Funk Mundial"
2429:
2407:
2381:
2359:
2337:
2312:
2286:
2260:
2231:
2218:odia.ig.com.br
2212:daniela.lima.
2204:
2175:
2160:
2134:
2108:
2082:
2056:
2030:
2005:
1991:
1977:
1959:
1941:
1923:
1905:
1894:on May 2, 2021
1875:
1861:
1841:
1815:
1808:
1790:
1772:
1753:
1726:
1700:
1682:
1656:
1630:
1601:
1575:
1546:
1531:
1514:
1487:
1464:
1455:
1438:
1411:Rio de Janeiro
1394:
1382:The New Yorker
1368:
1347:
1345:
1342:
1341:
1340:
1335:
1333:Surra de Bunda
1328:
1325:
1272:
1269:
1252:Main article:
1249:
1246:
1244:
1241:
1035:, released by
1024:
1021:
1007:
1004:
967:
964:
955:
952:
905:Nelson Mandela
888:
885:
872:
869:
856:
853:
825:Main article:
822:
819:
810:Main article:
807:
804:
787:Main article:
784:
781:
765:Main article:
762:
759:
742:
739:
734:
731:
687:equipes de som
638:
635:
528:Afro-Brazilian
520:Rio de Janeiro
383:Rio de Janeiro
374:
371:
333:by any means.
307:Brazilian funk
281:
280:
278:
277:
272:
267:
261:
258:
257:
253:
252:
250:
249:
244:
241:
236:
231:
225:
223:
219:
218:
215:Rio de Janeiro
211:
207:
206:
204:
203:
198:
191:
186:
180:
178:
174:
173:
171:
170:
167:
164:
160:
158:
154:
153:
150:
139:
138:
130:
129:
71:"Funk carioca"
44:
42:
35:
26:
18:Brazilian funk
9:
6:
4:
3:
2:
5564:
5553:
5550:
5548:
5545:
5543:
5540:
5539:
5537:
5522:
5519:
5517:
5514:
5512:
5509:
5507:
5504:
5502:
5499:
5497:
5494:
5492:
5489:
5487:
5484:
5482:
5479:
5477:
5474:
5472:
5469:
5465:
5462:
5460:
5457:
5455:
5454:Funk paulista
5452:
5450:
5447:
5446:
5445:
5442:
5440:
5437:
5435:
5432:
5430:
5427:
5426:
5424:
5420:
5414:
5411:
5409:
5406:
5404:
5401:
5399:
5396:
5394:
5391:
5389:
5386:
5384:
5381:
5377:
5374:
5373:
5372:
5369:
5367:
5364:
5362:
5359:
5357:
5354:
5352:
5349:
5348:
5346:
5342:
5338:
5331:
5326:
5324:
5319:
5317:
5312:
5311:
5308:
5296:
5293:
5292:
5290:
5286:
5280:
5277:
5275:
5272:
5270:
5267:
5265:
5264:Guinea-Bissau
5262:
5260:
5257:
5255:
5252:
5251:
5249:
5245:
5239:
5236:
5234:
5231:
5229:
5226:
5224:
5221:
5219:
5216:
5214:
5211:
5209:
5206:
5204:
5201:
5200:
5198:
5196:
5192:
5186:
5183:
5182:
5180:
5178:
5174:
5168:
5165:
5163:
5160:
5158:
5155:
5153:
5150:
5148:
5145:
5143:
5140:
5139:
5137:
5135:
5131:
5113:
5110:
5108:
5105:
5103:
5102:Bahian pagode
5100:
5099:
5097:
5093:
5087:
5084:
5082:
5079:
5077:
5074:
5072:
5071:Samba de roda
5069:
5067:
5066:Samba-corrido
5064:
5062:
5061:Samba-chulado
5059:
5057:
5054:
5053:
5051:
5047:
5044:
5040:
5026:
5023:
5021:
5018:
5017:
5015:
5011:
5005:
5002:
5000:
4997:
4995:
4992:
4990:
4987:
4985:
4982:
4981:
4979:
4975:
4969:
4966:
4964:
4961:
4959:
4956:
4954:
4951:
4947:
4944:
4942:
4941:Bahian pagode
4939:
4938:
4937:
4934:
4932:
4929:
4927:
4924:
4923:
4921:
4917:
4914:
4910:
4907:
4905:
4901:
4895:
4892:
4888:
4885:
4883:
4880:
4878:
4875:
4874:
4873:
4870:
4868:
4865:
4863:
4860:
4856:
4851:
4848:
4844:
4841:
4839:
4836:
4834:
4831:
4830:
4829:
4826:
4824:
4821:
4819:
4816:
4814:
4811:
4809:
4806:
4804:
4801:
4795:
4792:
4791:
4788:
4783:
4780:
4778:
4775:
4774:
4773:
4770:
4766:
4763:
4759:
4754:
4751:
4747:
4742:
4739:
4737:
4734:
4733:
4732:
4729:
4727:
4724:
4720:
4719:Vigilante rap
4717:
4715:
4712:
4710:
4707:
4706:
4705:
4702:
4700:
4697:
4695:
4692:
4691:
4689:
4687:
4683:
4677:
4674:
4672:
4669:
4665:
4662:
4661:
4660:
4657:
4656:
4654:
4652:
4648:
4644:
4636:
4631:
4629:
4624:
4622:
4617:
4616:
4613:
4601:
4600:
4589:
4588:
4585:
4579:
4576:
4574:
4571:
4569:
4566:
4564:
4561:
4559:
4556:
4554:
4551:
4549:
4546:
4544:
4541:
4539:
4536:
4532:
4529:
4527:
4526:Record player
4524:
4522:
4519:
4518:
4517:
4514:
4512:
4509:
4507:
4504:
4503:
4501:
4497:
4487:
4484:
4482:
4479:
4475:
4472:
4471:
4470:
4467:
4466:
4464:
4462:
4456:
4450:
4447:
4445:
4442:
4441:
4439:
4437:
4431:
4424:
4421:
4419:
4416:
4414:
4411:
4409:
4406:
4404:
4401:
4399:
4396:
4395:
4394:
4387:
4384:
4382:
4379:
4377:
4374:
4370:
4367:
4365:
4362:
4361:
4360:
4357:
4353:
4350:
4348:
4345:
4343:
4340:
4339:
4338:
4335:
4331:
4328:
4326:
4323:
4321:
4318:
4316:
4313:
4311:
4308:
4307:
4306:
4303:
4299:
4296:
4294:
4291:
4289:
4288:New York City
4286:
4284:
4281:
4279:
4276:
4275:
4274:
4271:
4270:
4269:
4264:
4262:
4256:
4250:
4247:
4245:
4242:
4240:
4237:
4235:
4234:Saudi Arabian
4232:
4230:
4227:
4225:
4222:
4220:
4217:
4215:
4212:
4210:
4207:
4205:
4202:
4201:
4199:
4197:
4191:
4185:
4182:
4180:
4177:
4175:
4172:
4170:
4167:
4165:
4162:
4160:
4157:
4155:
4152:
4150:
4147:
4145:
4142:
4140:
4137:
4135:
4132:
4130:
4127:
4125:
4122:
4120:
4117:
4115:
4112:
4110:
4107:
4105:
4102:
4100:
4097:
4095:
4092:
4090:
4087:
4085:
4082:
4080:
4077:
4075:
4072:
4070:
4067:
4065:
4062:
4060:
4057:
4055:
4052:
4048:
4045:
4043:
4040:
4039:
4038:
4035:
4033:
4030:
4028:
4025:
4023:
4020:
4018:
4015:
4014:
4012:
4010:
4004:
3998:
3995:
3993:
3990:
3988:
3985:
3983:
3980:
3978:
3975:
3973:
3970:
3968:
3965:
3963:
3960:
3958:
3955:
3953:
3950:
3948:
3945:
3943:
3940:
3936:
3933:
3932:
3931:
3928:
3926:
3923:
3921:
3918:
3916:
3913:
3911:
3908:
3906:
3903:
3902:
3900:
3898:
3892:
3886:
3883:
3881:
3878:
3876:
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3152:Freestyle rap
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2147:revista piauí
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2070:
2069:kondzilla.com
2066:
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2019:
2015:
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1507:September 13,
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1308:glamorization
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1289:public health
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1154:
1153:Deize Tigrona
1150:
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1132:post-feminist
1128:
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1052:Deize Tigrona
1049:
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1006:Beat Bruxaria
1003:
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901:South African
898:
894:
887:Funk mandelão
884:
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755:Pabllo Vittar
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619:John Travolta
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541:According to
539:
537:
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516:
514:
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506:
501:
499:
495:
494:African music
491:
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275:funk paulista
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83:
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76:
73: –
72:
68:
67:Find sources:
61:
55:
54:
50:
45:This article
43:
39:
34:
33:
30:
19:
5542:Funk carioca
5444:Funk carioca
5443:
5228:Hip hop tuga
5112:Samba reggae
5086:Samba-raiado
5081:Samba junino
5056:Samba-batido
5042:Bahian samba
4999:Samba reggae
4968:Samba-enredo
4958:Samba-canção
4953:Partido alto
4782:Electrobrega
4595:
4543:Hip hop skit
4538:Drum machine
4499:Other topics
4392:
4293:Philadelphia
4267:
3736:Funk carioca
3735:
3686:Ghetto house
3544:Boomba music
3434:Hip hop soul
3347:Sample drill
3342:Jersey drill
3169:Instrumental
2849:
2846:Funk Carioca
2845:
2800:. Retrieved
2795:
2785:
2776:
2764:. Retrieved
2754:
2728:. Retrieved
2717:
2705:. Retrieved
2695:
2683:. Retrieved
2673:
2661:. Retrieved
2651:
2639:. Retrieved
2635:
2626:
2614:. Retrieved
2610:
2601:
2589:. Retrieved
2585:
2575:
2563:. Retrieved
2559:
2550:
2538:. Retrieved
2534:
2525:
2513:. Retrieved
2509:the original
2499:
2470:. Retrieved
2460:
2446:
2432:
2420:. Retrieved
2410:
2398:. Retrieved
2394:the original
2384:
2372:. Retrieved
2362:
2350:. Retrieved
2340:
2328:. Retrieved
2325:resetera.com
2324:
2315:
2303:. Retrieved
2299:the original
2289:
2277:. Retrieved
2272:
2263:
2251:. Retrieved
2246:
2222:. Retrieved
2217:
2207:
2195:. Retrieved
2187:
2178:
2169:
2163:
2151:. Retrieved
2146:
2137:
2125:. Retrieved
2121:Carnavalesco
2120:
2111:
2099:. Retrieved
2094:
2085:
2073:. Retrieved
2068:
2059:
2047:. Retrieved
2042:
2033:
2021:. Retrieved
2017:
2008:
1994:
1980:
1971:
1962:
1953:
1944:
1936:www.vice.com
1935:
1926:
1917:
1908:
1898:February 13,
1896:. Retrieved
1892:the original
1887:
1878:
1864:
1853:
1844:
1832:. Retrieved
1827:
1818:
1799:
1793:
1784:
1775:
1766:
1756:
1739:
1729:
1719:December 11,
1717:. Retrieved
1713:
1703:
1694:
1685:
1675:December 11,
1673:. Retrieved
1669:
1659:
1647:. Retrieved
1642:
1633:
1621:. Retrieved
1617:the original
1592:. Retrieved
1578:
1559:
1549:
1534:
1517:
1505:. Retrieved
1500:
1490:
1478:. Retrieved
1467:
1458:
1441:
1415:. Retrieved
1410:
1385:. Retrieved
1381:
1371:
1317:
1313:
1305:
1278:
1274:
1257:
1237:Pon de Floor
1222:
1217:
1215:
1210:
1204:
1200:
1191:
1187:
1169:
1164:Irma Records
1161:
1148:
1147:released by
1144:
1140:
1127:Resonance Fm
1118:
1116:
1093:
1088:
1079:
1078:in 2004 and
1075:
1068:Resonance Fm
1064:Funk Carioca
1056:Bruno Verner
1041:
1032:
1030:
1026:
1009:
993:
985:Arlindo Cruz
972:
969:
957:
948:Soviet Union
925:
897:Praia Grande
890:
874:
871:Funk 150 BPM
858:
830:
815:
799:
792:
770:
744:
736:
727:funk carioca
726:
718:
714:
694:
686:
684:
648:
642:
640:
626:
612:
604:
600:
595:
591:
587:
584:
582:
567:
555:
540:
536:black people
532:racial pride
517:
502:
478:Bounce music
447:
392:
369:influences.
358:
346:discotheques
335:
317:-influenced
310:
306:
302:
298:
286:Funk carioca
285:
284:
270:melodic funk
229:Drum machine
189:electro-funk
137:Funk carioca
118:
109:
99:
92:
85:
78:
66:
46:
29:
5496:Rare groove
5476:Liquid funk
5471:Funky house
5464:Rasteirinha
5449:Funk melody
5383:Funktronica
5295:Latin music
5095:Urban sambo
5049:Rural sambo
4984:Samba-choro
4853: [
4843:Rasteirinha
4833:Funk melody
4794:Tecno brega
4785: [
4756: [
4744: [
4641:Music from
4563:Video vixen
4558:Synthesizer
4531:Turntablism
4516:Disc jockey
4449:New Zealand
4229:Palestinian
4124:Montenegrin
3915:Bangladeshi
3910:Azerbaijani
3649:Derivatives
3634:Zenji flava
3609:Songo-salsa
3539:Bongo flava
3419:Country rap
3307:Memphis rap
3290:Mafioso rap
3285:Gangsta rap
3260:Underground
3255:Turntablism
3179:Chicano rap
3081:Hipster hop
3076:Alternative
2850:Música Soul
2802:December 5,
2515:December 5,
2472:December 5,
2400:December 5,
2374:December 5,
2352:December 5,
1785:Hashtag Pop
1695:MasterClass
1649:December 8,
1301:favelização
1281:promiscuity
1233:Major Lazer
1229:Cough Cough
1170:The artist
1104:DJ Marlboro
1033:Favela Chic
960:drift phonk
913:synthesizer
837:tambourines
827:Rasteirinha
821:Rasteirinha
767:Funk melody
761:Funk melody
723:DJ Marlboro
637:Bailes funk
631:DJ Marlboro
578:Afro-Latino
547:Planet Rock
543:DJ Marlboro
498:Latin music
482:New Orleans
474:Puerto Rico
423:slave trade
403:Latin music
327:gangsta rap
319:music genre
299:favela funk
243:synthesizer
213:Mid-1980s,
163:Favela funk
157:Other names
5536:Categories
5511:Swamp rock
5501:Samba rock
5491:Post-disco
5376:Funk metal
5351:Avant-funk
5337:Funk music
5254:East Timor
5218:Desgarrada
5213:Chamarrita
5185:Marrabenta
5177:Mozambique
5134:Cape Verde
5107:Samba afro
5076:Samba duro
5025:Samba rock
4994:Samba-jazz
4989:Samba-funk
4931:Bossa nova
4850:Guitarrada
4808:Chamarrita
4777:Brega funk
4765:Samba rock
4753:Rock Rural
4444:Australian
4423:Salvadoran
4359:West Coast
4305:Midwestern
4283:New Jersey
4273:East Coast
4119:Macedonian
4094:Portuguese
3987:Sri Lankan
3977:Philippine
3942:Indonesian
3885:Zimbabwean
3860:Senegalese
3698:Glitch hop
3691:Ghettotech
3660:Electronic
3549:Cumbia rap
3509:Trap metal
3444:Industrial
3359:Latin trap
3318:Trap music
3302:Horrorcore
3245:Snap music
3229:Religious
3196:Mumble rap
3191:Miami bass
3147:East Coast
3040:Golden age
3035:New school
3030:Old-school
2994:Production
2947:Battle rap
2930:Beatboxing
2766:August 18,
2730:August 18,
2707:August 18,
2685:August 18,
2663:August 18,
2422:August 18,
2305:August 12,
2279:August 12,
2253:August 12,
2224:August 12,
2197:August 12,
2184:"Geraldão"
2153:August 12,
2127:August 13,
2101:August 13,
2075:August 12,
2049:August 17,
1828:Globo News
1643:EBC Rádios
1594:August 18,
1480:August 18,
1387:August 18,
1344:References
1338:Miami bass
1264:heavy bass
1162:In Italy,
977:cavaquinho
940:Kazakhstan
841:beatboxing
741:Brega funk
703:Miami bass
643:baile funk
588:black soul
558:Miami bass
399:Miami bass
323:Miami bass
303:baile funk
234:turntables
184:Miami bass
166:baile funk
82:newspapers
49:references
5481:Neurofunk
5459:Proibidão
5429:Acid jazz
5398:Jazz-funk
5371:Funk rock
5366:Free funk
5361:Deep funk
5356:Brit funk
5279:Sri Lanka
5152:Coladeira
4741:Forrocore
4506:Auto-Tune
4486:Colombian
4469:Brazilian
4408:Dominican
4364:Northwest
4325:Wisconsin
4278:Baltimore
4184:Ukrainian
4164:Slovenian
4129:Norwegian
4104:Icelandic
4099:Hungarian
4054:Bulgarian
3992:Taiwanese
3982:Singapore
3972:Pakistani
3962:Mongolian
3957:Malaysian
3870:Tanzanian
3828:Mauritian
3741:Reggaeton
3713:Freestyle
3669:Breakbeat
3534:Afroswing
3500:Rap metal
3479:Rap opera
3439:Hip house
3327:Afro trap
3280:Dirty rap
3233:Christian
3218:Conscious
3213:Political
3140:Crunkcore
3125:Cloud rap
3056:Subgenres
2984:Festivals
2641:August 1,
2636:The FADER
2616:August 1,
2611:The FADER
2591:August 1,
2565:August 1,
2560:The FADER
2540:August 1,
2468:. discogs
2370:. discogs
2348:. discogs
2189:immub.org
2018:Soundtrap
1888:Kondzilla
1748:1696-2060
1417:August 1,
1271:Criticism
1159:in 2008.
1012:Sao Paulo
989:Mr. Catra
893:São Paulo
855:Rave funk
845:reggaeton
833:atabaques
812:Proibidão
806:Proibidão
798:emerging
795:São Paulo
733:Subgenres
711:freestyle
641:The term
450:Caribbean
435:candomble
419:freestyle
411:candomble
265:Proibidão
256:Subgenres
201:freestyle
5434:Afrobeat
5195:Portugal
4926:Batucada
4877:Funknejo
4838:Funknejo
4598:Category
4521:DJ mixer
4474:Brasília
4435:Oceanian
4398:Canadian
4337:Southern
4239:Tunisian
4224:Lebanese
4209:Egyptian
4139:Romanian
4059:Croatian
4047:Scottish
4022:Austrian
4017:Albanian
4008:European
3967:Nepalese
3947:Japanese
3905:Armenian
3875:Togolese
3855:Nigerien
3843:Nigerian
3838:Namibian
3833:Moroccan
3823:Malawian
3808:Ghanaian
3798:Botswana
3793:Beninese
3783:Algerian
3708:Illbient
3614:Scam rap
3589:Motswako
3574:Igbo rap
3525:Regional
3514:Nu metal
3489:Trip hop
3484:Rap rock
3469:Punk rap
3449:Jazz rap
3352:UK drill
3271:Hardcore
3250:Southern
3206:Chap hop
3201:Nerdcore
3103:Road rap
3088:Boom bap
2967:Feminism
2962:Activism
2923:Emceeing
2916:Graffiti
2902:Breaking
2740:cite web
2330:June 30,
2023:June 15,
1834:April 2,
1623:June 12,
1588:Archived
1448:Archived
1427:cite web
1361:Archived
1327:See also
1100:Bulgaria
996:Ludmilla
966:Pagofunk
950:states.
921:computer
919:and the
670:area of
668:Zona Sul
623:Bee Gees
562:afrobeat
466:Barbados
373:Overview
367:Afrobeat
217:, Brazil
112:May 2015
5521:Zamrock
5422:Related
5408:Nu-funk
5288:Related
5167:Tabanka
5142:Batuque
5004:Sambass
4894:Vanerão
4867:Seresta
4803:Calypso
4714:Stronda
4659:Kizomba
4553:Sampler
4481:Chilean
4418:Mexican
4413:Haitian
4347:Memphis
4342:Atlanta
4315:Detroit
4310:Chicago
4244:Turkish
4219:Israeli
4214:Iranian
4174:Swedish
4169:Spanish
4154:Serbian
4149:Russian
4114:Italian
4074:Finnish
4037:British
4027:Belgian
3925:Chinese
3920:Burmese
3880:Zambian
3813:Ivorian
3803:Gambian
3788:Angolan
3774:African
3619:Stronda
3584:Low bap
3569:Hiplife
3459:Pop rap
3429:Emo rap
3424:Electro
3410:General
3384:UK trap
3162:Jerkin'
3120:Chopper
3098:British
3067:General
3013:History
2999:Theater
2957:Fashion
2940:Culture
2889:Hip hop
2796:NPR.org
2416:"Edu K"
2247:O Globo
1918:O Globo
1527:O Globo
1321:favelas
1218:Gringão
1196:favelas
1108:ghettos
1096:Romania
973:A Forma
936:Belarus
932:Ukraine
917:sampler
903:leader
865:Kevinho
707:electro
524:favelas
490:hip hop
454:Jamaica
415:hip-hop
409:music,
387:favelas
363:carioca
357:, from
342:parties
315:hip hop
313:, is a
247:rapping
239:sampler
195:hip hop
96:scholar
5506:Skweee
5486:P-Funk
5388:G-funk
5344:Genres
5157:Funaná
4936:Pagode
4686:Brazil
4671:Kuduro
4651:Angola
4369:Alaska
4249:Yemeni
4204:Arabic
4159:Slovak
4144:Romany
4134:Polish
4084:German
4079:French
4042:Celtic
3952:Korean
3930:Indian
3818:Kenyan
3579:Kwaito
3297:G-funk
3238:Jewish
3130:Comedy
3093:Bounce
3004:Genres
2535:Mixmag
1806:
1746:
1260:Durban
1000:Molejo
944:Europe
777:Perlla
773:Anitta
715:bailes
695:bailes
661:, and
594:, and
433:, and
338:Brazil
98:
91:
84:
77:
69:
5516:Timba
5393:Go-go
5269:Macau
5247:Other
5233:Pimba
5208:Chula
5162:Morna
4904:Samba
4857:]
4828:Frevo
4823:Forró
4818:Chula
4813:Choro
4789:]
4772:Brega
4760:]
4748:]
4699:Baião
4676:Semba
4403:Cuban
4381:Latin
4352:Miami
4330:Omaha
4179:Swiss
4109:Irish
4089:Greek
4069:Dutch
4064:Czech
3896:Asian
3728:Other
3718:Wonky
3703:Grime
3564:Hipco
3554:Genge
3474:Ragga
3379:Tread
3369:Plugg
3364:Phonk
3332:Drill
3174:Latin
3157:Hyphy
3135:Crunk
2989:Music
2952:Dance
2909:DJing
2798:. NPR
1972:IstoE
1184:Diplo
1176:Diplo
1137:queer
981:choro
909:piano
747:brega
699:Miami
691:disco
676:psych
609:disco
592:shaft
574:Rocky
570:stabs
549:" by
470:Haiti
431:vodun
395:samba
359:baile
103:JSTOR
89:books
5223:Fado
5147:Colá
3997:Thai
3935:Desi
3374:Rage
3186:Lofi
2979:LGBT
2848:and
2804:2013
2768:2013
2746:link
2732:2013
2709:2013
2687:2013
2665:2013
2643:2024
2618:2024
2593:2024
2567:2024
2542:2024
2517:2013
2474:2013
2424:2013
2402:2008
2376:2013
2354:2013
2332:2024
2307:2021
2281:2021
2255:2021
2226:2021
2199:2021
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2155:2021
2129:2021
2103:2021
2077:2021
2051:2023
2025:2024
1900:2020
1836:2017
1804:ISBN
1744:ISSN
1721:2022
1677:2022
1651:2022
1625:2014
1596:2013
1509:2022
1482:2013
1433:link
1419:2023
1389:2013
1306:The
1254:Gqom
1098:and
1058:and
938:and
847:and
839:and
719:funk
705:and
680:funk
663:soul
659:jazz
655:rock
596:funk
509:soul
507:and
505:funk
496:and
458:Cuba
417:and
331:funk
325:and
311:funk
305:and
169:funk
75:news
5259:Goa
4694:Axé
1564:doi
1303:).
1235:'s
1172:MIA
1037:BMG
849:axé
672:Rio
651:pop
534:of
522:'s
425:in
385:'s
344:or
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