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338:. To give Hagedorn an impression of his talent he sent a self-portrait. It arrived on 16 January 1766, in Dresden and was so well received, that only one day later Hagedorn worked out Graff's employment contract. On 7 April 1766, Graff arrived in Dresden, where he was appointed court painter and teacher for portrait painting at the academy. He kept the academy post for life, although he got better paid offers at other academies. In early 1788, the Prussian Minister Friedrich Anton von Heynitz made Graff the very financially attractive offer to work for the
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On 16 October 1771, Graff married
Elisabetha Sophie Augusta Sulzer, called "Guste". They had 5 children. The first daughter, Johanna Catharina Henrietta, died the same year she was born in 1772. Another daughter was born in 1779 and died only a few months later. His second son, Georg, died in 1801.
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In his early years, Graff hardly ever painted any background details. He usually kept the background monochrome. However, in later years he paid more attention to the background. Usually he painted the sitter in outdoor surroundings, as was the fashion at that time in
England. The price for a
396:. He portrayed many of them. While painting a portrait, Graff always focused the light on the person's face. In Graff's portraits it was always the face that got the attention and the light, except when the sitter was a lady. In that case he also focused on the lady's
385:. Frederick the Great never posed for Graff. However, Graff received authorization to watch Frederick at a military parade in 1781. This gave Graff the chance to study the physiognomy of the King, and was therefore the basis for his portrait.
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Johann Jakob Haid. However, only one year later he was forced to leave
Augsburg. He was too successful, and the members of the local painters guild feared his competition. With a letter of recommendation from Johann Jakob Haid, he moved to
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In 1769 Graff met
Philipp Erasmus Reich, a well known bookseller and publisher in Leipzig. Reich became a good friend of Graff. He engaged him to portrait his scholar friends. In September 1771, Graff travelled to Berlin and portrayed
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Graff made portraits of nearly 1,000 of his contemporaries and was the leading portrait painter in
Germany, in the late 18th and early 19th century. Graff was the main portrait painter of German poets between the
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Graff was a prolific artist. He painted some 2,000 paintings and drawings. His paintings, especially the portraits, are much sought-after. Many of them are in museums and private collections in
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346:, general director of the Dresden Art Academy, about this. Marcolini reacted straight away. On 20 June 1789, Graff was appointed Professor for portrait painting at the Dresden Art Academy.
524:. Bause reproduced many of Graff's portraits as engravings. This made Graff's name and his artworks well known with the public. Graff travelled quite often to Berlin. His father-in-law,
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portrait by Graff was calculated by size and details of the sitter's clothes. That it was not always easy for Graff to portrait the famous shows the remark he made while painting
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In honour of their famous citizen the
Berufsbildungsschule Winterthur (BBW) (School for Vocational Training) named their building after Graff. The "Anton-Graff-Haus". In
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Portrait of the daughters of Johann Julius von Vieth und
Golssenau (1713–1784) and wife Johanna Juliane, née Krieg von Bellicken (painted around 1775). Von Vieth was a
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whose works he studied in the collections of
Ansbach. In comparison with the calmness of the ladies, the gentlemen in his portraits often appear serious and reserved.
301:(the house no longers exists). In 1753, Graff started studying painting at the art school of Johann Ulrich Schellenberg, in Winterthur. After three years he left for
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He also knew how to paint dresses and draperies of different materials and colours in a natural way. His role model in this field was the French court painter
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in Johann Georg Sulzer's apartment. Lessing's comment on his portrait was: "Do I really look that terribly nice?" In Berlin Graff also portrayed
281:. Contemporaries claimed it was the best, most accurate portrait of Frederick. It is the most famous, copied and reproduced portrait of the King.
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and they were good customers for him. In 1778 he closed his short autobiography with: "Berlin habe ich viel zu verdanken" (I owe Berlin much).
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Graff was a sociable person. He cultivated friendships with many of his sitters, business partners and colleagues such as the Polish
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Anton Graff was born as the seventh child of the craftsman Ulrich Graff and
Barbara Graff née Koller, at Untertorgasse 8 in
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638:. Graff started it in 1786, and finished in 1791. It was often copied. The original is at Dresden's "Kügelgenhaus".
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where he found employment with the court painter
Leonhard Schneider until 1759. Graff travelled frequently to
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439:: "He cannot sit still." Graff was much in demand and he could live a comfortable life with his income.
41:(1765) on 16 January 1766, in Dresden, Graff's career as one of the most famous portrait artists of the
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Zürich, Städtische Galerie zum Strauhof, 1990–91; Schwäbisch Hall, Hällisch-Fränkisches Museum, 1991
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to study paintings in different collections. In 1759, he went back to Augsburg and later moved to
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Joh. Caspar Füesslins Geschichte der besten Künstler in der Schweitz. Nebst ihren Bildnissen.
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there are streets named after Anton Graff. 2013 Jubilee exhibitions took place in the Museum
322:. In 1765 he went back to Winterthur and Zurich. It was there he received an invitation from
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Dichter und Denker im Porträt. Spurengänge zur deutschen Porträtkultur des 18. Jahrhunderts.
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381:. His portrait of Frederick is regarded as his masterpiece. The painting is exhibited at
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Helvetien in Deutschland. Schweizer Kunst aus Residenzen deutscher Klassik 1770–1830.
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Editions Universitaires, 1982 (Colloques de la Société Suisse des Sciences Humaines)
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Johann Ulrich Schellenberg, Johann Jacob Haid, Leonhard Schneider
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surgery. His wife Elisabeth died in 1812. Graff himself died of
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Anton Graff self-portrait 1805, Gallery of Old Masters, Dresden
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and developed a sparkling manner of painting that anticipated
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and early Romantic periods. Many were also his friends, like
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1084:(34 volumes). Macmillan (London); Grove (New York), 1996
203:(18 November 1736 – 22 June 1813) was an eminent Swiss
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Deutscher Verlag für Kunstwissenschaft, Berlin, 1967 (
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George Leopold Gogel (1796). This painting is at the
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Elisabeth Sulzer, née Reinhart (1765/66). Sulzer and
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1046:Orell, Gessner, Füessli. Zürich, 1769–1779 (5 Bde)
1063:Martin Bircher u. Gisold Lammel, Zürich (Hrsg.):
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1027:Nationalgalerie – Staatliche Museen zu Berlin
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277:(1781). This portrait is regarded as Graff's
482:In his later years Graff turned to painting
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1017:Marc Fehlmann und Birgit Verwiebe (Ed.):
342:in Berlin. On 7 May 1789, Graff informed
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162:, Berlin, 1812: Honorary Member of the
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426:have common ancestors; Reinhart was a
369:. His most important clients included
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1019:Anton Graff: Gesichter einer Epoche.
856:Portrait of Stanislaw Kostka Potocki
702:(1774). Anton Graff's father-in-law.
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564:. His tomb does not exist anymore.
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1053:Huber, Frauenfeld u. Leipzig, 1926
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573:Staatliche Kunstsammlungen Dresden
571:(Museum Oskar Reinhart), Germany (
544:on 22 June 1813, at around 8pm in
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16:Swiss portrait artist (1736–1813)
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768:(1789). This painting is in the
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1145:18th-century Swiss male artists
1056:Ernest Giddey, Fribourg (Ed.):
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210:Among his famous subjects were
1103:New International Encyclopedia
1021:(Exhibition catalogue: Museum
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799:Christian Ludwig von Kaphengst
784:Christoph Johan Graf von Medem
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1111:Works by or about Anton Graff
1001:Anton Graff – Leben und Werk.
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498:were influenced by his work.
324:Christian Ludwig von Hagedorn
1170:Swiss expatriates in Germany
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479:, his future father-in-law.
458:. This painting was sold at
365:. Among others he portrayed
168:Academy of Fine Arts, Munich
164:Academy of Fine Arts, Vienna
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1155:19th-century Swiss painters
1140:18th-century Swiss painters
392:, diplomats, musicians and
388:Graff was popular with the
305:. There he worked with the
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356:Johann Wolfgang von Goethe
1029:.) München: Hirmer, 2013.
770:Lviv National Art Gallery
614:, Winterthur, and in the
216:Christoph Willibald Gluck
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1058:Préromantisme en Suisse?
750:Friederike Sophie Seyler
715:Gotthold Ephraim Lessing
536:In 1803 Graff underwent
469:Gotthold Ephraim Lessing
367:Stanislaw Kostka Potocki
340:Prussian Academy of Arts
236:Gotthold Ephraim Lessing
228:Friederike Sophie Seyler
1160:Swiss portrait painters
968:"Art Museum of Estonia"
597:National Museum, Warsaw
556:), a fortune of 40,000
344:Count Camillo Marcolini
232:Johann Gottfried Herder
1165:People from Winterthur
1080:Jane Turner (Editor):
1051:Anton Graff 1736–1813.
999:Berckenhagen, Ekhart:
560:. Graff was buried in
522:Johann Friedrich Bause
496:Caspar David Friedrich
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383:Schloss Charlottenburg
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246:. His pupils included
1082:The Dictionary of Art
1075:Deutscher Kunstverlag
868:Wilanów Palace Museum
508:, the Swiss painters
462:in 2002 for £111,150.
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244:Christian Felix Weiße
1097:"Graff, Anton"
1040:Johann Caspar Füssli
906:Berckenhagen, p. 348
879:Berckenhagen, p. 119
862:29 July 2014 at the
764:Portrait Konstancja
616:Old National Gallery
415:collar and borders.
1150:Swiss male painters
957:Berckenhagen, p. 38
945:Berckenhagen, p. 35
927:Berckenhagen, p. 18
918:Berckenhagen, p. 32
897:Berckenhagen, p. 13
888:Berckenhagen, p. 19
846:Berckenhagen, p. 36
837:Berckenhagen, p. 12
828:Berckenhagen, p. 34
700:Johann Georg Sulzer
685:Elisa von der Recke
526:Johann Georg Sulzer
477:Johann Georg Sulzer
375:Frederick the Great
371:Catherine the Great
328:Dresden Art Academy
271:Frederick the Great
224:Frederick the Great
220:Heinrich von Kleist
160:Akademie der Künste
131:Frederick the Great
1005:catalogue raisonné
936:Berckenhagen, p. 7
636:Friedrich Schiller
506:Daniel Chodowiecki
492:Philipp Otto Runge
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437:Friedrich Schiller
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428:patron of the arts
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252:Philipp Otto Runge
212:Friedrich Schiller
752:(formerly Hensel)
651:Moses Mendelssohn
530:Prussian nobility
473:Moses Mendelssohn
240:Moses Mendelssohn
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118:Portrait Painting
91:Kingdom of Saxony
69:Swiss Confederacy
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1115:Internet Archive
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133:(1781). His
129:Portrait of
125:Notable work
81:(1813-06-22)
79:22 June 1813
18:
1135:1813 deaths
1130:1736 births
973:15 February
618:in Berlin.
575:), Russia (
569:Switzerland
554:landscapist
402:Ján Kupecký
299:Switzerland
279:masterpiece
248:Emma Körner
201:Anton Graff
135:masterpiece
98:Nationality
25:Anton Graff
1124:Categories
806:References
670:Winterthur
604:Winterthur
484:landscapes
460:Christie's
320:Regensburg
295:Winterthur
273:, King of
65:Winterthur
57:1736-11-18
37:With this
1012:Catalogue
520:engraver
454:court of
398:décolleté
334:court of
179:Patron(s)
106:Education
860:Archived
766:Rzewuska
538:cataract
516:and the
503:engraver
452:princely
448:nobleman
394:scholars
363:nobility
332:princely
303:Augsburg
207:artist.
205:portrait
166:and the
156:Honorary
141:Movement
1113:at the
1106:. 1905.
717:(1771).
687:(1797).
653:(1771).
622:Gallery
608:Dresden
589:Tallinn
581:Estonia
562:Dresden
546:Dresden
450:at the
379:Prussia
312:Ansbach
275:Prussia
185:Prussia
87:Dresden
786:(1796)
593:Poland
591:) and
558:Thaler
456:Saxony
360:Baltic
336:Saxony
316:Munich
307:etcher
189:Saxony
154:1783:
151:Awards
518:Saxon
101:Swiss
45:began
975:2013
606:and
512:and
494:and
475:and
254:and
242:and
187:and
76:Died
51:Born
733:in
579:),
413:fur
377:of
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866:.
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813:^
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218:,
214:,
89:,
67:,
1007:)
977:.
870:.
737:.
672:.
595:(
583:(
59:)
55:(
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