84:, which that artist pronounced equal to the original. August's violins possessed a pure, even tone quality, responded easily, and were thought to excel in power the Italian instruments they were copied from. Gemünder contributed a series of articles to the trade journals, in which he discussed “Old and New Violins,” including a comparison of the tone of those instruments with the human voice; “The Cremona Secret,” a disquisition on the wood used in the manufacture of violins; “The Lost Secret and Common Sense,” with others on Italian varnish, violin construction, etc.
65:. In 1844 he was asked by a German violinist to make a violin that should not be an imitation, as to tone or any other quality, of the Italian masters. In executing the order, he succeeded in producing an instrument that he preserved as a model.
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His father was a violin maker and repairer and Gemünder was brought up in the business—taking over the shop on his father's death. In 1839, he moved to
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23:– 7 September 1895, New York City) was an American violin maker who worked in the United States. With his brother, the great American
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and then New York City. Gemünder specialized in copying old
Italian masters, especially the instruments of
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Frederick H. Martens (1931). "Gemünder, August Martin Ludwig".
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76:. Perhaps his greatest masterpiece was a celebrated copy of
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He worked at times in partnership with his brother George.
49:, in the United States. Later he established himself in
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and resided in several other cities in
Germany as well.
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68:His violins were used by leading soloists, such as
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146:Appletons' Cyclopædia of American Biography
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157:; Peck, H. T.; Colby, F. M., eds. (1905).
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112:Dictionary of American Biography
166:New International Encyclopedia
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17:August Martin Ludwig Gemünder
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47:Springfield, Massachusetts
45:In 1846, he emigrated to
160:"Gemünder, August"
149:. New York: D. Appleton.
140:"Gemünder, August"
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204:People from Ingelfingen
55:Antonio Stradivarius
199:American luthiers
59:Joseph Guarnerius
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124:References
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135:Fiske, J.
34:Biography
78:Sarasate
25:luthier
61:, and
51:Boston
91:Notes
82:Amati
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99:^
57:,
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