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restored and opened to the public for the first time, and many other historic rooms previously closed are now available to visit, with new lighting installed for the hammerbeam roof in the Great Hall. Furniture, lighting, soft furnishings and finishes include work by one of the country's last traditional weavers and by local blacksmiths, stonemasons and joiners, alongside items from the Tudor and later periods. Concealed solar panels and batteries, powering heat pumps, have allowed the removal of gas and oil and the estate now has net zero carbon emissions from current energy usage. The house and gardens are open to the public almost all the year.
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531:, a frequent visitor to the house who following his early career as an architect had become an advocate of sympathetic restoration of older buildings. Lafontaine followed this approach, cleaning and repairing rather than altering, and where he installed modern amenities he did so sensitively, with trench heating under elegant iron grilles in the historic rooms. Hardy's association with the house had begun as a teenager when his father was a stonemason who worked on the house., at which time he painted a watercolour of the south front including the gatehouse. His description of Bathsheba's farmhouse in
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523:. In the preceding three hundred years, with the split and often absent ownership, the house had been used as a farmhouse and was in partial disrepair, with farm buildings close to it. However, this meant that it had not seen the modernisation applied to many other country houses in the eighteenth and nineteenth century, and retained many original Tudor characteristics including an almost unaltered facade (though the gatehouse had been near collapse and was demolished by the Woods). Lafontaine was an early member of the
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rear were added around the same time. Sir
William's grandson Robert Martyn married Elizabeth Kelway and when he died, she took as her second husband Sir John Tregonwell, who had acquired significant wealth from the dissolution of the monasteries, which may have helped fund the new works, with his arms appearing in the stained glass of the new wing. The next generation also brought wealth to the family through a marriage alliance, with Sir William Martyn's great-grandson Sir Nicholas Martyn (who was
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516:. After her death, her husband was involved in a court battle for custody of their children which, unusually for the time, he lost. However, he did acquire control of the three-quarter share of Athelhampton, despite provisions in his wife's will to prevent this, and later sold it in 1848 to its tenant farmer George Wood, who also acquired the remaining one-quarter share from the Floyer family, thus bringing the estate back into single ownership for the first time in 250 years.
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White, and the youngest, Anne, to
Anthony Floyer. When Sir Nicholas died in 1596, ownership of the house and park was initially divided among them in four parts, with the shares of the elder three daughters being consolidated in the early seventeenth century into a single unit representing three-quarters, while Anne's quarter-share remained in the ownership of her descendants in the Floyer family until the mid nineteenth century.
466:. The three sons who predeceased them kneel behind their father. To the right, kneeling behind their mother, are their seven daughters, of whom four survived as co-heiresses. The Great Hall at Athelhampton contains fine stained glass, with the eight panels in the fine Oriel Window each showing the Martyn arms impaled with the various arms of families with whom they formed marriage alliances, including the Kelways and the Wadhams.
648:, Thomas explained how the Coruna, an intimate circular space enclosed by a stone wall topped with obelisks and with four gateways to adjacent 'outdoor rooms,' formed the point of intersection of two of the principal axes of his design. A visitor today standing in the Coruna can see the vistas created by these axes: the first running roughly north–south and linking the Great Court with its 12 giant
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meeting the house at the centre of its East facade (which
Lafontaine had made symmetric by adding an extra tower). All these axes were parallel to one or other of the main frontages of the house, and this, together with the series of enclosed spaces, served to draw the garden and house together in a harmonic whole, in line with Thomas' vision.
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while inside are pergolas of living apples trees. To the west, Lafontaine in 1901 asked Thomas Mawson to prepare plans to continue the works, which seem to have still been incomplete; the change of designer may have reflected Thomas being incarcerated in a Boer War prison camp at this time. Parts but
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Construction of the gardens was a major undertaking, starting with the demolition of the cowsheds and other dilapidated buildings that remained from the era when
Athelhampton had been used as a farmhouse. Lafontaine's 1899 speech to the Dorchester Field Club explains that some 40,000 tons of Ham Hill
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Each of the four Martyn daughters married; the eldest, Elizabeth, initially to Henry Brune and subsequently to Thomas Hanham (Hamon); Jane initially to
Chidiock Tichborne (executed as one of the Babington plotters in 1586) and then to Tristram Dillington and finally Edward Richards; Frances to Thomas
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The core of Inigo Thomas' design remains today, with a series of extensions that have built on his original concepts. To the east, the Lime Walk runs parallel to the second axis and flowers magnificently in Spring, and beyond that the great
Kitchen Garden is also aligned with the axes, and creates a
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At
Athelhampton, he drew these influences together in a way that he later described in a 1900 article, in which he argued that the three chief characteristics of old gardens were enclosure, subdivision, and change of level: "As you have the dining room, library and gallery, so out of doors there was
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A serious fire in 1992 destroyed most of the attic and first floor of the east wing. Investigation after the fire indicated that the layout of the rooms on the first floor, built as a service wing, had been altered since the building's inception. A life-size sketch of a classical fireplace was also
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and had extensively researched
English garden design from the Elizabethan era onwards. Around the time he worked on Athelhampton, he undertook a series of study tours across Britain and continental Europe in which he produced illustrations of landscapes, gardens and architecture some of which were
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Sir
William Martyn had the current Great Hall built in about 1485. A West Wing was added in the middle of the next century, forming an attractive oblique angle to the older building that marks it out from other houses of the same era. A gatehouse (demolished in 1862) and a large new kitchen to the
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retaining much of its original Tudor character including a magnificent Great Hall with fine hammerbeam roof, and a recently restored
Elizabethan Kitchen with a magnificent fireplace. It is surrounded by some 20 acres of gardens originally designed by Inigo Thomas in the 1890s, which are Grade I
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pyramids to the Private Garden with its rectangular pond; the second running east–west and linking what is now the Mediterranean Garden with the arrival 'court' in front of the house. Thomas defined a third axis, running parallel to the second along the middle of the rectangular lily pond and
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In 2019, after 62 years of ownership by the family, Patrick Cooke retired and the house was purchased by economist and author Giles Keating, who has undertaken further restoration. The magnificent Elizabethan kitchen, whose range had been bricked in and concealed behind modern units, has been
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for three generations in all, with his son Robert Cooke taking over in 1966 and Patrick Cooke inheriting it in 1995. The Cooke family carried out important restoration work and extension of the gardens, as well as opening the house and gardens to regular public access for the first time.
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Lafontaine put the house up for sale in 1916 and two years later it was purchased by the Cochrane family, who built the current North Wing in 1920–21 on the site of earlier structures. From 1930, it was owned by the Hon Mrs Esmond ("Peggy") Harmsworth, at that time wife of
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and a Banksian rose, which is "the court for guests to arrive in;" to their right is the circular Coruna garden which is both a space "for flowers" and an access to further such spaces; while to their left is the West Lawn, perfect for games such as croquet.
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fits Athelhampton closely (though he was also inspired by nearby Waterston house); he set the poem "The Dame of Athelhall" at the house, and his "The Children and Sir Nameless" refers to the Martyn tombs in the Athelhampton Aisle at St Mary's in neighbouring
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to create a series of "outdoor rooms," inspired by Thomas' extensive researches into gardens from the Elizabethan era onwards and his travels in Europe, and fulfilling his vision that house and garden should reflect one another in a harmonious whole.
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one court for guests to alight in, another for flowers and a third for the lawn game of the period." This vision is apparent to modern visitor walking up the main drive: ahead of them is an area in front of the house with a vast
685:, which forms the northern boundary of the formal gardens, an embankment was built that creates a waterside walkway connecting the core of Thomas' design, on the east of the house, with the Mawson areas to the west.
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this share of the estate from him to recover a debt, however, after the death of his first wife, he married the plaintiff, and the case seems to have been resolved. Mary Keightley was aunt, by marriage, of
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in 1975, after which it fell into disrepair. The church, its pews and most of the graveyard were purchased by Athelhampton Estate in order to protect the building. It is now used by the
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appears in the 13th century, when Athelhampton belonged to the de Loundres family. In 1350 Richard Martyn married the de Pydele heiress, and their descendant
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of St John, built in 1861–62 to move the old parish church away from the house. St John's was designed by the Dorchester architect John Hicks, who employed
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In 1890, the house and a limited area of land, but not the larger part of the surrounding farmland, was acquired by the antiquarian
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In a speech to the Art Workers Guild in 1896, published in the Gardener's Magazine and the Journal of the Society of Arts as
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Athelhampton Elizabethan Kitchen, restored 2022, showing the great brick range, serving hatches with dresser, and pot boilers
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withdrew 6971 from service in October 1965 and she was scrapped. The locomotive's nameplates are displayed at Athelhampton.
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not all of Mawson's plans were carried out, notably the long Yew Alley that runs south from the West Lawn, near the ancient
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505:, which brought Mary II and her husband William to the throne, took place on the West Wing staircase at Athelhampton.
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In 1957, Athelhampton was acquired by Robert Victor Cooke, and remained in the ownership of the
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further, large. outdoor room, its outer walls covered in pear trees that support roses and
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View across the Private Garden Lily Pond to the East Facade -- Inigo Thomas' Third Axis
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One of the most incredible privately-owned homes in Britain has come to the market
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or Martyn (Argent, two bars gules) impaling Wadham survives in St. Mary's Church,
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The former parish church of St John, now the Orthodox parish church of St Edward.
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The three-quarter share of the estate passed down through the Long family to
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in 1891–2, commissioned by Lafontaine. Thomas had studied architecture with
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locomotives used for passenger and freight in south and southwest England.
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revealed on the plasterwork behind panelling over an existing fireplace.
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received licence to enclose 160 acres (65 ha) of land to form a
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The heart of the gardens at Athelhampton was designed and built by
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Thomas, Inigo (1896). "The Garden in Relation to the House".
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The Coruna is the heart of Inigo Thomas' 1891-2 garden design
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William Pole-Tylney-Long-Wellesley, 4th Earl of Mornington
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in 1581) marrying Margaret, sister to and a co-heiress of
1053:"Athelhampton House contents auctioned after estate sale"
484:). In 1684 an attempt was made by Mary Keightley in the
951:"An Incident at Admiston, Dorset in the 17th Century".
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T.G.Jackson; Wadham College Oxford, pedigree of Wadham
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Orthodox parish of St. Edward, King and Passionbearer
378:, with Odbold as tenant, held the manor, then called
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Statement in 1916 Sales Particulars for Athelhampton
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756:The house has been used as a location for the film
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480:. Ownership passed to James Long Esquire (son of
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525:Society for the Protection of Ancient Buildings
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476:bought the three-quarters share in 1665 from
1003:. Orange News 9 October 2012. Archived from
1806:Grade I listed parks and gardens in Dorset
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1281:, stayed and worked between 1949 and 1957
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1127:Thomas, Inigo (1900). "Of Garden Making".
1273:where the Russian émigrée cubist painter
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979:. London: Pan Books. pp. 67 et seq.
953:Notes and Queries for Somerset and Dorset
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701:Across the former A35 road is the former
1271:"Marevna's Studio" at Athelhampton House
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814:. Dorset County Council. 20 January 2015
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450:Sir Nicholas Martyn and Lady Margaret's
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362:to form "Athelhampton and Puddletown".
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940:. London: John Murray. pp. 90–97.
657:stone were used in the construction.
421:Register of Historic Parks and Gardens
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1001:"Stately home owner's labour of love"
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1356:Bournemouth, Christchurch and Poole
1163:The Visitation to Athelhampton Hall
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646:The Garden in Relation to the House
454:, showing them kneeling between an
338:of Athelhampton and Puddletown, in
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1791:Grade I listed buildings in Dorset
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1080:. Autumn 2022 (Autumn 2022): 8–15.
895:National Heritage List for England
865:National Heritage List for England
14:
1827:
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1786:Historic house museums in Dorset
1512:List of civil parishes in Dorset
1106:. Cambridge Library Collection.
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664:The Kitchen Garden Apple Pergola
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1670:Population of major settlements
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703:Church of England parish church
352:Church of England parish church
1144:Journal of the Society of Arts
1072:Probert, James (Autumn 2022).
1042:9. Spring 1993. ISSN 0957-0241
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834:"Dorset Registration District"
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860:"Athelhampton Hall (1323995)"
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596:Gardens at Athelhampton House
1104:The Formal Garden in England
1102:Blomfield, Reginald (2013).
611:The Formal Garden in England
7:
1161:Lafontaine, Alfred (2021).
975:Roberts, Geraldine (2016).
791:The Chimneys of Green Knowe
482:Sir James Long, 2nd Baronet
425:Historic Houses Association
92:Athelhampton and Puddletown
21:Human settlement in England
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533:Far From the Madding Crowd
439:(co-founder with his wife
1745:Grade II listed buildings
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16:Hamlet in Dorset, England
1796:Country houses in Dorset
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1237:The Buildings of England
890:"Athelhampton (1000430)"
812:"Parish Population Data"
776:The Unicorn and the Wasp
774:(1976) and the episode "
681:. Along the side of the
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1078:Historic House Magazine
527:and an acquaintance of
79:30 (2013 estimate)
1165:. Athelhampton Press.
936:Lloyd, Rachel (1967).
736:steam locomotive 6971
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609:used in the 1892 book
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445:Wadham College, Oxford
191:Postcode district
119:Ceremonial county
101:Unitary authority
1801:Grade I listed houses
1074:"Same as it Ever Was"
977:The Angel and the Cad
734:Great Western Railway
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606:Charles Robert Ashbee
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562:Douglas Fairbanks Jnr
510:Catherine Tylney-Long
356:Dorset County Council
711:Diocese of Salisbury
521:Alfred de Lafontaine
224:Dorset and Wiltshire
169:Sovereign state
1755:Scheduled monuments
1377:(cities in italics)
1349:Unitary authorities
1007:on 12 November 2014
938:Dorset Elizabethans
742:Modified Hall Class
719:Antiochian Orthodox
713:declared St John's
543:Lafontaine engaged
503:Glorious Revolution
376:Bishop of Salisbury
346:. It consists of a
302: /
1474:Sturminster Newton
1265:Athelhampton House
1243:. pp. 80–83.
1091:Visit Athelhampton
740:was one of the 71
729:Railway locomotive
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396:licence to fortify
388:Sir William Martin
306:50.7476°N 2.3267°W
247:UK Parliament
1811:Hamlets in Dorset
1781:Gardens in Dorset
1763:
1762:
1699:English Civil War
1375:Major settlements
1360:areas and suburbs
1335:Ceremonial county
1239:. Harmondsworth:
1229:Pevsner, Nikolaus
1172:978-0-9555815-3-3
986:978-1-4472-8352-2
788:(2009), based on
785:From Time to Time
771:The Seeds of Doom
738:Athelhampton Hall
709:at the time. The
554:Esmond Harmsworth
486:Court of Chancery
433:Sheriff of Dorset
402:Athelhampton Hall
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1504:Wimborne Minster
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1394:Bournemouth
1203:TripAdvisor
818:17 February
630:grandiflora
398:the manor.
382:. The name
348:manor house
309: /
255:West Dorset
1770:Categories
1690:Healthcare
1469:Stalbridge
1444:Lyme Regis
1439:Highcliffe
1434:Gillingham
1424:Dorchester
1409:Chickerell
1404:Broadstone
1384:Beaminster
1011:27 October
901:9 February
871:9 February
798:References
765:Doctor Who
721:parish of
538:Puddletown
499:Queen Anne
464:Puddletown
460:FitzMartin
456:escutcheon
384:Aethelhelm
360:Puddletown
344:Dorchester
294:50°44′51″N
184:Dorchester
145:South West
76:Population
1735:Transport
1680:Geography
1508:See also:
1464:Sherborne
715:redundant
490:sequester
392:deer park
332:Adminston
297:2°19′36″W
231:Ambulance
179:Post town
1650:Churches
1499:Weymouth
1429:Ferndown
1399:Bridport
1231:(1972).
1058:BBC News
840:2 August
782:'s film
679:dovecote
672:Clematis
628:Magnolia
328:Admiston
1725:Museums
1710:Tourism
1705:Schools
1695:History
1675:Geology
1660:Economy
1645:Beaches
1614:Tarrant
1494:Wareham
1489:Verwood
1479:Swanage
1294:in the
1279:Marevna
1221:Sources
1208:5 April
836:. UKBMD
768:serial
566:Marevna
441:Dorothy
278:England
161:England
155:Country
1730:People
1665:Places
1628:Topics
1599:Piddle
1549:Bourne
1522:Rivers
1449:Merley
1366:Dorset
1341:Dorset
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759:Sleuth
558:Coward
394:and a
380:Pidele
340:Dorset
283:Dorset
212:Dorset
207:Police
137:Region
127:Dorset
109:Dorset
66:Dorset
1685:SSSIs
1604:Stour
1594:Moors
1589:Hooke
1584:Frome
1579:Crane
1574:Corfe
1564:Cerne
1554:Bride
1534:Asker
1529:Allen
1484:Upton
1454:Poole
410:is a
366:Manor
1635:Flag
1569:Char
1559:Brit
1539:Avon
1245:ISBN
1210:2019
1167:ISBN
1108:ISBN
1013:2012
981:ISBN
903:2016
873:2016
842:2024
820:2015
560:and
497:and
408:hall
406:The
370:The
219:Fire
1619:Wey
1544:Axe
1338:of
650:yew
613:.
488:to
443:of
330:or
196:DT2
1772::
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