478:(Detroit, MI: Mode A/This Press, 2006–2010). This work, which consists of ten volumes, is described as an "experiment in collective autobiography by ten writers identified with Language poetry in San Francisco." The project takes its name from a coffeehouse at 1607 Haight Street referred to above. The collaborative writing project began online in 1998, using Web-based software and an email listserv.
20:
233:
at
Berkeley. In 1989 he began graduate studies at Berkeley and received his PhD in English in 1995. He joined the English department at Wayne State University in 1994. In 1995 he was the subject of a special issue of the poetry magazine
266:,” where debates over literary form and politics, language and lyric expression raged. After his move to academia, these debates continued in online venues and listservs. In 2000, he held a celebrated cafeteria debate with poet
904:
Wedell, Noura. “Progress Toward New
Sentimental Educations: How Contextual and Constructivist Poetics Reframe Issues of Distribution.” Special issue, “Poètes et éditeurs: diffuser la poésie d’avant-gare américaine.”
164:
that was developing there. In 1976 he and other poets founded the reading series at the Grand Piano coffeehouse in San
Francisco that ran through 1980. From 2006 to 2010 ten members of the group published
883:
Sokolova, Olga V., and
Ekaterina Zakharkiv. “Лингвопрагматические сдвиги в новейшей поэзии: Российско-американские параллели” (Linguopragmatic Shifts in Recent Poetry: Russian-American Parallels).
829:“Scaffolding Repetition: Gertrude Stein, Language Writing, Electronic Dance Music,” in special issue on “Poéticas e Políticas da Repetição” (Poets and Politics of Repetition), ed. Bruno Ministro,
293:
citing a lack of required due process and requesting the restrictions be withdrawn. After their being modified in arbitration, Watten has returned to teaching a full schedule since 2023.
281:. Wayne State hired an independent investigator, which resulted in disciplinary sanctions in November 2019. Concurrently, the Foundation for Individual Rights and Expression (FIRE) wrote
850:“Modernity @ Zero Hour: Three Women (Lee Miller, Hannah Höch, Anonyma),” in special forum, “Modernity @ Zero Hour: The Question of the Universal and the Origins of the Global Order,”
321:(1980);
890:
Kreiner, Timothy. “The
Politics of Language Writing and the Subject of History.” In Annie McClanahan, ed., special issue on “Deindustrialization and the New Cultures of Work.”
843:"Практическая утопия языкового письма: Oт книги Ленинград до Движения Оккупай" (Language Writing's Concrete Utopia: From ‘Leningrad’ to Occupy), trans. Vladimir Feshchenko,
251:
From the 1970s and 1980s on, Language poetry was a source of sustained literary controversy. Watten was often at the center of it, beginning in 1978 with an encounter with
277:
At Wayne State
University in 2019, a social media campaign by some students against Watten, alleging hostile interactions, was the subject of an article in
1457:
485:
trans. Martin Richet (2007), comprises three long poems that originally appeared in a chapbook by Tuumba Press in 1979. A chapbook consisting only of
148:
movement, which he edited with
Grenier for the first three years and then alone until 1982. He graduated with a master's in fine arts degree in 1972.
1358:
836:“Liberation and the Historical Present: Gertrude Stein @ Zero Hour,” in “Feeling in Time: Radio Free Stein,” special section ed. Adam Frank,
286:
1432:
357:, a book-length prose poem, appeared in 1998. Chax Press will publish a selection of recent and “recovered” experimental writings titled
1477:
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1084:
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1138:
544:, ed. Vladimir Feshchenko, trans. Feshchenko, Ruslan Mironov, Ekaterina Zakharkhiv et al. (Moscow: Polyphem, in press 2024)
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which appeared in 1997 and brings together six previously published works of poetry from the previous two decades:
926:
Brito, Mañuel. “Formas y estructuras poéticas en
Barrett Watten” (Poetic forms and structures in Barrett Watten).
489:
trans. by
Gherardo Bortolotti, came out in 2010. His poetry provides the text for two works of urban sculpture by
815:“Poetry as a Scene of Decision: Larry Eigner as Distributed Author,” in George Hart and Jennifer Bartlett, eds.,
954:
Hugill, Piers. “Watten & Hejinian (‘What, no, begin again?): or Poetry as
Language’s ‘State of Emergency.’”
285:
addressed to Wayne State, criticizing its handling of the speech issues involved. Watten's faculty union, the
1177:
290:
1107:
1422:
928:
Los mejores poetas americanos contemporáneos: Charles Bernstein, Lyn Hejinian, Ron Silliman, Barrett Watten
481:
Watten's work has been translated in numerous foreign languages, with two chapbooks in French and Italian.
1320:
790:“The Dark Night of the Universal: transition (1927–38) as Region of the Modern,” in Anabela Duarte, ed.,
1201:"Poetry as virtual community. A review of 'The Grand Piano: An Experiment in Collective Autobiography'"
510:
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921:
Being Different: Strategies of Distinction and Twentieth-Century American Poetic Avant-Gardes.
117:. He majored in biochemistry, graduating with an AB in 1969. At Berkeley he met poets such as
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209:
118:
1299:
1275:
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Almon, B. Review of Diasporic Avant-Gardes: Experimental Poetics and Cultural Displacement.
241:
1437:
1321:"This Professor Was Accused of Bullying Grad Students. Now He's Being Banned From Teaching"
255:
227:
In the 1980s Watten worked as an academic editor and then Associate Editor for the journal
31:
8:
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67:
993:
Harley, Luke. “Searchlight Intelligence.: Barrett Watten’s Critical Poetics.” Review of
176:
until 1982 and began publishing books under the This Press imprint. The first title was
1300:"'I Was Sick to My Stomach': A Scholar's Bullying Reputation Goes Under the Microscope"
1200:
1088:
812:
n, ed. Erik Mortenson and Tony Trigilio (Clemson, S.C.: Clemson University Press, 2023)
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134:
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769:(University of California, Berkeley) 12, no.2 (Spring/Summer 2001; appeared Fall 2001)
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I Am Otherwise: The Romance Between Poetry and Theory After the Death of the Subject
548:
The Grand Piano: An Experiment in Collective Autobiography, San Francisco, 1975–1980
1382:
1009:
A Guide to Poetics Journal: Writing in the Expanded Field, 1982–1998. Poetics Today
912:
Fischer, Norman. “Total Absence and Total Presence in the Work of Barrett Watten.”
805:, ed. Tyrus Miller and Carrie Noland (Philadelphia: Slought Foundation Press, 2023)
521:, ed. Vladimir Feshchenko, is due to appear from Polyphem press in Moscow in 2024.
514:
59:
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which connects form and history in the experimental writing of two women authors,
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Barrett Watten reading at the Prague Microfest, May 2011. Photo: Donna Stonecipher
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1110:. College of Liberal Arts & Sciences - Wayne State University. Archived from
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431:), followed in 2015 by an e-book that republished the entire journal's content (
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1087:. English Department, University of California, Berkeley. 2003. Archived from
271:
1416:
1047:, 6th Ser. Ed. Joseph M. Conte et al. Farmington, Mich.: Gale Research, 1998.
940:
Arnold, David. “‘Just Rehashed Surrealism?”: The Writing of Barrett Watten.”
899:
Atlantis: Revista de la asociatión española de estudios anglo-norteamericanos
897:
Brito, Mañuel. “Nonnarrative and History in Barrett Watten’s Under Erasure.”
490:
201:
963:
Behind the Lines: War Resistance Poetry on the American Homefront since 1941
840:
36, no. 1 (December 2022): 2038–59; print and online: https://bit.ly/3CcnR8q
787:, ed. David Ayers and Sascha Bru, vol. 8 (Berlin: De Gruyter, in press 2024)
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380:(1991). He has published three volumes of literary and cultural criticism:
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After graduation Watten returned to San Francisco. He continued to publish
122:
986:
Williams, Tyrone. “Examples Of: On Barrett Watten’s Questions.” Review of
958:, ed. Tony Lopez and Anthony Caleshu. Exeter, U.K.: Shearsman Books, 2007.
937:, ed. Tony Lopez and Anthony Caleshu. Exeter, U.K.: Shearsman Books, 2007.
919:
Chaitas, Lilian. “The Duncan/Watten Debat/cl/e” and “Stalin as Linguist.”
1350:
For additional details, commentary, and links see Barrett Watten's piece
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in a publicity release at Watten's homepage (see "External links" above)
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785:
Globalizing the Avant-Garde, European Avant-Garde and Modernist Studies
63:
808:“Holism, Antagonism, Proto-Poetics, and Pedagogy Among the Beats,” in
757:
Diasporic Avant-Gardes: Experimental Poetics and Cultural Displacement
413:
Diasporic Avant-Gardes: Experimental Poetics and Cultural Displacement
1338:
For student evaluations of Watten & his classes see the website,
55:
947:
Blazer, Alex. “Barrett Watten: From the Other Side of the Machine.”
857:“Ashbery Alpha and Omega: Presentism, Historicism, and Vice Versa,”
429:
A Guide to Poetics Journal: Writing in the Expanded Field, 1982–1998
262:. In the 1980s he was a central figure in what came to be known as “
1061:
Special issue ed., with introduction, by Rod Smith. Aerial 8 (1995)
39:
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22 (Porto, Port.; December): 29–55; online: https://bit.ly/3THq8lG
240:. The American Comparative Literature Association awarded him the
224:
one of its theoretical venues of the movement, from 1982 to 1998.
1157:. College of Liberal Arts & Sciences - Wayne State University
1111:
714:
The Constructivist Moment: From Material Text to Cultural Poetics
517:. A bilingual edition of his work in English and Russian, titled
386:
The Constructivist Moment: From Material Text to Cultural Poetics
246:
The Constructivist Moment: From Material Text to Cultural Poetics
71:
51:
35:
1407:
876:
Hejinian, Lyn. “The Sad Note in the Poetics of Consciousness.”
1402:
722:(Carbondale, Ill.: Southern Illinois University Press, 1985)
394:
Horizon Shift: Progress and Negativity in American Modernism
19:
1127:"'Just Rehashed Surrealism'? The Writing of Barrett Watten"
476:
The Grand Piano: An Experiment in Collective Autobiography.
933:
Aji, Hélène. “Barrett Watten: Poetry and Historiography.”
817:
Momentous Inconclusions: The Life and Work of Larry Eigner
160:
as sole editor and became involved in the early stages of
1242:"Barrett Watten: Contemporary Poetics as Critical Theory"
792:
Music, Avant-Gardes, and Counterculture: Invisible Cities
747:
A Guide to Poetics Journal: Writing in the Expanded Field
598:(Berkeley, Calif.: Atelos Press, 1998; 2nd printing 2002)
497:
installed in the courtyard of the Department of History,
930:. Ed. Brito. Madrid: Ediciones literarias mandala, 2011.
1221:. University of California, Berkeley English Department
977:
Questions of Poetics: Language Writing and Consequences
914:
Experience: Thinking, Writing, Language, & Religion
708:
Questions of Poetics: Language Writing and Consequences
390:
Questions of Poetics: Language Writing and Consequences
847:(New Literary Review, Moscow) 168 (February): 200–217
716:(Middletown, Conn.: Wesleyan University Press, 2003)
1014:Barry Schwabsky. “Reader’s Diary: Barrett Watten’s
819:(Albuquerque: University of New Mexico Press, 2021)
759:, ed. with Carrie Noland (Palgrave Macmillan, 2009)
610:(Tenerife, Canary Is., Spain: Zasterle Press, 1991)
542:
Not This: Selected Writings/Не то: Избранные тексты
519:
Not This: Selected Writings/Не то: Избранные тексты
415:(2009), as well as special issues for the journals
329:(1988)—along with two previously uncollected texts—
1319:
1298:
1131:Poetry and Language Writing: Objective and Surreal
942:Poetry and Language Writing: Objective and Surreal
701:
137:. In 1971 he and Grenier began the poetry journal
995:Questions of Poetics. Journal of Poetics Research
1414:
961:Metres, Philip. “Barrett Watten’s Bad History.”
923:Leiden, Neth.: Verlag Ferdinand Schöningh, 2017.
803:Jackson Mac Low: Between Writing and Performance
797:“Jackson Mac Low as Reading Machine: Bob Brown,
865:
614:Leningrad: American Writers in the Soviet Union
378:Leningrad: American Writers in the Soviet Union
169:, a "collective autobiography" of that period.
1307:. Vol. 65, no. 34. pp. A26–A27.
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345:(1991)—were republished with a new preface as
129:in the English department. He enrolled in the
109:in 1948. After graduating from high school in
1278:. American Comparative Literature Association
423:(2020). In 2013, an anthology of essays from
301:Watten's early creative work is collected in
287:American Association of University Professors
823:
773:
392:(2016). His Berkeley dissertation is titled
1311:
1147:
1133:. Liverpool University Press. p. 138.
1095:
1072:
983:91, no. 4 (December 2019): 905–7. PDF here.
951:. Normal, Ill.: Dalkey Archive Press, 2007.
887:(Literature of the Americas) no. 12 (2022).
710:(Iowa City: University of Iowa Press, 2016)
144:one of the central little magazines of the
100:
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861:(Changsha, China) 2, no. 2 (December 2019)
1458:University of California, Berkeley alumni
1233:
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878:Allegorical Moments: Call to the Everyday
859:Journal of Foreign Languages and Cultures
852:Journal of Foreign Languages and Cultures
810:The Beats and the Academy: A Renegotiatio
604:(Los Angeles: Sun & Moon Press, 1997)
421:Journal of Foreign Languages and Cultures
184:(1973), followed by book-length works by
1059:Contemporary Poetics as Critical Theory.
18:
1317:
1268:
1178:"A Quick Interview with Rae Armantrout"
1085:"2003 Holloway Series - Barrett Watten"
1002:Questions of Poetics. ALH Online Review
990:. Jacket2 (18 January 2019). Link here.
880:. Middletown, Conn.: Wesleyan UP, 2023.
586:, parts 1–10 (Detroit: Mode A, 2006–10)
1415:
1296:
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670:(Bolinas, Calif.: Big Sky Books, 1975)
538:(Tucson: Chax Press, forthcoming 2024)
507:Temple Chess and Poetry Garden (2006),
1276:"The René Wellek Prize Citation 2004"
1239:
779:“Global Parataxis: From documenta to
274:” conference at University of Maine.
1318:Zahneis, Meghan (11 December 2019).
628:(San Francisco: Mercury House, 1991)
97:; their son, Asa, was born in 1984.
1433:Writers from Long Beach, California
1039:Debrot, Jacques. “Barrett Watten.”
16:American poet, editor, and educator
13:
1176:Zeller, Corey (13 December 2015).
894:no. 1 (1 January 2019). Link here.
801:, Sampling, and Data Culture,” in
592:(Los Angeles: Green Integer, 2004)
115:University of California, Berkeley
62:. Other areas of research include
46:. He is a professor of English at
14:
1489:
1478:American male non-fiction writers
1391:
1383:Le Quartanier éditeur & revue
1045:American Poets Since World War II
1000:Grant Matthew Jenkins. Review of
794:(London: Palgrave, in press 2024)
753:(Wesleyan University Press, 2013)
743:(Wesleyan University Press, 2015)
726:
664:(San Francisco: This Press, 1977)
652:(San Francisco: This Press, 1980)
529:
495:Six Parts of The Letter T (2003),
411:With Carrie Noland, he co-edited
279:The Chronicle of Higher Education
1199:Harley, Luke (7 February 2013).
1041:Dictionary of Literary Biography
944:. Liverpool: Liverpool UP, 2007.
916:. Tuscaloosa: U Alabama P, 2015.
658:(Berkeley, Calif.: Tuumba, 1979)
646:(Berkeley, Calif.: Tuumba, 1982)
1376:
1367:
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1332:
733:Poetics Journal Digital Archive
702:Literary and cultural criticism
524:
438:Watten is also co-author, with
433:Poetics Journal Digital Archive
1453:Wayne State University faculty
1297:Nguyen, Terry (21 June 2019).
1211:
1004:, ser. 14:1 (2017). Link here.
337:. Two book–length poems—
93:Watten is married to the poet
1:
1468:Iowa Writers' Workshop alumni
1326:Chronicle of Higher Education
1305:Chronicle of Higher Education
1065:
1022:(6 November 2016). Link here.
296:
30:(born October 3, 1948) is an
1108:"Barrett Watten - Professor"
866:Selected critical discussion
845:Новое литературное обозрение
674:
640:(New York: Roof Books, 1985)
220:, he co-founded and -edited
113:, he studied at MIT and the
7:
975:Heuving, Jeanne. Review of
965:. Iowa City: U Iowa P, 2007
10:
1494:
1473:American magazine founders
956:Poetry and Public Language
935:Poetry and Public Language
909:9 (Spring2017). Link here.
763:The Poetics of New Meaning
739:(1982–98), co-edited with
634:(San Francisco: Gaz, 1988)
364:Watten is co-author, with
289:(AAUP), filed a series of
42:often associated with the
1463:University of Iowa alumni
1448:American literary critics
824:Articles (last six years)
774:Chapters (last six years)
511:Des Moines Public Library
172:Watten continued to edit
151:
101:Early life and education
1029:47, no. 10 (June 2010).
1007:Segal, Eyal. Review of
997:no. 9 (31 August 2018).
1361:June 30, 2007, at the
1180:. The Ampersand Review
1125:Arnold, David (2007).
907:IdeAs/Idées d’Amérique
901:40, no. 1 (June) 2018.
885:Литература двух Америк
799:Stanzas for Iris Lezak
590:Progress/Under Erasure
483:Plasma/Parallèles/“X,”
406:Laura (Riding) Jackson
242:2004 René Wellek Prize
131:Iowa Writers' Workshop
107:Long Beach, California
48:Wayne State University
24:
871:Chapters and articles
781:The Beirut-Hell Remix
765:, with introduction,
735:, digital archive of
656:Plasma/Paralleles/”X”
315:Plasma/Paralleles/"X"
22:
1264:on 29 November 2020.
1219:"Lyn Hejinian Books"
1016:Questions of Poetics
988:Questions of Poetics
854:4, no. 1 (June 2020)
749:, 1982–98, ed. with
693:1–12 (1971–82; with
1423:American male poets
1240:Smith, Rod (1995).
1091:on 29 October 2003.
981:American Literature
216:, and others. With
111:Oakland, California
105:Watten was born in
68:American literature
1403:Barrett Watten.net
1340:Rate my Professors
1034:Literary biography
303:Frame (1971–1990),
272:Poets of the 1960s
135:University of Iowa
88:digital literature
25:
1257:978-0-9619097-4-1
1140:978-1-84631-115-4
1114:on 15 March 2016.
1011:38, no. 4 (2017).
258:over the work of
253:New American poet
212:, Ted Greenwald,
125:and studied with
54:where he teaches
52:Detroit, Michigan
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644:Complete Thought
626:Michael Davidson
602:Frame: 1971–1990
536:Zone (1973–2021)
515:Des Moines, Iowa
366:Michael Davidson
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425:Poetics Journal
419:(2001) and the
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264:The Poetry Wars
230:Representations
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162:Language poetry
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1103:
1101:
1099:
1090:
1086:
1080:
1078:
1076:
1071:
1060:
1056:
1055:
1054:
1053:
1052:Edited volume
1046:
1042:
1038:
1037:
1036:
1035:
1028:
1024:
1021:
1020:Hyperallergic
1017:
1013:
1010:
1006:
1003:
999:
996:
992:
989:
985:
982:
978:
974:
973:
972:
971:
964:
960:
957:
953:
950:
946:
943:
939:
936:
932:
929:
925:
922:
918:
915:
911:
908:
903:
900:
896:
893:
889:
886:
882:
879:
875:
874:
873:
872:
860:
856:
853:
849:
846:
842:
839:
835:
832:
828:
827:
818:
814:
811:
807:
804:
800:
796:
793:
789:
786:
782:
778:
777:
768:
764:
761:
758:
755:
752:
748:
745:
742:
738:
734:
731:
730:
721:
718:
715:
712:
709:
706:
705:
696:
692:
689:
686:
682:
679:
678:
669:
666:
663:
660:
657:
654:
651:
648:
645:
642:
639:
636:
633:
630:
627:
623:
619:
615:
612:
609:
608:Under Erasure
606:
603:
600:
597:
594:
591:
588:
585:
581:
577:
573:
569:
565:
561:
557:
553:
549:
546:
543:
540:
537:
534:
533:
522:
520:
516:
512:
508:
504:
500:
496:
492:
491:Siah Armajani
488:
484:
479:
477:
473:
469:
465:
461:
457:
453:
449:
445:
441:
436:
434:
430:
426:
422:
418:
414:
409:
407:
403:
399:
395:
391:
387:
383:
379:
375:
371:
367:
362:
360:
356:
352:
351:Under Erasure
348:
344:
343:Under Erasure
340:
336:
332:
328:
324:
320:
316:
312:
308:
304:
294:
292:
288:
284:
280:
275:
273:
269:
265:
261:
257:
256:Robert Duncan
254:
249:
247:
244:for his book
243:
239:
238:
232:
231:
225:
223:
219:
215:
211:
207:
203:
202:Bruce Andrews
199:
195:
191:
187:
183:
179:
178:The Maintains
175:
170:
168:
163:
159:
149:
147:
143:
141:
136:
132:
128:
124:
120:
116:
112:
108:
98:
96:
91:
89:
85:
81:
77:
73:
69:
65:
61:
57:
53:
49:
45:
41:
37:
33:
32:American poet
29:
21:
1378:
1369:
1353:
1346:
1334:
1325:
1313:
1304:
1292:
1280:. Retrieved
1270:
1262:the original
1245:
1235:
1223:. Retrieved
1213:
1204:
1194:
1182:. Retrieved
1171:
1159:. Retrieved
1149:
1130:
1120:
1112:the original
1089:the original
1058:
1051:
1050:
1044:
1040:
1033:
1032:
1026:
1019:
1015:
1008:
1001:
994:
987:
980:
976:
969:
968:
962:
955:
948:
941:
934:
927:
920:
913:
906:
898:
891:
884:
877:
870:
869:
858:
851:
844:
837:
830:
816:
809:
802:
798:
791:
784:
780:
766:
762:
756:
751:Lyn Hejinian
746:
741:Lyn Hejinian
736:
732:
720:Total Syntax
719:
713:
707:
690:
685:Lyn Hejinian
680:
667:
661:
655:
649:
643:
637:
631:
622:Lyn Hejinian
618:Ron Silliman
613:
607:
601:
595:
589:
576:Lyn Hejinian
572:Kit Robinson
568:Ron Silliman
556:Steve Benson
552:Bob Perelman
547:
541:
535:
525:Bibliography
518:
506:
503:Athens, Ohio
494:
486:
482:
480:
475:
472:Bob Perelman
468:Steve Benson
452:Kit Robinson
448:Ron Silliman
444:Lyn Hejinian
437:
432:
428:
424:
420:
416:
412:
410:
397:
393:
389:
388:(2003); and
385:
382:Total Syntax
381:
377:
374:Ron Silliman
370:Lyn Hejinian
363:
358:
354:
350:
346:
342:
338:
334:
330:
326:
325:(1982); and
322:
318:
314:
310:
306:
302:
300:
278:
276:
268:Amiri Baraka
250:
245:
235:
228:
226:
221:
218:Lyn Hejinian
206:Bob Perelman
194:Kit Robinson
190:Ron Silliman
186:Larry Eigner
177:
173:
171:
166:
157:
155:
138:
123:Ron Silliman
104:
92:
66:culture and
27:
26:
1438:1948 births
1282:20 December
1225:21 December
1184:20 December
683:1–10, with
668:Opera—Works
596:Bad History
584:Ted Pearson
464:Ted Pearson
355:Bad History
341:(1985) and
331:City Fields
307:Opera—Works
214:Alan Davies
84:avant-garde
1417:Categories
1161:6 December
1066:References
697:, 1971–73)
564:Tom Mandel
440:Tom Mandel
297:Major work
291:grievances
64:postmodern
767:Qui Parle
687:(1981–98)
675:As editor
417:Qui Parle
56:modernism
1359:Archived
638:Progress
353:(2004).
347:Progress
339:Progress
317:(1979);
313:(1977);
309:(1975);
270:at the “
40:educator
1205:Jacket2
970:Reviews
632:Conduit
616:. With
550:, with
509:at the
487:Plasma,
384:(1985);
327:Conduit
133:at the
72:poetics
1254:
1247:Aerial
1137:
1027:Choice
892:Post45
783:,” in
624:, and
582:, and
505:; and
470:, and
396:(1995)
372:, and
237:Aerial
152:Career
86:; and
82:; the
38:, and
36:editor
1043:193.
831:eLyra
662:Decay
376:, of
335:Frame
311:Decay
1352:How
1284:2019
1252:ISBN
1227:2019
1186:2019
1163:2019
1135:ISBN
691:This
650:1–10
404:and
333:and
319:1–10
174:This
158:This
140:This
121:and
58:and
1018:.”
474:of
435:).
180:by
50:in
1419::
1324:.
1303:.
1244:.
1203:.
1129:.
1097:^
1074:^
979:.
620:,
578:,
574:,
570:,
566:,
562:,
558:,
554:,
513:,
501:,
493::
466:,
462:,
458:,
454:,
450:,
446:,
442:,
408:.
368:,
248:.
208:,
204:,
200:,
196:,
192:,
188:,
90:.
78:;
70:;
34:,
1328:.
1286:.
1229:.
1207:.
1188:.
1165:.
1143:.
398:,
349:/
142:,
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