64:"Some of these religious utterances strongly suggest Scripture, but do not seem to be biblical references." Shaheen notes for example the lines "O Lord, that lends me life, Lend me a heart replete with thankfulness!" (1.1.19–20) and "God's goodness hath been great to thee. Let never day nor night unhallowed pass, But still remember what the Lord hath done." (2.1.82–84) contain "strong overtones of Scripture, but no actual references seem to be involved. The play contains many similar passages that are difficult to deal with, passages that are best classified as religious sentiments rather than actual biblical references."
1535:
2181:
197:
kingdom of heaven is at hand,” but in the Rheims translation it is “Do penance: for the kingdom of heaven is at hand.” This significant difference in translation, of importance for the
Catholic sacrament of penance and the theological notion of satisfaction for sins, occurs numerous times in the Rheims New Testament and nineteen times in Shakespeare's plays. There are some seventy other possible references, according to David Beauregard
112:, Shakespeare adds biblical themes to his prior sources. Per Shaheen: “here is nothing in any of Shakespeare's sources that is parallel to Henry's discussion on the responsibility for war and the fate of the soldiers who die therein (4.1.124-91), or to Henry's musings on kingship (4.1.230-84), which contain a large number of biblical and liturgical references. These passages with their references are original with Shakespeare."
86:"An example of how Shakespeare added biblical references to what he found in his sources can be seen in the passage in Hall relating the death of Warwick's brother. Hall simply says: “He was slayne, and with hym the Bastard of Salisbury, brother to the erle of Warwycke, a valeaunt yong gentelman." (3.181). In 2.3.14–23 Shakespeare expands that statement into a passage that contains at least three biblical references:”
33:
religious subjects for his plays," such obligation "did not prevent him from making full use of the Bible in dramatizing his secular sources and thus infusing into them a
Biblical meaning." Milward continues that, in writing his plays (in particular, the tragedies), Shakespeare "shows the universal relevance of the Bible both to the reality of human life 'in this harsh world' and to its ideal in the heart of God."
2191:
788:. "This volume provides a survey of the English Bibles of Shakespeare's day, notes their similarities and differences, and indicates which version the playwright knew best. The biblical references in each of Shakespeare's plays are then analyzed, as are his references to the Prayer Book and the homilies. The question of what constitutes a valid biblical reference is also discussed."
61:
riches, but studied onely for the health of his soule: the savyng wherof, he estemed to bee the greatest wisedome” (3.105). But Hall makes no biblical references when depicting Henry as a meek, pious ruler, void of ambition. Shakespeare, however, gives the entire play a religious cast, and puts many biblical references and religious expressions in the mouths of his characters.”
38:
sometimes regarded his own role of playwright and performer as godlike, his own book as potent and capacious as 'The Book'." It is important to note, as a recent study points out “The diversity of versions reflected in
Shakespeare’s writing indicates that ‘Shakespeare’s Bible’ cannot be taken for granted as unitary, since it consists of a network of different translations”
196:
Although Naseeb
Shaheen's important study calls attention to three references to the Rheims translation of the New Testament, it overlooks a number of other allusions or correspondences. For example, Matthew 3.2 is translated in the Tyndale, Geneva, Great and Bishops’ translations as “Repent: for the
32:
notes that despite their secular appearance, Shakespeare's plays "conceal an undercurrent of religious meaning which belongs to their deepest essence." Further, Milward maintains that although
Shakespeare "may have felt obliged by the circumstances of the Elizabethan stage to avoid Biblical or other
60:
depicts Henry as "a man of a meke spirite, and of a simple witte, preferryng peace before warre, reste before businesse, honestie before profite, and quietnesse before laboure…. There could be none, more chaste, more meke, more holy, nor a better creature…. He gaped not for honor, nor thirsted for
163:
All of the foregoing examples as provided by
Shaheen suggest that Shakespeare was well-acquainted with the Bible and its various themes via individual verses spread throughout its various chapters enough so that he could easily expand upon any said theme with his own continuation of such verses.
82:
theme was moral. He sought to demonstrate God's providence towards
England, and repeatedly points out that those who commit evil will sooner or later be punished. Yet his account contains very few biblical references. Inspired by Hall's theme of divine retribution, Shakespeare adds biblical
37:
suggests "a thorough familiarity with the
Scriptures" is a prerequisite to understanding the Biblical references in the plays, and that the plays' references to the Bible "illuminate fresh and surprising meanings in the biblical text." Marx further notes that "it is possible that Shakespeare
177:
R. A. L. Burnet states: “s
Professor E. P. Dickie has pointed out to me, words found in the margin will not have circulated very readily nor become proverbial sayings. Shakespeare would not have heard these words either in church or in conversation; he could only have read them."
155:, Act IV, Scene iii, Macduff offers his assistance to Malcolm, saying, “Thy royal father / Was a most sainted king; the queen that bore thee, / Oftener upon her knees than on her feet / Died every day she lived.” The last part is a direct allusion to
881:(1994) 47: 161. "Studies the Italian narrative sources of William Shakespeare's plays. Shakespeare's acquaintance with John Florio's language manuals; Adherence of Shakespeare's plays to his Italian sources; Evidence in `The Merchant of Venice.'"
1045:
Zinman,Ira, ed. (2009).Shakespeare's
Sonnets and the Bible. foreword by HRM Charles the Third, by the Grace of God of the United Kingdom of Great Britain and Northern Ireland and of His other Realms and Territories. Bloomington. World Wisdom.
142:"provides rare insights into his manner of composition and has several biblical references that are of considerable interest." He further states, "As is Shakespeare's custom throughout his plays, his use of Scripture in
98:
2.3.23: Then let the earth be drunken with our blood! (Per Shaheen, "A common biblical expression." Compare Judith 6.4; Isaiah 49.26; Revelation 17.6. Compare also Deuteronomy 32.42; Jeremiah 46.10; Ezekiel
56:“The many biblical references that occur throughout the play are Shakespeare’s own. Shakespeare’s use of Scripture in the play can be seen in the way he drew the character of the king.
753:
Bible Truths with Shakspearean Parallels: Being Selections from Scripture, Moral, Doctrinal, and Preceptial, with Passages Illustrative of the Text, from the Writings of Shakspeare
83:
references that reflect that theme (1.4.168 "My blood upon your heads!"; 2.2.129 "Their blood upon thy head."; 2.6.55 "Measure for measure must be answered.").”
1835:
129:(……), Shakespeare must have privately read much of Revelation shortly before of during the composition of the play." He further states, "The references to
25:
1938:
1991:
1077:
34:
1556:
1493:
1488:
28:
notes that the Shakespearean tragedy "frequently echoes Bible language or paradigm, even when the play's setting is pagan." Similarly,
1893:
964:
Stritmatter, Roger. "‘Old’ and ‘New’ Law in The Merchant of Venice: A Note on the Source of Shylock's Morality in Deuteronomy 15"
2169:
1847:
24:, in writing his plays, "seldom borrows biblical references from his sources, even when those sources contain many references."
2009:
1908:
2004:
1436:
815:
800:
785:
770:
1505:
2082:
1585:
1444:
206:
1051:
952:
The Marginalia of Edward de Vere's Geneva Bible: Providential Discovery, Literary Reasoning, and Historical Consequence
652:
Religious and Moral Sentences culled from the Works of Shakespeare, compared with Sacred Passages drawn from Holy Writ
329:
DeCook, Travis and Alan Galey, eds. Shakespeare, the Bible, and the Form of the Book. New York: Routledge (2011) p. 9.
2194:
1948:
1918:
1070:
1027:
Waugaman, Richard M. “The Sternhold and Hopkins Whole Book of Psalms is a Major Source for the Works of Shakespeare”
273:
725:
Shakespeare's Biblical Knowledge and Use of the Book of Common Prayer as Exemplified in the Plays of the First Folio
75:, Shakespeare took a biblical theme from a prior source and expanded its usage of biblical references. Per Shaheen:
1986:
1981:
1913:
156:
1961:
1956:
1876:
999:
Stritmatter, Roger. "‘My Name Be Buried Where My Body Is’: The Influence of Ecclesiasticus 41 on Sonnets 71–74"
1928:
1700:
1515:
1475:
1008:
Sacred & Shakesperian Affinities: Being Analogies Between the Writings of the Psalmists and of Shakespeare
971:
Stritmatter, Roger. “By Providence Divine: Shakespeare’s Awareness of Some Geneva Marginal Notes of I Samuel”
1829:
2215:
2184:
2051:
1867:
1520:
1168:
1112:
1063:
985:
Stritmatter, Roger. “Shakespeare’s Ecclesiasticus 28.2–5: A Biblical Source for Ariel’s Doctrine of Mercy”
1857:
1818:
1805:
1679:
1211:
2025:
1743:
1571:
1510:
1470:
1161:
1140:
2044:
2039:
1996:
1872:
1670:
633:
University of Kansas Press, 1953; reprinted 1967; 2nd Octagon printing New York: Octagon Books, 1977.
456:
Shakespeare’s Christianity: The Protestant and Catholic Poetics of Julius Caesar, Macbeth and Hamlet
159:
15, verse 31: "I affirm, by the boasting in you which I have in Christ Jesus our Lord, I die daily."
2220:
1903:
1852:
1842:
1823:
1810:
1550:
1182:
943:
Stritmatter, Roger. "The Influence of a Genevan Note from Romans 7:19 on Shakespeare's Sonnet 151"
449:
Shakespeare’s Books: A Dissertation on Shakespeare’s Reading and the Immediate Sources of His Works
491:
The Bible in Shakespeare: A Study of the Relation of the Works of William Shakespeare to the Bible
475:
Beauregard, David. "Shakespeare and the Rheims New Testament (1582): Old Claims and New Evidence"
416:
Beauregard, David. "Shakespeare and the Rheims New Testament (1582): Old Claims and New Evidence"
95:
2.3.22: "gave up the ghost" (Genesis 49.33; Compare also Genesis 35.18; Matthew 27.50; Acts 5.10)
1626:
1190:
2056:
1783:
1721:
1641:
1564:
1175:
1154:
1094:
992:
Stritmatter, Roger. "Revelations 14:13 and Hamlet I.v.91–108: ‘Write, Blessed are the Dead!’"
617:
The Tempest as Mystery Play: Uncovering Religious Sources of Shakespeare’s Most Spiritual Work
265:
2148:
2062:
2031:
1933:
1596:
1327:
1237:
1218:
957:
Stritmatter, Roger. “A New Biblical Source for Shakespeare’s Concept of ‘All Seeing Heaven’”
1020:
Waugaman, Richard M. “Psalm Echoes in Shakespeare’s 1 Henry VI, Richard II, and Edward III”
1971:
1758:
1736:
1316:
1267:
1246:
1226:
1126:
1103:
146:
is primarily intended to serve dramatic ends rather than to have theological significance."
117:
1015:
The Poet-Priest: Shakespearian Sermons Compiled for the Use of Students and Public Readers
8:
2142:
2124:
1923:
1765:
1729:
1662:
1619:
1578:
1147:
1086:
241:
Battenhouse, Roy (1986). "Shakespeare's Augustinian Artistry". In Roy Battenhouse (ed.).
21:
2136:
2094:
1976:
1714:
1612:
1417:
1034:
926:
Slater, Ann Pasternak. “Variations Within a Source: from Isaiah xxix to ‘The Tempest’”
122:
978:
Stritmatter, Roger. "The Biblical Source of Harry of Cornwall's Theological Doctrine"
531:
Burnet, R. A. L. “Two Further Echoes of the Genevan Margin in Shakespeare and Milton”
2106:
1424:
1351:
1343:
1047:
933:
811:
796:
781:
766:
608:
Groves, Beatrice. “‘The Wittiest Partition’: Bottom, Paul, and Comedic Resurrection”
403:
Burnet, R. A. L. (April 1979). "Shakespeare and the Marginalia of the Geneva Bible,"
269:
258:
126:
2130:
2118:
2112:
1707:
1634:
1534:
1408:
1401:
1393:
1370:
1363:
1336:
1309:
1295:
891:
Shaheen, Naseeb. "The Taverner Bible, Jugge's Edition of Tyndale, and Shakespeare"
1886:
1498:
1386:
1302:
138:
1041:
London 1864, 4th ed. revised London: Eden, Remington & Co. Publishers, 1892.
1379:
1119:
758:
727:
Society for Promoting Christian Knowledge, 1935; reprinted Octagon Books, 1970.
510:
Burnet, R. A. L. “Shakespeare and the First Seven Chapters of the Genevan Job”
130:
108:
17:
524:
Burnet, R. A. L. “Some Echoes of the Genevan Bible in Shakespeare and Milton”
496:
Burnet, R. A. L. “A Further Echo of Gilby’s ‘Commentary on Micah’ in Macbeth”
2209:
2154:
2100:
1862:
1204:
928:
Shakespeare Survey: An Annual Survey of Shakespearian Study and Production 25
678:
29:
2088:
1790:
1454:
582:
The Biblical Presence in Shakespeare, Milton and Blake: A Comparative Study
89:
2.3.15: Thy brother’s blood the thirsty earth hath drunk. (Genesis 4.10–11)
898:
Shaheen, Naseeb. “‘Trifles Light as Air’: A Note on Othello, III.iii.313”
1881:
1693:
1449:
1197:
79:
57:
92:
2.3.17: And in the very pangs of death he cried. (Compare 2 Samuel 22.5)
1966:
1253:
870:
Shaheen, Naseeb. "Shakespeare's Knowledge of the Bible – How Acquired"
503:
Burnet, R. A. L. “Macbeth’s ‘I Have Lived Long Enough’: A Gilby Echo?”
71:
49:
1055:
561:
Shakespeare, the Bible, and the Form of the Book: Contested Scriptures
517:
Burnet, R. A. L. “Shakespeare and the Marginalia of the Geneva Bible”
1898:
1750:
1686:
1274:
1133:
732:
Through Shakespeare's Eyes: Seeing the Catholic Presence in the Plays
594:
Groves, Beatrice. “Shakespeare’s Sonnets and the Genevan Marginalia”
463:
Word and Rite: The Bible and Ceremony in Selected Shakespearean Works
657:
Jaeger, Ronald W. "A Biblical Allusion in Shakespeare's Sonnet 154"
575:
Shakespeare and the Bible: Sonnets with their Scriptural Harmonies
1655:
1648:
1480:
1288:
1281:
433:
Abend, Murray. "Some Biblical Influences in Shakespeare's Plays"
151:
552:
Colton, Garden Quincy; ed. and enhanced by Giovanni A. Orlando.
1260:
828:
Shaheen, Naseeb. “A Note on Troilus and Cressida, II.iii.1–37”
619:
Jefferson, North Carolina: McFarland & Company, Inc., 1999.
447:
Anders, Henry R. D. “Chapter 6: The Bible and the Prayer Book”
1010:
1890, reprinted New York: Haskell House Publishers Ltd., 1971.
921:
Dramatic Uses of Biblical Allusions in Marlowe and Shakespeare
470:
Shakespeare’s Christian Dimension: An Anthology of Commentary
243:
Shakespeare's Christian Dimension: An Anthology of Commentary
115:
Per Shaheen, “Shakespeare’s use of the book of Revelation in
53:, Shakespeare suggests his own biblical verses. Per Shaheen:
863:
Shaheen, Naseeb. “Shakespeare and the Tomson New Testament”
856:
Shaheen, Naseeb. "Shakespeare and the Rheims New Testament"
167:
842:
Shaheen, Naseeb. “Shakespeare and the Authorized Version”
835:
Shaheen, Naseeb. “Ruth 3:15 – The ‘He’ and ‘She’ Bibles”
465:
Newcastle upon Tyne: Cambridge Scholars Publishing, 2010.
744:
Seiss, J. A. “The influence of the Bible on literature”
591:
Princeton, New Jersey: Princeton University Press, 1963.
540:
Shakespeare and Holy Scripture: With the Version He Used
741:
Philadelphia: Claxton, Remsen & Haffelfinger, 1876.
603:
Texts and Traditions: Religion in Shakespeare 1592–1604
355:, Newark: University of Delaware Press, pp. 324, 328–9.
877:
Shaheen, Naseeb. "Shakespeare's Knowledge of Italian"
849:
Shaheen, Naseeb. “Shakespeare and the Bishops’ Bible”
702:
Moore, Peter R. “A Biblical Echo in Romeo and Juliet”
563:
New York: Routledge, Taylor & Francis Group, 2012.
690:
Biblical Themes in Shakespeare: Centring on King Lear
685:
Bloomington, Indiana: Indiana University Press, 1987.
394:, Newark: University of Delaware Press, pp. 670, 671.
293:. Bloomington: Indiana University Press. p. 207.
683:
Biblical Influences in Shakespeare's Great Tragedies
291:
Biblical Influences in Shakespeare's Great Tragedies
912:Sherbo, Arthur. “More on the Bible in Shakespeare”
230:. Newark: University of Delaware Press. p. 90.
125:were read during Morning and Evening Prayer in the
763:Biblical References in Shakespeare's History Plays
257:
207:The quick and the dead § Shakespeare's Hamlet
923:, Gainesville: University of Florida Press, 1966.
716:Nicholson, Brinsley. "Shakespeare and the Bible"
2207:
765:, Newark: University of Delaware Press, (1989),
486:London: Hand and Heart Publishing Offices, 1879.
240:
936:. "The Heavenly Treasure of Sonnets 48 and 52"
905:Shaheen, Naseeb. "A Young Scholar from Rheims"
810:, Newark: University of Delaware Press, (1987)
444:Columbus, Ohio: The Lutheran Book Concern, n.d.
381:, Newark: University of Delaware Press, p. 644.
368:, Newark: University of Delaware Press, p. 449.
342:, Newark: University of Delaware Press, p. 301.
808:Biblical References in Shakespeare's Tragedies
692:Tokyo, Japan: The Renaissance Institute, 1975.
638:Shakespeare’s Religious Language: A Dictionary
245:. Bloomington: Indiana University Press, 1994.
121:is outstanding…. Since only three chapters of
1071:
1039:Shakespeare's Knowledge and Use of the Bible
884:Shaheen, Naseeb. "Shakespeare's Sonnet 146"
795:Newark: University of Delaware Press, 2011,
780:Newark: University of Delaware Press, 1999,
668:London: Marcus Ward & Co., Limited, n.d.
472:Bloomington: Indiana University Press, 1994.
264:. Chicago: Loyola University Press. p.
2018:
930:, Cambridge University Press, 1972, 125–35.
821:Shaheen, Naseeb. "Henry V and Its Quartos"
458:Waco, Texas: Baylor University Press, 2006.
1078:
1064:
793:Biblical References in Shakespeare’s Plays
778:Biblical References in Shakespeare’s Plays
709:Nicholson, B. "Shakespeare and the Bible"
493:New York: Thomas Y. Crowell Company, 1903.
392:Biblical References in Shakespeare's Plays
379:Biblical References in Shakespeare's Plays
366:Biblical References in Shakespeare's Plays
353:Biblical References in Shakespeare's Plays
340:Biblical References in Shakespeare's Plays
228:Biblical References in Shakespeare's Plays
645:English Lyrics: Chaucer to Poe, 1340–1809
186:
168:Versions of the Bible used by Shakespeare
1085:
699:Chicago: Loyola University Press, 1973.
288:
255:
225:
191:
133:in act 3 scene 13 are also noteworthy."
2208:
1830:Complete Works of William Shakespeare
1059:
556:Future Technologies, Inc., 2011–2012.
734:San Francisco: Ignatius Press, 2010.
542:London: Hodder and Stroughton, 1905.
320:, Oxford University Press, pp. 12–13
41:
2190:
549:New York: Vantage Press Inc., 1955.
13:
2005:Shakespeare's influence on Tolkien
697:Shakespeare’s Religious Background
647:n.p., 1897; 2nd ed. London, 1905.
589:Shakespeare and Christian Doctrine
559:DeCook, Travis and Alan Galey ed.
260:Shakespeare's Religious Background
14:
2232:
181:
2189:
2180:
2179:
1533:
755:London: Whittaker and Co., 1862.
307:, Oxford University Press, p. 13
720:s4-I(16) (18 Apr 1868): 368–70.
713:s3-IX(212) (20 Jan 1866): 55–6.
484:Shakespeare’s Debt to the Bible
427:
410:
397:
384:
371:
358:
172:
2010:Works titled after Shakespeare
675:Oxford University Press, 2000.
626:Oxford University Press, 2013.
605:Oxford University Press, 2007.
584:Oxford University Press, 1999.
570:London: James Blackwood, 1858.
390:Shaheen, Naseeb (1999, 2011).
377:Shaheen, Naseeb (1999, 2011).
364:Shaheen, Naseeb (1999, 2011).
351:Shaheen, Naseeb (1999, 2011).
345:
338:Shaheen, Naseeb (1999, 2011).
332:
323:
310:
297:
282:
249:
234:
219:
1:
2170:Shakespeare and other authors
631:Shakespeare’s Derived Imagery
212:
2052:Shakespeare Birthplace Trust
860:(Jan/Feb 1984) 22 (5/6): 70.
858:American Notes & Queries
7:
1858:English Renaissance theatre
1701:The Second Maiden's Tragedy
1680:The Merry Devil of Edmonton
1212:The Two Gentlemen of Verona
1006:Swinburne, Charles Alfred.
451:Berlin: Georg Reimer, 1904.
200:
10:
2237:
2026:Folger Shakespeare Library
1572:The Phoenix and the Turtle
1162:The Merry Wives of Windsor
1031:56(4) (Dec 2009): 595–604.
825:(Fall 2007) 57 (2): 43–48.
640:New York: Continuum, 2005.
437:CXCV (23 Dec 1950): 554–8.
2164:
2075:
2045:Royal Shakespeare Theatre
2040:Royal Shakespeare Company
1947:
1804:
1775:
1604:
1595:
1542:
1531:
1463:
1435:
1326:
1236:
1169:A Midsummer Night's Dream
1113:All's Well That Ends Well
1102:
1093:
1024:57(3) (Jun 2010): 359–64.
975:47(1) (Mar 2000): 97–100.
902:27(2) (Apr 1980): 169–70.
888:(Jun 2004) 41 (4): 15–19.
739:Shakespeare and the Bible
673:Shakespeare and the Bible
612:54(3) (Sep 2007): 277–82.
598:57(2) (Apr 2007): 114–28.
568:Shakespeare and the Bible
554:Shakespeare and the Bible
547:Shakespeare and the Bible
528:27(2) (Apr 1980): 179–81.
318:Shakespeare and the Bible
305:Shakespeare and the Bible
226:Shaheen, Naseeb (2011) .
1183:Pericles, Prince of Tyre
989:56(1) (Mar 2009): 67–70.
961:46(2) (Jun 1999): 207–9.
947:44(4) (Dec 1997): 514–6.
940:46(2) (Jun 1999): 226–8.
916:56(2) (Jun 2009): 270–4.
867:42(3) (Sep 1995): 290–1.
846:45(3) (Sep 1998): 343–5.
839:56(4) (Dec 2009): 621–4.
832:44(4) (Dec 1997): 503–5.
706:51(3) (Sep 2004): 278–9.
650:Huntington, Frederic D.
643:Henley, William Ernest.
624:The Bible in Shakespeare
521:26(2) (Apr 1979): 113–4.
514:29(2) (Apr 1982): 127–8.
500:29(2) (Apr 1982): 123–4.
442:The Bible in Shakespeare
1191:The Taming of the Shrew
1003:62 (4) (2015): 583-586.
996:60 (3) (2013): 415-418.
982:48 (3) (2001): 280-282.
853:47(1) (Mar 2000): 94–7.
666:Shakspere and Holy Writ
629:Hankins, John Erskine.
479:XLVII.2 (2015), 107-26.
420:XLVII.2 (2015), 107-26.
289:Milward, Peter (1987).
256:Milward, Peter (1973).
1873:Lord Chamberlain's Men
1784:The Passionate Pilgrim
1557:comparison to Petrarch
1176:Much Ado About Nothing
1155:The Merchant of Venice
950:Stritmatter, Roger A.
907:English Language Notes
895:(Dec 2000) 38 (2): 24.
893:English Language Notes
886:English Language Notes
823:Shakespeare Newsletter
751:Selkirk, James Brown.
746:The Evangelical Review
661:19(4) (Apr 1972): 125.
535:28(2) (Apr 1981): 129.
507:27(2) (Apr 1980): 181.
187:Tomson's New Testament
2063:Shakespeare Institute
2032:Shakespeare Quarterly
1551:Shakespeare's sonnets
1219:The Two Noble Kinsmen
968:47 (1) (2000): 70-72.
909:(Mar 1993) 30 (3): 7.
874:Vol. 20, (1988): 201.
636:Hassel, Chris R. Jr.
587:Frye, Roland Mushat.
468:Battenhouse, Roy ed.
461:Batson, Beatrice ed.
454:Batson, Beatrice ed.
316:Marx, Steven (2000).
303:Marx, Steven (2000).
1919:Spelling of his name
1759:Vortigern and Rowena
1737:Thomas Lord Cromwell
1317:Troilus and Cressida
1247:Antony and Cleopatra
1141:Love's Labour's Lost
1127:The Comedy of Errors
748:27, Jul 1853, 1–17.
192:Rheims New Testament
118:Antony and Cleopatra
2216:William Shakespeare
2143:Richard Shakespeare
2125:Gilbert Shakespeare
2057:Shakespeare's Globe
1962:Authorship question
1957:Attribution studies
1924:Stratford-upon-Avon
1766:A Yorkshire Tragedy
1744:Thomas of Woodstock
1730:The Spanish Tragedy
1671:Love's Labour's Won
1663:The London Prodigal
1620:The Birth of Merlin
1579:The Rape of Lucrece
1565:A Lover's Complaint
1445:Quarto publications
1148:Measure for Measure
1087:William Shakespeare
1035:Wordsworth, Charles
872:Shakespeare Studies
596:Essays in Criticism
545:Coleman, Hamilton.
2137:Edmund Shakespeare
2095:Hamnet Shakespeare
1992:Screen adaptations
1715:Sir John Oldcastle
1613:Arden of Faversham
934:Stritmatter, Roger
879:Shakespeare Survey
622:Hamlin, Hannibal.
615:Hall, Grace R. W.
601:Groves, Beatrice.
489:Burgess, William.
482:Bullock, Charles.
18:Dr. Naseeb Shaheen
2203:
2202:
2107:Elizabeth Barnard
2071:
2070:
1800:
1799:
1529:
1528:
1227:The Winter's Tale
1029:Notes and Queries
1022:Notes and Queries
1001:Notes and Queries
994:Notes and Queries
987:Notes and Queries
980:Notes and Queries
973:Notes and Queries
966:Notes and Queries
959:Notes and Queries
945:Notes and Queries
938:Notes and Queries
914:Notes and Queries
900:Notes and Queries
865:Notes and Queries
851:Notes and Queries
844:Notes and Queries
837:Notes and Queries
830:Notes and Queries
816:978-0-87413-293-9
806:Shaheen, Naseeb.
801:978-1-61149-358-0
791:Shaheen, Naseeb.
786:978-0-87413-677-7
776:Shaheen, Naseeb.
771:978-0-87413-341-7
723:Noble, Richmond.
718:Notes and Queries
711:Notes and Queries
704:Notes and Queries
659:Notes and Queries
610:Notes and Queries
533:Notes and Queries
526:Notes and Queries
519:Notes and Queries
512:Notes and Queries
505:Notes and Queries
498:Notes and Queries
440:Ackermann, Carl.
435:Notes and Queries
405:Notes and Queries
127:Church of England
42:Specific examples
2228:
2193:
2192:
2183:
2182:
2131:Joan Shakespeare
2113:John Shakespeare
2016:
2015:
1997:Shakespeare and
1708:Sejanus His Fall
1675:
1635:Double Falsehood
1602:
1601:
1586:Venus and Adonis
1537:
1310:Titus Andronicus
1296:Romeo and Juliet
1100:
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1080:
1073:
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730:Pearce, Joseph.
695:Milward, Peter.
688:Milward, Peter.
573:Ellis, Charles.
538:Carter, Thomas.
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1909:Religious views
1887:Curtain Theatre
1808:
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1722:Sir Thomas More
1668:
1642:Edmund Ironside
1591:
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1499:Ghost character
1459:
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1303:Timon of Athens
1232:
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1013:Timmins, J. F.
759:Shaheen, Naseeb
664:Malcolm, W. H.
580:Fisch, Harold.
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1120:As You Like It
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30:Peter Milward
27:
23:
19:
16:According to
2157:(son-in-law)
2151:(son-in-law)
2089:Susanna Hall
2030:
2019:Institutions
1998:
1843:Coat of arms
1836:Translations
1828:
1824:Bibliography
1791:To the Queen
1789:
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1511:Performances
1455:Second Folio
1423:
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566:Eaton, T R.
560:
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173:Geneva Bible
162:
150:
143:
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116:
107:
70:
48:
15:
2195:WikiProject
1882:The Theatre
1868:Handwriting
1694:The Puritan
1485:Characters
1450:First Folio
1418:Richard III
1198:The Tempest
654:n.p., 1859.
577:n.p., 1896.
35:Steven Marx
22:Shakespeare
2210:Categories
2119:Mary Arden
2103:(daughter)
2091:(daughter)
1967:Bardolatry
1877:King's Men
1819:Birthplace
1506:Chronology
1425:Henry VIII
1352:Richard II
1344:Edward III
1254:Coriolanus
477:Renascence
418:Renascence
213:References
123:Revelation
72:3 Henry VI
50:2 Henry VI
2149:John Hall
2139:(brother)
2127:(brother)
2059:(replica)
1999:Star Trek
1987:Memorials
1982:Influence
1972:Festivals
1914:Sexuality
1904:Portraits
1899:New Place
1751:Ur-Hamlet
1687:Mucedorus
1597:Apocrypha
1337:King John
1328:Histories
1275:King Lear
1238:Tragedies
1134:Cymbeline
954:Feb 2001.
2185:Category
2133:(sister)
2121:(mother)
2115:(father)
1627:Cardenio
1516:Settings
1464:See also
1387:Henry VI
1358:Henry IV
1104:Comedies
201:See also
1977:Gardens
1853:Editors
1656:Locrine
1649:Fair Em
1481:Henriad
1380:Henry V
1289:Othello
1282:Macbeth
152:Macbeth
109:Henry V
2174:† Lost
2085:(wife)
2076:Family
1949:Legacy
1521:Scenes
1261:Hamlet
1050:
814:
799:
784:
769:
272:
131:Exodus
99:39.19)
80:Hall's
2097:(son)
1939:Grave
1929:Style
1894:Music
1811:works
1776:Poems
1605:Plays
1543:Poems
1095:Plays
1017:1884.
144:Timon
1934:Will
1809:and
1806:Life
1048:ISBN
812:ISBN
797:ISBN
782:ISBN
767:ISBN
270:ISBN
58:Hall
1494:L–Z
1489:A–K
266:102
149:In
106:In
69:In
47:In
2212::
2168:✻
1630:✻†
1037:.
761:.
681:.
268:.
20:,
1875:/
1754:†
1725:✻
1674:†
1428:✻
1409:3
1402:2
1397:✻
1394:1
1371:2
1364:1
1347:✻
1222:✻
1186:✻
1079:e
1072:t
1065:v
818:.
803:.
773:.
278:.
78:“
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