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originates. In these works, painters are represented wearing fantastical "Oriental" costumes which were very much in vogue during the mid-18th century. In this regard, Barbault became one of the earliest proponents of the representation of traditional costume, a custom that became fashionable and was
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Many of his works are small paintings depicting individual figures, either
Italian women, or his fellow artists. He notably executed a series of sketches and paintings of French artists who participated in the Turkish mascarade organized in 1748 to mark the Carnival of the French Academy in Rome. For
136:(c. 1718–1762) was a French painter, etcher and printmaker, who worked in Rome for most of his life. He is noted for paintings of local people, wearing traditional costumes or Oriental costumes and for his work documenting iconic Roman monuments and antiquities which were published in two volumes.
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In 1745 he failed to win the Prix de Rome, but travelled to Rome in 1747 at his own expense and survived by undertaking engraving work. He spent most of his career in Italy, where he lived from around 1747. There, he was admitted to the
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An exhibition of his work was held in
Beauvais, touring to Angers, Valence and Dijon, in 1974–5; another, which included about half of his known paintings, was staged at the Musée des Beaux-Arts in Strasbourg in 2010.
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Barbault not only produced individual paintings, engravings and sketches, but he also worked as an illustrator and published two folios of etchings documenting iconic Roman monuments and antiquities.
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Bouchard et
Gravier, Rome, 1761 [Series of 128 engravings designed by Barbault with etchings by Jean Barbault, Carlo Nolli (1724–c. 1770) and Leonardo di Giovanni Pietro Bufalini (c. 1486–1552),
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As a painter, Barbault has never been well known, and has been described as a "minor talent." He is perhaps better known for his etchings, especially the two sets of prints he published, namely:
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One of his larger works in oil on paper – almost four metres wide – depicts a group of artists taking part in a carnival procession entitled
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the
Carnival, Barbault himself dressed as an Officer of the Sultan's Guards. Some twenty works made up the series, of which the painting,
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Les Plus Beaux
Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore,
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on himself. It is very similar in attitude and appearance to a figure that appears on the far right of
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164:" and "was fascinated by Rome's sprawling Baroque thoroughfares". In 1748, he made engravings for the
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463:(3rd ed., 1886) gives the date as 1705, but more recent sources give the later date of 1718.
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Sarcophagus of
Alexander Severus and Julia Mamaea from Monte del Grano, etching, 1756
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Certain art historians believe that
Barbault based the figure in the painting,
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He died in Rome in 1762, at the age of 43 leaving a widow and three children.
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Futures & Ruins: Eighteenth-century Paris and the Art of Hubert Robert,
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Futures & Ruins: Eighteenth-century Paris and the Art of Hubert Robert,
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at Besançon. He also painted scenes of ruins in a style similar that of
720: This article incorporates text from a publication now in the
577:"Strasbourg purchases a Jean Barbault and receives an Antonio Vaccaro,"
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both published in folio form. He also made a few engravings, including
567:
http://www.mfa.org/collections/object/standard-bearer-m-barbault-49226
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Expositions: Jean
Barbault (1718–1762)- Le théâtre de la vie italienne
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Museum of Fine Arts Boston, "Standard Bearer (M. Barbault)" Online:
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http://www.thearttribune.com/Jean-Barbault-1718-1762-Le-theatre.html
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which is also believed to be based on a likeness of the artist.
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737:. Vol. I (3rd ed.). London: George Bell & Sons.
495:"Jean Barbault (1718-1762). Le théâtre de la vie italienne,"
532:"Jean Barbault (1718–1762) Le théâtre de la vie italienne"
673:"Red Digital de Colecciones de Museos de España - Museos"
628:
Bryan, M., "Barbault, Jean," In: Graves, Robert Edmund,
52:(1750). Barbault modelled the herder on his own likeness
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French
Engravers and Draughtsman of the 18th Century,
630:
Bryan's
Dictionary of Painters and Engravers, (A–K),
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Le Siècle des Lumières: Bibliographie Chronologique
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Le Siècle des Lumières: Bibliographie Chronologique
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184:(1751). It now forms part of the collection of the
735:Bryan's Dictionary of Painters and Engravers (A–K)
461:Bryan's Dictionary of Painters and Engravers (A–K)
152:in Paris. Very little is known of his early life.
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459:Note that Barbault's date of birth is uncertain,
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658:Getty Publications, 2010, p. 118; Conlon, P.M.,
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632:(3rd ed.), London: George Bell & Sons, 1886
197:Neapolitan Shepherd and Buffalo Leaving a Cave
148:, France in around 1718 and was a student of
605:Painting and Sculpture in France, 1700-1789,
422:A Young Woman Dressed in Neapolitan Fashion
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301:Neapolitan Herder and a Cow leaving a Cave
117:Les Plus Beaux Monuments de Rome Ancienne,
48:Neapolitan Herder and a Cow leaving a Cave
407:Les Plus Beaux Monuments de Rome Ancienne
594:Metropolitan Museum of Art, 2005, p. 264
269:Les Plus Beaux Edifices de Rome Moderne,
282:The Painter Clément in Turkish Costume,
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177:emulated by many later French artists.
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556:Getty Publications, 2010, pp 118-119
332:date unknown, Cini collection, Venice
186:Musée des Beaux-Arts et d’Archéologie
166:Varie vedute di Roma antica e moderna
127:Historical themes, Orientalist themes
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284:1748, red chalk, private collection
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733:. In Graves, Robert Edmund (ed.).
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336:Two small paintings of Roman Ruins
224:The Arrival of Columbus in America
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607:Yale University Press, 1995 p.300
405:Temple de Venus et de Rome, from
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472:"Barbault, Jean (1718–1762)"
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201:The Four Corners of the World
182:The Four Corners of the World
774:18th-century French painters
654:Dubin, N.L. and Robert, H.,
552:Dubin, N.L. and Robert, H.,
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784:French Orientalist painters
436:List of Orientalist artists
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305:circa 1750, oil on canvas,
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499:17 June 2010, <Online:
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216:The Martyrdom of St. Peter
208:Monuments de Rome ancienne
144:Jean Barbault was born in
705:George Bell, London, 1902
318:Peasant Woman of Frascati
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592:The Wrightsman Pictures,
259:doi:10.3931/e-rara-79835
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261:(Digitized edition at
158:French Academy in Rome
97:French Academy in Rome
320:, 1762, oil on canvas
779:French male painters
312:Ruins with Pyramids,
276:Painting and etching
168:published in Rome.
482:Actualite des Arts
474:Christie's London,
288:The Greek Sultana,
174:The Greek Sultana,
534:. The Art Tribune
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106:Painting, etching
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681:. Retrieved
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112:Notable work
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759:1762 deaths
683:29 December
603:Levey, M.,
441:Orientalism
85:Nationality
79:Rome, Italy
748:Categories
617:Bryan 1886
447:References
190:Servandoni
424:, undated
378:, 1748,
342:, Madrid.
220:Subleyras
93:Education
729:(1886).
430:See also
228:Solimena
226:, after
218:, after
162:Piranesi
124:Movement
67:, France
18:Barbault
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710:Sources
347:Gallery
296:, 1748
146:Viarmes
65:Viarmes
61:c. 1718
538:6 June
476:1999;
380:Louvre
363:, 1748
271:1763
263:E-rara
222:, and
88:French
685:2020
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241:Work
210:and
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73:Died
58:Born
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