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436:. Conder and Roberts joined Streeton at Eaglemont in January 1889 and helped make some modest improvements to the house. Despite austere living conditions, Streeton felt content: "Surrounded by the loveliness of the new landscape, with heat, drought, and flies, and hard pressed for the necessaries of life, we worked hard, and were a happy trio." Streeton and Conder quickly became friends and influenced one another's art. Their shared love of
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616:, his largest harbour composition, as "an elegiac image of what believed would be lost" if the project went head. When it went on exhibition later that year, the Art Gallery of New South Wales acquired the work and publicly endorsed Streeton's protests. The government, in the face of mounting backlash, was forced to abandon the mining project.
805:, receiving his movement order on 8 May 1918. He worked in France, with a break in August, until October 1918. Expected by the Commonwealth to produce sketches and drawings that were "descriptive", Streeton concentrated on the landscape of the scenes of war and did not attempt to convey the human suffering. Unlike the more famous
458:(1890, taken from Gordon's poem "Doubtful Dreams"). Later, critics would describe some of the pair's Eaglemont paintings as companion pieces, as both artists often painted the same views and subjects using a high-keyed "gold and blue" palette, which Streeton considered "nature's scheme of colour in Australia".
588:
Sydney
Harbour inspired many of Streeton's most poetic Symbolist paintings, a number of which infuse the Australian landscape with mythological subjects. The city also spurred his interest in the decorative arts as he painted on fans, furniture, musical instruments and other objects. The influence of
607:
It seems likely that charming
Cremorne is to pass away and leave a dismal eyesore ... Where once was youth with their sweethearts in white muslin gathered joyfully for merriment and sport, making Cremorne a happy pastoral, we would have instead a numerous fleet of grimy coal ships, hulks, smoke and
728:
in
February 1907 while staying with his patrons the Pinschofs at Hohe Warte. These included the notable five feet by three feet Australia Felix (a view from Mt. Toorong) and a number of other smaller paintings. He returned to London in October. Paintings done in Venice in September 1908, including
571:
later joined him also, continuing their artistic friendship. From 1891, Streeton began travelling widely in rural New South Wales. As well as painting scenes of Sydney
Harbour and Coogee, and urban scenes of Sydney, it was during the early to mid-1890s that he painted some of his major rural
393:, 1890), and slept upon the floor, the rooms being bare of furniture. Of his first few nights at the house, Streeton said it was "creaking and ghostly. A long dark corridor seemed full of past visions, and out of doors a blurred rich blackness against the sharp brilliance of the
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depicting the definitive moments of battle, Streeton produced "military still life", capturing the everyday moments of the war. Streeton explained what was at that time an unconventional point of view – a perspective which was based in experience:
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criticising a proposal by a mining company to develop a colliery on the shores of Sydney Harbor, which would necessitate the cutting down of a great many gum trees. His letter, which came to be known as "Streeton's shriek", read in part:
417:. Like Streeton, Withers painted from nature amidst suburban bush around Melbourne, employing earthy colours with loose, impressionistic brushstrokes. By the end of 1888, he became a weekend visitor to the camp.
712:
in 1903. Although he had developed a considerable reputation in
Australia, he failed to achieve the same success in England. His trips to London were financed by the sales of his paintings at home in Australia.
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286:, which Streeton considered "the first fine landscape painted in Victoria". On the return journey to Heidelberg, wet canvas in hand, Streeton met Charles Davies, brother-in-law of friend and fellow
1673:
735:, were exhibited in Australia in July 1909 as "Arthur Streeton's Venice". In Australia again in April 1914 he held exhibitions in Sydney and Melbourne and went back to England in early 1915.
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On 2 June 1890, in the wake of an economic depression in
Melbourne, Strreeton sailed to Sydney, and initially stayed there with his sister in the suburb of Summer Hill. He soon relocated to
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movement, later also called
Australian impressionism. Streeton's work rapidly improved during this period, and by 1888 he was widely considered one of Victoria's most gifted young painters.
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310:(as it became known) was the ideal working environment—a reasonably isolated rural location accessible by public transport. The house itself could be seen by visitors as they arrived at
998:, was sold for A$ 2.04 million (A$ 1.853 million before tax), becoming only the second painting by an Australian artist to exceed the A$ 2 million mark at auction (after
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941:(1890) became the first painting by an Australian artist, and only the second painting by a Western artist outside Europe, to hang in the permanent collection of the
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397:... But tobacco and wine weighed healthily against the darkness". He descended the hill daily to Heidelberg village for meals before jaunting into the bush with a
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Streeton spent the first few nights at
Eaglemont alone with the estate's tenant farmer Jack Whelan (who appears in Streeton's "pioneer" painting
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True pictures of battlefields are very quiet looking things. There's nothing much to be seen, everybody and thing is hidden and camouflaged.
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artists' camp on Sydney
Harbour, where he painted many views of his natural surroundings and was visited by a number of artists, including
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in 1874. His parents were
English migrants who had met on their voyage to Australia in 1854. In 1882, Streeton commenced art studies with
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sold at auction for A$ 800,000 and this remained the record auction price for Streeton's work until 23 May 2005, when his 1890 painting,
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of paints and canvases. The first artists to paint with Streeton at Eaglemont were the National Gallery students Aby Altson and
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Streeton's paintings are amongst the most collectible of Australian artists and attracted high prices during his lifetime.
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595:(hung scrolls), is evidenced in the extreme vertical formats and compositional elements he favoured around this time.
226:, beginning a two-year period of close creative companionship, and forming the core group of what became known as the
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894:(1890) became the second painting by an artist outside Europe to hang in the permanent collection of England's
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444:'s lyrical verse is revealed in the titles of some of their Eaglemont paintings, including Streeton's romantic
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156:, on 8 April 1867, the fourth child of Charles Henry and Mary (née Johnson) Streeton. His family moved to the
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1807:
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https://auctions.smithandsinger.com.au/lots/view/1-2DWAYU/view-from-mt-toorong-study-for-australia-felix-1907
1365:
Lane, Terrace (2007). "Chapter 8: Painting on the Hill of Gold: Heidelberg 1888–90". In Lane, Terrace (ed.).
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801:, holding the rank of Honorary Lieutenant, and he travelled to France on 14 May 1918 and was attached to the
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1692:"Arthur Streeton's Blue Pacific at the National Gallery in London: mystery owner revealed as Jeff d'Albora"
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In Sydney, Streeton produced many paintings with extreme horizontal or vertical orientations (Pictured:
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s status as an environmental protest painting is considered groundbreaking in Australian art history.
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In 2008, three expatriate Australian classical musicians living in Geneva, Switzerland founded a
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to Europe where it became the first painting by an Australian-born artist to be exhibited at the
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1406:
The Story of Australian Art: From the Earliest Known Art of the Continent to the Art of To-day
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with some enthusiasm. In 1906, Streeton returned to Australia and completed some paintings at
477:(1890)—each a sunlit pastoral scene of golden-paddocked plains stretching to the distant blue
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2017:
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1541:"Musketeers of Brush and Pencil with the A.I.F.: Art Under Fire: The Battlefield as Studio"
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Studio portrait of Lieutenant Streeton, official war artist, with his son Charles and wife
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1982:
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of 1888, Streeton travelled by train to the attractive agricultural and grazing suburb of
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3.5 million, both times setting a sales record for an Australian painting. In 1985,
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Streeton's works appear in many major Australian galleries and museums, including the
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The letter helped raise public alarm over the proposal, and in 1895, Streeton painted
294:. Charles gave him "artistic possession" of an abandoned homestead atop the summit of
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is named after Sir Arthur, as is Streeton Primary School, in the Melbourne suburb of
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Streeton was exhibiting and perhaps painting in the studio of his friend Roberts at
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872:, a Canadian violinist, in 1908. Streeton died in September 1943. He is buried at
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2007:
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432:, having been influenced by the painterly techniques of expatriate impressionist
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1274:
Australian Artists at War: Compiled from the Australian War Memorial Collection.
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1006:, which sold for A$ 2.3 million in 1998). The painting was part of the
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His time in England reinforced a strong sense of patriotism towards the
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During the summer of 1886–87, Streeton, aged nineteen, first befriended
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1718:"Arthur Streeton's Grand Canal sells for record $ 3 million at auction"
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Sydney Harbour, New South Wales, 1894, State Library of New South Wales
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There is also a memorial for Streeton just outside Geelong, Victoria.
424:, who travelled down from Sydney in October 1888 at the invitation of
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1674:"Arthur Streeton hanging out with art toffs in UK’s National Gallery"
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Smith & Singer. View from Mt Toorong (Study for Australia Felix)
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1912:
771:) at the age of 48. He worked at the 3rd London General Hospital in
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Two of Streeton's best-known works were painted during this period—
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1014:. That record was eclipsed when, on 21 April 2021, Streeton's
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In 1885, Streeton exhibited works for the first time with the
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Streeton was made an Australian Official War Artist with the
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428:. One year Streeton's junior, Conder was already a committed
1347:"Eaglemont in the Eighties: Beginnings of Art in Australia"
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in 1924 and in 1995 it was bought in a private sale by the
935:. In September 2015, Streeton's Coogee clifftop landscape
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in the Dandenongs where he continued to paint. He won the
846:. Streeton built a house on five acres (20,000 m) at
179:. He found employment as an apprentice lithographer under
1390:
STREETON, Arthur | The selector's hut (Whelan on the log)
945:, London. It sits alongside major impressionist works by
128:(8 April 1867 – 1 September 1943) was an Australian
1369:. National Gallery of Victoria. pp. 123–127.
1430:STREETON, Arthur | 'Above us the great grave sky'
472:Still glides the stream, and shall for ever glide
354:Still glides the stream, and shall for ever glide
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1329:NGV Collection > Summer afternoon, Templstowe
838:After the war, Streeton resumed painting in the
1243:"Sir Arthur Streeton | Monument Australia"
687:
567:, who stayed at the camp for extended periods.
2591:National Gallery of Victoria Art School alumni
2531:Members of the Royal Institute of Oil Painters
1928:
1808:
1769:Dictionary of Australian Art, Arthur Streeton
420:About the same time, Streeton met the artist
255:
2571:Australian military personnel of World War I
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1331:, ngv.vic.gov.au. Retrieved 23 October 2011.
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2132:Winter morning after rain, Gardiner's Creek
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1443:"The Artists | Arthur Streeton - Biography"
1341:
1339:
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1935:
1921:
1815:
1801:
1690:Schwartzkoff, Louise (18 September 2015).
1287:"Streeton, Sir Arthur Ernest (1867–1943),"
1259:"Streeton, Sir Arthur Ernest (1867–1943),"
692:In 1897 Streeton sailed for London on the
31:
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1291:Australian Dictionary of Biography Online
1262:Australian Dictionary of Biography Online
2596:Military personnel from Victoria (state)
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1459:
1432:, nga.gov.au. Retrieved 8 November 2011.
1392:, nga.gov.au. Retrieved 23 October 2011.
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960:
883:
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298:, offering spectacular views across the
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2409:National Gallery of Victoria Art School
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902:Streeton Drive, a main thoroughfare in
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2394:Exhibition of Australian Art in London
1672:Boland, Michaela (18 September 2015).
1642:. Art Gallery of New South Wales. 1928
1487:"PICTURESQUE SYDNEY AND THE COAL BORE"
1229:"Births deaths and marriages Victoria"
1183:, 1896, Art Gallery of New South Wales
1089:, 1893, Art Gallery of New South Wales
1044:, 1889, Art Gallery of South Australia
1010:collection and was sold at auction by
682:, 1895, Art Gallery of New South Wales
652:, 1891, Art Gallery of New South Wales
391:The selector's hut (Whelan on the log)
2561:British Army personnel of World War I
1942:
1916:
1796:
1266:
1198:, 1897, National Gallery of Australia
1134:, 1895, National Gallery of Australia
1104:, 1895, National Gallery of Australia
1074:, 1893, National Gallery of Australia
868:for services to the arts. He married
826:(1918), are in the collection of the
2516:Australian people of English descent
2501:20th-century Australian male artists
2491:19th-century Australian male artists
1764:Arthur Streeton on Picture Australia
1745:Artist's footsteps – Arthur Streeton
1364:
1345:Streeton, Arthur (16 October 1934).
1254:
1252:
1153:, 1896, National Gallery of Victoria
598:In 1893, Streeton wrote in Sydney's
237:Streeton (standing) with Roberts in
132:painter and a leading member of the
2268:The purple noon’s transparent might
1871:The purple noon's transparent might
1822:
1285:Galbally, Ann E. Galbally. (1990).
1149:The purple noon's transparent might
708:in 1900 and became a member of the
700:before continuing on via Cairo and
13:
2601:People from the Colony of Victoria
864:from 1929 to 1935 and in 1937 was
14:
2612:
2566:Royal Army Medical Corps soldiers
1759:Arthur Streeton at Australian Art
1738:
1570:First World War, Arthur Streeton.
1512:"Arthur Streeton’s green protest"
1249:
284:Summer afternoon near Templestowe
2496:20th-century Australian painters
2486:19th-century Australian painters
1981:
1716:O'Brien, Kerrie (1 April 2021).
1616:. Art Gallery of New South Wales
1589:. Art Gallery of New South Wales
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856:Afternoon Light, Goulburn Valley
818:Two paintings from this period,
755:Along with other members of the
720:and, like many, anticipated the
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1547:, (1 February 1919), p. 4.
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1460:Bonyhady, Tim (December 2020).
1453:
1435:
1423:
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704:. He held an exhibition at the
2586:People from Richmond, Victoria
1781:The domes of St. Mark's (1908)
1754:Art Gallery of New South Wales
1322:
1296:
1235:
1221:
833:
828:Art Gallery of New South Wales
525:at Curlew Camp, Sydney Harbour
361:Art Gallery of New South Wales
16:Australian painter (1867–1943)
1:
2511:Australian landscape painters
1215:
984:National Gallery of Australia
931:and state galleries, and the
929:National Gallery of Australia
738:
335:National Gallery of Australia
143:
2541:Paintings by Arthur Streeton
2374:9 by 5 Impression Exhibition
2252:In a corner on the Macintyre
1894:9 by 5 Impression Exhibition
1087:The Railway Station, Redfern
688:Overseas and life in England
501:, London, and was awarded a
453:Above us the great grave sky
381:National Gallery of Victoria
222:. They were later joined by
7:
2506:Australian Knights Bachelor
1119:, 1895, Bendigo Art Gallery
1072:The Point Wharf, Mosman Bay
1024:for A$ 3.068 million.
858:. He was an art critic for
10:
2617:
2053:Charles Douglas Richardson
1168:, 1895, private collection
1166:The Path to Podge Newton's
1059:, 1890, private collection
1027:
667:, 1892, private collection
635:, 1890, private collection
572:landscapes, including the
312:Heidelberg railway station
259:
256:Eaglemont camp, Heidelberg
198:, 1888, private collection
126:Sir Arthur Ernest Streeton
2439:
2431:Victorian Artists Society
2366:
2353:George Washington Lambert
2330:
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2107:
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1990:
1979:
1950:
1881:
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1786:25 September 2009 at the
1696:The Sydney Morning Herald
1680:. Retrieved 1 March 2016.
1663:. Retrieved 18 April 2014
1608:Streeton, Arthur (1918).
1581:Streeton, Arthur (1918).
1132:The Spirit of the Drought
956:
879:
799:Australian Imperial Force
513:Sydney and travels inland
186:
113:
103:
95:
76:
46:
30:
23:
2581:Australian male painters
2576:Australian Army officers
2455:Visual arts of Australia
2404:Heidelberg Artists Trail
2180:Golden Summer, Eaglemont
1855:Golden Summer, Eaglemont
1447:www.artistsfootsteps.com
1367:Australian Impressionism
1020:(1908) was auctioned in
976:Golden Summer, Eaglemont
775:and reached the rank of
765:Royal Army Medical Corps
495:Golden Summer, Eaglemont
464:Golden Summer, Eaglemont
330:Golden Summer, Eaglemont
177:Victorian Academy of Art
138:Australian Impressionism
37:Portrait of Streeton by
1614:AGNSW collection record
1587:AGNSW collection record
1566:Australian War Memorial
933:Australian War Memorial
722:coming war with Germany
170:National Gallery School
2521:Australian war artists
2379:Box Hill artists' camp
2322:James McNeill Whistler
1545:The (Melbourne) Herald
1308:The Western Australian
1272:Reid, John B. (1977).
1057:Sunlight Sweet, Coogee
996:Sunlight Sweet, Coogee
971:
899:
816:
794:
752:
610:
589:Japanese art, such as
526:
282:painted his 1866 work
241:
199:
150:Mount Moriac, Victoria
51:Arthur Ernest Streeton
25:Arthur Ernest Streeton
2421:Sydney artists' camps
2033:Albert Henry Fullwood
1722:Sydney Morning Herald
1556:Galbally (1979) p.67.
1410:Angus & Robertson
1196:House builders, Cairo
978:sold for around 1000
964:
887:
870:Esther Leonora Clench
812:
785:
746:
633:McMahon's Point Ferry
605:
565:Albert Henry Fullwood
520:
491:Boyd artistic dynasty
236:
194:
148:Streeton was born in
90:, Victoria, Australia
2536:Orientalist painters
2302:Jules Bastien-Lepage
2260:On the Wallaby Track
2156:A holiday at Mentone
2023:John Llewellyn Jones
1583:"Villers Bretonneux"
407:John Llewellyn Jones
266:Heidelberg, Victoria
2556:Wynne Prize winners
2551:World War I artists
2546:People from Geelong
1462:"Streeton's shriek"
924:after the painter.
442:Adam Lindsay Gordon
262:Eaglemont, Victoria
2399:Grosvenor Chambers
2038:John Ford Paterson
1963:Frederick McCubbin
1640:AGNSW prize record
1304:"Melbourne Gossip"
1000:Frederick McCubbin
972:
900:
820:Villers Bretonneux
795:
753:
618:Cremorne pastoral'
527:
521:Streeton painting
503:Mention honourable
296:Mount Eagle estate
246:Grosvenor Chambers
242:
239:Grosvenor Chambers
208:Frederick McCubbin
200:
2526:Heidelberg School
2463:
2462:
2236:The Golden Fleece
2204:Shearing the Rams
1944:Heidelberg School
1910:
1909:
1903:(1985 miniseries)
1889:Heidelberg School
1493:. 9 December 1893
757:Chelsea Arts Club
710:Chelsea Arts Club
680:Cremorne pastoral
614:Cremorne pastoral
228:Heidelberg School
134:Heidelberg School
123:
122:
108:Heidelberg School
2608:
2415:One Summer Again
2312:George Folingsby
2172:Down on His Luck
2140:Charcoal burners
1985:
1937:
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1900:One Summer Again
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1310:: 3. 16 May 1888
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1276:Volume 1, p. 16.
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943:National Gallery
896:National Gallery
844:Dandenong Ranges
787:Balloons on fire
763:, he joined the
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629:
575:Hawkesbury River
535:
475:
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438:South Australian
373:
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353:
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325:
306:. For Streeton,
166:George Folingsby
152:, south-west of
136:, also known as
83:
80:1 September 1943
60:
58:
35:
21:
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2362:
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2276:The Big Picture
2148:The Sunny South
2103:
2094:Baldwin Spencer
2072:
2063:Jane Sutherland
2028:Florence Fuller
2008:E. Phillips Fox
1986:
1977:
1973:Arthur Streeton
1946:
1941:
1911:
1906:
1877:
1863:The Grand Canal
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1821:
1788:Wayback Machine
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2084:Louis Abrahams
2080:
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2068:Walter Withers
2065:
2060:
2058:Clara Southern
2055:
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2015:
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1958:Charles Conder
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1739:External links
1737:
1735:
1734:
1708:
1682:
1678:The Australian
1665:
1653:
1627:
1600:
1573:
1558:
1549:
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1520:
1516:The Australian
1504:
1478:
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1422:
1402:Moore, William
1394:
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1376:978-0724102815
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1008:Foster's Group
992:Settler's Camp
958:
955:
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874:Ferntree Gully
835:
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793:, France, 1918
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696:, stopping at
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479:Corhanwarrabul
434:Girolamo Nerli
422:Charles Conder
415:Walter Withers
409:, followed by
395:Southern Cross
375:
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349:
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272:summer drought
257:
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250:Collins Street
224:Charles Conder
196:Princes Bridge
188:
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96:Known for
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84:(aged 76)
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2445:Impressionism
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2336:
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2212:A break away!
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1998:Julian Ashton
1996:
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1991:Other artists
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1661:Streeton Trio
1657:
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1636:"Wynne Prize"
1631:
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1611:
1604:
1588:
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1539:'Camofleur',
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1019:
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1002:'s 1892 work
1001:
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968:
963:
954:
952:
951:Édouard Manet
948:
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923:
922:Streeton Trio
919:
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911:
909:
905:
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893:
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886:
877:
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871:
867:
863:
862:
857:
854:in 1928 with
853:
849:
845:
841:
831:
829:
825:
821:
815:
811:
808:
804:
800:
792:
789:, painted in
788:
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780:
778:
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770:
766:
762:
758:
750:
745:
736:
734:
733:
727:
726:Mount Macedon
723:
719:
714:
711:
707:
706:Royal Academy
703:
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681:
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561:Julian Ashton
558:
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508:
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499:Royal Academy
496:
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488:
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483:Arthur Merric
480:
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315:
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309:
305:
301:
297:
293:
289:
285:
281:
280:Louis Buvelot
277:
273:
267:
263:
253:
252:by May 1888.
251:
247:
240:
235:
231:
229:
225:
221:
217:
216:Mentone Beach
213:
209:
205:
197:
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49:
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34:
29:
22:
19:
2413:
2282:
2274:
2266:
2258:
2250:
2242:
2234:
2226:
2218:
2210:
2202:
2196:Blue Pacific
2194:
2186:
2178:
2170:
2162:
2154:
2146:
2138:
2130:
2124:Coming South
2122:
2114:
2018:Tom Humphrey
2003:David Davies
1972:
1951:Main artists
1898:
1869:
1861:
1853:
1845:
1839:Blue Pacific
1837:
1823:
1725:. Retrieved
1721:
1711:
1699:. Retrieved
1695:
1685:
1677:
1668:
1656:
1644:. Retrieved
1639:
1630:
1618:. Retrieved
1613:
1603:
1591:. Retrieved
1586:
1576:
1561:
1552:
1544:
1535:
1523:
1515:
1507:
1495:. Retrieved
1490:
1481:
1469:. Retrieved
1465:
1455:
1446:
1437:
1425:
1405:
1397:
1385:
1366:
1360:
1350:
1324:
1312:. Retrieved
1307:
1298:
1289:
1281:
1273:
1268:
1261:
1237:
1223:
1195:
1181:From My Camp
1180:
1165:
1146:
1131:
1116:
1101:
1086:
1071:
1056:
1041:
1015:
1003:
995:
991:
975:
973:
965:
947:Claude Monet
938:Blue Pacific
936:
926:
915:
912:
904:Weston Creek
901:
891:Blue Pacific
889:
859:
855:
837:
823:
819:
817:
813:
807:military art
803:2nd Division
796:
786:
769:British Army
759:, including
754:
730:
715:
693:
691:
679:
664:
647:
632:
617:
613:
611:
606:
599:
597:
590:
587:
581:
573:
556:
550:
543:
523:en plein air
522:
505:at the 1892
502:
494:
468:
462:
460:
449:
430:plein airist
429:
419:
401:of milk and
390:
388:
376:
350:
328:
300:Yarra Valley
292:David Davies
287:
283:
269:
243:
212:en plein air
211:
201:
195:
174:
147:
125:
124:
82:(1943-09-01)
65:Mount Duneed
61:8 April 1867
18:
2481:1943 deaths
2476:1867 births
2425:Curlew Camp
2358:Sydney Long
2348:Hans Heysen
2317:G. P. Nerli
2284:The Pioneer
2013:Ina Gregory
1968:Tom Roberts
1466:The Monthly
1314:12 February
1117:Manly Beach
852:Wynne Prize
834:Later years
822:(1918) and
761:Tom Roberts
749:Nora Clench
578:series and
569:Tom Roberts
553:Curlew Camp
544:Sirius Cove
507:Paris Salon
487:Emma Minnie
481:. In 1891,
467:(1889) and
426:Tom Roberts
411:John Mather
204:Tom Roberts
118:Nora Clench
71:, Australia
39:Tom Roberts
2470:Categories
2450:Naturalism
2331:Influenced
2295:Influences
2228:Bush Idyll
2048:Jane Price
1701:4 November
1610:"Boulogne"
1497:6 November
1418:020714284X
1408:. Sydney:
1216:References
1004:Bush Idyll
918:piano trio
876:cemetery.
773:Wandsworth
739:War artist
694:Polynesian
582:Fire's on'
304:Dandenongs
276:Heidelberg
260:See also:
160:suburb of
144:Early life
57:1867-04-08
2443:See also
2244:Bailed Up
2220:Fire's on
2108:Paintings
2043:Leon Pole
1847:Fire's on
1831:Paintings
1352:The Argus
1022:Melbourne
1012:Sotheby's
908:Yallambie
888:In 2015,
861:The Argus
840:Grampians
698:Port Said
649:Fire's on
608:darkness.
557:plein air
308:Eaglemont
288:plein air
158:Melbourne
130:landscape
1784:Archived
1727:21 April
1471:28 March
1412:, 1934.
866:knighted
824:Boulogne
777:corporal
665:Oblivion
592:kakemono
546:, 1895).
446:gloaming
399:billycan
379:, 1890,
359:, 1890,
333:, 1889,
290:painter
220:Box Hill
162:Richmond
104:Movement
99:Painting
69:Victoria
2367:Related
2077:Patrons
1882:Related
1752:at the
1568:(AWM),
1420:, p. 76
1102:Ariadne
1028:Gallery
980:guineas
489:of the
302:to the
270:In the
168:at the
154:Geelong
2287:(1904)
2279:(1903)
2271:(1896)
2263:(1896)
2255:(1895)
2247:(1895)
2239:(1894)
2231:(1893)
2223:(1891)
2215:(1891)
2207:(1890)
2199:(1890)
2191:(1890)
2183:(1889)
2175:(1889)
2167:(1888)
2159:(1888)
2151:(1887)
2143:(1886)
2135:(1886)
2127:(1886)
2119:(1886)
1874:(1896)
1866:(1908)
1858:(1889)
1850:(1891)
1842:(1890)
1775:Images
1646:10 May
1620:10 May
1593:10 May
1416:
1373:
970:, 1908
957:Prices
880:Legacy
848:Olinda
751:, 1918
702:Naples
377:Spring
187:Career
114:Spouse
88:Olinda
41:, 1891
791:Glisy
493:took
474:'
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