Knowledge

Bodys Isek Kingelez

Source đź“ť

25: 300:), and has said about his artistic approach: “I make this most deeply imaginary, meticulous and well considered work with the aim of having more influence over life. As a black artist I must set a good example by receiving the light which pure art, this vital human instrument, kindles for the sake of all. Thanks to my deep hope for a happy tomorrow, I strive to better my quality, and the better becomes the wonderful. I exhibit a mode of expression which fits me like a glove, and I point out that I am another artist.” 277:
in collaboration with corrupt African regimes. He sought to establish a fairy-tale world in his work that reflected his inner fantasies and ideals he had envisioned for reality that would be open for all to explore; as Sarah Suzuki, curator at the Museum of Modern Art New York, has said: Kingelez's
249:
in 1970. Until 1977 he studied part-time and supported himself by teaching at a school. He was hired by the National Museum in Kinshasa as an art restorer, particularly in the restoration of African masks, until 1985 where he began to pursue the sculpture-centric practice he would later be known for
303:
Kingelez created more than 300 models, starting with individual architectural structures. In 1992 he began to assemble entire cities with numerous buildings, avenues, parks, stadiums and monuments. His first model of a city was called Kimbembele-Ihunga after the village where he was born. He
262: 272:
Kingelez is known primarily for his models of fantastic and utopian cities made of scrap materials like cardboard, paper and plastic; these models depict an idealistic vision of society that contrasts our harsh reality and dually a statement against the widespread construction funded by
328: 204:
and artist known for his models of fantastic cities, made of cardboard, paper, tape and other commonplace materials. His work has been presented in numerous exhibitions around the globe, including exhibitions at the
599: 282: 1028: 1072: 910: 304:
described his process as firstly devising a name for each new project which helped to cultivate ideas and from there he would dive straight into fabrication.
831: 539: 1062: 54: 345: 892: 872: 393:
Kingelez's work is in the Jean Pigozzi collection, the Musée International des Arts Modestes (MIAM) collection in Sète, France, the
806: 1015: 70: 914: 763: 1032: 705: 253:
During his lifetime he did not have a commercial art dealer to represent his work. He died in 2015 as a result of cancer.
1003: 962:"National Museum of African Art - African Art Now: Masterpieces from the Jean Pigozzi Collection - Bodys Isek Kingelez" 936: 727: 575: 647: 622: 481: 462: 443: 420: 94: 980: 238: 46: 839: 1057: 1052: 151: 1029:
Bodys Isek Kingelez: the sculptor who built dreams (Bodys Isek Kingelez: el escultor que construía sueños)
723: 59: 338:
In 1989 he was invited to Paris to present his work at the Centre Georges Pompidou in the exhibition
859: 893:"The visionary paper cities of artist Bodys Isek Kingelez come to life at the MoMA - Archpaper.com" 981:"This MoMA Exhibit Reveals The African Fantasy Cities Of The Greatest Architect You've Never Seen" 206: 50: 435: 753: 340: 780: 1067: 1047: 214: 8: 35: 810: 961: 412: 394: 39: 1012: 759: 643: 618: 477: 458: 439: 416: 74: 383: 512: 63: 278:
work creates "a place of optimism, a place of beauty... That feels very welcome."
1019: 687: 360: 663: 378:
in 2018 at the Museum of Modern Art, New York. alongside a VR recreation of the
274: 1041: 242: 218: 128: 731: 1023: 349: 471: 600:"Review - Everyone in New York will be talking about this artist soon" 222: 201: 281: 261: 237:
Kingelez was born the oldest of nine siblings in Kimbembele-Ihunga,
246: 860:
https://www.artforum.com/news/bodys-isek-kingelez-1948-2015-51099
327: 985: 804: 476:. Haus der Kulturen der Welt GmbH and Edition Cantz,Stuttgart. 226: 472:
Kingelez, Bodys Isek; Haus der Kulturen der Welt GmbH (1992).
1007: 429: 364: 210: 722: 877: 751: 430:
Serageldin, Ismail; Bodys Isek Kingelez (November 1993).
315:("Kinshasa: Project for the Third Millennium," 1997) and 57:
and tools are available to assist in formatting, such as
937:""Looking Back at Bodys Isek Kingelez's Future Cities."" 638:
Kries, Mateo; Klein, Amelie (2015). "Space and Object".
407:
Kingelez, Bodys Isek; Yilmaz Dziewior (September 2001).
406: 374:
His work was presented in the retrospective exhibition
576:"Fantastical Cityscapes of Cardboard and Glue at MoMA" 245:.) After graduating from secondary school he moved to 1073:
21st-century Democratic Republic of the Congo people
382:
project created in collaboration with German artist
745: 540:"L'artiste congolais Bodys Isek Kingelez est mort" 1039: 640:Making Africa A Continent of Contemporary Design 615:Making Africa A Continent of Contemporary Design 569: 567: 565: 563: 561: 457:. Centre de Cultura ContemporĂ nia de Barcelona. 832:"Bodys Isek Kingelez - Pigozzi Collection 2017" 397:in Paris and the Ludwig Foundation in Cologne. 344:curated by Jean-Hubert Martin and supported by 593: 591: 589: 346:The Contemporary African Art Collection (CAAC) 911:"Bodys Isek Kingelez's 'Art inSight' at MoMA" 558: 534: 532: 530: 528: 526: 778: 38:, which are uninformative and vulnerable to 716: 706:"The Utopian Vision of Bodys Isek Kingelez" 586: 53:and maintains a consistent citation style. 873:"The Joyful Cities Of Bodys Isek Kingelez" 637: 612: 523: 688:"Bodys Isek Kingelez: City Dreams - MoMA" 95:Learn how and when to remove this message 1063:Democratic Republic of the Congo artists 513:"At MoMA, a Genius Finally Gets His Due" 326: 280: 260: 664:"Projects 59: Architecture as Metaphor" 452: 200:(1948 – 14 March 2015) was a Congolese 1040: 758:. Asp / Vubpress / Upa. pp. 79–. 507: 505: 503: 501: 142:Kinshasa, Democratic Republic of Congo 934: 805:Contemporary African Art Collection. 573: 474:Bodys Isek Kingelez KĂĽnstler der Welt 935:Small, Zachary (24 September 2018). 870: 798: 752:Piet Lombaerde; Marc Muylle (2010). 642:. Vitra Design Museum. p. 337. 617:. Vitra Design Museum. p. 337. 613:Kries, Mateo; Klein, Amelie (2015). 597: 18: 1024:Contemporary African Art Collection 602:– via www.washingtonpost.com. 498: 45:Please consider converting them to 13: 1033:Patrimonio Digital de la Humanidad 781:"Bodys Isek Kingelez: City Dreams" 307:Notable works of Kingelez include 14: 1084: 997: 978: 807:"Biography of Body Isek Kingelez" 836:CAACART - The Pigozzi Collection 455:Africas: The Artist and the City 376:Bodys Isek Kingelez: City Dreams 23: 972: 954: 928: 903: 885: 864: 853: 824: 772: 598:Smee, Sebastian (23 May 2018). 400: 698: 680: 656: 631: 606: 574:Smith, Roberta (31 May 2018). 388: 355:In 2010 he showed his project 322: 319:("City of the Future," 2000). 49:to ensure the article remains 1: 779:Wiesenberger, Robert (2018). 491: 16:Congolese sculptor and artist 367:in a solo exhibition titled 292:Kingelez has called his art 239:Democratic Republic of Congo 232: 152:Democratic Republic of Congo 7: 871:Cole, Diane (8 July 2018). 755:Ph.d: The Road to Knowledge 10: 1089: 724:Haus der Kulturen der Welt 341:Les Magiciens de la Terre 297: 187: 177: 173: 165: 157: 147: 135: 116: 109: 668:The Museum of Modern Art 311:("Phantom City," 1996) 256: 207:Centre Georges Pompidou 139:14 March 2015 (aged 66) 1058:21st-century sculptors 1053:20th-century sculptors 436:Museum for African Art 335: 289: 269: 728:"Bodys Isek Kingelez" 554:– via Le Monde. 453:Subiros, Pep (2001). 330: 284: 264: 215:Museum of Modern Art 1008:www.culturebase.net 409:Bodys Isek Kingelez 313:Kin 3ème millĂ©naire 241:(what was then the 194:Bodys Isek Kingelez 127:Kimbembele-Ihunga, 1018:2022-06-10 at the 1013:Body Isek Kingelez 1004:Body Isek Kingelez 580:The New York Times 432:Home and the World 395:Cartier Foundation 336: 294:extrĂŞmes maquettes 290: 270: 979:Keats, Jonathon. 941:hyperallergic.com 765:978-90-5487-582-6 317:La Ville du Futur 286:Kimbembele Ihunga 266:Kinshasa la Belle 191: 190: 105: 104: 97: 55:Several templates 1080: 991: 990: 976: 970: 969: 958: 952: 951: 949: 947: 932: 926: 925: 923: 922: 913:. Archived from 907: 901: 900: 889: 883: 882: 868: 862: 857: 851: 850: 848: 847: 838:. Archived from 828: 822: 821: 819: 818: 809:. Archived from 802: 796: 795: 793: 791: 776: 770: 769: 749: 743: 742: 740: 739: 730:. Archived from 720: 714: 713: 702: 696: 695: 684: 678: 677: 675: 674: 660: 654: 653: 635: 629: 628: 610: 604: 603: 595: 584: 583: 571: 556: 555: 553: 551: 536: 521: 520: 509: 487: 468: 449: 426: 299: 183:Jean Marc Patras 180: 107: 106: 100: 93: 89: 86: 80: 78: 67: 27: 26: 19: 1088: 1087: 1083: 1082: 1081: 1079: 1078: 1077: 1038: 1037: 1020:Wayback Machine 1000: 995: 994: 977: 973: 960: 959: 955: 945: 943: 933: 929: 920: 918: 909: 908: 904: 891: 890: 886: 869: 865: 858: 854: 845: 843: 830: 829: 825: 816: 814: 803: 799: 789: 787: 777: 773: 766: 750: 746: 737: 735: 721: 717: 704: 703: 699: 686: 685: 681: 672: 670: 662: 661: 657: 650: 636: 632: 625: 611: 607: 596: 587: 572: 559: 549: 547: 546:. 17 March 2015 538: 537: 524: 511: 510: 499: 494: 484: 465: 446: 423: 403: 391: 361:Centre Pompidou 325: 259: 235: 178: 143: 140: 131: 125: 123: 122: 112: 101: 90: 84: 81: 69: 58: 44: 28: 24: 17: 12: 11: 5: 1086: 1076: 1075: 1070: 1065: 1060: 1055: 1050: 1036: 1035: 1026: 1010: 999: 998:External links 996: 993: 992: 971: 953: 927: 902: 884: 863: 852: 823: 797: 771: 764: 744: 715: 710:The New Yorker 697: 679: 655: 648: 630: 623: 605: 585: 557: 522: 496: 495: 493: 490: 489: 488: 482: 469: 463: 450: 444: 427: 421: 402: 399: 390: 387: 384:Carsten Höller 324: 321: 298:extreme models 275:The World Bank 258: 255: 234: 231: 189: 188: 185: 184: 181: 175: 174: 171: 170: 167: 166:Known for 163: 162: 159: 155: 154: 149: 145: 144: 141: 137: 133: 132: 126: 120: 118: 114: 113: 111:Bodys Kingelez 110: 103: 102: 47:full citations 31: 29: 22: 15: 9: 6: 4: 3: 2: 1085: 1074: 1071: 1069: 1066: 1064: 1061: 1059: 1056: 1054: 1051: 1049: 1046: 1045: 1043: 1034: 1030: 1027: 1025: 1021: 1017: 1014: 1011: 1009: 1005: 1002: 1001: 988: 987: 982: 975: 967: 966:africa.si.edu 963: 957: 942: 938: 931: 917:on 2018-07-16 916: 912: 906: 898: 897:archpaper.com 894: 888: 880: 879: 874: 867: 861: 856: 842:on 2018-07-16 841: 837: 833: 827: 813:on 2012-02-19 812: 808: 801: 786: 782: 775: 767: 761: 757: 756: 748: 734:on 2007-10-27 733: 729: 725: 719: 711: 707: 701: 693: 689: 683: 669: 665: 659: 651: 649:9783931936525 645: 641: 634: 626: 624:9783931936525 620: 616: 609: 601: 594: 592: 590: 581: 577: 570: 568: 566: 564: 562: 545: 541: 535: 533: 531: 529: 527: 518: 514: 508: 506: 504: 502: 497: 485: 483:3-89322-307-X 479: 475: 470: 466: 464:84-95273-86-1 460: 456: 451: 447: 445:3-7913-1326-6 441: 437: 433: 428: 424: 422:3-7757-1054-X 418: 414: 410: 405: 404: 398: 396: 386: 385: 381: 380:Ville FantĂ´me 377: 372: 370: 366: 362: 358: 357:Ville FantĂ´me 353: 351: 347: 343: 342: 333: 332:Ville FantĂ´me 329: 320: 318: 314: 310: 309:Ville FantĂ´me 305: 301: 295: 287: 283: 279: 276: 267: 263: 254: 251: 248: 244: 243:Belgian Congo 240: 230: 228: 224: 220: 216: 212: 208: 203: 199: 198:Jean Baptiste 195: 186: 182: 176: 172: 168: 164: 160: 156: 153: 150: 146: 138: 134: 130: 129:Belgian Congo 121:Jean-Baptiste 119: 115: 108: 99: 96: 88: 76: 75:documentation 72: 65: 64:documentation 61: 56: 52: 48: 43: 41: 37: 32:This article 30: 21: 20: 984: 974: 965: 956: 944:. Retrieved 940: 930: 919:. Retrieved 915:the original 905: 896: 887: 876: 866: 855: 844:. Retrieved 840:the original 835: 826: 815:. Retrieved 811:the original 800: 788:. Retrieved 784: 774: 754: 747: 736:. Retrieved 732:the original 726:(May 2003). 718: 709: 700: 692:www.moma.org 691: 682: 671:. Retrieved 667: 658: 639: 633: 614: 608: 579: 548:. Retrieved 543: 516: 473: 454: 431: 408: 401:Bibliography 392: 379: 375: 373: 368: 356: 354: 350:Jean Pigozzi 339: 337: 331: 316: 312: 308: 306: 302: 293: 291: 285: 271: 265: 252: 236: 223:documenta XI 197: 193: 192: 91: 82: 71:Citation bot 33: 1068:2015 deaths 1048:1948 births 550:21 November 544:Le Monde.fr 413:Hatje Cantz 389:Collections 323:Exhibitions 250:full time. 221:and at the 161:Self-taught 148:Nationality 85:August 2022 1042:Categories 946:30 October 921:2018-07-16 846:2017-05-23 817:2008-03-29 790:6 November 785:Art Papers 738:2008-03-29 673:2019-11-06 492:References 369:Dreamlands 296:(English: 51:verifiable 233:Biography 179:Patron(s) 169:Sculpture 158:Education 36:bare URLs 1016:Archived 247:Kinshasa 219:New York 213:and the 202:sculptor 40:link rot 1022:at the 359:at the 334:(1996) 986:Forbes 762:  646:  621:  480:  461:  442:  419:  288:(1994) 268:(1991) 227:Kassel 60:reFill 365:Paris 211:Paris 34:uses 948:2019 792:2019 760:ISBN 644:ISBN 619:ISBN 552:2017 517:Time 478:ISBN 459:ISBN 440:ISBN 417:ISBN 257:Work 136:Died 124:1948 117:Born 68:and 1031:en 1006:at 878:NPR 348:of 225:in 217:in 209:in 196:or 1044:: 983:. 964:. 939:. 895:. 875:. 834:. 783:. 708:. 690:. 666:. 588:^ 578:. 560:^ 542:. 525:^ 515:. 500:^ 438:. 434:. 415:. 411:. 371:. 363:, 352:. 229:. 989:. 968:. 950:. 924:. 899:. 881:. 849:. 820:. 794:. 768:. 741:. 712:. 694:. 676:. 652:. 627:. 582:. 519:. 486:. 467:. 448:. 425:. 98:) 92:( 87:) 83:( 79:. 77:) 73:( 66:) 62:( 42:.

Index

bare URLs
link rot
full citations
verifiable
Several templates
reFill
documentation
Citation bot
documentation
Learn how and when to remove this message
Belgian Congo
Democratic Republic of Congo
sculptor
Centre Georges Pompidou
Paris
Museum of Modern Art
New York
documenta XI
Kassel
Democratic Republic of Congo
Belgian Congo
Kinshasa

The World Bank


Les Magiciens de la Terre
The Contemporary African Art Collection (CAAC)
Jean Pigozzi
Centre Pompidou

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑