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362:(limited liability company) subsidized by the city government. In 1993, the theatre company was privatized, but continued to receive $ 16 million in subsidy. Nevertheless, the idea of a joint administration proved a failure and the board of managers finally broke up in 1995, leaving only Heiner Müller. The quarrels, however, did not affect the artistic development of the ensemble: Young directors, including B.K. Tragelehn and Einar Schleef, and the stage designer Andreas Reinhardt, questioned the traditions of Brechtian theatre and introduced more contemporary theatre styles. Müller's production of Brecht's
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401:, was finally appointed to the position and reopened the theatre in January 2000, after extensive renovations were completed. Peymann's efforts have stabilized the theatre's operations. He assumed his role with a commitment - like Brecht's - to producing political theatre for the public, but more broadly interpreted.
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was appointed music director of the
Berliner Ensemble. Frey was the first American to hold a position at the Berliner Ensemble, as well as being the theatre's first non-German music director; his historic predecessors in that position include the composers
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The
Berliner Ensemble achieved success through long and meticulous rehearsals, often spanning several months. Each production was documented with a Modellbuch, or preview album, containing 600 to 800 action photographs. The scenic designer
393:, who seemed to have his own plans for the theatre. After the City of Berlin negotiated a settlement to everyone's satisfaction, the search for a new administration began. Claus Peymann, the provocative and successful manager of the
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235:, but twenty years before the founding of the Berliner Ensemble. Brecht wrote no new plays for the Berliner Ensemble, but remounted previously staged plays, premiering with
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in 1998 to honour the hundredth anniversary of Brecht's birth. On 30 April 1999, the curtain came down on the final production of Heiner Müller's
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would be built in autumn of that year, giving the theatre a second, fully equipped auditorium for the first time.
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were given the opportunity to direct plays by Brecht that had not yet been staged. The stage designers
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premiered in Berlin in 1928 and 1929 respectively, both at the
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appointed a collective of five stage directors to serve as
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526:[Berliner Ensemble Gets New Venue].
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382:The Flight across the Ocean
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241:in 1949. He also directed
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530:(in German). 21 May 2019
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424:Ernst Busch
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351:Paul Dessau
326:Peter Zadek
322:Intendanten
310:Ernst Busch
217:Hainer Hill
201:Paul Dessau
143:East Berlin
836:Categories
476:References
449:Gisela May
387:Die Bauern
343:Kurt Weill
288:Gisela May
812:See also:
508:7 October
503:0362-4331
419:Curt Bois
228:Happy End
181:Egon Monk
97:, Germany
62:Formation
88:Location
594:Germany
528:faz.net
105:Website
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