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was lauded by Gilles de la
Tourette in the newspaper La Nación. Also that year he won the Watercolourist sectional prize awarded by the National Commission on Fine Arts. He achieved another distinction in the Second National Exhibition of decorative artists and the First Prize for Mural Painting from
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In 1937 he began to head the newly formed
Argentina Society of Plastic Artists (SAAP). With his work 'El hombre verde' he got the Martin Rodriguez Galisteo Acquisition Prize at the XIII Annual Santa Fe Exhibition. He also travelled to Paris to the Paris International Exhibition making decorative
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In 1928, Badi traveled to Buenos Aires with his friends to the First
Exhibition of Modern Painting which took place in Buenos Aires, in the studios of the Association of Friends of Art. That year he was also involved in the
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in Paris. In the 1930s Badi took up residence in Milan and Paris where he was an active participant in the "Paris Group", along with Hector
Basaldua,
103:(Italy) and studied at the Regio Collegio Tomasseo school where he earned a Technical License in 1909. That same year, at age 15, he returned to
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219:. In this important exhibition he was distinguished, along with other artists from Argentina, with a gold medal.
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211:. The Castello Sforzesco Museum in Milan acquired one of his works for their collection.
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231:(Descent), 1937, Oil, 1.55 x 1.20m, Municipal Museum of Plastic Art, Eduardo Sívori.
111:. Here he became a close friend of the painters Horace Butler and Héctor Basaldúa.
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he lived in Milan and worked closely on illustrations of books and magazines like
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After the death of his father, Badi returned to Italy in 1921, where he toured
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on
Corrientes Street in 1309, along with Horacio Butler. Within days his work
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Workshop. Over the next years of his radical life he lived in the towns of
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and with Martedì, a literary conference by the
Bonpiani Publishing House.
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237:(Christ in the Rubble), 1949, Oil, 0.74 x 0.60m, Private Collection.
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In 1936, he settled permanently in Buenos Aires and opened the
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on April 14, 1894, and died in that same city on May 8, 1976.
243:(Italian composition), Oil, 0.80 x 1.02m, Private Collection.
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249:(Still life with mask), 1929, Oil, 1 x 0.81 m,
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with his friend Butler. He continued his studies in
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282:Argentine sportspeople of Italian descent
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292:20th-century Argentine male artists
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75:(1894–1976) was twentieth-century
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200:Atelier Libre of Contemporary Art
287:20th-century Argentine painters
302:Argentine expatriates in Italy
209:National Commission on Culture
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247:Naturaleza muerta con antifaz
109:National Academy of Fine Arts
251:National Museum of Fine Arts
99:. He spent his childhood in
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193:Nuevo Corriere della Sera
155:, Pedro Dominguez Neira,
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147:, where he met up with
79:painter. He was born in
297:Argentine male painters
235:Cristo de los Escombros
191:, the monthly magazine
183:. During the course of
169:Salon des Indépendants
217:Lino Enea Spilimbergo
46:May 8, 1976 (aged 82)
241:Composición italiana
177:Lino E. Spilimbergo
175:, Horace Butler,
161:Leopoldo Marechal
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16:Argentine painter
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107:to study at the
91:Badi studied in
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157:Alberto Moravia
153:Alfredo Bigatti
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229:Descendimiento
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181:Juan Del Prete
137:Sanary-Sur-Mer
129:Julian Academy
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32:April 14, 1894
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215:panels with
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185:World War II
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133:Le Fauconier
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105:Buenos Aires
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81:Buenos Aires
73:Aquiles Badi
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49:Buenos Aires
36:Buenos Aires
23:Aquiles Badi
277:1976 deaths
272:1894 births
189:The Lettura
58:Argentinian
55:Nationality
266:Categories
258:References
63:Occupation
97:Argentina
87:Education
77:Argentine
204:La plaza
127:at the
66:Painter
145:France
141:Cagnes
121:Europe
115:Career
223:Works
125:Paris
101:Milan
93:Italy
207:the
179:and
159:and
139:and
131:and
95:and
43:Died
29:Born
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151:,
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