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Bernard Natan

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collapsed due to financial difficulties unrelated to Pathé's problems, and Pathé was forced to follow through with the purchase of several movie theater chains it no longer could afford to buy. Although the company continued to make a profit (as noted above) for a time, the acquisitions meant they lost more money than it could bring in.
203:), with Pathé in exchange for 50 million francs in shares. The remaining shares were purchased with funding from a consortium of banks, bonds (to be paid with income from Pathé), and a 10 percent ownership in Pathé by the banks. After the merger, Natan renamed the company Pathé-Natan (sometimes also credited as Pathé-Cinéma). 372:, a 2013 documentary film, compares stills from the adult films attributed to Natan with official headshots and shows that several pornographic actors have been mistaken for Natan but are not him. Joseph Slade now admits there is room for doubt over whether Natan worked in pornography at any time after 1910. 230:, which enabled Pathé to expand into projector and electronics manufacturing. He also bought the Fornier chain of motion picture theaters and rapidly expanded the chain's nationwide presence. The French press, however, attacked Natan mercilessly for his stewardship of Pathé. Many of these attacks were 210:
had been selling assets for several years to boost investor value and keep the studio's cash flow healthy. The company's founder had even sold Pathé's name and "rooster" trademark to other companies in return for a mere 2 percent of revenues generated by them. Natan had the bad luck to take charge of
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and sentenced to 4 years in jail. This meant he was in prison when France fell to the Nazis, while other Jewish filmmakers were able to flee the country or go into hiding. A second indictment was brought in 1941, and he was convicted again shortly thereafter. His French citizenship was taken away,
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in the French film industry, and adopted the "American model" of film-making and distribution, which provided the underpinning of the French film industry into the 21st century. He also brought television to France, and established the first French radio holding and television companies. Pathé
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during the early 1920s. But by 1929, Natan's Rapid Film had become a major film producer and distributor. His reputation was such that in 1924 Natan became a member of the executive committee of the Cinematographic Employers' Federation. By 1926, his film laboratory was highly regarded, he had
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In 1930, in order to finance the company's continued expansion, Pathé's board of directors (which still included Charles Pathé) voted to issue shares worth 105 million francs. But with the depression deepening in France, only 50 percent of the shares were purchased. One of the investor banks
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films between 1920 and 1927. Slade wrote that nearly all French pornographic films from this period which include bisexual and homosexual content were produced by Natan. The same source states that Natan himself was bisexual, and engaged in intercourse in
122:, in 1929, just prior to the Great Depression. Pathé collapsed in 1935, and Natan was the subject of false and antisemitic accusations of fraud, and was ultimately convicted and imprisoned by French authorities. Natan was deported to 329:
In 1911, Natan and colleagues were convicted of making erotic films, he was jailed for a short time and fined 1,000 francs but due to his exceptional record fighting in World War I this was later removed from his record.
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in 1886. He moved to France in the early 1900s, where he held a number of jobs in cinema. In 1909 he married and subsequently had 2 children. Despite being a Romanian, he volunteered to fight for France at the outset of
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Slade's claims are disputed by the historians of the French organization "Les Indépendants du Premier Siècle", who argue that the various actors in question are not Natan and that accusations at Natan's trial and in
430:, the French national film school, despite it having moved into one of his former studios in 1999. A plaque commemorating his work, and his murder in Auschwitz, was unveiled in December 2014. 118:
Natan worked in cinema from a young age, working his way up from projectionist and chemist to cinematographer and producer. He eventually acquired the largest French motion picture studio,
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which required special legal manoeuvres by the state, since he had been naturalized as a result of his WWI military service and there were no existing legal means to render him stateless.
1117: 313:, and financial mismanagement. He was also accused of hiding his Romanian and Jewish heritage by changing his name. Charles Pathé turned against him, claiming to be his victim. 126:
in September 1942, where he was murdered. However, Natan laid the foundation for the modern film industry in France and helped revolutionize film technology around the world.
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Natan expanded Pathé's business interests into communications industries other than film. In November 1929, Natan established France's first television company, Télévision-
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in profits and produced and released more than 60 feature films (just as many films as major American studios produced at the time). He resumed production of the newsreel
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In 1935, a French commercial court began investigating Pathé's accounts. By 1936 it was declared bankrupt and Natan was dismissed. French authorities pursued charges of
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Natan worked as a projectionist, film lab chemist, titles designer, cinematographer and producer during his early years in Paris. He was a publicity
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Some sources have claimed that Natan's career in pornography did not end there. Joseph Slade suggests that Natan may have directed at least one
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Natan attempted to steady Pathé's finances and implement modern film industry practices at the studio. Natan acquired another film studio,
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against Natan, including financing the purchase of the company without any collateral, of bilking investors by establishing fictitious
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Pathé-Natan did well under Natan's guidance. Between 1930 and 1935, despite the world economic crisis, the company made 100 million
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Natan also invested heavily in research and development to expand Pathé's film business. In 1929, he pushed Pathé into
199:, then the largest French motion picture company. He agreed to merge his own studio, Rapid Film (then worth 25 million 970: 946: 784: 748: 702: 573: 1047: 270:, to help market Pathé's films and build consumer demand for cinema. Under Natan, Pathé also funded the research of 1067: 1077: 1057: 419:
film camera lens was developed. The anamorphic lens was not only a major advance in film technology, but helped
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Selling Hollywood to the World: U.S. and European Struggles for Mastery of the Global Film Industry, 1920–1950
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survived into the 1980s largely on revenues generated by the companies purchased and integrated by Natan.
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Bernard Natan's importance to the French film industry should not be underestimated. He pioneered
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conquered France. After Natan's release from prison, the French government handed him over to the
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and its first sound newsreel a month later. Natan also launched two new cinema-related magazines,
962: 536:"In need of rehabilitation: Bernard Natan, the Holocaust victim who saved France's film industry" 187:. Natan was also a film producer, helping finance and produce motion pictures at other studios. 821:. Translated by de CroĂż, Annabelle. Paris: Harmattan, Collection Champs Visuels. Archived from 392: 159: 639: 175: 95: 996:
Rossel-Kirschen, André and Willems, Gilles. "Bernard Natan à la direction de Pathé-Cinéma."
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Rossel-Kirschen, André and Willems, Gilles. "Bernard Natan à la direction de Pathé-Cinéma."
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Pathe was already in substantial financial trouble when Natan took control. Studio founder
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In late February 1929, Bernard Natan acquired the production and exhibition businesses of
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How to Read a Film: The Art, Technology, Language, History and Theory of Film and Media.
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In 1938, Natan was arrested and imprisoned, never to regain his freedom. In 1939 he was
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Slade, Joseph (Summer–Fall 1993). "Bernard Natan: France's Legendary Pornographer".
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Cinema's Conversion to Sound: Technology and Film Style in France and the U.S.
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on 25 September 1942, where it is believed he was murdered in 1942 or 1943.
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pornographic film in Romania and produced and acted in at least 20 hardcore
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Willems, Gilles (1997). Benghozi, Pierre-Jean; Delage, Christian (eds.).
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Droit de réponse Mise au point Sur le grand producteur Bernard Natan
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Jacques Kermabon, ed. Paris: Centre Georges Pompidou, 1994.
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Before 2014 there was no public acknowledgement of Natan at
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Willems, Gilles. "Rapid-Film et ses Branches Production."
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French-Romanian film director, actor, and Holocaust victim
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Romanian people who died in Auschwitz concentration camp
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The Red Rooster Scare: Making Cinema American, 1900–1910
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broke out while Natan was in prison awaiting trial, and
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Natan was born Natan Tannenzaft (possibly Tanenzapf) to
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connecting him to the adult film industry were false.
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Berkeley: University of California Press. 529: 527: 525: 730: 728: 726: 724: 722: 720: 718: 716: 714: 455: 810: 808: 806: 804: 802: 800: 798: 796: 794: 792: 766: 533: 496: 249:, which had not been produced since 1927. 31: 893: 887: 688: 686: 684: 682: 680: 678: 676: 674: 672: 633: 631: 629: 627: 625: 623: 621: 522: 395:, and shortly afterwards deported to the 324: 238:allusions to Natan's supposed sexuality. 169: 1158:French military personnel of World War I 1113:Directors of bisexual pornographic films 884:Rossel-Kirschen and Willems, p. 168-169. 711: 1133:Romanian Jews who died in the Holocaust 1020:Newspaper clippings about Bernard Natan 937:Bordwell, David and Thompson, Kristin. 814: 789: 737:French Cinema: The First Wave 1915–1929 637: 593: 591: 589: 587: 585: 568:. New York: Columbia University Press. 559: 557: 555: 553: 534:Hutchinson, Pamela (14 December 2015). 1108:Romanian male pornographic film actors 1035: 941:4th ed. New York: McGraw-Hill, 1993. 669: 618: 854: 852: 597: 563: 451: 449: 447: 445: 443: 349:Le Menage Moderne de Madame Butterfly 111:; 14 July 1886 – 1942 or 1943) was a 1103:French male pornographic film actors 1098:Romanian pornographic film directors 818:The Origins of the PathĂ©-Natan Group 734: 692: 582: 550: 480: 478: 354:La MaĂ®tresse du Capitaine de Meydeux 190: 638:Willems, Gilles (April–June 1995). 462:Les independents due premier siecle 49:Natan Tannenzaft or Natan Tanenzapf 13: 1093:French pornographic film directors 849: 440: 297:Collapse of PathĂ© and imprisonment 14: 1169: 1148:20th-century French screenwriters 1123:Prisoners and detainees of France 1004: 739:(Paperback ed.). Princeton: 515:Cairns, David & Duane, Paul. 475: 1128:Drancy internment camp prisoners 777:PathĂ©, Premier Empire du CinĂ©ma. 129: 979: 951: 931: 919: 906: 878: 757: 403:Importance to the film industry 360:into French pornographic film. 1143:Naturalized citizens of France 415:Under Natan's leadership, the 215:convulsed the French economy. 1: 898:. Cambridge, United Kingdom: 433: 1138:Romanian emigrants to France 492:(in German). 15 August 2016. 488:[A Forgotten Life]. 397:Auschwitz concentration camp 389:occupying German authorities 286:film formats common today). 124:Auschwitz concentration camp 7: 1083:Romanian male screenwriters 1024:20th Century Press Archives 763:Rossel-Kirschen and Willems 10: 1174: 900:Cambridge University Press 741:Princeton University Press 1153:French male screenwriters 1088:Romanian cinematographers 600:Journal of Film and Video 91: 73: 44: 30: 23: 991:Indiana University Press 894:Trumpbour, John (2007). 456:Rossel-Kirschen, AndrĂ©. 375: 1068:Romanian film directors 963:Oxford University Press 486:"Ein vergessenes Leben" 211:the studio just as the 1078:Romanian screenwriters 1058:French cinema pioneers 735:Abel, Richard (1987). 693:Abel, Richard (1999). 564:Waugh, Thomas (1996). 325:Adult film controversy 220:SociĂ©tĂ© des CinĂ©romans 170:Mainstream film career 85:German-occupied Poland 77:1942–1943 (aged 56–57) 1073:French film producers 1063:French film directors 1048:Film people from IaČ™i 656:10.3406/xxs.1995.3157 471:– via LIPS.org. 234:and contained veiled 825:on 11 February 2012. 409:vertical integration 274:, who developed the 268:ActualitĂ©s FĂ©minines 158:In 1921 he became a 1000:21 (December 1996). 989:Bloomington, Ind.: 961:Rev. ed. New York: 490:SĂĽddeutsche Zeitung 92:Cause of death 985:O'Brien, Charles. 311:shell corporations 180:Paramount Pictures 81:Auschwitz-Birkenau 67:Kingdom of Romania 864:www.nonfiction.fr 519:Screenworks, 2013 259:Les trois masques 191:Takeover of PathĂ© 102: 101: 1165: 973: 955: 949: 935: 929: 923: 917: 910: 904: 903: 891: 885: 882: 876: 875: 873: 871: 856: 847: 846: 840: 836: 834: 826: 812: 787: 773: 764: 761: 755: 754: 732: 709: 708: 690: 667: 666: 664: 662: 644:Vingtième Siècle 635: 616: 615: 595: 580: 579: 561: 548: 547: 545: 543: 531: 520: 513: 494: 493: 482: 473: 472: 470: 468: 453: 213:Great Depression 109:Natan Tannenzaft 58: 56: 35: 21: 20: 1173: 1172: 1168: 1167: 1166: 1164: 1163: 1162: 1033: 1032: 1007: 982: 977: 976: 957:Monaco, James. 956: 952: 936: 932: 924: 920: 911: 907: 892: 888: 883: 879: 869: 867: 858: 857: 850: 838: 837: 828: 827: 813: 790: 774: 767: 762: 758: 751: 733: 712: 705: 691: 670: 660: 658: 636: 619: 596: 583: 576: 566:Hard To Imagine 562: 551: 541: 539: 532: 523: 514: 497: 484: 483: 476: 466: 464: 458:"Bernard Natan" 454: 441: 436: 405: 378: 327: 299: 276:anamorphic lens 193: 172: 153:Croix de Guerre 132: 87: 78: 69: 60: 54: 52: 51: 50: 40: 38: 26: 17: 12: 11: 5: 1171: 1161: 1160: 1155: 1150: 1145: 1140: 1135: 1130: 1125: 1120: 1115: 1110: 1105: 1100: 1095: 1090: 1085: 1080: 1075: 1070: 1065: 1060: 1055: 1050: 1045: 1031: 1030: 1017: 1006: 1005:External links 1003: 1002: 1001: 994: 981: 978: 975: 974: 950: 930: 918: 905: 902:. p. 232. 886: 877: 848: 788: 765: 756: 749: 710: 703: 668: 617: 606:(2–3): 72–90. 581: 574: 549: 538:. 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Index


Iași
Kingdom of Romania
Auschwitz-Birkenau
German-occupied Poland
Execution
French
Pathé
Auschwitz concentration camp
Jewish
Iași
Romania
World War I
Croix de Guerre
French citizen
Émile Natan
stringer
Paramount Pictures
sound stages
Pathé
francs
Charles Pathé
Great Depression
Société des Cinéromans
Arthur Bernède
Gaston Leroux
antisemitic
homophobic
francs
Pathé News

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