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Ashcan comic

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57: 2388: 66: 2377: 2365: 304: 2398: 187:. For each issue, Burden had magazine-sized prototype editions printed and shared them with friends and people who assisted with production. Some were also sent to retailers as advance previews to generate interest in his comic. Fewer than forty copies of each prototype were made, and Burden described them as ashcans. 149:
were commonly called "ash cans" because they were used to hold ashes and soot from wood and coal heating systems. The term was applied to these editions of comics because they had no value and were meant to be thrown away after being accepted by the Trademark Office. Some spare copies were given to
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instead of a finished product, and the practice of creating and submitting ashcans was abandoned when publishers began to consider it an unnecessary effort lawyers used to justify a fee. Because of their rarity, ashcans from this era are desired by collectors and often fetch a high price. In April
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developed the ashcan edition, which was the same size as regular comics and usually had a black and white cover. Typically, cover art was recycled from previous publications with a new title pasted to it. Interior artwork ranged from previously published material in full color to unfinished
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into believing the book had actually been published. Clerks at the office would accept the hastily produced material as legitimate, granting the submitting publisher a trademark to the title. Since the ashcans had no other use, publishers printed as few as two copies; one was
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ashcans prompted imitation, and for the next year nearly every new Image series had a corresponding ashcan. Typical print run for Image ashcans was between 500 and 5,000. Soon, other publishers began releasing ashcans in a variety of sizes and formats. In 1993,
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and made available for mass consumption. In the film and television industries, the term "ashcan copy" has been adopted for low-grade material created to preserve a claim to licensed property rights.
204:#1, but this ashcan was created for mass release. Instead of denoting the material as worthless, Liefeld's usage implied rarity and collectability. This ashcan was the first publication from 2257: 611: 515: 2071: 621: 594: 150:
editors, employees, and visitors to keep as souvenirs. Changes to the United States trademark law in 1946 allowed publishers to register a trademark with an
39:, who applied it to prototypes of his self-published comic book. Since the 1990s, the term has been used to describe promotional materials produced in large 27:
originally created solely to establish trademarks on potential titles and not intended for sale. The practice was common in the 1930s and 1940s when the
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market in comics in the mid-1990s, the term has been used by publishers to describe booklets promoting upcoming comics. Established publishers such as
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used ashcans more frequently than any other publisher. Not all the titles secured through ashcan editions were actually used for regular publications.
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The term has been appropriated by the film and television industries to refer to low-quality material made specifically to preserve rights to a
2262: 2150: 2076: 260:, which often expire if unused for a set period of time. One of the earliest examples of this practice is the 1967 animated adaptation of 2023: 477: 2310: 151: 2305: 2219: 2108: 1620: 1346: 783: 2267: 669: 2224: 1639: 114:. Some ashcans were only covers with no interior pages. Production quality on these works range from being hand-stapled with 2432: 2125: 1859: 267: 225: 2214: 2028: 1627: 1531: 1234: 1175: 438: 240:
continue to use ashcan copies as part of their marketing plans for new titles. Aspiring creators also apply the term to
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to further establish publication dates, but nearly all ashcan comic editions were limited to five copies or fewer.
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The modern comic book was created in the 1930s, and grew rapidly in popularity. In the competition to secure
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in 1939, but learned after submission the title was already trademarked. The material was later published as
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the Trademark Office, the other was kept for their files. Occasionally, publishers would send copies to
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Christensen, William A; Seifert, Mark (February 1994). "Evolution of the Ashcan".
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to machine-stapled and machine trimmed. Once the practice was established,
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advertised ashcan editions of new properties with print runs of 50,000.
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Colabuono, Gary (September 1999). "Absolutely Amazing DC Ashcans".
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industry was in its infancy, but was phased out after updates to
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Association des Critiques et des journalistes de Bande Dessinée
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they use to demonstrate their abilities to hiring editors at
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on titles intended to sound thrilling, publishers including
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Comic book produced only for legal or promotional reasons
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Mallette, Jack (November 1986). "Bob Burden (part 1)".
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Action Comics #1 Ashcan Sells For $ 204,000 At Auction
756:"C2E2: Bobby Curnow Unleashes "Battle Beasts" at IDW" 299: 125:The purpose of the ashcan editions was to fool the 406: 208:, a publisher started by popular artists during a 2273:Comic & Fantasy Art Amateur Press Association 743:: Warrior Publications. August 1993. p. 125. 2414: 2072:Comics and comic strips made into feature films 540: 2263:Canadian Comic Book Creator Awards Association 2151:Michigan State University Comic Art Collection 583:Colabuono, Gary (July 1993). "Ashcan Comics". 945: 331: 2311:British Amateur Press Association (comics) 2109:Billy Ireland Cartoon Library & Museum 952: 938: 2306:Academy of Comic-Book Fans and Collectors 2220:Association of Comics Magazine Publishers 875: 582: 512: 366:"The History of Comics: Decade by decade" 2268:Canadian Society for the Study of Comics 878:"The Weird History of the "Ashcan Copy"" 813: 781: 711: 897: 753: 541:Hamerlinck, Paul; Daigh, Ralph (2001). 436: 402: 400: 398: 396: 394: 392: 390: 388: 386: 337: 266:. Other prominent examples include the 35:. The term was revived in the 1980s by 2415: 578: 576: 574: 572: 570: 568: 476:Malito, Alessandra (October 9, 2017). 475: 363: 251: 2126:Caricature & Cartoon Museum Basel 933: 871: 869: 705: 606: 604: 536: 534: 508: 506: 504: 502: 500: 248:or as part of a submissions package. 2077:Comics solicited but never published 845: 636: 471: 469: 467: 465: 432: 430: 428: 383: 2397: 2225:Australian Cartoonists' Association 2215:Association of Canadian Cartoonists 903: 852:. Potter/Ten Speed/Harmony/Rodale. 667: 565: 364:Ramsey, Taylor (February 5, 2013). 13: 876:Wirestone, Clay (March 13, 2015). 866: 807: 702:. April 19, 2021 by Rich Johnston. 620:. January 31, 2012. Archived from 601: 544:Fawcett Companion: The Best of FCA 531: 497: 274:from 1994, the low-budget sequels 14: 2444: 814:Johnston, Rich (March 12, 2015). 782:Johnston, Rich (April 20, 2017). 462: 425: 2396: 2387: 2386: 2375: 2363: 2326:Comic Legends Legal Defense Fund 2240:Samahang Kartunista ng Pilipinas 2141:Fred Waring's Cartoon Collection 668:Cox, Brian L (August 13, 2011). 437:Seifert, Mark (August 1, 2014). 302: 173:comic book collector and dealer 127:US Patent & Trademark Office 64: 55: 2156:Museum of Comic and Cartoon Art 839: 775: 747: 726: 689: 661: 338:Hembeck, Fred (June 18, 2003). 286:, and a TV pilot adaptation of 46: 2230:Comic Art Professional Society 970:Glossary of comics terminology 754:Dietsch, TJ (April 12, 2012). 357: 242:hand-stapled photocopied books 1: 2321:Comic Book Legal Defense Fund 324: 2235:National Cartoonists Society 2024:Based on television programs 849:Drawing Cutting Edge Anatomy 519:. Vol. 2, no. 71. 340:"Johnny Thunder and Shazam!" 164: 7: 2433:United States trademark law 2166:Words & Pictures Museum 295: 226:collapse of the speculation 212:. The sales success of the 210:boom period for comic books 136:distributors or wholesalers 10: 2449: 2210:Academy of Comic Book Arts 2182:Center for Cartoon Studies 2104:Belgian Comic Strip Center 959: 904:Ito, Robert (March 2005). 846:Hart, Christopher (2014). 77:created an ashcan copy of 2358: 2316:Club des bandes dessinĂ©es 2296: 2248: 2202: 2195: 2174: 2094: 2050:Best-selling comic series 2037: 2006: 1975: 1966: 1946: 1835: 1739: 1689: 1673: 1664: 1628:Portrayal of black people 1593: 1540: 1380: 1369: 1302: 1275: 1222: 1189: 1134: 1098: 976: 967: 161:#1 sold for US$ 204,000. 99:All-American Publications 194:applied the term to two 155:2021, an ashcan copy of 2121:British Cartoon Archive 2114:National Cartoon Museum 283:Hellraiser: Revelations 277:Porky's Pimpin' Pee Wee 190:In 1992, comic creator 2331:Finnish Comics Society 2288:Svenska Serieakademien 2278:Comics Studies Society 2146:Gibiteca Antonio Gobbo 1650:Women in Refrigerators 1645:The Hawkeye Initiative 1283:Female comics creators 516:Comic Book Marketplace 246:comic book conventions 198:prototype versions of 2067:Comic books on CD/DVD 1317:Comics historiography 549:TwoMorrows Publishing 180:Flaming Carrot Comics 2283:Sequart Organization 2029:Based on video games 1611:Gender and webcomics 1176:Publishing companies 761:Comic Book Resources 595:Warrior Publications 419:Wizard Entertainment 2423:Comics publications 2341:The Hero Initiative 1621:American mainstream 1423:Comics in education 1026:Comic strip formats 525:Gemstone Publishing 252:Film and television 25:American comic book 2428:Comics terminology 2382:Cartoon portal 2136:The Cartoon Museum 2131:Cartoon Art Museum 1855:France and Belgium 1640:Portrayal of women 1633:African characters 1601:Ethnic stereotypes 527:, Inc. p. 24. 258:licensed character 2410: 2409: 2370:Comics portal 2354: 2353: 2187:The Kubert School 2090: 2089: 1962: 1961: 1660: 1659: 1585:Widescreen comics 1428:Comics journalism 1298: 1297: 1090:Political cartoon 1031:Daily comic strip 906:"Fantastic Faux!" 741:Lombard, Illinois 733:"Advertisement". 722:. pp. 22–41. 591:Lombard, Illinois 344:The Hembeck Files 289:The Wheel of Time 230:Dark Horse Comics 219:Triumphant Comics 185:Aardvark-Vanaheim 23:is a form of the 2440: 2400: 2399: 2390: 2389: 2380: 2379: 2368: 2367: 2346:Xeric Foundation 2200: 2199: 2014:Based on fiction 1973: 1972: 1747:China and Taiwan 1671: 1670: 1470:Graphic medicine 1413:Autobiographical 1378: 1377: 1356:Japanese (manga) 1262:Japanese (manga) 1187: 1186: 954: 947: 940: 931: 930: 924: 923: 921: 919: 901: 895: 894: 892: 890: 873: 864: 863: 843: 837: 836: 834: 832: 811: 805: 804: 802: 800: 779: 773: 772: 770: 768: 751: 745: 744: 736:Hero Illustrated 730: 724: 723: 720:Fictioneer Books 715:Comics Interview 709: 703: 693: 687: 686: 684: 682: 665: 659: 658: 656: 654: 640: 634: 633: 631: 629: 624:on June 26, 2018 608: 599: 598: 586:Hero Illustrated 580: 563: 562: 538: 529: 528: 510: 495: 494: 492: 490: 473: 460: 459: 457: 455: 434: 423: 422: 404: 381: 380: 378: 376: 361: 355: 354: 352: 350: 335: 312: 307: 306: 68: 59: 33:US trademark law 2448: 2447: 2443: 2442: 2441: 2439: 2438: 2437: 2413: 2412: 2411: 2406: 2374: 2362: 2350: 2336:Friends of Lulu 2298: 2292: 2250: 2244: 2191: 2170: 2096: 2095:Collections and 2086: 2060:manga magazines 2033: 2002: 1993:Manga magazines 1958: 1942: 1831: 1735: 1685: 1656: 1589: 1560:Talking animals 1536: 1497:Science fiction 1408:Anthropomorphic 1374:and narratology 1373: 1365: 1312:Years in comics 1294: 1271: 1235:Jewish American 1218: 1185: 1130: 1094: 1014:Trade paperback 972: 963: 958: 928: 927: 917: 915: 902: 898: 888: 886: 874: 867: 860: 844: 840: 830: 828: 812: 808: 798: 796: 780: 776: 766: 764: 752: 748: 732: 731: 727: 718:. No. 40. 710: 706: 694: 690: 680: 678: 675:Chicago Tribune 666: 662: 652: 650: 642: 641: 637: 627: 625: 610: 609: 602: 581: 566: 559: 551:. p. 107. 547:. Raleigh, NC: 539: 532: 511: 498: 488: 486: 474: 463: 453: 451: 435: 426: 413:. 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Index

American comic book
comic book
US trademark law
Bob Burden
print runs
refer to caption
refer to caption
Fawcett Comics
Whiz Comics
trademarks
All-American Publications
Fawcett Comics
pencils
word balloons
untrimmed pages
DC Comics
US Patent & Trademark Office
sent to
distributors or wholesalers
registered mail
garbage cans
intent to use
Action Comics
Golden Age
Bob Burden
Flaming Carrot Comics
Aardvark-Vanaheim
Rob Liefeld
digest-sized
Youngblood

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