108:
363:
211:
69:
27:
354:
political support to fascism. Together, they wrote, painted and set up plays to pass the time in the squalid conditions they found themselves in. Some of the paintings were exchanged for food and art materials from the guards. Later, once released due to lack of evidence, he returned home and lived in Poggio a Caiano and spent his summers in Forte dei Marmi.
317:" which manifested itself in the naturalistic landscapes which thereafter dominated his work. Remaining in Poggio a Caiano, he painted nature and traditional Tuscan scenes. There, he continued to write and paint and was visited by many artists, some of whom he helped in finding their place in the art world. In 1926, he discovered the young artist
313:, Soffici married Maria Sdrigotti, whom he met in a publishing house in Udine, while editing Kobilek. They moved to Poggio a Caiano and had three children, Valeria, Sergio and Laura. Soffici created a distance from Futurism and, discovering a new reverence for Tuscan tradition, became associated with the "
353:
At the end of the Second World War, Soffici was taken as a
British POW and was imprisoned for several months in unhealthy conditions at an allied prison camp where he contracted pneumonia. During his stay at the prison camp, he met several other artists and writers who had also been accused of
297:, created a rift in Italian Futurism. The Florence group resented the dominance of Marinetti and Boccioni, whom they accused of trying to establish "an immobile church with an infallible creed", and each group dismissed the other as
252:
was despatched from Milan to
Florence to make peace with Soffici on behalf of the Futurists – the Peace of Florence, as Boccioni called it. After these diplomatic overtures, Soffici, together with
501:
328:
in support of the regime, and in 1938 he gave support to Italy's racial laws. In 1932 Soffici published articles on his experience in Paris in the early years of the 20th century in the magazine
414:
321:
when the latter visited
Soffici's workshop with his work. In Martini's first experiments Soffici recognised the kind of genuine and intimate traits he was seeking and became his mentor.
1998:
517:
461:
246:(Futurism Again) he dismissed their rhetoric, publicity-seeking and their art, but granted that, despite its faults, Futurism was "a movement of renewal, and that is excellent".
493:
166:
in the countryside near
Florence (where he lived for the rest of his life) and wrote articles on modern artists for the first issue of the political and cultural magazine
107:
572:
509:
477:
1953:
469:
398:
202:. At this time Soffici considered Cubism to be an extension of the partial revolution of the Impressionists. In 1912-1913 Soffici painted in a Cubist style.
48:
533:
485:
453:
1968:
1993:
580:
406:
437:
429:
261:
525:
836:
725:
35:
1868:
1505:
2003:
293:
In 1914, personal quarrels and artistic differences between the Milan
Futurists and the Florence group around Soffici, Papini and
278:, accepting that Futurism had reconciled what had previously seemed irreconcilable, Impressionism and Cubism. By its fifth issue
1561:
1554:
1547:
274:, which would concentrate entirely on art and culture. Soffici published "Theory of the movement of plastic Futurism" in
1659:
1963:
872:
96:
374:
on 12 August 1964. His last photo was taken a few days before his demise, holding his youngest granddaughter Marina.
1498:
1603:
1540:
1610:
899:
1988:
1958:
1680:
234:, were so incensed by this that they immediately boarded a train for Florence and assaulted Soffici and his
1917:
1533:
1645:
1631:
1519:
1336:
362:
1890:
1787:
1409:
1341:
970:
79:(7 April 1879 – 19 August 1964) was an Italian writer, painter, poet, sculptor and intellectual.
795:
Flora Ghezzo (January 2010). "Topographies of
Disease and Desire: Mapping the City in Fascist Italy".
1983:
1978:
1973:
1582:
1575:
1086:
945:
223:
1381:
1351:
729:
1456:
1371:
1366:
343:
318:
40:
1716:
865:
1912:
1901:
1596:
1526:
1424:
1414:
1106:
797:
239:
218:
After visiting the
Futurists' Exhibition of Free Art in Milan, he wrote a hostile review in
1948:
1943:
1767:
1673:
1076:
985:
88:
8:
1895:
1617:
1231:
1201:
1161:
1101:
935:
116:
290:– showed the influence of the Futurists in method and title and he exhibited with them.
1491:
1356:
1236:
1176:
1151:
1136:
1043:
168:
1736:
1907:
1624:
1470:
1310:
1265:
1196:
1186:
1131:
1126:
905:
858:
1817:
1782:
1777:
1726:
1721:
1638:
1568:
1429:
1419:
1361:
1346:
1285:
1275:
1191:
1171:
1116:
1063:
1038:
960:
940:
910:
806:
751:
350:, a war magazine that supported patriotism, Germany and the principles of Fascism.
257:
128:
210:
1848:
1792:
1741:
1652:
1477:
1300:
1290:
1270:
1206:
1146:
1033:
1018:
975:
930:
920:
915:
390:
371:
314:
310:
253:
163:
1694:
1512:
1484:
1241:
1166:
1121:
1053:
925:
655:
294:
231:
1937:
1731:
1666:
1399:
1260:
1226:
1216:
1211:
1111:
1081:
1068:
1028:
1013:
990:
980:
895:
249:
184:
176:
132:
1807:
1711:
1463:
1404:
1326:
1280:
1181:
1023:
1005:
955:
330:
1922:
1885:
1880:
1863:
1822:
1802:
1434:
1376:
1305:
1252:
1048:
950:
152:
95:. In 1893 his family moved to the latter city, where he studied at the
1762:
1156:
1141:
1091:
965:
810:
445:
1874:
1832:
1221:
1096:
148:
1295:
282:
wholly supported the
Futurists. Soffici's paintings in 1913 – e.g.
242:. Reviewing the Futurists' Paris exhibition of 1912 in his article
1827:
1812:
1757:
1331:
881:
227:
195:
92:
342:
When
Mussolini was overthrown in Italy, he pledged loyalty to the
99:
from 1897 and later at the Scuola Libera del Nudo of the academy.
68:
1853:
1772:
1687:
1589:
270:
144:
26:
1858:
1797:
199:
140:
136:
159:
124:
1439:
850:
1999:
World War II prisoners of war held by the United
Kingdom
541:
Autoritratto d'artista italiano nel quadro del suo tempo
370:
Soffici continued to paint and write until his death in
841:
194:
on Picasso and Braque, which probably influenced the
346:with Mussolini as its head. He was a co-founder of
131:journals. While in Paris, during his time at the
1935:
127:, where he lived for seven years and worked for
1954:People from the Metropolitan City of Florence
866:
794:
699:Trenta artisti moderni italiani e stranieri
873:
859:
842:Raimondi, Giuseppe; Luigi Cavallo (1967).
744:
391:BÏF§ZF+18 = Simultaneità - Chimismi lirici
183:, devoting an entire room to the sculptor
1969:Italian military personnel of World War I
1869:Estorick Collection of Modern Italian Art
837:Estorick Collection of Modern Italian Art
776:, Hacker Art Books, New York, 1978, p.104
706:
179:painting in Florence in association with
1994:Italian prisoners of war in World War II
361:
209:
106:
67:
51:of all important aspects of the article.
637:Primi principi di un'estetica futurista
1936:
1562:Futurist Painting: Technical Manifesto
1506:Drama in the Futurists' Cabaret No. 13
502:Ricordi di vita artistica e letteraria
326:Manifesto degli intellettuali fascisti
190:In August 1911 he wrote an article in
175:In 1910 he organised an exhibition of
113:Deconstruction of the Planes of a Lamp
47:Please consider expanding the lead to
1555:Dynamism of a Speeding Horse + Houses
854:
366:The tomb in Poggio a Caiano cemetery
20:
1660:Unique Forms of Continuity in Space
13:
304:
268:in 1913 to form a new periodical,
123:In 1900 he moved from Florence to
14:
2015:
288:Sintesi di una pesaggio autumnale
1499:Development of a Bottle in Space
595:Il caso Rosso e l'impressionismo
415:Thréne pour Guillame Apollinaire
25:
2004:World War II civilian prisoners
1604:Manifesto of Futurist Musicians
1541:Dynamism of a Human Body: Boxer
377:
39:may be too short to adequately
1611:Mercury Passing Before the Sun
817:
788:
779:
766:
718:
518:Ritratto delle cose di Francia
462:Kobilek: giornale di battaglia
49:provide an accessible overview
1:
337:
82:
1918:Verbovka Village Folk Centre
1534:Dynamism of a Dog on a Leash
880:
162:in 1907, Soffici settled in
135:, he became acquainted with
115:, oil on panel, 45 x 35 cm,
7:
1632:The Street Enters the House
1548:Dynamism of a Soccer Player
205:
10:
2020:
1410:Italian futurism in cinema
971:Francesco Balilla Pratella
584:(1962, with G. Prezzoloni)
494:Battaglia fra due vittorie
111:Ardengo Soffici, 1912–13,
1964:Italian Futurist painters
1841:
1750:
1704:
1583:The Hand of the Violinist
1576:Girl Running on a Balcony
1448:
1390:
1319:
1251:
1087:Vladimir Baranoff-Rossine
1062:
1004:
888:
588:
422:
222:. The leading Futurists
102:
1352:Valentine de Saint-Point
1337:José de Almada Negreiros
669:Medardo Rosso: 1858-1928
382:
357:
1372:Frances Simpson Stevens
1367:Amadeo de Souza Cardoso
774:Futurist Art and Theory
510:Taccuino di Arno Borghi
344:Italian Social Republic
324:In 1925, he signed the
1712:Luisa, Marchesa Casati
1457:Abstract Speed + Sound
1391:Techniques, sub-genres
846:. Florence: Vallecchi.
707:References and sources
478:La ritirata del Friuli
367:
215:
120:
73:
1913:Ukrainian avant-garde
1891:Robert René Meyer-Sée
1597:Manifesto of Futurism
1527:Dynamism of a Cyclist
1415:Futurist architecture
1107:Kseniya Boguslavskaya
798:Modern Language Notes
726:"Estorick Collection"
573:D'ogni erba un fascio
365:
309:After serving in the
213:
110:
71:
1989:People of Montmartre
1959:Italian male writers
1674:Victory over the Sun
1077:Alexander Archipenko
772:Martin, Marianne W.
754:. Paris Digest. 2018
470:La giostra dei sensi
244:Ancora del Futurismo
198:in the direction of
87:Soffici was born in
1896:Russian avant-garde
1717:Gabriele D'Annunzio
1681:Vladimir Mayakovsky
1618:The Poem of the End
1425:Futurist literature
1232:Vadim Shershenevich
1202:Vladimir Mayakovsky
1162:Aleksei Kruchyonykh
1102:Alexander Bogomazov
936:Nikolay Diulgheroff
823:Laura Poggi Soffici
631:Scoperte e massacri
625:Cubismo e futurismo
613:Cubismo e futurismo
552:Passi tra le rovine
284:Linee di una strada
117:Estorick Collection
1357:Jules Schmalzigaug
1237:Nadezhda Udaltsova
1177:Aristarkh Lentulov
1152:Velimir Khlebnikov
1137:Natalia Goncharova
1044:Konstantin Olimpov
811:10.1353/mln.0.0227
534:Itinerario inglese
368:
240:Caffè Giubbe Rosse
238:colleagues at the
216:
214:Caffè Giubbe Rosse
121:
74:
1931:
1930:
1908:Sackville Gallery
1751:Groups influenced
1705:Associated people
1520:Dynamism of a Car
1471:The Art of Noises
1400:Anti-neutral suit
1342:C. R. W. Nevinson
1311:Enrico Prampolini
1197:Mikhail Matyushin
1187:Benedikt Livshits
1132:Nina Genke-Meller
1127:Aleksandra Ekster
1064:Russian Futurists
986:Antonio Sant'Elia
889:Italian Futurists
663:Periplo dell'arte
486:Rete mediterranea
454:Giornale di bordo
399:Elegia dell'Ambra
348:Italia e CivilitĂ
89:Rignano sull'Arno
66:
65:
2011:
1984:Italian fascists
1979:Italian Futurism
1974:Futurist writers
1818:Soyuz Molodyozhi
1788:Jack of Diamonds
1783:Grosvenor School
1727:Benito Mussolini
1722:Sergei Diaghilev
1639:The Street Light
1569:The Knifegrinder
1420:Futurist cooking
1362:Mykhaylo Semenko
1347:Emilio Pettoruti
1286:Fortunato Depero
1276:Giuseppe Caselli
1192:Kazimir Malevich
1172:Mikhail Larionov
1117:Vladimir Burliuk
1039:Dmitri Kryuchkov
961:Aldo Palazzeschi
941:Luigi De Giudici
911:Umberto Boccioni
875:
868:
861:
852:
851:
847:
824:
821:
815:
814:
792:
786:
783:
777:
770:
764:
763:
761:
759:
748:
742:
741:
739:
737:
732:on 17 April 2009
728:. Archived from
722:
643:Giovanni Fattori
566:Fine di un mondo
546:L'uva e la croce
258:Aldo Palazzeschi
158:On returning to
61:
58:
52:
29:
21:
2019:
2018:
2014:
2013:
2012:
2010:
2009:
2008:
1934:
1933:
1932:
1927:
1849:0,10 Exhibition
1837:
1793:Neo-Primitivism
1746:
1742:Igor Stravinsky
1737:LĂ©onide Massine
1700:
1653:Tango with Cows
1449:Selected output
1444:
1392:
1386:
1320:Other Futurists
1315:
1301:Sante Monachesi
1291:Gerardo Dottori
1271:Benedetta Cappa
1247:
1207:Boris Pasternak
1147:Vasily Kamensky
1067:
1058:
1034:Igor Severyanin
1019:Vasilisk Gnedov
1000:
996:Ardengo Soffici
976:Antonio Russolo
946:F. T. Marinetti
931:Franco Casavola
921:Benedetta Cappa
916:Anton Bragaglia
884:
879:
844:Ardengo Soffici
828:
827:
822:
818:
793:
789:
784:
780:
771:
767:
757:
755:
750:
749:
745:
735:
733:
724:
723:
719:
709:
704:
687:Salti nel tempo
649:Armando Spadini
607:Cubismo e oltre
591:
581:Diari 1939-1945
560:Il salto vitale
425:
407:Marsia e Apollo
385:
380:
372:Forte dei Marmi
360:
340:
315:return to order
311:First World War
307:
305:Inter-war years
254:Giovanni Papini
208:
164:Poggio a Caiano
105:
85:
77:Ardengo Soffici
72:Ardengo Soffici
62:
56:
53:
46:
34:This article's
30:
17:
12:
11:
5:
2017:
2007:
2006:
2001:
1996:
1991:
1986:
1981:
1976:
1971:
1966:
1961:
1956:
1951:
1946:
1929:
1928:
1926:
1925:
1920:
1915:
1910:
1905:
1902:Russian Ballet
1898:
1893:
1888:
1883:
1878:
1871:
1866:
1861:
1856:
1851:
1845:
1843:
1839:
1838:
1836:
1835:
1830:
1825:
1820:
1815:
1810:
1805:
1800:
1795:
1790:
1785:
1780:
1775:
1770:
1768:Constructivism
1765:
1760:
1754:
1752:
1748:
1747:
1745:
1744:
1739:
1734:
1729:
1724:
1719:
1714:
1708:
1706:
1702:
1701:
1699:
1698:
1695:Zang Tumb Tumb
1691:
1684:
1677:
1670:
1663:
1656:
1649:
1642:
1635:
1628:
1621:
1614:
1607:
1600:
1593:
1586:
1579:
1572:
1565:
1558:
1551:
1544:
1537:
1530:
1523:
1516:
1513:Dyr bul shchyl
1509:
1502:
1495:
1488:
1485:The City Rises
1481:
1474:
1467:
1460:
1452:
1450:
1446:
1445:
1443:
1442:
1437:
1432:
1430:Futurist music
1427:
1422:
1417:
1412:
1407:
1402:
1396:
1394:
1393:and inventions
1388:
1387:
1385:
1384:
1382:Růžena Zátková
1379:
1374:
1369:
1364:
1359:
1354:
1349:
1344:
1339:
1334:
1329:
1323:
1321:
1317:
1316:
1314:
1313:
1308:
1303:
1298:
1293:
1288:
1283:
1278:
1273:
1268:
1263:
1257:
1255:
1249:
1248:
1246:
1245:
1242:Ilia Zdanevich
1239:
1234:
1229:
1224:
1219:
1214:
1209:
1204:
1199:
1194:
1189:
1184:
1179:
1174:
1169:
1167:Nikolai Kulbin
1164:
1159:
1154:
1149:
1144:
1139:
1134:
1129:
1124:
1122:Joseph Chaikov
1119:
1114:
1109:
1104:
1099:
1094:
1089:
1084:
1079:
1073:
1071:
1069:Cubo-Futurists
1060:
1059:
1057:
1056:
1054:Pavel Shirokov
1051:
1046:
1041:
1036:
1031:
1026:
1021:
1016:
1010:
1008:
1002:
1001:
999:
998:
993:
988:
983:
978:
973:
968:
963:
958:
953:
948:
943:
938:
933:
928:
923:
918:
913:
908:
903:
892:
890:
886:
885:
878:
877:
870:
863:
855:
849:
848:
839:
833:
832:
826:
825:
816:
787:
778:
765:
743:
716:
715:
714:
713:
708:
705:
703:
702:
696:
690:
684:
678:
675:Ugo Bernasconi
672:
666:
660:
652:
646:
640:
634:
628:
622:
616:
610:
604:
601:Arthur Rimbaud
598:
590:
587:
586:
585:
577:
569:
563:
557:
556:
555:
549:
538:
530:
522:
514:
506:
498:
490:
482:
474:
466:
458:
450:
442:
438:Lemmonio Boreo
434:
430:Ignoto toscano
424:
421:
420:
419:
411:
403:
395:
386:
384:
381:
379:
376:
359:
356:
339:
336:
319:Quinto Martini
306:
303:
264:withdrew from
262:Italo Tavolato
207:
204:
104:
101:
84:
81:
64:
63:
43:the key points
33:
31:
24:
16:Italian writer
15:
9:
6:
4:
3:
2:
2016:
2005:
2002:
2000:
1997:
1995:
1992:
1990:
1987:
1985:
1982:
1980:
1977:
1975:
1972:
1970:
1967:
1965:
1962:
1960:
1957:
1955:
1952:
1950:
1947:
1945:
1942:
1941:
1939:
1924:
1921:
1919:
1916:
1914:
1911:
1909:
1906:
1904:
1903:
1899:
1897:
1894:
1892:
1889:
1887:
1884:
1882:
1879:
1877:
1876:
1872:
1870:
1867:
1865:
1862:
1860:
1857:
1855:
1852:
1850:
1847:
1846:
1844:
1840:
1834:
1831:
1829:
1826:
1824:
1821:
1819:
1816:
1814:
1811:
1809:
1806:
1804:
1801:
1799:
1796:
1794:
1791:
1789:
1786:
1784:
1781:
1779:
1778:Donkey's Tail
1776:
1774:
1771:
1769:
1766:
1764:
1761:
1759:
1756:
1755:
1753:
1749:
1743:
1740:
1738:
1735:
1733:
1732:Wyndham Lewis
1730:
1728:
1725:
1723:
1720:
1718:
1715:
1713:
1710:
1709:
1707:
1703:
1697:
1696:
1692:
1690:
1689:
1685:
1683:
1682:
1678:
1676:
1675:
1671:
1669:
1668:
1667:Universal War
1664:
1662:
1661:
1657:
1655:
1654:
1650:
1648:
1647:
1643:
1641:
1640:
1636:
1634:
1633:
1629:
1627:
1626:
1622:
1620:
1619:
1615:
1613:
1612:
1608:
1606:
1605:
1601:
1599:
1598:
1594:
1592:
1591:
1587:
1585:
1584:
1580:
1578:
1577:
1573:
1571:
1570:
1566:
1564:
1563:
1559:
1557:
1556:
1552:
1550:
1549:
1545:
1543:
1542:
1538:
1536:
1535:
1531:
1529:
1528:
1524:
1522:
1521:
1517:
1515:
1514:
1510:
1508:
1507:
1503:
1501:
1500:
1496:
1494:
1493:
1489:
1487:
1486:
1482:
1480:
1479:
1475:
1473:
1472:
1468:
1466:
1465:
1461:
1459:
1458:
1454:
1453:
1451:
1447:
1441:
1438:
1436:
1433:
1431:
1428:
1426:
1423:
1421:
1418:
1416:
1413:
1411:
1408:
1406:
1403:
1401:
1398:
1397:
1395:
1389:
1383:
1380:
1378:
1375:
1373:
1370:
1368:
1365:
1363:
1360:
1358:
1355:
1353:
1350:
1348:
1345:
1343:
1340:
1338:
1335:
1333:
1330:
1328:
1325:
1324:
1322:
1318:
1312:
1309:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1287:
1284:
1282:
1279:
1277:
1274:
1272:
1269:
1267:
1264:
1262:
1261:Giacomo Balla
1259:
1258:
1256:
1254:
1250:
1243:
1240:
1238:
1235:
1233:
1230:
1228:
1227:Olga Rozanova
1225:
1223:
1220:
1218:
1217:Lyubov Popova
1215:
1213:
1212:Victor Palmov
1210:
1208:
1205:
1203:
1200:
1198:
1195:
1193:
1190:
1188:
1185:
1183:
1180:
1178:
1175:
1173:
1170:
1168:
1165:
1163:
1160:
1158:
1155:
1153:
1150:
1148:
1145:
1143:
1140:
1138:
1135:
1133:
1130:
1128:
1125:
1123:
1120:
1118:
1115:
1113:
1112:David Burliuk
1110:
1108:
1105:
1103:
1100:
1098:
1095:
1093:
1090:
1088:
1085:
1083:
1082:Nikolai Aseev
1080:
1078:
1075:
1074:
1072:
1070:
1065:
1061:
1055:
1052:
1050:
1047:
1045:
1042:
1040:
1037:
1035:
1032:
1030:
1029:Georgy Ivanov
1027:
1025:
1022:
1020:
1017:
1015:
1014:Graal Arelsky
1012:
1011:
1009:
1007:
1006:Ego-Futurists
1003:
997:
994:
992:
991:Gino Severini
989:
987:
984:
982:
981:Luigi Russolo
979:
977:
974:
972:
969:
967:
964:
962:
959:
957:
954:
952:
949:
947:
944:
942:
939:
937:
934:
932:
929:
927:
924:
922:
919:
917:
914:
912:
909:
907:
904:
901:
900:list of works
897:
896:Giacomo Balla
894:
893:
891:
887:
883:
876:
871:
869:
864:
862:
857:
856:
853:
845:
840:
838:
835:
834:
830:
829:
820:
812:
808:
804:
800:
799:
791:
782:
775:
769:
753:
747:
731:
727:
721:
717:
711:
710:
700:
697:
694:
691:
688:
685:
682:
679:
676:
673:
670:
667:
664:
661:
658:
657:
653:
650:
647:
644:
641:
638:
635:
632:
629:
626:
623:
620:
619:Serra e Croce
617:
614:
611:
608:
605:
602:
599:
596:
593:
592:
583:
582:
578:
575:
574:
570:
567:
564:
561:
558:
553:
550:
547:
544:
543:
542:
539:
536:
535:
531:
528:
527:
523:
520:
519:
515:
512:
511:
507:
504:
503:
499:
496:
495:
491:
488:
487:
483:
480:
479:
475:
472:
471:
467:
464:
463:
459:
456:
455:
451:
448:
447:
443:
440:
439:
435:
432:
431:
427:
426:
417:
416:
412:
409:
408:
404:
401:
400:
396:
393:
392:
388:
387:
375:
373:
364:
355:
351:
349:
345:
335:
333:
332:
327:
322:
320:
316:
312:
302:
300:
296:
291:
289:
285:
281:
277:
273:
272:
267:
263:
259:
255:
251:
250:Gino Severini
247:
245:
241:
237:
233:
229:
225:
221:
212:
203:
201:
197:
193:
188:
186:
185:Medardo Rosso
182:
178:
177:Impressionist
173:
171:
170:
165:
161:
156:
154:
150:
146:
142:
138:
134:
133:Bateau-Lavoir
130:
126:
118:
114:
109:
100:
98:
94:
90:
80:
78:
70:
60:
57:February 2015
50:
44:
42:
37:
32:
28:
23:
22:
19:
1900:
1873:
1808:Precisionism
1693:
1686:
1679:
1672:
1665:
1658:
1651:
1644:
1637:
1630:
1623:
1616:
1609:
1602:
1595:
1588:
1581:
1574:
1567:
1560:
1553:
1546:
1539:
1532:
1525:
1518:
1511:
1504:
1497:
1490:
1483:
1476:
1469:
1464:Antigrazioso
1462:
1455:
1405:Intonarumori
1327:Alice Bailly
1281:Tullio Crali
1182:El Lissitzky
1024:Boris Gusman
995:
956:Bruno Munari
843:
819:
802:
796:
790:
785:Martin, p.81
781:
773:
768:
756:. Retrieved
752:"Montmartre"
746:
734:. Retrieved
730:the original
720:
698:
692:
686:
680:
674:
668:
662:
654:
648:
642:
636:
630:
624:
618:
612:
606:
600:
594:
579:
571:
565:
559:
551:
545:
540:
532:
524:
516:
508:
500:
492:
484:
476:
468:
460:
452:
444:
436:
428:
413:
405:
397:
389:
378:Bibliography
369:
352:
347:
341:
331:Il Selvaggio
329:
325:
323:
308:
298:
292:
287:
283:
279:
275:
269:
265:
248:
243:
235:
219:
217:
191:
189:
180:
174:
167:
157:
122:
112:
86:
76:
75:
54:
38:
36:lead section
18:
1949:1964 deaths
1944:1879 births
1923:Zveno (art)
1886:Primitivism
1881:Pointillism
1864:Divisionism
1823:Suprematism
1803:Panfuturism
1435:Noise music
1377:Mary Swanzy
1306:Marisa Mori
1253:Aeropittura
1049:Rurik Ivnev
951:Marisa Mori
926:Carlo CarrĂ
693:Selva: arte
681:Apollinaire
656:Carlo CarrĂ
295:Carlo CarrĂ
153:Apollinaire
1938:Categories
1763:Agit-train
1157:Ivan Kliun
1142:Elena Guro
1092:Lilya Brik
966:Ugo Piatti
805:(1): 205.
736:21 January
712:References
446:Arlecchino
338:Later life
83:Early life
1875:Le Chahut
1833:Vorticism
1478:BÏF§ZF+18
1266:"Barbara"
1222:Ivan Puni
1097:Osip Brik
906:"Barbara"
758:11 August
526:L'adunata
299:passéiste
224:Marinetti
196:Futurists
149:Juan Gris
129:Symbolist
97:Accademia
41:summarize
1842:See also
1828:Supremus
1813:Rayonism
1758:Agitprop
1332:Mina Loy
1244:(Iliazd)
882:Futurism
228:Boccioni
206:Futurism
119:, London
93:Florence
1773:Dadaism
1688:Zangezi
1590:Lacerba
1492:Cyclist
831:Sources
280:Lacerba
276:Lacerba
271:Lacerba
266:La Voce
236:La Voce
220:La Voce
192:La Voce
181:La Voce
169:La Voce
145:Picasso
91:, near
1859:Cubism
1854:5x5=25
1798:Oberiu
1625:Poesia
1296:Fillìa
701:(1950)
695:(1938)
689:(1938)
683:(1937)
677:(1934)
671:(1929)
665:(1928)
659:(1928)
651:(1925)
645:(1921)
639:(1920)
633:(1919)
627:(1919)
621:(1915)
615:(1914)
609:(1913)
603:(1911)
597:(1909)
589:Essays
576:(1958)
568:(1955)
562:(1954)
554:(1952)
548:(1951)
537:(1948)
529:(1936)
521:(1934)
513:(1933)
505:(1931)
497:(1923)
489:(1920)
481:(1919)
473:(1918)
465:(1918)
457:(1915)
449:(1914)
441:(1912)
433:(1909)
423:Novels
418:(1927)
410:(1938)
402:(1927)
394:(1915)
200:Cubism
141:Derain
137:Braque
103:Career
1646:ThaĂŻs
383:Poems
358:Death
232:CarrĂ
160:Italy
125:Paris
1440:Zaum
760:2018
738:2008
286:and
260:and
230:and
151:and
1066:and
807:doi
803:125
1940::
801:.
334:.
301:.
256:,
226:,
187:.
172:.
155:.
147:,
143:,
139:,
902:)
898:(
874:e
867:t
860:v
813:.
809::
762:.
740:.
59:)
55:(
45:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
