Knowledge

Bahram Beyzai

Source 📝

1107: 562: 865: 314: 614: 1787: 2029: 650: 38: 501:(best known by his literary pseudonym "Zokā'i"). The celebrated poet Adib Beyzai, one of the most profound poets of 20th-century Iran, is Bahram's paternal uncle. Bahram Beyzaie's paternal grandfather, Mirzā Mohammad-Rezā Ārāni ("Ebn Ruh"), and paternal great-grandfather, the Mulla Mohammad-Faqih Ārāni ("Ruh'ol-Amin"), were also notable poets. 610:. In 1969, he was invited to teach at the Theater Department of the College of Fine Arts at the University of Tehran. He chaired this department from 1972 to 1979. With his readership, many prominent authors and artists started teaching at the department and created the most fruitful period in the history of that department. 518:
poll of 150 Iranian critics and professionals. Still, even before the outset of his cinematic career in 1970, he was a leading playwright (as well as theatre historian), so much so that he is often considered the greatest playwright of the Persian language, and holds a reputation as "The
171: 4109:
Contemporary Persian and Classical Persian are the same language, but writers since 1900 are classified as contemporary. At one time, Persian was a common cultural language of much of the non-Arabic Islamic world. Today it is the official language of
592:
culture and literature. This, in turn, led him to study Eastern theatre and traditional Iranian theatre and arts, which would help him formulate a new non-Western identity for Iranian theatre. He also became acquainted with Persian painting.
909:
and "crisis of identity," which is related to Iranian cultural and mythical symbols and paradigms. He is considered Iran's most prominent screenwriter in terms of the dramatic integrity of his works, many of which have been made into films.
883:
Some people in our old and enduring culture assume iconic significance for reasons far beyond our crooked measures. Beizai is one of them. When the annals of our contemporary history are written, Beizai will have the same significance as
1343: 385: 553:
Bahram Beizai started skipping school from around the age of 17 in order to go to movies which were becoming popular in Iran at a rapid pace. This only fed his hunger to learn more about cinema and the
352: 66: 445: 418: 635:(Namayesh dar Iran), published in mid-1960s is still considered the most important text on the history of Iranian theater. Beyzaie is also the first scholar in Iran to publish books on 653:
His poetic vein is unmistakable. He writes as though he had a sad look in his eyes, a detached and philosophical understanding in his tone. A vague sense of destiny haunts his plays.
569:
high school as an adolescent, where he did not spend a good time getting along, skipped classes and went to the movies, and in his late teens composed his earliest dramatic pieces.
498: 297: 868:... you can feel Bayzaie's background in Persian literature, theater and poetry. Bayzaie never received the support he deserved from the government of his home country... 343: 1378: 841:, and has since been the Daryabari Visiting Professor of Iranian Studies, teaching courses in Persian theatre, cinema and mythology. He has given workshops on the 390: 1128:
Beyzaie has over 50 published plays, some of which are as follows. These works have occasionally appeared in French, English, German and other translations.
3618: 4279: 550:
and biographer father and a housewife mother. His father made a living through a legal occupation and could reasonably attend to his literary interests.
4214: 1187: 573:
The young Bahram did not seem very interested in his family legacy, poetry, which was pursued by his father, uncles and cousins. In high school, the
262: 4164: 4159: 777:, as a result of which Beyzaie, among many others, was expelled from the university. He continued writing and making films, though. His screenplay 504:
Despite his belated start in cinema, Beyzai is often considered a pioneer of a generation of filmmakers whose works are sometimes described as the
4199: 452: 918:
Critics have often praised Beyzai above all Persian filmmakers as well as playwrights. He was voted the best Persian filmmaker in 2002, and his
1349: 70: 2063: 4179: 2116: 1944: 1218: 847:, the history of Iranian performing arts, Iranian and Semitic myths, etc. He has also staged several plays, including his nine-hour 4259: 4219: 1489: 1469: 1453: 2015: 1837: 1332: 1244: 821: 733:) which critics regard to this day as one of the most successful Iranian films ever made. The successful film addresses the late 371: 363: 46: 4174: 1994: 816: 606:
In 1968, Beyzai was one of the nine founders of the Iranian Writers' Guild, a highly controversial organization in the face of
1106: 4209: 1688: 120: 4274: 924:
was voted the finest Persian film ever. All the same, his formalism has occasionally raised criticism, even from himself.
92: 4229: 1647: 4284: 4264: 1735: 1170: 139: 99: 2499: 2111: 2056: 1192: 4194: 4184: 4154: 4149: 4080: 3511: 2008: 4289: 4224: 4169: 3151: 2662: 2171: 438: 106: 1774: 4189: 3259: 17: 4254: 4234: 1920: 1471:. It is noteworthy that Adib Ali Beyzāie's son, Hossein Beyzāie, is also a poet; his literary pseudonym is 678:
has been performed in Iran, France, England, India and the USA, among other countries, and was made into a
1810: 864: 88: 4269: 3943: 2962: 2441: 2049: 2001: 1830: 1699: 783: 774: 561: 2176: 4294: 4204: 3234: 3040: 1987: 1885: 1152: 1123: 1027: 920: 753: 631: 510: 367: 62: 1660: 3264: 2191: 2135: 942: 359: 1720:
Iranian Culture in Bahram Beyzaie's Cinema and Theatre: Paradigms of Being and Belonging (1959-1979)
1417: 484:; born 26 December 1938) is an Iranian playwright, theatre director, screenwriter, film editor, and 3764: 3707: 3648: 2722: 2545: 1877: 1392: 1111: 712:) followed by "Safar" in 1970. With these films, Beyzai is often considered to be a pioneer of the 679: 51: 4244: 4029: 3633: 3628: 3613: 3524: 3024: 55: 1512: 4249: 4239: 4139: 3481: 3032: 2949: 2755: 2032: 1823: 584:, and by 1961 he had already spent a great deal of time studying and researching other ancient 425: 413: 326: 201: 1804: 1765: 514:(1986) was voted "Best Iranian Film of all time" in November 1999 by a Persian movie magazine 3874: 3702: 3679: 3534: 3281: 2461: 2232: 2151: 580:
At the age of 21, he did substantial research on the traditional Persian plays, particularly
574: 566: 1576: 4144: 3914: 3779: 3759: 3697: 3456: 3126: 2791: 2776: 2706: 2685: 2667: 2612: 2494: 2425: 2308: 2101: 2096: 2085: 1783: 1115: 113: 8: 3839: 3578: 3496: 3348: 3333: 3249: 3156: 3113: 2957: 2620: 838: 834:, after which he managed to stage three plays before he left Iran for the United States. 577:, he wrote two historical plays which went on to become his preferred method of writing. 527: 520: 791:(The fifth season) in 1996, while he also made four of his finest films. He also edited 3983: 3968: 3938: 3799: 3643: 3384: 3302: 3189: 3171: 2672: 2573: 2328: 2267: 2222: 2181: 2166: 2072: 1798: 1163: 1144: 787:) was adapted into a film in 1995 and another screenplay was adapted into a film named 811:, he failed to get a permit to produce several screenplays. In 1995, he left Iran for 4049: 3988: 3894: 3859: 3844: 3829: 3740: 3603: 3516: 3476: 3461: 3379: 3374: 3287: 3194: 3146: 2888: 2740: 2677: 2530: 2474: 2303: 2146: 1968: 1936: 1928: 1760: 1731: 1684: 1508: 1278: 1206: 1166: 1019: 792: 734: 674: 668: 618: 4070: 3899: 3889: 3849: 3834: 3814: 3794: 3789: 3722: 3598: 3565: 3501: 3399: 3394: 3229: 3141: 3108: 2896: 2786: 2568: 2211: 1893: 1433: 1073: 925: 830: 713: 640: 636: 505: 477: 287: 1726:
Yar-Shater, Ehsan (1984). "The Modern Literary Idiom". In Ricks, Thomas M. (ed.).
1575:("Dar'ol-Fonoun dar hasrat-e eshq"), in Persian, Jadid Online, 22 September 2008, 928:, who had previously objected to Beyzai's style, praised him in a letter in 2017. 4085: 4044: 4003: 3909: 3864: 3824: 3623: 3588: 3549: 3544: 3491: 3244: 3219: 3199: 3176: 3166: 3121: 2994: 2925: 2712: 2649: 2558: 2535: 2525: 2469: 2396: 2227: 1912: 1861: 1157: 971: 965: 874: 728: 693: 659: 491: 77: 649: 4054: 4039: 4034: 4024: 3963: 3958: 3953: 3933: 3904: 3869: 3804: 3784: 3774: 3717: 3653: 3608: 3593: 3471: 3436: 3404: 3364: 3343: 3338: 3323: 3254: 3239: 3136: 2981: 2835: 2745: 2604: 2409: 1869: 1722:. London and New York: Bloomsbury Publishing (I.B. Tauris). ISBN 9780755648665. 1610: 1361: 1003: 902: 746: 717: 1648:"Memoirs of the Actor in a Supporting Role (2010 edition) | Open Library" 1586: 1535: 4133: 4090: 4075: 3998: 3993: 3978: 3973: 3948: 3809: 3539: 3529: 3506: 3486: 3389: 3318: 3269: 3204: 3161: 2933: 2848: 2825: 2820: 2750: 2732: 2717: 2702: 2698: 2625: 2540: 2446: 2417: 2380: 2354: 2313: 2201: 1952: 1676: 1579: 1255: 1226: 894: 688: 622: 531: 1780:
A short talk with Bahram Bayzai, the celebrated director of film and theatre
4008: 3884: 3854: 3692: 3658: 3583: 3573: 3466: 3420: 3277: 3214: 3131: 2986: 2938: 2917: 2880: 2864: 2840: 2815: 2690: 2657: 2484: 2433: 2323: 2206: 2161: 1582: 1547: 1369:
started a troupe whose name remained in use until the 2000s: Lisar troupe.
1366: 1250: 402: 313: 4119: 3879: 3732: 3712: 3638: 3328: 3224: 3181: 2912: 2186: 807:
He married the actress and make-up artist Mozhdeh Shamsai in 1992. After
613: 555: 547: 672:, have been translated into numerous languages and performed worldwide. 4115: 3819: 3727: 3674: 3209: 2644: 2553: 2504: 2489: 2456: 2404: 2388: 2375: 2318: 2196: 1960: 1766:
Bahram Bayzai's biography on Iran Chamber Society (www.iranchamber.com)
1756: 1314: 849: 812: 607: 581: 2578: 2771: 2297: 2106: 2041: 1571:
For an illustrated report on Dar'ol-Fonoun see: Hamid-Reza Hosseini,
843: 617:
Beyzai in his first wedding in the company of other artists, notably
2856: 2563: 2336: 2293: 1661:
https://www.st-andrews.ac.uk/news/archive/2017/title,1283540,en.php
1114:
black cassock with a yellow hood, having just received an honorary
585: 27:
Iranian playwright, theatre director, screenwriter and film editor
3369: 2585: 2509: 2451: 2156: 906: 901:
He is known as the most intellectual and conspicuous "author" in
699: 589: 1815: 1751: 422: 170: 3016: 2796: 2593: 2359: 2349: 2344: 2288: 2283: 1707: 543: 197: 1711: 704:
In 1969, he began his film career by directing the short film
76:
from the article and its talk page, especially if potentially
3048: 2781: 2479: 1296: 885: 486: 4111: 2830: 2727: 1591: 1432:, of a total of six thousand, were published in 1978 (1357 723:
Immediately after, in 1971, he made his first feature film
1782:, in Persian, Deutsche Welle, Wednesday 26 December 2007: 740:
Since then he has produced and directed 8 films including
1581:. The following is the photograph of what used to be the 1379:
List of awards and nominations received by Bahram Beyzai
1383:
The prizes, awards and honors he has won are numerous.
1702:[The Shakespeare of Persia in the New World]. 1578:. The pertinent photographs (15) can be viewed here: 1795:
Bahram Baizai, Iranian Cinema, Feminism, Art Cinema
1788:(Audio recording of interview — 4 min 9 sec) 1773:, in Persian, BBC Persian, Sunday 6 January 2008, 1728:Critical Perspectives on Modern Persian Literature 1628: 1517: 1136:, translation into English by Gisele Kapuscinski) 4131: 905:and theater. The main theme of his works is the 2112:Inscription of Xerxes the Great in Van Fortress 773:In 1981, the revolutionary leaders started the 1350:List of film director and actor collaborations 700:the 1970s and the outset of a cinematic career 2057: 1831: 720:movement that was started in the late 1960s. 446: 1771:Speaking with Bahram Bayzai; , Day Passes By 1681:Masters & Masterpieces of Iranian Cinema 1344:List of frequent Bahram Beyzai collaborators 936: 1811:Senmar Sacrificing Session by Bahram Beyzai 666:Some of his plays, such as his masterpiece 601: 526:Since 2010, Beyzai has lived and taught at 4280:Academic staff of the University of Tehran 2117:Achaemenid inscription in the Kharg Island 2064: 2050: 1838: 1824: 1730:. Three Continents Press. pp. 42–62. 1725: 1597: 913: 837:He left Iran in 2010 at the invitation of 768: 737:as its central character and protagonist. 453: 439: 212:Playwright, director, screenwriter, editor 169: 69:about living persons that is unsourced or 4118:and one of the two official languages of 1945:Memoirs of the Actor in a Supporting Role 1337: 1264:(The One Thousand and First Night) (2003) 1219:Memoirs of the Actor in a Supporting Role 140:Learn how and when to remove this message 4215:Iranian expatriates in the United States 1326: 1105: 759:Shāyad Vaghti digar (Maybe Another Time) 612: 560: 490:("master") of Persian letters, arts and 4165:21st-century dramatists and playwrights 4160:20th-century dramatists and playwrights 1333:List of speeches given by Bahram Beyzai 1245:The Lady Aoi (Bahram Beyzai production) 828:In 2001, he made his best-selling film 819:. Soon however, he returned and staged 14: 4200:Iranian emigrants to the United States 4132: 2071: 1995:On the Situation of Theatre and Cinema 1697: 1523: 1400:2012 Farhang Foundation Heritage Award 3078: 2249: 2133: 2083: 2045: 1819: 1669: 1536:Abbas Milani's speech, Toronto, 2017. 692:have been translated into English by 1444:in Persian is the literary word for 1372: 742:Qaribe va Meh (Stranger and the Fog) 31: 1683:. Washington, DC: Mage Publishers. 1675: 1634: 817:International Parliament of Writers 481: 24: 4180:Iranian dramatists and playwrights 1397:2014: Bita Prize for Persian Arts] 856: 25: 4306: 2152:Counsels of Adurbad-e Mahrspandan 1845: 1745: 3079: 2028: 2027: 1365:in 1978, Beyzai and his crew in 863: 648: 312: 249: 36: 4260:Persian-language film directors 4220:20th-century Iranian historians 4081:Mohammad Ebrahim Bastani Parizi 3512:Mohammad Hanif (Iranian writer) 2009:A New Prologue to the Shahnameh 1805:Seljuk Station by Bahram Beyzai 1797:, Off Screen, 31 January 2003, 1654: 1640: 1603: 1354: 802: 497:Beyzaie is the son of the poet 271: 245: 3152:Mahmoud Mosharraf Azad Tehrani 2172:Karnamak-i Artaxshir-i Papakan 1565: 1540: 1529: 1494: 1478: 1458: 1422: 1411: 1143:, translation into English by 537: 13: 1: 3260:Mohammad-Reza Shafiei Kadkani 2500:Abu'l Hasan Mihyar al-Daylami 2250: 1700:"شکسپیر ایران در بلاد امریکا" 1573:Dar'ol-Fonoun in want of Love 1418:بهرام بیضایی در سوگ مادر نشست 1404: 1162:, translation into French by 1159:Le Huitième voyage de Sindbad 1150:"Hashtomin Safar e Sandbad" ( 4210:Iranian expatriate academics 1921:The Eighth Voyage of Sindbad 1548:"Bahram Beyzaie - Biography" 1428:Two thousand verse lines by 47:biography of a living person 7: 4275:Stanford University faculty 2963:Mohammad Qoli Salim Tehrani 1698:Hasani, Farzad (May 2018). 775:Iranian Cultural Revolution 74:must be removed immediately 10: 4311: 4175:Iranian children's writers 3041:Mirza Mohammad Taqi Sepehr 2134: 1988:A Study on Iranian Theatre 1886:Bashu, the Little Stranger 1507:), No. 74, November 1999, 1376: 1347: 1341: 1330: 1234:Kārnāme-ye Bandār Bidakhsh 1124:Bahram Beyzai bibliography 1121: 1028:Bashu, the Little Stranger 940: 921:Bashu, the Little Stranger 757:(1986, released in 1989), 754:Bashu, the Little Stranger 632:A Study on Iranian Theatre 511:Bashu, the Little Stranger 4230:Iranian theatre directors 4107: 4063: 4017: 3923: 3749: 3667: 3558: 3449: 3429: 3413: 3357: 3311: 3295: 3265:Mohammad-Hossein Shahriar 3102: 3089: 3085: 3074: 3009: 2974: 2905: 2873: 2808: 2801:Emad al-Din Faqih Kermani 2764: 2637: 2518: 2368: 2276: 2260: 2256: 2245: 2192:Shahrestanha-ye Eranshahr 2142: 2129: 2092: 2079: 2025: 1979: 1904: 1853: 1248:(1997 and 1998) based on 1134:Evening in a Strange Land 1132:"Gorob dar Diari Garib" ( 943:Bahram Beyzai filmography 937:Filmography (as director) 815:at the invitation of the 797:Borj-e Minu (Minoo Tower) 629:Beyzaie's groundbreaking 596: 311: 306: 302:Nayereh Movafegh (mother) 293: 282: 224: 216: 208: 180: 168: 161: 154: 4285:Iranian scenic designers 4265:Persian-language writers 3680:Mirza Fatali Akhundzadeh 2723:Zartosht Bahram e Pazhdo 2546:Shahab al-Din Suhrawardi 2442:Fakhruddin As'ad Gurgani 2102:Old Persian inscriptions 1718:Talajooy, Saeed (2023). 1393:University of St Andrews 1101: 983:The Stranger and the Fog 931: 602:Playwriting in the 1960s 162: 4030:Houshang Moradi Kermani 3634:Houshang Moradi Kermani 3629:Jaafar Modarres-Sadeghi 3614:Mohammad-Ali Jamalzadeh 3525:Zeyn al-Abedin Maraghei 3025:Zayn al-Abidin Shirvani 2999:Abbas Foroughi Bastami 2084: 1793:Najmeh Khalili Mahani, 1615:www.film-foundation.org 1272:Afra, or the Day Passes 1153:Sindbad's Eighth Voyage 1061:(1998 - short - a.k.a. 957:(1970 - short - a.k.a. 914:Reception and criticism 769:Filmmaking in the 1980s 4195:Iranian film producers 4185:Iranian film directors 4155:21st-century essayists 4150:20th-century essayists 3482:Ghassem Hashemi Nezhad 3033:Reza-Qoli Khan Hedayat 2654:Shams al-Din Qays Razi 2397:Khwaja Abdullah Ansari 1611:"World Cinema Project" 1448:. See Arash Fanā'iān, 1338:Frequent collaborators 1181:Heritage and The Feast 1119: 1095:When We are All Asleep 890: 870: 763:Mosaferan (Travellers) 655: 626: 570: 391:Awards and nominations 386:Frequent collaborators 364:List of plays directed 202:Imperial State of Iran 61:Please help by adding 4290:Shahnameh Researchers 4225:Iranian screenwriters 4170:Historians of theatre 4018:Children's literature 3875:Rasoul Mollagholipour 3765:Rakhshan Bani-E'temad 3708:Gholam-Hossein Sa'edi 3703:Alireza Koushk Jalali 3649:Gholam-Hossein Sa'edi 3535:Shahriyar Mandanipour 2777:Shah Ni'matullah Wali 2621:Kamal al-Din Esfahani 2462:Ayn-al-Quzat Hamadani 2233:Shikand-gumanig Vizar 2216:Anthology of Zadspram 1436:) in a book entitled 1359:During the making of 1327:Speeches and lectures 1320:Part one and Part two 1268:Afrā yā Ruz migozarad 1110:Beyzai, dressed in a 1109: 1063:Talking with the Wind 1043:Maybe Some Other Time 881: 861: 680:film of the same name 646: 616: 564: 4190:Iranian film editors 3915:Sohrab Shahid-Saless 3780:Pouran Derakhshandeh 3760:Mohammad Reza Aslani 3698:Amir Reza Koohestani 3457:Ali Mohammad Afghani 3127:Mohammad Reza Aslani 3056:Mahmud Saba Kashani 2792:Fazlallah Astarabadi 2668:Afdal al-Din Kashani 2663:Nasīr al-Dīn al-Tūsī 2613:Fakhr al-Din al-Razi 2495:Afdal al-Din Kashani 2309:Abu Tahir Khosrovani 2097:Behistun Inscription 1262:Shab-e Hezār-o-yekom 1116:doctorate in letters 565:Beyzai attended the 248: 1965; 235:Monir-A'zam Raminfar 67:Contentious material 4255:Writers from Tehran 4235:Iranian translators 3840:Varuzh Karim-Masihi 3579:Abolhassan Etessami 3497:Mahmoud Dowlatabadi 3349:Abdul Ali Mustaghni 3334:Khalilullah Khalili 3274:Manouchehr Sheybani 3250:Tahereh Saffarzadeh 3157:Mohammad-Taqi Bahar 3114:Mehdi Akhavan-Sales 2756:Zu'l-Fiqar Shirvani 2601:Faramarz-e Khodadad 2187:Shabuhragan of Mani 1488:, 20 January 2008. 1468:, 20 January 2008. 1452:, 20 January 2008. 1139:"Chahar Sandoogh" ( 1039:Shāyad Vaghti Digar 839:Stanford University 682:by Beyzai in 1981. 542:Beyzai was born in 528:Stanford University 4270:Postmodern writers 3984:Ebrahim Pourdavoud 3969:Ahmad Kamyabi Mask 3939:Najaf Daryabandari 3800:Behrouz Gharibpour 3644:Shahrnush Parsipur 3619:Aboutorab Khosravi 3521:Aboutorab Khosravi 3385:Gulrukhsor Safieva 3303:Edward Haghverdian 2967:Rasa Salim Tehrani 2686:Abu'l Majd Tabrizi 2673:Fakhr-al-Din Iraqi 2329:Abusaeid Abolkheir 2268:Muhammad ibn Wasif 2223:Zand-i Wahman yasn 2182:Dana-i Menog Khrat 2167:Book of Arda Viraf 2073:Persian literature 1809:Ebrahim Barzegar, 1803:Ebrahim Barzegar, 1670:Additional sources 1585:of Dar'ol-Fonoun: 1440:(The White Hand); 1308:Ardaviraf's Report 1164:Ahmad Kamyabi Mask 1145:M.R. Ghanoonparvar 1120: 1091:Vaqti Hame Khāb-im 1085:The Talking Carpet 627: 571: 499:Ne'matallah Beyzai 298:Ne'matallah Beyzai 4295:Poets from Tehran 4205:Iranian essayists 4127: 4126: 4103: 4102: 4099: 4098: 4050:Farhad Hasanzadeh 3989:Hamid Samandarian 3930:Amrollah Abjadian 3895:Fereydoun Rahnema 3860:Mohsen Makhmalbaf 3845:Samuel Khachikian 3830:Ebrahim Hatamikia 3741:Mohammad Yaghoubi 3737:Mirza Aqa Tabrizi 3604:Houshang Golshiri 3517:Houshang Golshiri 3477:Mahshid Amirshahi 3462:Ghazaleh Alizadeh 3445: 3444: 3380:Abolqasem Lahouti 3375:Iskandar Khatloni 3288:Fereydoon Moshiri 3235:Mohammad Mokhtari 3195:Forugh Farrokhzad 3147:Manouchehr Atashi 3070: 3069: 3066: 3065: 3059: 3053: 3045: 3037: 3029: 3021: 3002: 2991: 2954: 2950:Abdul-Qādir Bēdil 2943: 2930: 2922: 2893: 2889:Muhtasham Kashani 2885: 2861: 2853: 2845: 2741:Nozhat al-Majales 2737: 2695: 2682: 2678:Mahmud Shabistari 2645:Abu Tahir Tarsusi 2630: 2617: 2609: 2598: 2590: 2582: 2550: 2531:Suzani Samarqandi 2475:Abu-al-Faraj Runi 2466: 2438: 2430: 2426:Masud Sa'd Salman 2422: 2414: 2401: 2393: 2385: 2341: 2333: 2304:Abu Shakur Balkhi 2241: 2240: 2177:Cube of Zoroaster 2147:Ayadgar-i Zariran 2125: 2124: 2039: 2038: 1937:Death of Yazdgerd 1878:Death of Yazdgerd 1714:on 12 April 2020. 1690:978-0-934211-85-7 1373:Awards and honors 1290:A Play in Shadows 1286:Jana and Baladoor 1212:Death of Yazdgerd 1020:Death of Yazdgerd 793:Ebrahim Hatamikia 735:Parviz Fannizadeh 684:Death of Yazdgerd 675:Death of Yazdgerd 669:Death of Yazdgerd 619:Parviz Fannizadeh 463: 462: 320: 319: 217:Years active 150: 149: 142: 124: 50:needs additional 16:(Redirected from 4302: 4071:Aydin Aghdashloo 3900:Rasul Sadr Ameli 3890:Kambuzia Partovi 3850:Abbas Kiarostami 3835:Abdolreza Kahani 3815:Ebrahim Golestan 3795:Farrokh Ghaffari 3790:Bahman Farmanara 3723:Abbas Nalbandian 3599:Ebrahim Golestan 3566:Jalal Al-e-Ahmad 3502:Soudabeh Fazaeli 3400:Mirzo Tursunzoda 3395:Payrav Sulaymoni 3230:Shams Langeroodi 3186:Parviz Eslampour 3142:Aminollah Rezaei 3109:Ahmadreza Ahmadi 3100: 3099: 3087: 3086: 3076: 3075: 3057: 3051: 3043: 3035: 3027: 3019: 3000: 2989: 2958:Naw'i Khabushani 2952: 2941: 2928: 2920: 2891: 2883: 2859: 2851: 2843: 2787:Abu Ali Qalandar 2735: 2693: 2680: 2628: 2615: 2607: 2596: 2588: 2576: 2569:Najm al-Din Razi 2548: 2464: 2436: 2428: 2420: 2412: 2399: 2391: 2383: 2339: 2331: 2258: 2257: 2247: 2246: 2212:Dadestan-i Denig 2131: 2130: 2081: 2080: 2066: 2059: 2052: 2043: 2042: 2031: 2030: 1894:Killing Mad Dogs 1840: 1833: 1826: 1817: 1816: 1752:Official website 1741: 1715: 1710:. Archived from 1694: 1663: 1658: 1652: 1651: 1644: 1638: 1632: 1626: 1625: 1623: 1621: 1607: 1601: 1600:, p. 58-59. 1595: 1589: 1569: 1563: 1562: 1560: 1558: 1544: 1538: 1533: 1527: 1521: 1515: 1498: 1492: 1484:Arash Fanā'iān, 1482: 1476: 1464:Arash Fanā'iān, 1462: 1456: 1426: 1420: 1415: 1196: 1083:(2006 - short - 1081:Qāli-ye Sokhangū 1074:Killing Mad Dogs 1059:Goft-o-gū bā Bād 1035:- released 1989) 926:Ebrahim Golestan 897: 877: 867: 831:Killing Mad Dogs 749:(Ballad of Tara) 714:Iranian New Wave 662: 652: 641:theatre of China 637:theatre of Japan 506:Iranian New Wave 483: 455: 448: 441: 424: 372:List of speeches 322: 321: 316: 275: 273: 253: 251: 247: 194: 191:26 December 1938 190: 188: 173: 152: 151: 145: 138: 134: 131: 125: 123: 82: 63:reliable sources 40: 39: 32: 21: 4310: 4309: 4305: 4304: 4303: 4301: 4300: 4299: 4130: 4129: 4128: 4123: 4095: 4086:Ehsan Yarshater 4059: 4045:Poopak NikTalab 4013: 4004:Ahmad Tafazzoli 3919: 3910:Parviz Shahbazi 3865:Dariush Mehrjui 3825:Abolfazl Jalili 3745: 3663: 3624:Mostafa Mastoor 3589:Simin Daneshvar 3554: 3550:Iraj Pezeshkzad 3545:Mansour Koushan 3492:Simin Daneshvar 3441: 3425: 3409: 3353: 3307: 3291: 3282:She'r-e Nimaa'i 3245:Yadollah Royaee 3220:Siavash Kasraie 3200:Hossein Monzavi 3190:Parvin E'tesami 3177:Hushang Ebtehaj 3167:Simin Behbahani 3122:Qeysar Aminpour 3098: 3081: 3062: 3005: 2995:Neshat Esfahani 2970: 2926:Asir-e Esfahani 2901: 2869: 2804: 2760: 2713:Bahram-e-Pazhdo 2650:Awhadi Maraghai 2633: 2559:Falaki Shirvani 2536:Hassan Ghaznavi 2514: 2510:Mahsati Ganjavi 2470:Uthman Mukhtari 2364: 2272: 2252: 2237: 2228:Drakht-i Asurig 2138: 2121: 2088: 2075: 2070: 2040: 2035: 2021: 2002:The Fateful Day 1975: 1913:The Marionettes 1900: 1849: 1844: 1748: 1738: 1691: 1672: 1667: 1666: 1659: 1655: 1646: 1645: 1641: 1633: 1629: 1619: 1617: 1609: 1608: 1604: 1598:Yar-Shater 1984 1596: 1592: 1570: 1566: 1556: 1554: 1546: 1545: 1541: 1534: 1530: 1522: 1518: 1505:Donyaye Tassvir 1499: 1495: 1486:Gofteman-e Iran 1483: 1479: 1475:(Ray of Light). 1466:Gofteman-e Iran 1463: 1459: 1450:Gofteman-e Iran 1427: 1423: 1416: 1412: 1407: 1381: 1375: 1357: 1352: 1346: 1340: 1335: 1329: 1270:(2007 - a.k.a. 1236:(1997 and 1998) 1210:(1979 - a.k.a. 1207:Marg-e Yazdgerd 1198:(1969 - a.k.a. 1190: 1179:(1967 - a.k.a. 1177:Ziāfat va Mirās 1147:and John Green) 1126: 1104: 1071:(2001 - a.k.a. 1051:(1992 - a.k.a. 1041:(1988 - a.k.a. 1031:(1986 - a.k.a. 1017:(1982 - a.k.a. 1015:Marg-e Yazdgerd 1007:(1979 - a.k.a. 1004:Charike-ye Tārā 991:(1976 - a.k.a. 981:(1974 - a.k.a. 969:(1972 - a.k.a. 945: 939: 934: 916: 899: 892: 879: 875:Martin Scorsese 872: 859: 857:Cinematic style 805: 784:The Fateful Day 771: 747:Cherike-ye Tara 710:Uncle Moustache 702: 694:Manuchehr Anvar 664: 660:Ehsan Yarshater 657: 604: 599: 540: 492:Iranian studies 459: 430: 429: 428: 421: 399: 301: 278: 277: 274: 1992) 269: 265: 263:Mojdeh Shamsaie 255: 252: 1991) 243: 239: 236: 204: 195: 192: 186: 184: 176: 175:Beyzaie in 2002 164: 157: 146: 135: 129: 126: 89:"Bahram Beyzai" 83: 81: 60: 41: 37: 28: 23: 22: 15: 12: 11: 5: 4308: 4298: 4297: 4292: 4287: 4282: 4277: 4272: 4267: 4262: 4257: 4252: 4247: 4245:Male essayists 4242: 4237: 4232: 4227: 4222: 4217: 4212: 4207: 4202: 4197: 4192: 4187: 4182: 4177: 4172: 4167: 4162: 4157: 4152: 4147: 4142: 4125: 4124: 4108: 4105: 4104: 4101: 4100: 4097: 4096: 4094: 4093: 4088: 4083: 4078: 4073: 4067: 4065: 4061: 4060: 4058: 4057: 4055:Ramak NikTalab 4052: 4047: 4042: 4040:Hengameh Mofid 4037: 4035:Babak NikTalab 4032: 4027: 4025:Samad Behrangi 4021: 4019: 4015: 4014: 4012: 4011: 4006: 4001: 3996: 3991: 3986: 3981: 3976: 3971: 3966: 3964:Saleh Hosseini 3961: 3959:Ramak NikTalab 3956: 3954:Sadegh Hedayat 3951: 3946: 3944:Mohammad Ghazi 3941: 3936: 3934:Jaleh Amouzgar 3931: 3927: 3925: 3921: 3920: 3918: 3917: 3912: 3907: 3905:Mohammad Sadri 3902: 3897: 3892: 3887: 3882: 3877: 3872: 3870:Reza Mirkarimi 3867: 3862: 3857: 3852: 3847: 3842: 3837: 3832: 3827: 3822: 3817: 3812: 3807: 3805:Bahman Ghobadi 3802: 3797: 3792: 3787: 3785:Asghar Farhadi 3782: 3777: 3775:Hajir Darioush 3772: 3767: 3762: 3757: 3753: 3751: 3747: 3746: 3744: 3743: 3738: 3735: 3730: 3725: 3720: 3718:Hengameh Mofid 3715: 3710: 3705: 3700: 3695: 3690: 3685: 3684:Mohsen Yalfani 3682: 3677: 3671: 3669: 3665: 3664: 3662: 3661: 3656: 3654:Bahram Sadeghi 3651: 3646: 3641: 3636: 3631: 3626: 3621: 3616: 3611: 3609:Sadegh Hedayat 3606: 3601: 3596: 3594:Nader Ebrahimi 3591: 3586: 3581: 3576: 3571: 3568: 3562: 3560: 3556: 3555: 3553: 3552: 3547: 3542: 3537: 3532: 3527: 3522: 3519: 3514: 3509: 3504: 3499: 3494: 3489: 3484: 3479: 3474: 3472:Reza Amirkhani 3469: 3464: 3459: 3453: 3451: 3447: 3446: 3443: 3442: 3440: 3439: 3437:Muhammad Iqbal 3433: 3431: 3427: 3426: 3424: 3423: 3417: 3415: 3411: 3410: 3408: 3407: 3405:Satim Ulugzade 3402: 3397: 3392: 3387: 3382: 3377: 3372: 3367: 3365:Sadriddin Ayni 3361: 3359: 3355: 3354: 3352: 3351: 3346: 3344:Massoud Nawabi 3341: 3339:Youssof Kohzad 3336: 3331: 3326: 3324:Wasef Bakhtari 3321: 3315: 3313: 3309: 3308: 3306: 3305: 3299: 3297: 3293: 3292: 3290: 3285: 3275: 3272: 3267: 3262: 3257: 3255:Sohrab Sepehri 3252: 3247: 3242: 3240:Nosrat Rahmani 3237: 3232: 3227: 3222: 3217: 3212: 3207: 3202: 3197: 3192: 3187: 3184: 3179: 3174: 3169: 3164: 3159: 3154: 3149: 3144: 3139: 3137:Ahmad NikTalab 3134: 3129: 3124: 3119: 3118:Hormoz Alipour 3116: 3111: 3106: 3104: 3097: 3096: 3093: 3091: 3083: 3082: 3072: 3071: 3068: 3067: 3064: 3063: 3061: 3060: 3054: 3046: 3038: 3030: 3022: 3013: 3011: 3007: 3006: 3004: 3003: 2997: 2992: 2984: 2982:Hatef Esfahani 2978: 2976: 2972: 2971: 2969: 2968: 2965: 2960: 2955: 2947: 2944: 2936: 2931: 2929:(c. 1620–1648) 2923: 2915: 2909: 2907: 2903: 2902: 2900: 2899: 2894: 2886: 2877: 2875: 2871: 2870: 2868: 2867: 2862: 2854: 2846: 2838: 2836:Kamal Khujandi 2833: 2828: 2823: 2818: 2812: 2810: 2806: 2805: 2803: 2802: 2799: 2794: 2789: 2784: 2779: 2774: 2768: 2766: 2762: 2761: 2759: 2758: 2753: 2748: 2746:Khwaju Kermani 2743: 2738: 2730: 2725: 2720: 2715: 2710: 2696: 2688: 2683: 2675: 2670: 2665: 2660: 2655: 2652: 2647: 2641: 2639: 2635: 2634: 2632: 2631: 2623: 2618: 2610: 2605:Nizami Ganjavi 2602: 2599: 2591: 2583: 2571: 2566: 2561: 2556: 2551: 2543: 2538: 2533: 2528: 2522: 2520: 2516: 2515: 2513: 2512: 2507: 2502: 2497: 2492: 2487: 2482: 2477: 2472: 2467: 2459: 2454: 2449: 2444: 2439: 2431: 2423: 2415: 2410:Qatran Tabrizi 2407: 2402: 2394: 2386: 2378: 2372: 2370: 2366: 2365: 2363: 2362: 2357: 2352: 2347: 2342: 2334: 2326: 2321: 2316: 2311: 2306: 2301: 2291: 2286: 2280: 2278: 2274: 2273: 2271: 2270: 2264: 2262: 2254: 2253: 2243: 2242: 2239: 2238: 2236: 2235: 2230: 2225: 2220: 2217: 2214: 2209: 2204: 2199: 2194: 2189: 2184: 2179: 2174: 2169: 2164: 2162:Book of Jamasp 2159: 2154: 2149: 2143: 2140: 2139: 2127: 2126: 2123: 2122: 2120: 2119: 2114: 2109: 2104: 2099: 2093: 2090: 2089: 2077: 2076: 2069: 2068: 2061: 2054: 2046: 2037: 2036: 2026: 2023: 2022: 2020: 2019: 2012: 2005: 1998: 1991: 1983: 1981: 1977: 1976: 1974: 1973: 1965: 1957: 1949: 1941: 1933: 1925: 1917: 1908: 1906: 1902: 1901: 1899: 1898: 1890: 1882: 1874: 1870:Ballad of Tara 1866: 1857: 1855: 1854:Films directed 1851: 1850: 1843: 1842: 1835: 1828: 1820: 1814: 1813: 1807: 1801: 1791: 1777: 1768: 1763: 1754: 1747: 1746:External links 1744: 1743: 1742: 1736: 1723: 1716: 1706:(in Persian). 1695: 1689: 1677:Dabashi, Hamid 1671: 1668: 1665: 1664: 1653: 1639: 1637:, p. 253. 1627: 1602: 1590: 1564: 1539: 1528: 1516: 1493: 1477: 1457: 1430:Zokā'i Beyzāie 1421: 1409: 1408: 1406: 1403: 1402: 1401: 1398: 1395: 1387:2017, D.Litt. 1377:Main article: 1374: 1371: 1362:Ballad of Tara 1356: 1353: 1342:Main article: 1339: 1336: 1331:Main article: 1328: 1325: 1324: 1323: 1311: 1305: 1302:A Play Reading 1293: 1283: 1275: 1265: 1259: 1237: 1231: 1223: 1215: 1203: 1200:The King Snake 1184: 1174: 1148: 1137: 1122:Main article: 1103: 1100: 1099: 1098: 1088: 1078: 1066: 1056: 1046: 1036: 1024: 1012: 1009:Ballad of Tara 1000: 986: 976: 962: 952: 951:(1969 - short) 941:Main article: 938: 935: 933: 930: 915: 912: 903:Iranian cinema 880: 860: 858: 855: 804: 801: 770: 767: 718:Persian cinema 701: 698: 645: 603: 600: 598: 595: 539: 536: 466:Bahrām Beyzāêi 461: 460: 458: 457: 450: 443: 435: 432: 431: 420: 419: 417: 416: 408: 407: 406: 405: 396: 395: 394: 393: 388: 380: 379: 378:Related topics 375: 374: 356: 355: 353:Lists of works 349: 348: 347: 346: 338: 337: 331: 330: 318: 317: 309: 308: 304: 303: 295: 291: 290: 284: 280: 279: 267: 261: 260: 259: 258: 241: 237: 234: 233: 232: 231: 228: 226: 222: 221: 218: 214: 213: 210: 206: 205: 196: 182: 178: 177: 174: 166: 165: 159: 158: 155: 148: 147: 71:poorly sourced 44: 42: 35: 26: 9: 6: 4: 3: 2: 4307: 4296: 4293: 4291: 4288: 4286: 4283: 4281: 4278: 4276: 4273: 4271: 4268: 4266: 4263: 4261: 4258: 4256: 4253: 4251: 4250:Mythographers 4248: 4246: 4243: 4241: 4240:Living people 4238: 4236: 4233: 4231: 4228: 4226: 4223: 4221: 4218: 4216: 4213: 4211: 4208: 4206: 4203: 4201: 4198: 4196: 4193: 4191: 4188: 4186: 4183: 4181: 4178: 4176: 4173: 4171: 4168: 4166: 4163: 4161: 4158: 4156: 4153: 4151: 4148: 4146: 4143: 4141: 4140:Bahram Beyzai 4138: 4137: 4135: 4121: 4117: 4113: 4106: 4092: 4091:Ahmad Kasravi 4089: 4087: 4084: 4082: 4079: 4077: 4076:Ali Latifiyan 4074: 4072: 4069: 4068: 4066: 4062: 4056: 4053: 4051: 4048: 4046: 4043: 4041: 4038: 4036: 4033: 4031: 4028: 4026: 4023: 4022: 4020: 4016: 4010: 4007: 4005: 4002: 4000: 3999:Jafar Shahidi 3997: 3995: 3994:Jalal Sattari 3992: 3990: 3987: 3985: 3982: 3980: 3979:Mohammad Moin 3977: 3975: 3974:Ahmad Shamlou 3972: 3970: 3967: 3965: 3962: 3960: 3957: 3955: 3952: 3950: 3949:Lili Golestan 3947: 3945: 3942: 3940: 3937: 3935: 3932: 3929: 3928: 3926: 3922: 3916: 3913: 3911: 3908: 3906: 3903: 3901: 3898: 3896: 3893: 3891: 3888: 3886: 3883: 3881: 3878: 3876: 3873: 3871: 3868: 3866: 3863: 3861: 3858: 3856: 3853: 3851: 3848: 3846: 3843: 3841: 3838: 3836: 3833: 3831: 3828: 3826: 3823: 3821: 3818: 3816: 3813: 3811: 3810:Fereydun Gole 3808: 3806: 3803: 3801: 3798: 3796: 3793: 3791: 3788: 3786: 3783: 3781: 3778: 3776: 3773: 3771: 3770:Bahram Beyzai 3768: 3766: 3763: 3761: 3758: 3756:Saeed Aghighi 3755: 3754: 3752: 3748: 3742: 3739: 3736: 3734: 3731: 3729: 3726: 3724: 3721: 3719: 3716: 3714: 3711: 3709: 3706: 3704: 3701: 3699: 3696: 3694: 3691: 3689: 3688:Bahram Beyzai 3686: 3683: 3681: 3678: 3676: 3673: 3672: 3670: 3666: 3660: 3657: 3655: 3652: 3650: 3647: 3645: 3642: 3640: 3637: 3635: 3632: 3630: 3627: 3625: 3622: 3620: 3617: 3615: 3612: 3610: 3607: 3605: 3602: 3600: 3597: 3595: 3592: 3590: 3587: 3585: 3582: 3580: 3577: 3575: 3572: 3569: 3567: 3564: 3563: 3561: 3559:Short stories 3557: 3551: 3548: 3546: 3543: 3541: 3540:Abbas Maroufi 3538: 3536: 3533: 3531: 3530:Ahmad Mahmoud 3528: 3526: 3523: 3520: 3518: 3515: 3513: 3510: 3508: 3507:Reza Ghassemi 3505: 3503: 3500: 3498: 3495: 3493: 3490: 3488: 3487:Reza Baraheni 3485: 3483: 3480: 3478: 3475: 3473: 3470: 3468: 3465: 3463: 3460: 3458: 3455: 3454: 3452: 3448: 3438: 3435: 3434: 3432: 3428: 3422: 3419: 3418: 3416: 3412: 3406: 3403: 3401: 3398: 3396: 3393: 3391: 3390:Loiq Sher-Ali 3388: 3386: 3383: 3381: 3378: 3376: 3373: 3371: 3368: 3366: 3363: 3362: 3360: 3356: 3350: 3347: 3345: 3342: 3340: 3337: 3335: 3332: 3330: 3327: 3325: 3322: 3320: 3319:Nadia Anjuman 3317: 3316: 3314: 3310: 3304: 3301: 3300: 3298: 3294: 3289: 3286: 3283: 3279: 3276: 3273: 3271: 3270:Ahmad Shamlou 3268: 3266: 3263: 3261: 3258: 3256: 3253: 3251: 3248: 3246: 3243: 3241: 3238: 3236: 3233: 3231: 3228: 3226: 3223: 3221: 3218: 3216: 3213: 3211: 3208: 3206: 3205:Hushang Irani 3203: 3201: 3198: 3196: 3193: 3191: 3188: 3185: 3183: 3180: 3178: 3175: 3173: 3170: 3168: 3165: 3163: 3162:Reza Baraheni 3160: 3158: 3155: 3153: 3150: 3148: 3145: 3143: 3140: 3138: 3135: 3133: 3130: 3128: 3125: 3123: 3120: 3117: 3115: 3112: 3110: 3107: 3105: 3101: 3095: 3094: 3092: 3088: 3084: 3077: 3073: 3055: 3050: 3047: 3042: 3039: 3034: 3031: 3026: 3023: 3018: 3015: 3014: 3012: 3008: 2998: 2996: 2993: 2988: 2985: 2983: 2980: 2979: 2977: 2973: 2966: 2964: 2961: 2959: 2956: 2951: 2948: 2945: 2940: 2937: 2935: 2934:Kalim Kashani 2932: 2927: 2924: 2919: 2916: 2914: 2911: 2910: 2908: 2904: 2898: 2897:'Orfi Shirazi 2895: 2890: 2887: 2882: 2879: 2878: 2876: 2872: 2866: 2863: 2858: 2855: 2850: 2847: 2842: 2839: 2837: 2834: 2832: 2829: 2827: 2824: 2822: 2821:Salman Savaji 2819: 2817: 2814: 2813: 2811: 2807: 2800: 2798: 2795: 2793: 2790: 2788: 2785: 2783: 2780: 2778: 2775: 2773: 2770: 2769: 2767: 2763: 2757: 2754: 2752: 2751:Badr Shirvani 2749: 2747: 2744: 2742: 2739: 2734: 2733:Homam Tabrizi 2731: 2729: 2726: 2724: 2721: 2719: 2718:Pur-Baha Jami 2716: 2714: 2711: 2708: 2704: 2700: 2697: 2692: 2689: 2687: 2684: 2679: 2676: 2674: 2671: 2669: 2666: 2664: 2661: 2659: 2656: 2653: 2651: 2648: 2646: 2643: 2642: 2640: 2636: 2627: 2626:Shams Tabrizi 2624: 2622: 2619: 2614: 2611: 2606: 2603: 2600: 2595: 2592: 2587: 2584: 2580: 2575: 2572: 2570: 2567: 2565: 2562: 2560: 2557: 2555: 2552: 2547: 2544: 2542: 2541:Faramarz Nama 2539: 2537: 2534: 2532: 2529: 2527: 2524: 2523: 2521: 2517: 2511: 2508: 2506: 2503: 2501: 2498: 2496: 2493: 2491: 2488: 2486: 2483: 2481: 2478: 2476: 2473: 2471: 2468: 2463: 2460: 2458: 2455: 2453: 2450: 2448: 2447:Ahmad Ghazali 2445: 2443: 2440: 2435: 2432: 2427: 2424: 2419: 2418:Nizam al-Mulk 2416: 2411: 2408: 2406: 2403: 2398: 2395: 2390: 2387: 2382: 2381:Nasir Khusraw 2379: 2377: 2374: 2373: 2371: 2367: 2361: 2358: 2356: 2355:Kisai Marvazi 2353: 2351: 2348: 2346: 2343: 2338: 2335: 2330: 2327: 2325: 2322: 2320: 2317: 2315: 2314:Shahid Balkhi 2312: 2310: 2307: 2305: 2302: 2299: 2295: 2292: 2290: 2287: 2285: 2282: 2281: 2279: 2275: 2269: 2266: 2265: 2263: 2259: 2255: 2248: 2244: 2234: 2231: 2229: 2226: 2224: 2221: 2218: 2215: 2213: 2210: 2208: 2205: 2203: 2202:Menog-i Khrad 2200: 2198: 2195: 2193: 2190: 2188: 2185: 2183: 2180: 2178: 2175: 2173: 2170: 2168: 2165: 2163: 2160: 2158: 2155: 2153: 2150: 2148: 2145: 2144: 2141: 2137: 2132: 2128: 2118: 2115: 2113: 2110: 2108: 2105: 2103: 2100: 2098: 2095: 2094: 2091: 2087: 2082: 2078: 2074: 2067: 2062: 2060: 2055: 2053: 2048: 2047: 2044: 2034: 2024: 2018: 2017: 2013: 2011: 2010: 2006: 2004: 2003: 1999: 1996: 1992: 1990: 1989: 1985: 1984: 1982: 1978: 1971: 1970: 1966: 1963: 1962: 1958: 1955: 1954: 1953:Kalat Claimed 1950: 1947: 1946: 1942: 1939: 1938: 1934: 1931: 1930: 1926: 1923: 1922: 1918: 1915: 1914: 1910: 1909: 1907: 1905:Plays written 1903: 1896: 1895: 1891: 1888: 1887: 1883: 1880: 1879: 1875: 1872: 1871: 1867: 1864: 1863: 1859: 1858: 1856: 1852: 1848: 1847:Bahram Beyzai 1841: 1836: 1834: 1829: 1827: 1822: 1821: 1818: 1812: 1808: 1806: 1802: 1799: 1796: 1792: 1789: 1785: 1781: 1778: 1775: 1772: 1769: 1767: 1764: 1762: 1758: 1757:Bahram Beyzai 1755: 1753: 1750: 1749: 1739: 1737:0-914478-95-8 1733: 1729: 1724: 1721: 1717: 1713: 1709: 1705: 1701: 1696: 1692: 1686: 1682: 1678: 1674: 1673: 1662: 1657: 1649: 1643: 1636: 1631: 1616: 1612: 1606: 1599: 1594: 1587: 1584: 1580: 1577: 1574: 1568: 1553: 1549: 1543: 1537: 1532: 1525: 1520: 1514: 1510: 1506: 1502: 1501:Picture World 1497: 1490: 1487: 1481: 1474: 1470: 1467: 1461: 1454: 1451: 1447: 1443: 1439: 1435: 1431: 1425: 1419: 1414: 1410: 1399: 1396: 1394: 1390: 1389:honoris causa 1386: 1385: 1384: 1380: 1370: 1368: 1364: 1363: 1351: 1345: 1334: 1321: 1317: 1316: 1312: 1309: 1306: 1303: 1299: 1298: 1294: 1291: 1287: 1284: 1281: 1280: 1276: 1273: 1269: 1266: 1263: 1260: 1257: 1256:Yukio Mishima 1253: 1252: 1247: 1246: 1241: 1238: 1235: 1232: 1229: 1228: 1227:Kalat Claimed 1224: 1221: 1220: 1216: 1213: 1209: 1208: 1204: 1201: 1197: 1194: 1189: 1185: 1182: 1178: 1175: 1172: 1171:9782950480613 1168: 1165: 1161: 1160: 1155: 1154: 1149: 1146: 1142: 1138: 1135: 1131: 1130: 1129: 1125: 1117: 1113: 1108: 1096: 1092: 1089: 1086: 1082: 1079: 1076: 1075: 1070: 1067: 1064: 1060: 1057: 1054: 1050: 1047: 1044: 1040: 1037: 1034: 1030: 1029: 1025: 1022: 1021: 1016: 1013: 1010: 1006: 1005: 1001: 998: 994: 990: 987: 984: 980: 979:Qaribé va Meh 977: 974: 973: 968: 967: 963: 960: 956: 953: 950: 947: 946: 944: 929: 927: 923: 922: 911: 908: 904: 898: 896: 895:Hamid Dabashi 889: 887: 878: 876: 869: 866: 854: 852: 851: 846: 845: 840: 835: 833: 832: 826: 824: 823: 818: 814: 810: 800: 798: 794: 790: 789:Fasl-e Panjom 786: 785: 780: 776: 766: 764: 760: 756: 755: 750: 748: 743: 738: 736: 732: 731: 726: 721: 719: 715: 711: 707: 697: 695: 691: 690: 689:Kalat Claimed 685: 681: 677: 676: 671: 670: 663: 661: 654: 651: 644: 642: 638: 634: 633: 624: 623:Parviz Sayyad 620: 615: 611: 609: 594: 591: 587: 583: 578: 576: 575:Dar'ol-Fonoun 568: 567:Dar'ol-Fonoun 563: 559: 557: 551: 549: 546:, to a poet, 545: 535: 533: 532:United States 529: 524: 522: 517: 516:Picture World 513: 512: 507: 502: 500: 495: 493: 489: 488: 479: 475: 471: 467: 456: 451: 449: 444: 442: 437: 436: 434: 433: 427: 426:Bahram Beyzai 423: 415: 412: 411: 410: 409: 404: 401: 400: 398: 397: 392: 389: 387: 384: 383: 382: 381: 377: 376: 373: 369: 365: 361: 358: 357: 354: 351: 350: 345: 342: 341: 340: 339: 336: 335:Bahram Beyzai 333: 332: 328: 324: 323: 315: 310: 305: 299: 296: 292: 289: 286:3, including 285: 281: 264: 257: 256: 230: 229: 227: 223: 219: 215: 211: 209:Occupation(s) 207: 203: 199: 193:(age 85) 183: 179: 172: 167: 160: 156:Bahrām Beyzai 153: 144: 141: 133: 130:February 2021 122: 119: 115: 112: 108: 105: 101: 98: 94: 91: –  90: 86: 85:Find sources: 79: 75: 72: 68: 64: 58: 57: 53: 48: 43: 34: 33: 30: 19: 18:Bahram Bayzai 4009:Abbas Zaryab 3885:Jafar Panahi 3855:Majid Majidi 3769: 3693:Bahman Forsi 3687: 3659:Goli Taraqqi 3584:Javad Mojabi 3574:Sadeq Chubak 3570:Shamim Bahar 3467:Bozorg Alavi 3421:Asad Gulzoda 3278:Nima Yooshij 3215:Bijan Jalali 3132:Aref Qazvini 3080:Contemporary 3017:Mirza Ghalib 2987:Azar Bigdeli 2946:Saba Kashani 2939:Hazin Lāhiji 2918:Saib Tabrizi 2881:Vahshi Bafqi 2865:Baba Faghani 2841:Ahli Shirazi 2816:Ubayd Zakani 2691:Amir Khusrau 2681:(1288–1320s) 2658:Sultan Walad 2485:Banu Goshasp 2434:Omar Khayyam 2324:Rabia Balkhi 2207:Jamasp Namag 2016:The Lady Aoi 2014: 2007: 2000: 1986: 1967: 1959: 1951: 1943: 1935: 1927: 1919: 1911: 1892: 1884: 1876: 1868: 1860: 1846: 1794: 1779: 1770: 1727: 1719: 1712:the original 1703: 1680: 1656: 1642: 1630: 1618:. Retrieved 1614: 1605: 1593: 1583:amphitheatre 1572: 1567: 1555:. Retrieved 1551: 1542: 1531: 1519: 1504: 1500: 1496: 1485: 1480: 1472: 1465: 1460: 1449: 1445: 1441: 1437: 1429: 1424: 1413: 1388: 1382: 1367:Lisar Castle 1360: 1358: 1355:Lisar troupe 1319: 1313: 1307: 1301: 1295: 1289: 1285: 1277: 1271: 1267: 1261: 1251:The Lady Aoi 1249: 1243: 1239: 1233: 1225: 1217: 1211: 1205: 1199: 1186: 1180: 1176: 1158: 1151: 1140: 1133: 1127: 1094: 1090: 1084: 1080: 1072: 1068: 1062: 1058: 1052: 1048: 1042: 1038: 1032: 1026: 1018: 1014: 1008: 1002: 996: 992: 988: 982: 978: 970: 964: 958: 954: 948: 919: 917: 900: 891: 882: 871: 862: 848: 842: 836: 829: 827: 822:The Lady Aoi 820: 808: 806: 803:1990–present 796: 788: 782: 779:Ruz-e Vaqe'e 778: 772: 762: 758: 752: 745: 741: 739: 729: 724: 722: 709: 705: 703: 687: 683: 673: 667: 665: 656: 647: 630: 628: 605: 579: 572: 552: 541: 525: 523:of Persia". 515: 509: 503: 496: 485: 482:بهرام بیضائی 473: 469: 468:(also spelt 465: 464: 403:Lisar troupe 368:Bibliography 334: 220:1962–present 163:بهرام بیضائی 136: 127: 117: 110: 103: 96: 84: 73: 56:verification 49: 29: 4145:1938 births 4120:Afghanistan 3924:Translators 3880:Amir Naderi 3750:Screenplays 3733:Pari Saberi 3713:Bijan Mofid 3639:Bijan Najdi 3329:Raziq Faani 3312:Afghanistan 3225:Esmail Khoi 3182:Bijan Elahi 3058:(1813–1893) 3052:(1808–1854) 3044:(1801–1880) 3036:(1800–1871) 3028:(1779–1837) 3020:(1797–1869) 3001:(1798–1857) 2990:(1722–1781) 2953:(1642–1720) 2942:(1692–1766) 2921:(1607–1670) 2913:Taleb Amoli 2892:(1500–1588) 2884:(1523–1583) 2860:(1487–1524) 2852:(1483–1556) 2844:(1454–1535) 2736:(1238–1314) 2694:(1253–1325) 2616:(1149–1209) 2608:(1141–1209) 2597:(1126–1189) 2589:(1120–1190) 2549:(1155–1191) 2465:(1098–1131) 2437:(1048–1131) 2429:(1046–1121) 2421:(1018–1092) 2413:(1009–1072) 2400:(1006–1088) 2392:(1058–1111) 2384:(1004–1088) 2219:Warshtmansr 1784:(Main page) 1524:Hasani 2018 1438:Yad-e Bayzā 1191: [ 1118:, June 2017 959:The Journey 825:in Tehran. 761:(1988) and 706:Amu Sibilou 556:visual arts 548:anthologist 538:Early years 521:Shakespeare 360:Filmography 4134:Categories 4116:Tajikistan 3820:Ali Hatami 3728:Akbar Radi 3675:Reza Abdoh 3414:Uzbekistan 3358:Tajikistan 3210:Iraj Mirza 2554:Adib Sabir 2490:Borzu-Nama 2457:Manuchehri 2405:Asadi Tusi 2389:Al-Ghazali 2376:Bābā Tāher 2340:(980–1037) 2332:(967–1049) 2197:Bundahishn 1969:Crossroads 1961:Tarabnameh 1929:Four Boxes 1620:27 October 1405:References 1348:See also: 1315:Tarabnameh 1279:Crossroads 1188:Soltān-Mār 1141:Four Boxes 1112:St Andrews 1053:Travellers 949:Amū Sibilū 850:Tarabnameh 813:Strasbourg 608:censorship 344:Chronology 187:1938-12-26 100:newspapers 4064:Essayists 2772:Ibn Yamin 2298:Shahnameh 2251:Classical 2107:Ganjnameh 1513:1023-2613 1049:Mosāferan 997:The Raven 844:Shahnameh 809:Mosaferan 307:Signature 294:Parent(s) 52:citations 3430:Pakistan 3172:Dehkhoda 2857:Ismail I 2707:Golestān 2629:(d.1248) 2526:Iranshah 2337:Avicenna 2294:Ferdowsi 2033:Category 1862:Downpour 1704:Tajrobeh 1679:(2007). 1318:(2016 - 1300:(2013 - 1288:(2012 - 1240:Bānū Aoi 1093:(2009 - 1069:Sagkoshi 993:The Crow 972:Downpour 765:(1992). 751:(1979), 744:(1974), 730:Downpour 588:and pre- 327:a series 325:Part of 300:(father) 288:Niloofar 283:Children 78:libelous 3370:Farzona 3296:Armenia 2586:Khaqani 2505:Mu'izzi 2452:Hujwiri 2319:Bal'ami 2157:Dēnkard 1980:Related 1635:Dabashi 1557:15 June 907:history 590:Islamic 586:Persian 582:Ta'zieh 478:Persian 474:Beyzāêi 276:​ 268:​ 254:​ 242:​ 238:​ 225:Spouses 114:scholar 3450:Novels 3090:Poetry 2849:Fuzuli 2826:Hatefi 2797:Nasimi 2703:Bustan 2594:Anvari 2579:c.1220 2577:(1142– 2360:Ayyuqi 2350:Asjadi 2345:Unsuri 2289:Daqiqi 2284:Rudaki 2136:Middle 1972:(2009) 1964:(1994) 1956:(1982) 1948:(1981) 1940:(1979) 1932:(1967) 1924:(1964) 1916:(1963) 1897:(2001) 1889:(1986) 1881:(1981) 1873:(1979) 1865:(1971) 1734:  1708:Tehran 1687:  1511:  1473:Partow 1310:(2015) 1282:(2009) 1230:(1982) 1222:(1981) 1169:  966:Ragbār 725:Ragbar 625:, 1965 597:Career 544:Tehran 508:. His 470:Beizāi 198:Tehran 116:  109:  102:  95:  87:  3668:Plays 3049:Qaani 3010:1800s 2975:1700s 2906:1600s 2874:1500s 2809:1400s 2782:Hafez 2765:1300s 2699:Saadi 2638:1200s 2574:Attar 2564:Am'aq 2519:1100s 2480:Sanai 2369:1000s 1446:White 1442:Bayzā 1297:Arash 1195:] 1102:Plays 1033:Bashu 989:Kalāq 955:Safar 932:Works 886:Hafez 487:ostād 414:Works 270:( 266: 244:( 240: 121:JSTOR 107:books 45:This 4112:Iran 3103:Iran 2831:Jami 2728:Rumi 2277:900s 2261:800s 1761:IMDb 1732:ISBN 1685:ISBN 1622:2022 1559:2024 1552:IMDb 1509:ISSN 1167:ISBN 716:, a 686:and 639:and 621:and 250:div. 181:Born 93:news 54:for 2086:Old 1759:at 1254:by 995:or 795:'s 4136:: 4114:, 2705:/ 1786:, 1613:. 1550:. 1434:AH 1391:, 1193:fa 1156:; 888:. 853:. 799:. 696:. 643:. 558:. 534:. 530:, 494:. 480:: 476:, 472:, 370:• 366:• 362:• 329:on 272:m. 246:m. 200:, 189:) 65:. 4122:. 3284:) 3280:( 2709:) 2701:( 2581:) 2300:) 2296:( 2065:e 2058:t 2051:v 1997:" 1993:" 1839:e 1832:t 1825:v 1800:. 1790:. 1776:. 1740:. 1693:. 1650:. 1624:. 1588:. 1561:. 1526:. 1503:( 1491:. 1455:. 1322:) 1304:) 1292:) 1274:) 1258:) 1242:( 1214:) 1202:) 1183:) 1173:) 1097:) 1087:) 1077:) 1065:) 1055:) 1045:) 1023:) 1011:) 999:) 985:) 975:) 961:) 893:— 873:— 781:( 727:( 708:( 658:— 454:e 447:t 440:v 185:( 143:) 137:( 132:) 128:( 118:· 111:· 104:· 97:· 80:. 59:. 20:)

Index

Bahram Bayzai
biography of a living person
citations
verification
reliable sources
Contentious material
poorly sourced
libelous
"Bahram Beyzai"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message

Tehran
Imperial State of Iran
Mojdeh Shamsaie
Niloofar
Ne'matallah Beyzai

a series
Bahram Beyzai
Chronology
Lists of works
Filmography
List of plays directed
Bibliography
List of speeches

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.