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A series of recordings of steam locomotives (then in the early stages of being phased out in the UK) was masterminded by the film sound recordist and mixer
455:, originally produced by BBC Radio (1958–64), were leased and issued by Argo from 1965. MacColl and Seeger also issued a 12-volume series of LPs called
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and Cyril Clarke in 1951 with the intention of recording "British music played by
British artists", but the company's releases expanded to include
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263:. Recording began in 1957 and was completed by 1964. Initially professional actors had been reluctant to work for the project, but in time
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The label was relaunched in 1990 as an imprint of Decca with the intent to concentrate on choral, organ, and
British and American
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300:, a venue where the acoustics had previously defeated the abilities of engineers at other companies. A series of the masses of
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to release certain spoken word recordings, recently unearthed from the label's archives, digitally for the first time.
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428:, selling up to 30–40,000 copies per year under the name Transacord. It also did some other unusual pressings such as
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of traditional music in India. Bhattacharya had been frustrated by the absence of recordings he could use for his
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After more than 20 years of dormancy, Decca announced that it revived Argo in July 2020 after partnering with
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in 1957. Usill remained in charge and the company was able to maintain autonomy from the parent company.
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255:. Cambridge University's Marlowe Players participated in the series, which was the responsibility of
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when the conglomerate acquired
British Decca in 1980. Harley Usill left the company and co-founded
304:, initially recorded at the same venue, commenced in 1960, though after the first release with the
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459:, which featured variant British and U.S. versions of traditional ballads from the collection of
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The audio books (in cassette and CD form) continue in the Argo name but under a different logo.
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through the poetry and jazz movement of the early 1960s. This meant that recordings by pianist
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as the narrator. Another significant recording from this era is the premiere recording of
8:
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278:"The Poet Speaks" series consisted of contemporary poets reading their work. It included
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broadcasts. Around the same time, Walter Harris recorded an amateur
Brazilian choir in
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529:. Releases continued throughout the 1990s. The most recent release was in 1998.
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463:. A small cluster of folk artists joined the label around this time, including
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654:, read by Nicol Williamson. 4-record boxed set, Argo Records, 1974, ZPL 1196/9
244:. Such recordings as these appeared in the labels "Living Traditions" series.
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as Rat, Tony Church as Badger, and Norman
Shelley as Toad, with
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A century of recorded music : listening to musical history
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In the 1970s, Decca extended their children's audiobook series
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Taking advantage of the capacity of the longer playing time of
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on the Argo label, with six further books (3 LPs) narrated by
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482:. In 1974, they produced an abridged, dramatic version of
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The company at this time recorded dramatised versions of
251:, Argo embarked on recording the complete works of
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221:(ensemble) recorded at the Winter Garden Theatre,
666:"Decca revives Argo Records with William Collins"
228:In 1953, Usill was introduced to Indian musician
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592:. New Haven, CT: Yale University Press. p.
517:. Argo as an independent entity ceased in 1988.
225:. The catalogue eventually ran to 1,000 items.
467:(with his New Deal String Band), the Druids,
432:using early amateur mobile sound recorders.
471:, the Songwainers, and the Garret Singers.
492:, and released the soundtrack to the film
69:Learn how and when to remove this message
546:The Argo catalogue is now controlled by
443:were particularly well represented. The
32:This article includes a list of general
435:The repertoire diversified into modern
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618:"Alice in Wonderland: Wired for Sound"
308:, later recordings were made with the
741:British companies established in 1951
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310:Choir of St John's College, Cambridge
290:. In 1954, the company recorded the
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320:. One of their biggest sellers was
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565:Olga Lehmann record sleeve designs
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314:Academy of St Martin in the Fields
217:, was dedicated to the Indonesian
38:it lacks sufficient corresponding
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731:Record labels established in 1951
391:(1960), adapted and produced by
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697:, BBC Radio 4, 19 February 2005
369:in the title role, with actors
205:recordings and other projects.
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293:Festival of Lessons and Carols
1:
716:Classical music record labels
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664:Paine, Andre (29 July 2020).
81:For the American label, see
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342:Argo was bought by British
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232:, who was responsible for
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736:World music record labels
358:Through the Looking-Glass
330:in the BBC production of
306:London Symphony Orchestra
298:King's College, Cambridge
261:King's College, Cambridge
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693:"His Master's Voice" –
498:(1979), which featured
388:The Wind in the Willows
296:(Christmas) service at
53:more precise citations.
560:Lists of record labels
711:British record labels
584:Day, Timothy (2000).
548:Universal Music Group
385:as the narrator; and
114:Universal Music Group
509:The label passed to
213:Argo's first issue,
16:British record label
476:the Railway Stories
461:Francis James Child
430:London's Last Trams
361:, both directed by
352:Alice in Wonderland
253:William Shakespeare
726:Jazz record labels
721:Folk record labels
365:and both starring
230:Deben Bhattacharya
502:'s narration and
411:'s one-act opera/
363:Douglas Cleverdon
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181:Country of origin
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624:on 13 April 2009
620:. Archived from
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506:'s music score.
490:Nicol Williamson
457:The Long Harvest
409:Benjamin Britten
383:Margaretta Scott
234:field recordings
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495:Tarka the Otter
480:William Rushton
441:Michael Garrick
397:Richard Goolden
340:
338:Bought by Decca
334:' radio drama.
323:Under Milk Wood
288:Anthony Thwaite
273:Prunella Scales
215:Music from Bali
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504:David Fanshawe
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415:for children,
405:Patrick Wymark
393:Toby Robertson
379:Carleton Hobbs
375:Norman Shelley
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328:Richard Burton
275:participated.
259:, a fellow at
242:Rio de Janeiro
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673:. Retrieved
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626:. Retrieved
622:the original
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453:Peggy Seeger
449:Ewan MacColl
437:British jazz
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413:miracle play
401:Frank Duncan
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350:
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332:Dylan Thomas
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318:George Guest
302:Joseph Haydn
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284:Sylvia Plath
277:
269:Derek Jacobi
246:
227:
214:
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199:Harley Usill
195:record label
191:Argo Records
190:
189:
140:Cyril Clarke
138:Harley Usill
96:Argo Records
90:Record label
87:
83:Argo Records
65:
59:January 2011
56:
37:
628:15 November
536:'s imprint
515:ASV Records
371:Tony Church
355:(1958) and
203:spoken word
197:founded by
175:spoken word
51:introducing
705:Categories
688:References
675:19 January
670:Music Week
652:The Hobbit
488:, read by
485:The Hobbit
469:the Clutha
367:Jane Asher
326:featuring
280:Ted Hughes
265:Judi Dench
249:LP records
34:references
465:Tom Paley
399:as Mole,
238:BBC Radio
159:Classical
554:See also
511:PolyGram
421:(1961).
312:and the
395:, with
381:, with
219:gamelan
135:Founder
125: (
120:Founded
47:improve
600:
377:, and
316:under
286:, and
223:London
209:Genres
36:, but
571:Notes
344:Decca
193:is a
171:world
155:Genre
677:2021
630:2009
598:ISBN
451:and
271:and
167:folk
163:jazz
127:1951
123:1951
447:of
707::
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594:93
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373:,
282:,
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184:UK
173:,
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129:)
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66:(
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