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215:(which is porcelain in Chinese terms), and also found in Ming dragons. Some Chinese pieces are described as "porcelain with polychrome enamels on the biscuit" – that is, using the normal "overglaze" technique on biscuit, but with no actual glaze, often a revivalist style evoking earlier
181:, meaning that they made separately as thin pieces, and stuck to the main blue body before firing. The plaques are framed like paintings; they were made between 1790 and 1795. The figure by the same factory illustrated here uses elements modelled in a coloured paste, and is all biscuit.
188:
uses, the lack of a shiny surface giving a strikingly different effect in the best examples. This rare technique is called "coloured biscuit", and is found from the 19th century onwards. As with 18th-century pieces painted over the glaze, the paint may peel if not well looked after.
133:
Biscuit figures have to be free from the common small imperfections that a glaze and painted decoration could cover up, and were therefore usually more expensive than glazed ones. They are also more difficult to keep clean.
232:
109:
Small figurines and other decorative pieces have often been made in biscuit, as well as larger portrait busts and other sculptures; the appearance of biscuit is very similar to that of carved and smoothed
164:
in the 1770s and soon very popular all over Europe, is usually classed as stoneware rather than porcelain, but the style of using two contrasting colours of biscuit was sometimes used in porcelain. The
106:) are often called "dry-bodied". Many types of pottery, including most porcelain wares, have a glaze applied, either before a single firing, or at the biscuit stage, with a further firing.
332:"How bisque porcelain figurine is made - material, manufacture, making, history, used, processing, parts, components, steps, product, industry, History, Raw Materials, Design"
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141:
in the 19th century, where the porcelain was typically tinted or painted in flesh tones. In the doll world, "bisque" is usually the term used, rather than "biscuit".
370:
211:. Other pieces "reserve" areas in biscuit, by giving them a temporary coating of wax or something similar to keep the glaze off; this is a fairly common feature of
90:" refers to any type of fired but unglazed pottery in the course of manufacture, but only in porcelain is biscuit or bisque a term for a final product. Unglazed
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850:
157:
Although the great majority of biscuit figures (other than dolls) are entirely in white, there are a number of ways of using colour in the technique.
409:
453:
The museum is not entirely clear as to whether this was made as two pieces. The comparable
British Museum George III figure was made as one piece.
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or that of other East Asian countries, but in Europe became very popular for figures in the second half of the 18th century, as
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decorated with 234 plaques in the style, with a "Wedgwood blue" ground and the design in white biscuit porcelain in low
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17:
71:
treated as a final product, with a matte appearance and texture to the touch. It has been widely used in
European
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A piece could be made with some areas left as biscuit while others are glazed and enamelled in the usual way. A
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200:(1773–1774) leaning on a classical plinth and standing on a high base has only the figure in biscuit.
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This part-glazing also occurs in other types of pottery, and for example is very common in the
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Biscuit porcelain could also be painted with unfired paint rather than the enamels normal
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114:, the traditional prestige material for sculpture in the West. It is hardly used in
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348:, p. 10, note 1, 1977, 3rd edn. revised by Franklin A. Barrett, Faber and Faber,
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356:(Honey says Sevres in 1751, but Vincennes was not moved until 1756)
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241:, the bust in biscuit, the pedestal glazed, enamelled and gilt.
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technique often uses biscuit for at least one of the colours.
383:"Sala de Porcelana de la Casita del PrĂncipe de El Escorial"
75:, mainly for sculptural and decorative objects that are not
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754:
558:
548:
137:
A popular use for biscuit porcelain was the manufacture of
299:
Chinese zodiac figure, part biscuit, part coloured glazes
284:, Paris, c. 1875. Biscuit porcelain with unfired paint.
851:
Conservation and restoration of ancient Greek pottery
122:
dominated contemporary styles. It was first used at
948:
426:, p. 175, Metropolitan Museum of Art, New York.
346:Old English Porcelain: A Handbook for Collectors
499:
34:Bisque bust of 1883, representing the young
471:Sotheby's Concise Encyclopedia of Porcelain
506:
492:
261:, all in biscuit porcelain including the
513:
40:
29:
169:in Madrid made a porcelain room in the
14:
949:
367:Getty Art & Architecture Thesaurus
222:The laborious and mostly 19th-century
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219:wares (which were not in porcelain).
145:is a 19th-century type of biscuit.
317:“Kaiser Develops A Growing Niche.”
102:equivalent unglazed wares (such as
94:as a final product is often called
24:
25:
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149:were normally made with biscuit.
443:Ming "Bowl with Eight Immortals"
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171:Casita del Principe, El Escorial
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423:A handbook of Chinese ceramics
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1:
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815:Northern Black Polished Ware
267:Real Fábrica del Buen Retiro
167:Real Fábrica del Buen Retiro
7:
321:. 23, No.7, pg.55-56. 1993.
10:
978:
397:Battie, 157 illustration;
344:Battie, 108; Honey, W.B.,
198:George II of Great Britain
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843:
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532:Base minerals, and glazes
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525:Glossary of pottery terms
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387:with pages of images here
209:Tang dynasty tomb figures
160:Jasperware, developed by
152:
721:Processes and decoration
473:, 1990, Conran Octopus.
369:has "biscuit"] but also
304:
177:. These were applied as
27:Unglazed white porcelain
420:Valenstein, S. (1998).
319:Tableware International
399:Example in the V&A
128:Jean-Jacques Bachelier
53:
38:
884:Pre-conquest Americas
282:The porcelain painter
79:and so do not need a
44:
33:
186:overglaze decoration
50:Joseph II of Austria
609:Main types, by body
410:British Museum page
269:, Madrid, 1784–1803
124:Vincennes porcelain
67:is unglazed, white
861:History of pottery
785:Black and red ware
679:Forming techniques
54:
39:
962:Ceramic materials
944:
943:
820:Painted Grey Ware
733:biscuit porcelain
116:Chinese porcelain
57:Biscuit porcelain
16:(Redirected from
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627:Egyptian faience
617:Asbestos-ceramic
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83:for protection.
61:bisque porcelain
46:Vienna porcelain
36:John the Baptist
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18:Bisque porcelain
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874:Ancient Rome
844:Conservation
780:Black-figure
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707:Slip casting
702:RAM pressing
517:and claywork
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139:bisque dolls
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835:Sea pottery
622:Earthenware
594:Salt glazed
584:Lead-glazed
544:China stone
205:earthenware
147:Lithophanes
143:Parian ware
126:in 1751 by
92:earthenware
951:Categories
830:Red-figure
825:Rang Mahal
740:Burnishing
669:Terracotta
657:soft-paste
652:hard-paste
642:Jasperware
599:Tin-glazed
589:Lustreware
479:1850292515
461:References
354:0571049028
263:Jasperware
196:figure of
104:jasperware
96:terracotta
86:The term "
48:figure of
957:Porcelain
914:Delftware
765:Pit fired
664:Stoneware
647:Porcelain
637:Ironstone
579:Ash glaze
564:Kaolinite
259:symposium
100:stoneware
98:, and in
77:tableware
69:porcelain
52:, c. 1790
936:Tilework
805:Kakiemon
775:Slipware
760:Painting
697:Pinching
692:Moulding
632:Fritware
569:Petuntse
554:Feldspar
539:Bone ash
207:Chinese
162:Wedgwood
919:Faience
904:Islamic
795:Celadon
750:Glazing
687:Coiling
515:Pottery
469:, ed.,
245:, 1772.
88:biscuit
73:pottery
909:Persia
770:Saggar
745:Firing
477:
430:
352:
265:blue,
217:sancai
179:sprigs
175:relief
153:Colour
112:marble
65:bisque
894:Korea
889:Japan
879:China
810:Malwa
800:Jorwe
305:Notes
81:glaze
899:Maya
755:Kiln
574:Slip
559:Frit
549:Clay
475:ISBN
428:ISBN
365:The
350:ISBN
63:or
953::
130:.
59:,
507:e
500:t
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20:)
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