413:
readers are informed that it is Movitz who is the father of Ulla's children, and she describes how it came to be in this particular place. Then the male participants, the "brothers of the order" arrive in boats, led by the order's "grenadier" Mollberg and its sexton
Trundman, and march up to the temple. When they arrive, together with barrels of drink, songs and celebrations are held in honour first of the dead, then of Trundman and the brothers, Ulla and the priests, the order's chancellor Planberg, and finally the head of the order, Janke Jensen. The rituals are interrupted from time to time by various intermezzos, but eventually fade out completely as Ulla gives birth to a new Movitz, and everything turns into a happy party.
1453:
167:
424:. Thus, when the initial storm is portrayed by the Bacchus priestess, it is not only a storm, but also her own anxiety and terror as described, in pre-romantic style. When the storm has subsided, the priestesses' attitude to the surroundings also changes, and the now pastoral landscape instead evokes happy memories of past happiness, when Movitz with roses in his hair used to honour the wine god with song. Ulla then takes the word, and more and more excitedly she describes his memories of him, before she sees through a telescope both the love goddess in the sky and a young "nymph" named Belinda.
332:
29:
473:
385:
412:
also has a temple. Around the temple, a celebration is being commemorated by the dead Movitz, initially by a group of supporters under the leadership of the highly pregnant Ulla
Winblad. The work begins with a stormy night, but at dawn the storm passes and everything turns into rural idyll, and the
309:
in
September 1782, as a "poetic, comic and musical work". The announcement was aimed at "lovers of madness", which again points to ambitions. However, the work was not printed until the end of 1783, and new advertisements pointed to its suitability as a Christmas present. It was warmly reviewed in
416:
The extended version seems to have become difficult to play; where the original version could be performed in one hour, the final one required at least two. The entire extension is due to longer monologues and additional pieces of music, making it rather static as a piece of theatre.
427:
When the men arrive, the women quickly become more crass: they describe the "Knights of
Bacchus" in ironic terms as "heroes" who, however, urinate on planks and resemble roast pigs. Sexton Trundman takes over and describes the night's storm, with words taken from
215:
society at the end of the 1770s. In contrast to the previous parodies, the new social life was strictly ritualized with many participants, the style more solemn and the music more ambitious. In addition, several of the figures from
Bellman's songbook
464:. Suddenly he turns back to mortality, and goes on to portray Movitz's earthly existence as a drunkard, until he is interrupted by Ulla giving birth to his and Movitz's children, who resemble him right down to his red nose.
209:), starting in 1769-1771, after which the production was largely unseen until 1777. That the production of song games, of which Bacchi Tempel was the most important, was resumed can probably be linked to the
521:(Still'd is the hasty wave) with its butterfly-wing delicacy", the song play was "not a very satisfactory work". The song "Still'd is the hasty wave" was recorded in English by
1511:
352:
was published in 1783 by
Kongliga Tryckeriet, the Swedish royal printing press in Stockholm. It was Bellman's first book. The illustrations were by the landscape painter
408:, the god of wine, on an island of mixed flora and fauna: there are pine trees and crows as well as parrots and almond trees. Somewhere nearby, the goddess of pleasure
506:"finally" gave the book a thorough scholarly examination; Breitholtz numbered it among the "most interesting literary experiments in 18th century literature".
434:
420:
The added landscape depictions are partly based on the nature being painted as a picture, which, however, must at the same time be animated and linked together
495:
poetry", and one of
Bellman's "most ambitious" projects, intended, in response to Kellgren's attack, to prove that he was a serious poet. Lönnroth notes that
275:, suggesting that the author had great ambitions with the work, possibly with the aim of improving his reputation after he was attacked by the famous critic
496:
312:
265:
448:
In the closing passage, spoken by Janke Jensen, it is no longer a question of depicting nature: now a mythological tableau is painted, with Movitz on
1580:
1618:
1237:
242:
281:
1184:
252:
at the end of the year with the hope of engaging him for an illustrated edition of the work. This failed, but later he succeeded in getting
1524:
1603:
372:, and had come back to Stockholm in 1780. The book had been planned as the first volume of a two-volume set; the second was to have been
1339:
241:
soon after the news of the death of the model of his corporal Movitz in May 1779; an initial print was dedicated to the court engraver
1279:
814:
Hodges, Alison (1973). "Painshill Park, Cobham, Surrey (1700-1800): Notes for a
History of the Landscape Garden of Charles Hamilton".
1249:
1243:
1751:
1357:
1390:
1315:
1102:
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1303:
133:. The work had been preceded by a version from 1779 titled "Bacchi Temple opened at the death of Corporal and Order Oboist
1291:
1153:
1177:
1128:
1040:
To Carl
Michael With Love (Being A Flowery Garland Of Songs By Sweden's C.M. Bellman And Of The English Countryside)
1420:
1396:
297:
1555:
140:
The work has probably never been performed in its entirety, but individual songs are sometimes performed by the
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1321:
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292:("My Laughter"). Bellman continued to work on it, adding, among other things, long descriptions of nature in
1231:
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1309:
1255:
1684:
517:
was "exhausting" to read, and that while it contained "a few very beautiful lyrics", such as "the lovely
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to illustrate the work. In 1780, extended versions in handwriting were handed over to
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361:
360:. The brothers were friends of Bellman's; Elias had studied painting, especially
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364:'s, in London, had visited and painted an ornamental Temple of Bacchus in
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1065:
The Life and Songs of Carl
Michael Bellman: Genius of the Swedish Rococo
961:
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388:
Illustration by Elias Martin of drunken celebrations by the "Order of
154:
verse, and as a not very satisfactory work, despite the "lovely" song
107:("The Temple of Bacchus opened at a Hero's Death"), commonly known as
146:
society. It has been described as a curious hybrid, a combination of
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721:
719:
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715:
713:
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234:
has taken on a central role as leader of the "Bacchi priestesses".
445:("My son at the galley"), possibly to add an air of authenticity.
409:
975:
Breitholtz, Lennart (1956). "Bellmans Movitz och Bacchi Tempel".
405:
389:
708:
384:
457:
223:
948:(1972). ""Bacchi Tempel" and Bellman's "Poetic Enthusiasm"".
773:
771:
736:
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1067:. New York: Allhem, Malmö American-Scandinavian Foundation.
1512:
Fredmans Epistlar & SĂ„nger Sjungna Av Sven-Bertil Taube
1144:
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878:
866:
122:
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731:
479:(Still'd is the hasty wave), one of the songs in the book
1010:"Still'd Is The Hasty Wave From The Cycle Bacchi Temple"
18:
Book-length poem in alexandrines by Carl Michael Bellman
854:
137:", but had been reworked and expanded several times.
303:
The work was advertised for sale via subscription in
404:The play takes place around a temple dedicated to
121:and published by Sweden's royal printing press in
1581:Spring mot Ulla, spring! Cornelis sjunger Bellman
1117:Ljuva karneval! om Carl Michael Bellmans diktning
1743:
1059:
725:
452:together with ancient gods and heroes such as
335:The book's illustrator, Elias Martin, studied
1178:
990:StÄlhane, Arvid (1952). "Om Bacchi Tempel".
113:is a song play, a long poem in two thousand
608:but the worm will soon crawl from its grit.
376:("Freya's Temple"), but it never appeared.
222:have now been identified in the cast: both
1185:
1171:
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27:
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1111:
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944:
916:"Böljan sig mindre rör ur Bacchi Tempel"
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383:
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237:Bellman began work on what would become
165:
104:Bacchi tempel öppnat vid en hjÀltes död
1744:
1081:
813:
789:
1409:TrÀd fram du Nattens Gud (AftonkvÀde)
1340:Ulla! min Ulla! SÀj fÄr jag dig bjuda
1238:KÀre bröder, sÄ lÄtom oss supa i frid
1166:
912:have recorded the song, available at
487:called the book "a curious hybrid of
1244:Fram med basfiolen, knÀpp och skruva
356:; they were engraved by his brother
913:
651:Marsch, över allt, följ Martis spÄr
509:The English biographer of Bellman,
339:'s illustrations, such as his 1751
185:1770. Martin went on to illustrate
13:
1316:Tjenare Mollberg, hur Àr det fatt?
1280:I gÄr sÄg jag ditt barn, min Fröja
792:, pp. 299, 438, 457, 539â542.
686:Tom Àr min flaska, tunnan utrunnen
14:
1768:
1250:KÀraste Bröder Systrar och VÀnner
1138:
1034:
618:
596:the water glistens calm and cold,
574:masken snart krÀlar ur sitt grus.
562:vattnet glittrar lugnt och kallt,
1451:
691:Hvem Àr, som ej vÄr broder mins?
602:the butterfly in gold and green,
396:, 1783, engraved by his brother
1304:Ge rum i BröllopsgÄln din hund!
1093:] (in Swedish). Stockholm:
1028:
1016:from the original on 2021-11-15
1002:
983:
968:
938:
926:from the original on 2021-11-15
902:
1391:Hör klockorna med Àngsligt dÄn
1292:Bröderna fara vÀl vilse ibland
807:
746:
626:Flodens sorl och vÀdrens flÀkt
604:glimmers lovely on the flower,
600:spread their scent all around,
326:
1:
1752:Works by Carl Michael Bellman
1619:Music of Carl Michael Bellman
1604:Songs of Carl Michael Bellman
1322:Solen glimmar blank och trind
1298:VÄr Ulla lÄg i sÀngen och sov
956:(3 (Summer, 1972)): 410â438.
702:
646:SÀlla strand, dÀr vi nu landa
279:in 1778 through the derisive
201:'s performances on the theme
158:(Still'd is the hasty wave).
1525:sjunger Carl Michael Bellman
590:when from the beach he hears
467:
7:
1421:FjÀriln vingad syns pÄ Haga
822:(1 (Autumn, 1973)): 39â68.
681:Sjungom systrar, Fröjas Àra
422:with the speaker's emotions
33:Title page of first edition
10:
1773:
1232:Fader Berg i hornet stöter
1053:
676:Sjung mina söner alla tolv
666:SkÄden hit, mÀrk och minns
379:
161:
1698:
1630:
1500:
1487:Maria Kristina Kiellström
1460:
1449:
1429:
1378:
1256:GrÄt Fader Berg och spela
1207:
1200:
1119:(in Swedish). Stockholm:
756:(in Swedish). Bellman.net
671:Om ödet skull' mig skicka
570:glimmar pÄ blomman skönt,
568:fjÀriln i guld och grönt,
566:sprida vÀllukt över allt,
556:nÀr han frÄn stranden hör
92:
82:
74:
66:
58:
48:
38:
26:
1397:SÄ lunka vi sÄ smÄningom
1328:Movitz blÄste en konsert
1156:as digital facsimile at
636:Bakom dessa gröna lindar
230:have minor roles, while
1675:Hendrik Willem van Loon
641:UppÄ vattnets lugna vÄg
197:The songs originate in
1095:Albert Bonniers Förlag
1091:Bellman. The Biography
480:
401:
346:
194:
1690:Charles Wharton Stork
1370:Hvila vid denna kÀlla
1150:on Swedish Wikisource
696:Bort allt vad oro gör
631:Böljan sig mindre rör
552:Böljan sig mindre rör
531:Böljan sig mindre rör
519:Böljan sig mindre rör
477:Böljan sig mindre rör
475:
387:
334:
277:Johan Henric Kellgren
169:
156:Böljan sig mindre rör
1556:Vila vid denna kÀlla
1540:Fred sjunger Bellman
1352:Charon i Luren tutar
1310:VĂ€rm mer Ăl och Bröd
1194:Carl Michael Bellman
1061:Britten Austin, Paul
950:Scandinavian Studies
540:Carl Michael Bellman
483:The Swedish scholar
398:Johan Fredrik Martin
358:Johan Fredrik Martin
258:Johan Fredrik Martin
203:The Order of Bacchus
199:Carl Michael Bellman
191:Carl Michael Bellman
119:Carl Michael Bellman
43:Carl Michael Bellman
1640:Paul Britten Austin
1364:MÀrk hur vÄr skugga
899:, pp. 259â261.
887:, pp. 257â259.
875:, pp. 251â256.
851:, pp. 248â250.
804:, pp. 246â247.
780:, pp. 244â245.
743:, pp. 242â243.
728:, pp. 132â133.
726:Britten Austin 1967
583:The wave calms down
535:
511:Paul Britten Austin
78:Kongliga Tryckeriet
23:
1652:Bellman. Biografin
1574:Cornelis Vreeswijk
1358:Liksom en herdinna
1087:Bellman. Biografin
1044:His Master's Voice
920:BellmanssÀllskapet
661:Hurra, se min fÄla
545:Prose translation
528:
497:Lennart Breitholtz
481:
435:Min son pÄ galejan
402:
347:
219:Fredman's Epistles
195:
21:
1739:
1738:
1714:BellmansÀllskapet
1569:Sven-Bertil Taube
1447:
1446:
1210:Fredmans epistlar
1104:978-91-0-014179-0
1074:978-3-932759-00-0
914:Fröling, Anders.
616:
615:
560:mÄnan han skiner,
554:Eol mindre viner,
313:Svenska Parnassen
306:Stockholms Posten
262:Elis Schröderheim
171:Temple of Bacchus
100:
99:
93:Publication place
1764:
1680:James Massengale
1612:Mikael Samuelson
1509:1960, 1963
1468:Barbara Ekenberg
1455:
1262:Ack du min moder
1226:NĂ„ skruva Fiolen
1205:
1204:
1187:
1180:
1173:
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1158:Litteraturbanken
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1038:Consort (1975).
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656:Manskap, giv akt
594:the moon shines,
558:vÄra mandoliner;
536:
527:
505:
443:
430:Jacob Wallenberg
321:
296:in the style of
290:
274:
266:Samuel af Ugglas
251:
84:Publication date
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24:
20:
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1694:
1685:Michael Roberts
1667:Ljuva karneval!
1632:
1626:
1589:Movitz! Movitz!
1518:William Clauson
1502:
1496:
1478:Lovisa von Plat
1456:
1443:
1425:
1381:Fredmans sÄnger
1374:
1334:Fader Bergström
1213:
1196:
1191:
1145:The songs from
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1131:
1105:
1075:
1056:
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992:Bellmansstudier
988:
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910:Bellman Society
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828:10.2307/1586476
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598:lilac, jasmines
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564:syren, jasminer
563:
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534:(first stanza)
499:
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437:
382:
345:(detail shown).
337:William Hogarth
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315:
284:
268:
245:
164:
85:
70:Song collection
34:
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11:
5:
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1757:1783 in Sweden
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kerström
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1403:Opp Amaryllis!
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1346:Glimmande nymf
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1274:BlÄsen nu alla
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1139:External links
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1113:Lönnroth, Lars
1109:
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1083:Burman, Carina
1079:
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946:Lönnroth, Lars
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863:, p. 250.
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816:Garden History
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754:"Bacchi Orden"
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619:Songs included
617:
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592:our mandolins;
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466:
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370:Cobham, Surrey
366:Painshill Park
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179:Painshill Park
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22:Bacchi Tempel
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1769:
1758:
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1729:Elis Chiewitz
1727:
1726:
1725:Illustrators
1724:
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1709:Bellmanmuseet
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1706:
1705:Institutions
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1660:Lars Lönnroth
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1645:Carina Burman
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1501:Interpreters,
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1438:Bacchi Tempel
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1388:
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1367:
1365:
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1355:
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1154:Bacchi Tempel
1152:
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1147:Bacchi Tempel
1143:
1142:
1132:
1130:91-0-057245-4
1126:
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905:
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897:Lönnroth 2005
893:
886:
885:Lönnroth 2005
881:
874:
873:Lönnroth 2005
869:
862:
861:Lönnroth 2005
857:
850:
849:Lönnroth 2005
845:
837:
833:
829:
825:
821:
817:
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803:
802:Lönnroth 2005
798:
791:
786:
779:
778:Lönnroth 2005
774:
772:
755:
749:
742:
741:Lönnroth 2005
737:
735:
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575:
549:
548:
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541:
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532:
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524:
520:
516:
515:Bacchi Tempel
513:, wrote that
512:
507:
503:
498:
494:
490:
486:
485:Lars Lönnroth
478:
474:
465:
463:
459:
455:
451:
450:Mount Olympus
446:
444:
441:
436:
431:
425:
423:
418:
414:
411:
407:
399:
395:
394:Bacchi Tempel
391:
386:
377:
375:
374:Fröjas Tempel
371:
367:
363:
359:
355:
351:
350:Bacchi Tempel
344:
343:
338:
333:
324:
322:
319:
314:
308:
307:
301:
299:
298:James Thomson
295:
291:
288:
283:
278:
272:
267:
263:
259:
255:
249:
244:
243:Pierre Suther
240:
239:Bacchi Tempel
235:
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229:
225:
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214:
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208:
204:
200:
192:
188:
187:Bacchi Tempel
184:
180:
176:
172:
168:
159:
157:
153:
149:
145:
144:
138:
136:
135:Father Movitz
132:
128:
124:
120:
117:, written by
116:
112:
111:
110:Bacchi Tempel
106:
105:
95:
91:
87:
81:
77:
73:
69:
65:
61:
57:
54:
51:
47:
44:
41:
37:
30:
25:
16:
1665:
1650:
1617:
1602:
1587:
1579:
1564:Martin Bagge
1554:
1546:
1538:
1523:
1510:
1483:Ulla Winblad
1473:Jean Fredman
1437:
1436:
1379:
1286:Stolta Stad!
1208:
1146:
1116:
1090:
1086:
1064:
1039:
1030:
1018:. Retrieved
1004:
995:
991:
985:
976:
970:
953:
949:
940:
928:. Retrieved
904:
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880:
868:
856:
844:
819:
815:
809:
797:
785:
758:. Retrieved
748:
695:
690:
685:
680:
675:
670:
665:
660:
655:
650:
645:
640:
635:
630:
625:
607:
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551:
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529:
518:
514:
508:
482:
476:
447:
433:
426:
419:
415:
403:
393:
373:
354:Elias Martin
349:
348:
340:
311:
304:
302:
294:alexandrines
280:
238:
236:
232:Ulla Winblad
217:
210:
207:Bacchi Orden
206:
202:
196:
186:
183:Elias Martin
170:
155:
141:
139:
131:Elias Martin
115:alexandrines
109:
108:
103:
102:
101:
53:Elias Martin
15:
1719:Par Bricole
1633:Translators
1597:Martin Best
1415:Gubben Noak
1268:KĂ€ra syster
1036:Martin Best
1012:. YouTube.
930:15 December
790:Burman 2019
760:14 December
588:howls less,
523:Martin Best
500: [
493:mock-heroic
489:comic opera
438: [
342:Beer Street
327:Publication
316: [
285: [
269: [
246: [
212:Par Bricole
152:mock-heroic
148:comic opera
143:Par Bricole
127:illustrator
49:Illustrator
1746:Categories
1664:2005
1649:2019
1616:1988
1601:1982
1586:1977
1578:1971
1553:1977
1545:1974
1537:1969
1522:1963
1461:Characters
703:References
610: :||
576: :||
282:Mina löjen
1631:Scholars,
1419:64:
1413:35:
1407:32:
1401:31:
1395:21:
1368:82:
1362:81:
1356:80:
1350:79:
1344:72:
1338:71:
1332:63:
1326:51:
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1296:36:
1290:35:
1284:33:
1278:28:
1272:25:
1266:24:
1260:23:
1254:12:
525:in 1975.
468:Reception
75:Publisher
1389:6:
1248:9:
1242:7:
1236:5:
1230:3:
1224:2:
1121:Bonniers
1115:(2005).
1085:(2019).
1063:(1967).
1014:Archived
998:: 51â86.
977:Samlaren
962:40917412
924:Archived
462:Hannibal
228:Mollberg
59:Language
1054:Sources
1020:29 June
979:: 1â86.
836:1586476
542:, 1783
406:Bacchus
392:" from
390:Bacchus
380:Summary
362:Hogarth
162:Context
62:Swedish
1503:Albums
1127:
1101:
1071:
1042:(LP).
960:
834:
586:Aeolus
460:, and
458:Pompey
224:Movitz
125:. The
96:Sweden
39:Author
1699:Other
1430:Other
1201:Works
1089:[
958:JSTOR
832:JSTOR
504:]
442:]
410:Fröja
320:]
289:]
273:]
254:Elias
250:]
175:folly
67:Genre
1216:List
1125:ISBN
1099:ISBN
1069:ISBN
1022:2021
932:2019
908:The
762:2019
572:||:
491:and
454:Mars
264:and
256:and
226:and
189:for
173:, a
150:and
129:was
123:1783
88:1783
824:doi
606:||:
432:'s
368:at
181:by
177:in
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830:.
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838:.
826::
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764:.
400:.
205:(
193:.
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