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carried an object in either her left arm or hand, which had also been worked separately and then attached. Comparisons to other
Hellenistic sculptures suggest that the object was a shield which had been made not of marble but of at least two other, separate, materials. From the surviving top portion of the missing right arm, it is clear that it must have been bent. The separate fabrication as well as parallels on other Hellenistic sculptures suggest that the goddess held a shield that was made of one or more other materials instead of marble.
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visible; they were decorated in three separate bands: the upper and lower band had ornamental decorations. The details of the upper band have been lost, but the lower band has a wavy band on a red background. Between the two ornamental bands was a third comprising one or two
Egyptian blue decorative lines. Different elements of the statue have different stone textures: the skin is smooth, the peplos slightly less so; the surface of the aegis has been slightly roughened; and the sides of the soles of the sandals have hatching.
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165:, which is dated to the late 4th century BC., although the style of the heads differ with relation to hairstyle and headgear - the Athena Ince has a helmet. Nevertheless, the similarities suggest that the Athena with cross-strapped aegis is based on same type as the Athena Ince and several other models following the same type, but the original on which they are all based is currently unknown.
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kings. Small traces of paint were found on parts of the statue, allowing the colour of certain elements of the statue to be identified: the main body of the aegis had traces of light blue, whilst the upper hem and snakes had red traces. Details of the sides of the soles of the sandals were also still
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is the source of the statue's common name. It is formed of two separate strips which run under the arms and cross in front of the bosom and in the same space at the back. On the lower edge of the strips of the aegis there are small curves, from which small serpents emerge. These are partially carved
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The statue is largely intact, except for the right arm and one fold of her drapery. The head was made separately and then attached, as were parts of the fingers. The left arm has been reconstructed from a number of fragments. The head was only found several months after the body and was more heavily
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depicted as a brooch. Her hair is tied back from the face and held in a bun at the back of the head. Based on the existence of a hole on either side of the head just below the hairline, it is possible that the statue originally had a wreathe, or that extra locks of hair were attached. The goddess
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and is now lost; a plaster cast sits in its place. Repairs to the statue reattached parts of the left arm, and the left hand. The original neck was in fragmentary condition and plaster was added to the original head to reconstruct it.
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in free relief, and are shown winding around themselves, tying themselves into knots, and striking out. Where the aegis crosses, there is a
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410:: "Statue der Athena mit der 'Kreuzbandägis'," in Staatliche Museen zu Berlin. Preußischer Kulturbesitz. Antikensammlung (ed.):
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Dagmar
Grassinger: "Athena mit der 'Kreuzbandaegis'," in Dagmar Grassinger, Tiago de Oliveira Pinto and Andreas Scholl (ed.):
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Beyer, Immo (2013). "Die Athena mit der
Kreuzbandägis aus Pergamon: Kopie oder Original aus dem 5. Jh. v. Chr.?".
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Beyer, Immo (2013). "Die Athena mit der
Kreuzbandägis aus Pergamon: Kopie oder Original aus dem 5. Jh. v. Chr.?".
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329:. University of Cologne Archaeological Institute. Archived from the original on 25 February 2020
231:. University of Cologne Archaeological Institute. Archived from the original on 25 February 2020
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The statue follows classical models of around 430/20 BC, but it was actually made in the
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period, around 150 BC. It also shares notable similarities with the Ince Athena in the
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363:. National Museums Liverpool. Archived from the original on 3 July 2022
271:. National Museums Liverpool. Archived from the original on 3 July 2022
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Classical sculptures in the
Staatliche Museen zu Berlin
426:Die Rückkehr der Götter. Berlins verborgener Olymp
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112:. This area may have been the art collection (
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394:Griechische Plastik. Die klassische Zeit
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447:Internetkatalog der Berliner Skulpturen
321:Niemeier, Jörg-Peter; Blume, Clarissa.
223:Niemeier, Jörg-Peter; Blume, Clarissa.
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428:. Schnell + Steiner, Regensburg 2008,
357:"Statue of Athena (the 'Ince Athena')"
265:"Statue of Athena (the 'Ince Athena')"
104:in the space to the west of the north
323:"33905: Athena mit der Kreuzbandägis"
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225:"33905: Athena mit der Kreuzbandägis"
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108:of the sanctuary of Athena, near the
96:The statue was found in 1880 during
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396:. Philipp von Zabern, Mainz 1987,
16:Statue of the Greek goddess Athena
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468:Findings in Turkey outside Turkey
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75:Athena with cross-strapped aegis
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449:in the archaeological database
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85:(Inventory number AvP VII 22).
92:Athena with cross-banded aegis
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483:2nd-century Roman sculptures
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163:National Museums Liverpool
137:Athena wears a girdled
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83:Antikensammlung Berlin
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493:Sculptures of snakes
473:Sculptures of Athena
100:'s excavations of
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367:30 December
333:29 December
310:Antike Welt
275:30 December
235:29 December
189:Antike Welt
159:Hellenistic
98:Carl Humann
62:August 2019
462:Categories
169:References
151:Gorgoneion
53:; try the
40:link to it
408:Max Kunze
116:) of the
43:. Please
478:Pergamon
377:cite web
343:cite web
316:: 67–76.
285:cite web
245:cite web
195:: 67–76.
102:Pergamon
452:Arachne
327:Arachne
229:Arachne
129:by the
118:Attalid
114:museion
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142:peplos
127:looted
79:Athena
36:orphan
34:is an
146:aegis
139:Doric
430:ISBN
416:ISBN
398:ISBN
383:link
369:2022
349:link
335:2022
291:link
277:2022
251:link
237:2022
106:stoa
73:The
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