167:. Frequency resolution occurs on the basilar membrane due to the listener choosing a filter which is centered over the frequency they expect to hear, the signal frequency. A sharply tuned filter has good frequency resolution as it allows the center frequencies through but not other frequencies (Pickles 1982). Damage to the cochlea and the outer hair cells in the cochlea can impair the ability to tell sounds apart (Moore 1986). This explains why someone with a hearing loss due to cochlea damage would have more difficulty than a normal hearing person in distinguishing between different consonants in speech.
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196:. Each graph shows the amount of masking produced at each masker frequency shown at the top corner, 250, 500, 1000 and 2000 Hz. For example, in the first graph the masker is presented at a frequency of 250 Hz at the same time as the signal. The amount the masker increases the threshold of the signal is plotted and this is repeated for different signal frequencies, shown on the X axis. The frequency of the masker is kept constant. The masking effect is shown in each graph at various masker sound levels.
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difference is small then the sound is perceived as a periodic change in the loudness of a single tone. If the beats are fast then this can be described as a sensation of roughness. When there is a large frequency separation, the two components are heard as separate tones without roughness or beats. Beats can be a cue to the presence of a signal even when the signal itself is not audible. The influence of beats can be reduced by using a narrowband noise rather than a sinusoidal tone for either signal or masker.
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100:. However, in the presence of a masking noise (for example, a vacuum cleaner that is running simultaneously) that same individual cannot detect the sound of the cat scratching unless the level of the scratching sound is at least 26 dB SPL. We would say that the unmasked threshold for that individual for the target sound (i.e., the cat scratching) is 10 dB SPL, while the masked threshold is 26 dB SPL. The amount of masking is simply the difference between these two thresholds: 16 dB.
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frequencies. At the medium frequencies (1–4 kHz) the slope increases as intensity increases, but at the low frequencies there is no clear inclination with level and the filters at high center frequencies show a small decrease in slope with increasing level. The sharpness of the filter depends on the input level and not the output level to the filter. The lower side of the auditory filter also broadens with increasing level. These observations are illustrated in Figure H.
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bandwidth of noise which causes the maximum masking effect and energy outside that band does not affect the masking. This can be explained by the auditory system having an auditory filter which is centered over the frequency of the tone. The bandwidth of the masker that is within this auditory filter effectively masks the tone but the masker outside of the filter has no effect (Figure G).
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higher than the masker. This shows that there is a spread of the masking effect upward in frequency as the intensity of the masker is increased. The curve is much shallower in the high frequencies than in the low frequencies. This flattening is called upward spread of masking and is why an interfering sound masks high frequency signals much better than low frequency signals.
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Off frequency listening is when a listener chooses a filter just lower than the signal frequency to improve their auditory performance. This “off frequency” filter reduces the level of the masker more than the signal at the output level of the filter, which means they can hear the signal more clearly
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Figure B also shows that as the masker frequency increases, the masking patterns become increasingly compressed. This demonstrates that high frequency maskers are only effective over a narrow range of frequencies, close to the masker frequency. Low frequency maskers on the other hand are effective
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Figure B shows along the Y axis the amount of masking. The greatest masking is when the masker and the signal are the same frequency and this decreases as the signal frequency moves further away from the masker frequency. This phenomenon is called on-frequency masking and occurs because the masker
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Varying intensity levels can also have an effect on masking. The lower end of the filter becomes flatter with increasing decibel level, whereas the higher end becomes slightly steeper. Changes in slope of the high frequency side of the filter with intensity are less consistent than they are at low
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The last situation where masking occurs is called central masking. This refers to the case where a masker causes a threshold elevation. This can be in the absence of, or in addition to, another effect and is due to interactions within the central nervous system between the separate neural inputs
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The masking pattern changes depending on the frequency of the masker and the intensity (Figure B). For low levels on the 1000 Hz graph, such as the 20–40 dB range, the curve is relatively parallel. As the masker intensity increases the curves separate, especially for signals at a frequency
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The amount of masking will vary depending on the characteristics of both the target signal and the masker, and will also be specific to an individual listener. While the person in the example above was able to detect the cat scratching at 26 dB SPL, another person may not be able to hear the cat
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Combination tones are products of a signal and a masker. This happens when the two sounds interact causing new sound, which can be more audible than the original signal. This is caused by the non linear distortion that happens in the ear. For example, the combination tone of two maskers can be a
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When a sinusoidal signal and a sinusoidal masker (tone) are presented simultaneously the envelope of the combined stimulus fluctuates in a regular pattern described as beats. The fluctuations occur at a rate defined by the difference between the frequencies of the two sounds. If the frequency
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Simultaneous masking occurs when a sound is made inaudible by a noise or unwanted sound of the same duration as the original sound. For example, a powerful spike at 1 kHz will tend to mask out a lower-level tone at 1.1 kHz. Also, two sine tones at 440 and 450 Hz can be perceived
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There are many different mechanisms of masking, one being suppression. This is when there is a reduction of a response to a signal due to the presence of another. This happens because the original neural activity caused by the first signal is reduced by the neural activity of the other sound.
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Ipsilateral ("same side") masking is not the only condition where masking takes place. Another situation where masking occurs is called contralateral ("other side") simultaneous masking. In this case, the instance where the signal might be audible in one ear but is deliberately taken away by
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carried out an experiment to discover how much of a band of noise contributes to the masking of a tone. In the experiment, a fixed tone signal had various bandwidths of noise centered on it. The masked threshold was recorded for each bandwidth. His research showed that there is a critical
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of 500 Hz) exhibit threshold peaks (i.e., high masking levels) for frequency bands centered on the first several harmonics. In fact, auditory bandwidths measured from forward masking thresholds are narrower and more accurate than those measured using simultaneous masking.
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which transmits sound information to the brain. This individual coding only occurs if the frequency components are different enough in frequency, otherwise they are in the same critical band and are coded at the same place and are perceived as one sound instead of two.
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Off-frequency masking requires the level of the masker to be greater in order to have a masking effect; this is shown in Figure F. This is because only a certain amount of the masker overlaps into the auditory filter of the signal and more masker is needed to cover the
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Temporal masking or non-simultaneous masking occurs when a sudden stimulus sound makes inaudible other sounds which are present immediately preceding or following the stimulus. Masking which obscures a sound immediately preceding the masker is called
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files to reduce the size of audio files. Parts of the signals which are outside the critical bandwidth are represented with reduced precision. The parts of the signals which are perceived by the listener are reproduced with higher fidelity.
393:(F1 being the first frequency, F2 the second) These are audible most of the time and especially when the level of the original tone is low. Hence they have a greater effect on psychoacoustic tuning curves than quadratic difference tones.
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The amount the masker raises the threshold of the signal is much less in off-frequency masking, but it does have some masking effect because some of the masker overlaps into the auditory filter of the signal (Figure E)
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How effective the masker is at raising the threshold of the signal depends on the frequency of the signal and the frequency of the masker. The graphs in Figure B are a series of masking patterns, also known as masking
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and signal are within the same auditory filter (Figure C). This means that the listener cannot distinguish between them and they are perceived as one sound with the quieter sound masked by the louder one (Figure D).
314:. Temporal masking's effectiveness attenuates exponentially from the onset and offset of the masker, with the onset attenuation lasting approximately 20 ms and the offset attenuation lasting approximately 100 ms.
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was unable to distinguish between the two frequencies. By experimenting with conditions where one sound can mask a previously heard signal, the frequency selectivity of the auditory system can be tested.
147:, the hearing organ in the inner ear. A complex sound is split into different frequency components and these components cause a peak in the pattern of vibration at a specific place on the cilia inside the
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Similar to simultaneous masking, temporal masking reveals the frequency analysis performed by the auditory system; forward masking thresholds for complex harmonic tones (e.g., a sawtooth probe with a
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Combination tones can interact with primary tones resulting in secondary combination tones due to being like their original primary tones in nature, stimulus like. An example of this is
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The sounds interact in many ways depending on the difference in frequency between the two sounds. The most important two are cubic difference tones and quadratic difference tones .
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Gelfand provides a basic example. Let us say that for a given individual, the sound of a cat scratching a post in an otherwise quiet environment is first audible at a level of 10
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scratching while the vacuum was on until the sound level of the cat scratching was increased to 30 dB SPL (thereby making the amount of masking for the second listener 20 dB).
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is the quietest level of the signal perceived when combined with a specific masking noise. The amount of masking is the difference between the masked and unmasked thresholds.
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to suppress annoying ringing, hissing, or buzzing or tinnitus often associated with hearing loss. It is also used in various kinds of audiometry, including
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Experiments have been carried out to see the different masking effects when using a masker which is either in the form of a narrow band noise or a
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Masking illustrates the limits of frequency selectivity. If a signal is masked by a masker with a different frequency to the signal, then the
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Oxenham, A.J. Plack, C.J. Suppression and the upward spread of masking, Journal of the
Acoustical Society of America, 104 (6) pp. 3500–10
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652:, Proceedings of the 8th International Conference on Digital Audio Effects (DAFx’05), Madrid, Spain, September 20–22, 2005, p. 297
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If two sounds of two different frequencies are played at the same time, two separate sounds can often be heard rather than a
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to test each ear unilaterally and to test speech recognition in the presence of partially masking noise.
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This happens at relatively high levels hence have a lesser effect on psychoacoustic tuning curves.
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Estimating the
Amplitude of the Cubic Difference Tone Using a Third-Order Adaptive Volterra Filter
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and masking which obscures a sound immediately following the masker is called forward masking or
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is the quietest level of the signal which can be perceived without a masking signal present. The
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Secondary combination tones are again similar to the combination tones of the primary tone.
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within the cochlea. These components are then coded independently on the
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Hearing – An
Introduction to Psychological and Physiological Acoustics
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The filters that distinguish one sound from another are called
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When perception of one sound is affected by another sound
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Temporal masking should not be confused with the ear's
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685:– video lecture by Professor E. Ambikairajah
683:Auditory Masking & Wideband Audio Coding
663:An Introduction to the Physiology of Hearing
615:Perceptual Coding: How MP3 Compression Works
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341:figure I – ipsilateral simultaneous masking
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564:Perceptual Consequences of Cochlear Damage
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211:Figure D – Adapted from Gelfand 2004
203:Figure C – Adapted from Gelfand 2004
354:Effects of different stimulus types
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677:"Addition of Simultaneous Masking"
288:Figure H – adapted from Moore 1998
235:Figure F – adapted from Moore 1998
223:Figure E – adapted from Moore 1998
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551:Frequency Selectivity in Hearing
521:4th Ed. New York, Marcel Dekker
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648:Lee, Kyogu and Kim, Minjong.
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253:over a wide frequency range.
187:Figure B – Adapted from Ehmer
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333:Other masking conditions
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549:Moore, B.C.J. (1986)
533:Moore, B.C.J. (2004)
517:Gelfand, S.A. (2004)
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704:Hearing
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362:tone.
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