883:. Elgar's own thoughts on posthumous completions were ambiguous: though he had expressed a wish that no-one should 'tinker' with the sketches, but also said "If I can't complete the Third Symphony, somebody will complete it". Although initially reluctant to allow anyone to use this material, the Elgar family realised that in 2005 the sketches would come out of copyright. After hearing Payne's 1995 radio talk on his ideas, the composer's estate approved his elaboration, which Payne had been working on since 1993, having studied the sketches since 1972. Elgar's sketches were fragmentary; he often wrote inconsistently and haphazardly, recording unrelated ideas side by side in the 130 pages—141 individual sketches—that he left behind.
322:
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specifically for
Manning. Other chamber ensembles Payne wrote compositions for include the Baccholian Singers of London, New London Ensemble, the Fires of London, the Endymion Ensemble, the London Festival Orchestra, the English Chamber Orchestra and the Nash Ensemble. Bradshaw asserts that these chamber works most clearly demonstrate the compositional evolution of Payne throughout his career. Despite these regular commissions, Payne said in 2005 that after 30 years as a composer he made only what would be
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Apart from opera, Payne engaged in most traditional genres: large-scale orchestral, brass band, chamber works, solo piano, solo strings, choral works and song cycles. However, he was principally a composer of chamber music, much of which was written for Jane's
Minstrels and often included vocal parts
982:
After his international success in completing Elgar's 3rd symphony, Payne initially found difficulty in composing further. Payne explained "It was rather like an actor must feel in a role – I was playing Elgar to the best of my ability. However, I was seriously worried at the end of it that I would
1039:
Though Payne was drawn to various
Classical and Romantic composers in his youth, the late English Romanticism of Elgar, Delius and Vaughan Williams proved to be the most impactful on his work. His success from the Elgar Symphony completion led to orchestrations of various works by all three; he
1119:, in part from his straddling the worlds of English Romanticism and modernism. Payne reflected on this, recalling his 2003 Radio 3 British Composer Awards, saying "I was absolutely amazed... because I’m one of those composers who never win awards." Along these lines, Michael White of
1040:
likened
Vaughan Williams in particular to a "musical godfather". These influences are considerably apparent in the works from his time at Dulwich and Durham. By the mid-1960s, Payne began to readily engage with modernist aesthetics, looking for musical content by more narrow means.
1095:(1979) uses numerology of a different fashion; the proportions of 3 2 7 4 1 6 5 decide the phrase length, resulting in phrases of 21 bars (3x7), 14 bars (2x7), 49 bars (7x), 28 bars (7x4), 7 bars (7x1), 42 bars (7x6) and 35 bars (7x5). Other musical trademarks include wide spaced
772:, which was his second commission for the Proms. Throughout the 1980s he engaged in a variety of genres; he wrote solo, choral, orchestral, brass and chamber works. Also in the 1980s, he held various academic posts. He spent 1983 as a visiting professor at
1006:
No. 6 from Elgar's incomplete sketches for the work, which received its first performance under the baton of Sir Andrew Davis at a Prom concert on 2 August 2006 – Payne's 70th birthday. From 2012 to 2013, Payne was a
Professorial Fellow the
226:(1990) were well received. After his successful completion of Elgar's unfinished third symphony, Payne became unsure of his musical identity. He found difficulty in subsequent composition until a series of orchestral works for the Proms,
902:. The work was immediately acclaimed and after it quickly began receiving further performances, totalling over 150 performances in four years. As of 2021 the piece has been recorded six times, and it has gained wide acceptance into
862:"It was an absolute tour de force of insight and imagination into Elgar's world... hadn't initially intended to try to reconstruct the piece – but eventually he realised there was a lot more there than anyone imagined."
1026:
noted that "They were inseparable in life, and I suppose it's not a surprise that he would follow her so soon after". Payne and
Manning had no children, but were survived by a nephew and two nieces.
261:. Despite regular commissions from a variety of English ensembles, he was not a particularly mainstream composer and was forced to supplement his income with writings. A noted critic, he wrote for
983:
not be able to be myself again. For 18 months I was living inside this work. It was fantastic while I was doing it, but I thought: How can I possibly get back to writing my stuff?". He wrote the
834:(1990) was his third orchestral commission for the BBC Proms. The piece was well received and described by Millington as "one of his finest achievements". The work is a musical depiction of the
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15,000 in 2020 annually. He was forced to supplement his composition with work as a music critic and musicologist. Reflecting on this, Payne said "Still, you do it for love, don't you?".
6373:
1015:(2016) was a commission for The Proms. The piece was written around his 80th birthday, and took inspiration from the sounds of horses' hooves, masses of clouds and the landscape art of
589:
premiered the next year; the nine-movement work featured four full ensemble movements and five movements of solos for flute, oboe, clarinet, bassoon, horn. Later in 1971 Payne wrote
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He later explained this conflux of influences: "I wanted to marry
English late romanticism with the European avant-garde of the 1960s. Everyone thought I was mad, to think of
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described Payne as "a quiet but thoughtful presence in
British music always strikes me as a kind of anchorage in sanity, confirming the continuing life of trusted values".
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Payne died on 30 April 2021. He was 84, and died a month after the death of his wife, which reportedly affected his health. His colleague and fellow composer
838:, beginning in almost complete silence and utilizing dense brass and percussion textures to represent the immensity of the subject. Another orchestral work,
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5172:, and Vaughan Williams, all in the same piece. But they were the things I was passionate about, and I refused to believe one had to exclude the other"
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540:, "a symbolic revivification of his compositional ambitions with a newly fashioned method of structural organisation." Characterised by the use of
459:, influences which are increasingly prominent in various early works: two—in addition to the earlier one—piano sonatas, a clarinet sonata, and the
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1011:'s composition department. His String Quartet No. 2 (2010) won the Chamber category of the 2011 British Composer Awards. His last major work,
605:. Throughout 1972 and early 1973, various writing commissions halted his music composition. By 1970 Payne and Manning had moved to a house in
6190:
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soon became Payne's best known work up to that point. He continued his renewal of the
English tradition in his next major orchestral work,
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666:(1975–1976), for brass band. Throughout 1976 to 1979, Payne embarked on four more choral pieces, three of which were by British figures:
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Symphonies of wind and rain; The song streams in the firmament; Evening land; Paraphrases and cadenzas; A day in the life of a Mayfly
6137:
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1136:(2002) for orchestra were acclaimed, and he was a prolific composer of song cycles. However, he remains most noted as a composer of
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752:(1981) Payne first embraced his earlier English Romantic influences, and synthesised them with his predominant modernist style;
5988:
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While Payne worked on the symphony from 1993 to 1997, he simultaneously engaged in commissions for various
English ensembles:
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took several years to complete. When Elgar died in 1934, he left an incomplete score for a third symphony commissioned by the
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706:(1979), a tone poem that has a numerology-based structure and evokes "the bleak coastline of western Britain and Ireland".
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Alongside his career as a composer, Payne simultaneously built up a reputation as a writer on music, writing books about
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for specific themes and movements, Payne declared the work to be his first major composition. Payne married the soprano
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1051:(1971) for solo piano, Payne created a passage based on the pre-generated number 37, which is the amount of 16th notes
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1079:(1969) also utilises specific intervallic designations for each movement, each of which align with a movement of the
738:
4657:—— (1986). "Englands zweite Renaissance in der Musik" [England's second renaissance in music].
483:
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254:
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7382:
5586:
781:
250:
6422:"Michael White's music news: LSO in Trafalgar Square; Proms this week; sax in Peckham; City Music Foundation"
5235:
396:, he said he "was absolutely translated" and "hooked like a fish". A recording he was given the next year of
6165:
5380:"Anthony Payne, superb British composer who completed Elgar's Third Symphony using the sketches – obituary"
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since 1970. They presumably lived there until the end of their lives as no other sources suggest otherwise.
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991:(1998)—his first solo piano works since 1980. Payne's resurgence in large-scale composition came with the
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Although some albums contain works by composers other than Payne, only works by Payne are listed.
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for five unaccompanied male voices shifted focus from intervallic organization to music based on
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942:. Other activities during this time include his tenure as the co-artistic director of the 1994
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194:. His professional career began around 1969 with his first major work, the staunchly modernist
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Payne made substantial contributions to both the orchestral and choral/vocal repertoires: his
374:. Not from a particularly musical background, at the age of 10 Payne went to see relatives in
198:
for choir and brass band. He continued to write choral and vocal works, almost exclusively to
5035:
British Composer Awards Winners: Chamber of The Ivors Academy, 2011, for String Quartet No. 2
3517:
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671:
536:' of the title is both metaphorical and literal, because it is, in the words of music critic
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4261:—— (Summer 1965). "Stravinsky's 'Abraham and Isaac' and 'Elegy for J. F. K.'".
3600:
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and largely stopped composing for four years. He spent his hiatus primarily as a freelance
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choir and brass, which he began in 1965 and finished by 1969. Commentators note that the '
8:
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1144:(1981) before his 1997 Elgar completion. Though he developed a highly individual style,
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420:, he worked on an orchestral suite and piano sonata and regularly played clarinet with
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and the New London Ensemble. The latter was his largest-scale work to date, featuring
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447:. However, his principal compositional inspirations were the late English Romantics
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4067:—— (Autumn–Winter 1963). "Dramatic Use of Tonality in 'Peter Grimes'".
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Payne held academic posts at various institutions throughout his career, including
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999:(2002), an orchestral commission for the Proms that was especially well received.
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4442:
4440:—— (Autumn 1968). "Tavener's 'In Alium' and Gerhard's Epithalamion".
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424:. Payne began further exploration of Western Classical repertoire, particularly
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4556:—— (September 1973). "The Music of Frank Bridge: The Early Years".
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1984:
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asserts that Payne's legacy is "inevitably dominated" by his Elgar completion.
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Anthony Edward Payne was born in London on 2 August 1936 to Edward and Muriel (
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807:(1991), were composed for Jane's Minstrels. The group also performed music by
279:. Other writings include publications on a variety of musical topics, notably
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6840:
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4595:—— (December 1973). "The Music of Frank Bridge: The Last Years".
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assisted the growth of his musical maturity. Around his graduation, he had a
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505:. Before his halting of composition, in 1959 Payne had drafted parts of the
416:, though he still found time to engage in music. Besides private study with
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and Frank Bridge. He also became a renowned critic, regularly writing for
1151:
At the Proms on 13 August 2021, the BBC Symphony Orchestra played Payne's
799:
with Manning. Many of his works, such as transcriptions of seven songs by
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The Crown of India Imperial March; The Coronation March; The Empire March
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1600:
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440:
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179:, by the 1980s his compositions had embraced aspects of the late English
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Edward Elgar: The Sketches for Symphony No 3 Elaborated by Anthony Payne
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Edward Elgar: The Sketches for Symphony No 3 Elaborated by Anthony Payne
888:
Edward Elgar: the sketches for Symphony No 3 elaborated by Anthony Payne
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and frequent alternation between strict and fluid rhythmic frameworks.
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640:, Payne won the Radcliffe Award for another unaccompanied vocal piece,
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561:, clarinet and piano, that shared much of the harmonic language of the
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3682:
List of completions, arrangements and orchestrations by Anthony Payne
6485:
Jane Manning sings Weir, Nash, Connolly, Bauld, Elias, Payne, Gilbert
6333:
5094:
4963:
4028:
Payne, Anthony (Winter 1961–1962). "Delius's Stylistic Development".
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1096:
1055:
As a part of his interest in modernistic music, each movement of the
789:
699:
606:
375:
215:
69:
7462:, a BBC documentary about Payne's completion of Elgar's 3rd symphony
4222:—— (Spring 1965). "Peter Maxwell Davies's Five Motets".
4183:—— (Winter 1964–1965). "Nicholas Maw's 'One Man Show'".
616:, but quickly set it aside to work on the unaccompanied vocal piece
390:. Recalling the significance of the moment in a 2013 interview with
206:
on, he synthesised modernism with the English romanticism of Elgar,
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4688:—— (December 1987). "Britten and the String Quartet".
875:
Payne's realisation of the sketches for Edward Elgar's incomplete
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5123:
Sources differ on the timeframe of his visiting professorship at
5014:
Listeners' award in the first Radio 3 British Composer Awards of
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in 1972 and 1978 respectively. Commissioned and premiered by the
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6293:
4634:—— (September 1984). "Bax: A Centenary Assessment".
1043:
524:
Payne's new compositional style was first fully realised in the
7378:
Music after the Fall: Modern Composition and Culture since 1989
7323:
Oliver, Michael (1975). "Miscellany". In Foreman, Lewis (ed.).
6732:"Purcell: Hail! Bright Cecilia: Plus Bright Cecilia Variations"
4323:—— (Autumn 1965). "Nicholas Maw's String Quartet".
4300:—— (Autumn 1965). "Prokofiev's 'The Fiery Angel'".
2609:
776:, California and from 1983 to 1985–6 taught composition at the
452:
425:
383:
342:
207:
1740:
Elgar/Payne: Symphony No. 3, Pomp and Circumstance March No. 6
756:
described this as "modernized nostalgia". Commissioned by the
620:
to an anonymous text from 14th-century England, and later his
516:, he began to discover a newly personal style of composition.
367:
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Purcell: Hail! Bright Cecilia: Plus Bright Cecilia Variations
558:
448:
429:
354:
1083:. Another interest of Payne's was numerology; the virtuosic
7042:"Various - Pictured Within: Birthday Variations for M.C.B."
4160:—— (Spring 1964). "The Music of Nicholas Maw".
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6660:
Spectrum; Spectrum 2: 50 contemporary works for solo piano
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4137:—— (Autumn 1964). "Stravinsky's 'The Flood'".
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Spectrum; Spectrum 2: 50 contemporary works for solo piano
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4812:——; Anderson, Robert; Carley, Lionel (2001).
880:
780:. During 1986 he was also a composition professor at the
140:(2 August 1936 – 30 April 2021) was an English composer,
6191:"Orchestral Variations – "The Seeds Long Hidden" (1994)"
6138:"Music and the Creative Process: Elgar's Third Symphony"
4766:——; Hindmarsh, Paul; Foreman, Lewis (2001).
636:—rotating instrumental solos. For 16 voices and text by
5794:
4525:—— (August 1973). "Review: Bax at Length".
3988:
Elgar's Third Symphony: The Story of the Reconstruction
912:
Elgar's Third Symphony: The Story of the Reconstruction
190:
Born in London, Payne first seriously studied music at
6104:"Letter: Elgar's symphonic sketches deserve a hearing"
5827:
5474:
167:, much of which was written for his wife, the soprano
7465:
5265:
4978:(April 2010). "David Drew: Tributes & Memories".
4765:
3948:——; Foreman, Lewis; Bishop, John (1976).
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3396:
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Selected recordings of compositions by Anthony Payne
961:
915:, discussing his process of completion for the work.
849:
656:
so instead wrote a tone poem-funeral ode inspired by
156:'s third symphony, which gained wide acceptance into
16:
English composer, critic and musicologist (1936–2021)
1115:
Payne was not a particularly mainstream composer of
1087:(1971) is built on a series of sequences based on a
408:
at around age 11. From 1947 to 1955, Payne attended
6828:
Symphony No. 3; Pomp & Circumstance March No. 6
5155:
and Payne's own website list the work as from 1991.
4401:—— (Summer 1967). "Requiem Canticles".
7564:Honorary members of the Royal Philharmonic Society
7374:
6968:Phoenix mass; Paean; The world's winter; Horn trio
6450:Images & Impressions: Music for Flute and Harp
6396:"Martyn Brabbins & the BBC Symphony Orchestra"
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5378:
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4504:(1542). Musical Times Publications Ltd.: 755–756.
4473:(1538). Musical Times Publications Ltd.: 335–337.
4362:—— (Spring 1966). "Delius's Requiem".
4116:(1454). Musical Times Publications Ltd.: 263–265.
3898:. Other writing contributions include articles in
3106:
2944:
2531:
2397:
2073:
709:
302:
6363:"Gallic sang-froid eclipsed by the deb's delight"
4494:—— (August 1971). "Peter Dickinson".
609:, where they lived until the end of their lives.
557:(1969), his next work, was a 14-minute piece for
7525:
7274:(March 1979). "Anthony Payne's String Quartet".
5373:
5371:
5369:
5367:
5365:
5363:
5361:
5359:
5357:
5355:
5353:
5351:
5349:
5093:, Payne and Manning were known to have lived in
4463:—— (April 1971). "Justin Connolly".
519:
512:, and returning to it in 1964 under the name of
7198:
6301:
6205:
6160:
6158:
5642:
5640:
5347:
5345:
5343:
5341:
5339:
5337:
5335:
5333:
5331:
5329:
2381:Pictured Within: Birthday Variations for M.C.B.
1091:: 7 3 4 1 1 2 5 2 1 9 5 5 7 8 4 2 3 3 4 9 9 6.
7300:(March 1984). "Three Works by Anthony Payne".
4535:(1566). Musical Times Publications Ltd.: 798.
1002:Payne subsequently also composed a version of
890:, was first performed in February 1998 at the
5443:
5441:
5439:
5437:
5435:
5433:
5431:
5377:
5292:10.1093/gmo/9781561592630.article.90000361257
5132:
928:Orchestral Variations – The Seeds Long Hidden
795:In 1988 he co-founded the new music ensemble
7327:. P. Elek. pp. 162–177 (esp. 169–171).
6185:
6183:
6155:
5637:
5429:
5427:
5425:
5423:
5421:
5419:
5417:
5415:
5413:
5411:
5326:
4727:—— (April 1998). "Being Elgar".
593:for solo piano, in which a synthesis of the
6726:
6724:
6266:"British Composer Awards winners announced"
6062:
6060:
6058:
6056:
5725:
5723:
5721:
5719:
5717:
5715:
5713:
5711:
5709:
5707:
5705:
5703:
5701:
5699:
5619:"Dulwich College – Old Alleynians in Music"
5085:
5083:
341:Payne's principal compositional influences
5697:
5695:
5693:
5691:
5689:
5687:
5685:
5683:
5681:
5679:
5447:
4106:—— (April 1964). "Alan Bush".
3926:
1590:, Variations on a Theme of Purcell (2002)
1059:centres on a particular interval, such as
280:
31:
7426:for Anthony Payne at Wise Music Classical
7228:
7206:(1972). "Anthony Payne and His 'Paean'".
7113:"Vaughan Williams/Payne: Four Last Songs"
6313:
6180:
5968:10.1093/gmo/9781561592630.article.2020225
5821:
5809:
5646:
5542:
5540:
5511:
5408:
5246:The work set to variations was Purcell's
5106:Based on Payne's list of compositions in
1140:; he was best known for the chamber work
101:
7342:Palmer, Andrew (2015). "Anthony Payne".
7296:
7270:
7028:
6721:
6259:
6257:
6255:
6097:
6069:"Anthony Payne on Elgar's Symphony No 3"
6053:
5989:"Aspects of Love and Contentment (1991)"
5919:
5917:
5861:
5859:
5857:
5729:
5611:
5580:
5578:
5576:
5574:
5549:"Celebrated composer Anthony Payne dies"
5538:
5536:
5534:
5532:
5530:
5528:
5526:
5524:
5522:
5520:
5152:
5128:
5107:
5080:
4861:"Society for the Promotion of New Music"
3875:
3251:Soprano, flute + piccolo, oboe, clarinet
1368:Elgar/Payne: Sketches for Symphony No. 3
1110:
1042:
965:
886:Payne's version of the symphony, titled
830:Payne's next important orchestral work,
644:(1975). Though now he planned to finish
612:In the Spring of 1973 Payne returned to
482:(1958–1961). During this time, studying
175:. Initially an unrelenting proponent of
7554:Alumni of St Cuthbert's Society, Durham
6216:"Empty Landscape – Heart's Ease (1995)"
6008:
6006:
5759:10.1093/gmo/9781561592630.article.21136
5676:
4926:10.1093/gmo/9781561592630.article.17227
4880:10.1093/gmo/9781561592630.article.26075
4834:10.1093/gmo/9781561592630.article.49095
4788:10.1093/gmo/9781561592630.article.48240
3931:. Oxford Studies of Composers. London:
2972:Miniature Variations on a Theme of E.L.
2632:fl + pic, cl + b cl, hn, pf, vn, va, vc
2052:
1967:The World’s Winter: All things will die
760:and premiered 24 September 1981 at the
294:, to whom he was particularly devoted.
7526:
7322:
7167:
7165:
7163:
5925:"A Day in the Life of a Mayfly (1981)"
5584:
5546:
5230:, Deborah Mc Andrew, Joanna Mitchell,
5090:
3969:Frank Bridge: Radical and Conservative
3662:
3634:
3609:
3580:
3555:
3526:
3501:
3484:, ob, cl, bn, hn, perc, vn, va, vc, db
3475:
3450:
3420:
3391:
3370:
3341:
3307:
3272:
3247:
3226:, ob, cl, bn, hn, perc, vn, va, vc, db
3217:
3205:
3176:
3150:
3128:
3097:
3080:
3063:
3046:
3029:
3012:
2995:
2978:
2961:
2933:
2916:
2899:
2884:
2867:
2848:
2831:
2816:
2797:
2782:
2765:
2742:
2725:
2708:
2696:
2679:
2662:
2645:
2628:
2605:
2586:
2571:
2553:
2503:
2468:
2437:
2414:
2388:
2366:
2353:
2340:
2327:
2283:
2270:
2256:
2243:
2230:
2217:
2204:
2185:
2172:
2148:
2135:
2113:
2095:
2058:List of compositions by Anthony Payne
1435:The Songs and Streams in the Firmament
1207:(The 1989 version for flute and harp)
1158:
788:. Among his students was the composer
171:, and the couple's new music ensemble
163:. Payne is particularly noted for his
6695:Invocations: Contemporary Viola Works
6441:
6419:
6359:
6263:
6252:
6066:
5945:
5914:
5854:
5571:
5517:
5266:Payne, Hindmarsh & Foreman (2001)
5002:
2946:
1530:Invocations: Contemporary Viola Works
601:forms is dominated by numerology and
472:Durham University Department of Music
470:(1955–1957), Payne read music at the
6264:Smith, Charlotte (1 December 2011).
6014:"Symphonies of Wind and Rain (1992)"
6003:
5599:from the original on 24 October 2020
5147:Although Wise Music Classical lists
5064:; arts research fellow for two years
4904:——; Calam, Toni (2001).
1961:The World’s Winter: Nothing will die
1034:
290:—and numerous works on the music of
7579:20th-century British Army personnel
7454:Classical 97, Chicago, 5 March 1999
7160:
6067:Payne, Anthony (13 February 1998).
5585:Lennie, Jonathan (28 August 2013).
3613:Soprano, piano, violin, vila, cello
3559:Soprano, 2 clarinets, violin, cello
3429:, 2 ob, eng hn, 2 bn, 2 tpt, 3 trbn
3385:(Text from traditional carol texts)
3108:
1711:The Stones & Lonely Places Sing
13:
7559:People educated at Dulwich College
7459:The Symphony - all Bits and Pieces
7264:
6360:White, Michael (23 October 2011).
6079:from the original on 21 March 2021
5559:from the original on 30 April 2021
962:Later career and death (1998–2021)
954:, and teaching composition at the
850:Elgar's Third Symphony (1993–1997)
846:and premiered the following year.
489:and working with the musicologist
404:solidified his interest; he began
297:
14:
7600:
7408:
7345:Encounters with British Composers
7232:(January 1975). "Anthony Payne".
6793:The stones and lonely places sing
6420:White, Michael (13 August 2021).
6135:
5621:. 25 October 2007. Archived from
3814:Pomp and Circumstance March No. 6
2656:The Song Streams in the Firmament
2622:The Stones and Lonely Places Sing
1761:Pomp and Circumstance March No. 6
1662:The Stones and Lonely Places Sing
1093:The Stones and Lonely Places Sing
974:which inspired Payne's acclaimed
909:. Payne released a book in 1998,
704:The Stones and Lonely Places Sing
214:. Two orchestral commissions for
7574:21st-century classical composers
7569:20th-century classical composers
7511:
7499:
7487:
7475:
7424:Biography and Catalogue of works
7375:Rutherford-Johnson, Tim (2017).
5664:from the original on 10 May 2021
5448:Millington, Barry (4 May 2021).
5131:says it lasted until 1986 while
5110:, it appears he never completed
4660:Österreichische Musikzeitschrift
3566:Betwixt Heaven and Charing Cross
3165:(Text from 14th-century England)
842:(1991), was commissioned by the
733:
370:Stroud) Payne; his father was a
331:
320:
311:
7584:Royal Corps of Signals soldiers
7130:
7105:
7080:
7058:
7034:
7021:
6994:
6959:
6924:
6889:
6854:
6819:
6784:
6749:
6686:
6651:
6616:
6581:
6546:
6511:
6476:
6413:
6388:
6376:from the original on 7 May 2022
6353:
6341:from the original on 5 May 2021
6319:
6230:
6129:
6117:from the original on 7 May 2022
6091:
6028:
5981:
5939:
5892:
5840:"Concerto for Orchestra (1974)"
5775:from the original on 1 May 2021
5462:from the original on 6 May 2021
5393:from the original on 2 May 2021
5255:
5240:
5208:
5184:
5175:
5158:
5141:
5117:
5100:
3718:2 vn, 2 va, 2 vc, piano 4 hands
3491:Aspects of Love and Contentment
3336:
3302:
3171:
3123:
2989:Reflections in the Sea of Glass
2548:
2108:
2090:
1606:Musicians Benevolent Fund MBF1
956:University of Western Australia
805:Aspects of Love and Contentment
710:English Romanticism (1981–1992)
565:. Payne later revised both the
303:Youth and education (1936–1964)
255:University of Western Australia
7383:University of California Press
6590:The Sketches for Symphony No 3
5866:"Front Matter: Contributors".
5547:Savage, Mark (30 April 2021).
3773:Seven Songs from the Norwegian
2759:Empty Landscape – Heart's Ease
2649:fl + pic, cl, perc, pf, vn, vc
1794:Elgar/Payne The Crown of India
1675:Empty Landscape – Heart's Ease
936:Empty Landscape – Heart's Ease
782:Sydney Conservatorium of Music
698:). He was commissioned by the
251:Sydney Conservatorium of Music
1:
5739:. In Northcott, Bayan (ed.).
5236:Sheffield Philharmonic Chorus
5068:
3971:. London: Thames Publishing.
3952:. London: Thames Publishing.
3505:S, fl, ob, cl, hn, hp, str qt
2639:A Day in the Life of a Mayfly
2084:Suite from a Forgotten Ballet
2075:
1453:A Day in the Life of a Mayfly
1416:A Day in the Life of a Mayfly
1142:A Day in the Life of a Mayfly
766:A Day in the Life of a Mayfly
750:A Day in the Life of a Mayfly
740:A Day in the Life of a Mayfly
723:A Day in the Life of a Mayfly
648:, he was commissioned by the
520:Emerging composer (1965–1980)
204:A Day in the Life of a Mayfly
202:. From his 1981 chamber work
183:, described by his colleague
7448:Interview with Anthony Payne
5975:UK public library membership
5788:UK public library membership
5319:
5309:UK public library membership
5010:First Sight of Her and After
4943:UK public library membership
4907:"Lutyens, (Agnes) Elisabeth"
4897:UK public library membership
4851:UK public library membership
4805:UK public library membership
3461:First Sight of Her and After
3191:First Sight of Her and After
2861:Out of the Depths Comes Song
2786:fl, cl, perc, pf, vn, va, vc
2599:Footfalls Echo in the Memory
1117:contemporary classical music
856:Symphony No. 3 (Elgar/Payne)
642:First Sight of Her and After
575:Baccholian Singers of London
412:where he mainly studied the
7:
7544:English classical composers
7173:"Anthony Payne (1936–2021)"
6302:Bradshaw & Bennett 1972
6036:"Catalogue – Anthony Payne"
5151:as being finished in 1992,
5149:Symphonies of Wind and Rain
5008:Radcliffe Award, 1975, for
2292:, Variations on a Theme of
2237:Symphonies of Wind and Rain
2211:Half-Heard in the Stillness
2018:Half-Heard in the Stillness
1681:Scenes from The Woodlanders
1429:Symphonies of Wind and Rain
1004:Pomp and Circumstance March
840:Symphonies of Wind and Rain
466:After a brief stint in the
187:as "modernized nostalgia".
10:
7605:
7308:Cambridge University Press
7282:Cambridge University Press
7214:Cambridge University Press
7191:
6520:Time's arrow (Music, 1996)
5900:"Fire on Whaleness (1976)"
5878:Cambridge University Press
5054:Honorary Doctor of Music,
5048:Honorary Doctor of Music,
4735:Cambridge University Press
4696:Cambridge University Press
4673:10.7767/omz.1986.41.34.149
4642:Cambridge University Press
4603:Cambridge University Press
4564:Cambridge University Press
4448:Cambridge University Press
4409:Cambridge University Press
4370:Cambridge University Press
4331:Cambridge University Press
4308:Cambridge University Press
4269:Cambridge University Press
4230:Cambridge University Press
4191:Cambridge University Press
4168:Cambridge University Press
4145:Cambridge University Press
4075:Cambridge University Press
4036:Cambridge University Press
3702:Fresh Dances for the Late
3495:(8 Songs of Peter Warlock)
2533:
2347:The Period of Cosmographie
1770:Sapporo Symphony Orchestra
853:
686:(1977, text attributed to
382:from a radio broadcast of
232:The Period of Cosmographie
7430:Articles by Anthony Payne
5587:"Anthony Payne interview"
4743:10.1017/S0040298200006239
4704:10.1017/S0040298200023548
4611:10.1017/S0040298200057971
4572:10.1017/S0040298200057788
4417:10.1017/S004029820003446X
4378:10.1017/S0040298200033933
4339:10.1017/S0040298200036718
4277:10.1017/S0040298200033520
4238:10.1017/S0040298200033337
4199:10.1017/S0040298200033155
4083:10.1017/S0040298200036317
4044:10.1017/S0040298200055662
3950:The Music of Frank Bridge
3695:
3692:
3689:
3686:
3322:A Little Whitsuntide Cant
3189:
3161:A Little Passiontide Cant
3006:Amid the Winds of Evening
2688:
2431:Fanfares and Processional
2068:
2065:
2062:
1543:Amid the Winds of Evening
1356:Riverrun Records RVRCD56
1177:
1174:
1171:
1168:
1009:University of East Anglia
932:English Chamber Orchestra
924:London Festival Orchestra
732:
721:
716:
692:A Little Whitsuntide Cant
650:Grimethorpe Colliery Band
618:A Little Passiontide Cant
286:—a study on the composer
259:University of East Anglia
117:
107:
97:
77:
58:
39:
30:
23:
6328:"Anthony Payne obituary"
5880:: 1–52. September 1975.
5450:"Anthony Payne obituary"
5073:
5056:University of Birmingham
3676:
2729:fl, cl, hp, 2 vn, va, vc
2542:Paraphrases and Cadenzas
2399:
2032:BBC Symphony Orchestra (
1447:Paraphrases and Cadenzas
1259:(Piano quintet version)
1190:Images & Impressions
1077:Paraphrases and Cadenzas
1029:
571:Paraphrases and Cadenzas
555:Paraphrases and Cadenzas
150:his acclaimed completion
7204:Bennett, Richard Rodney
7031:unless otherwise noted.
5960:Oxford University Press
5751:Oxford University Press
5404:(subscription required)
5284:Oxford University Press
5268:has been superseded by
4949:
4918:Oxford University Press
4872:Oxford University Press
4858:—— (2001).
4826:Oxford University Press
4780:Oxford University Press
3986:—— (1998).
3967:—— (1984).
3933:Oxford University Press
3927:Payne, Anthony (1968).
3793:So Many True Princesses
3654:Ursula Vaughan Williams
3381:A Little Christmas Cant
3288:A Little Ascension Cant
3144:Two Songs without Words
3137:, 3 trumpet, 3 trombone
2262:Orchestral Variations:
2130:Concerto for Orchestra
1175:Performers (conductor)
1155:as a memorial tribute.
778:London College of Music
684:A Little Ascension Cant
624:(1974) commissioned by
579:Two Songs without Words
247:London College of Music
148:. He is best known for
7175:. Wise Music Classical
7138:"Elgar Society Awards"
7066:"String Quartet No. 3"
6218:. Wise Music Classical
6193:. Wise Music Classical
6168:. Wise Music Classical
6016:. Wise Music Classical
5991:. Wise Music Classical
5927:. Wise Music Classical
5902:. Wise Music Classical
5842:. Wise Music Classical
5062:Royal College of Music
3751:Earth and Air and Rain
3624:(Text by Payne, after
3595:Poems of Edward Thomas
2878:From a Mouthful of Air
2769:ob, cl, hn, vn, va, vc
2462:Echoes of Courtly Love
1903:From a Mouthful of Air
1816:BBC Symphony Orchestra
1705:Poems of Edward Thomas
1701:: "Lights Out" (2003)
1699:Poems of Edward Thomas
1693:Poems of Edward Thomas
1629:Poems of Edward Thomas
1392:BBC Symphony Orchestra
1308:BBC Symphony Orchestra
1255:Poems of Edward Thomas
1052:
979:
900:BBC Symphony Orchestra
864:
622:Concerto for Orchestra
468:Royal Corps of Signals
378:and first experienced
7549:Musicians from London
6166:"Hidden Music (1992)"
6101:(18 September 2011).
5270:Huss, Fabian (2001).
3876:Selected publications
3518:Alfred, Lord Tennyson
3406:Alleluias and Hockets
3239:Alfred, Lord Tennyson
2928:String Quartet No. 3
2894:String Quartet No. 2
2736:The Enchantress Plays
2581:String Quartet No. 1
2564:Sonatas and Ricercars
2264:The Seeds Long Hidden
2166:Spring's Shining Wake
2024:The Seeds Long Hidden
1707:: "Adlestrop" (2003)
1650:Quartz Music QTZ2038
1631:: "Adlestrop" (2003)
1153:Spring’s Shining Wake
1111:Legacy and reputation
1046:
969:
870:on Payne's completion
860:
678:(1977, text from the
672:Alfred, Lord Tennyson
634:Sonatas and Ricercars
587:Sonatas and Ricercars
476:St Cuthbert's Society
7385:. pp. 246–251.
7368:10.7722/j.ctt1814gv6
7352:. pp. 357–368.
7350:Boydell & Brewer
7027:Information is from
7003:Visions and Journeys
5946:Calam, Toni (2001).
5249:Hail! Bright Cecilia
5030:University of Durham
5020:Visions and Journeys
3541:From the Woodlanders
3292:(Text attributed to
2666:cl, 2 vn, va, vc, db
2370:Orchestra and chorus
2360:Of Land, Sea and Sky
2277:Visions and Journeys
2198:The Spirit's Harvest
2152:solo oboe, 2 horns,
2053:List of compositions
2012:Visions and Journeys
1999:Visions and Journeys
1257:: "Adlestrop" (1989)
1134:Visions and Journeys
1013:Of Land, Sea and Sky
997:Visions and Journeys
978:(2002) for orchestra
976:Visions and Journeys
770:The Spirit's Harvest
762:Queen Elizabeth Hall
402:Piano Concerto No. 1
236:Of Land, Sea and Sky
228:Visions and Journeys
220:The Spirit's Harvest
138:Anthony Edward Payne
102:List of compositions
72:, Greater London, UK
7401:10.1525/j.ctv1xxxq7
7117:anthonypayne.org.uk
7092:anthonypayne.org.uk
7068:. Composers Edition
7045:Boosey & Hawkes
6758:In Flanders' Fields
6240:. Composers Edition
6040:anthonypayne.org.uk
5386:The Daily Telegraph
5050:Kingston University
4815:"Delius, Frederick"
3912:Music and Musicians
3886:The Daily Telegraph
3747:: "Proud Songsters"
3715:Orchestral (ballet)
3683:
3512:Break, break, break
2888:tpt, hp, vn, va, vc
2810:Of Knots and Skeins
2776:Engines and Islands
2334:Windows on Eternity
2179:Songs and Seascapes
2059:
1722:(Roger Montgomery)
1687:Of Knots and Skeins
1615:In Flanders' Fields
1464:(Roger Montgomery)
1268:(Roger Montgomery)
1165:
1159:Selected recordings
1089:random number table
892:Royal Festival Hall
264:The Daily Telegraph
7088:"Song Without End"
5955:Grove Music Online
5742:Grove Music Online
5652:"Payne's pleasure"
5625:on 25 October 2007
5279:Grove Music Online
5003:Awards and honours
4913:Grove Music Online
4867:Grove Music Online
4821:Grove Music Online
4775:Grove Music Online
3836:The Crown of India
3681:
3264:Book of Revelation
3233:The World's Winter
3057:Hommage to Debussy
2947:Instrumental solos
2575:fl, ob, cl, bn, hn
2142:Song of the Clouds
2057:
1807:The Crown of India
1564:Black Box BBM1058
1558:; John Constable,
1163:
1053:
989:Hommage to Debussy
980:
944:Spitalfields Music
823:, Schoenberg, and
680:Book of Revelation
668:The World's Winter
7392:978-0-520-28314-5
7359:978-1-78327-070-5
7334:978-0-236-30933-7
7325:British Music Now
7235:The Musical Times
6427:Islington Tribune
6316:, pp. 36–37.
5973:(subscription or
5824:, pp. 37–38.
5786:(subscription or
5768:978-1-56159-263-0
5650:(1 August 1996).
5307:(subscription or
5200:David Owen Norris
5016:The Ivors Academy
4956:Neighbour, Oliver
4941:(subscription or
4935:978-1-56159-263-0
4895:(subscription or
4889:978-1-56159-263-0
4849:(subscription or
4843:978-1-56159-263-0
4803:(subscription or
4797:978-1-56159-263-0
4528:The Musical Times
4497:The Musical Times
4466:The Musical Times
4109:The Musical Times
4001:978-0-571-19538-1
3978:978-0-905210-25-4
3959:978-0-905210-02-5
3882:Arnold Schoenberg
3873:
3872:
3719:
3674:
3673:
3670:
3657:
3642:
3629:
3614:
3604:
3589:
3575:
3560:
3550:
3535:
3521:
3506:
3496:
3485:
3470:
3455:
3445:
3430:
3415:
3400:
3386:
3375:
3365:
3350:
3331:
3316:
3297:
3282:
3267:
3252:
3242:
3227:
3210:
3200:
3185:
3166:
3155:
3138:
3102:
3085:
3068:
3051:
3034:
3017:
3000:
2983:
2966:
2940:
2923:
2906:
2889:
2872:
2855:
2838:
2821:
2804:
2787:
2770:
2753:
2730:
2713:
2701:
2690:A 1940s Childhood
2684:
2667:
2650:
2633:
2616:
2593:
2576:
2558:
2527:
2491:
2456:
2425:
2408:Fire on Whaleness
2393:
2383:
2371:
2322:
2192:
2160:
2125:
2050:
2049:
1859:Roderick Williams
1695:: "Words" (2003)
1552:Paul Silverthorne
1203:A 1940s Childhood
1035:General character
844:Endymion Ensemble
746:
745:
664:Fire on Whaleness
495:nervous breakdown
480:Durham University
288:Arnold Schoenberg
192:Durham University
135:
134:
7596:
7516:
7515:
7514:
7504:
7503:
7502:
7492:
7491:
7490:
7480:
7479:
7478:
7471:
7420:
7419:
7417:Official website
7404:
7371:
7338:
7319:
7298:McBurney, Gerard
7293:
7259:
7230:Northcott, Bayan
7225:
7185:
7184:
7182:
7180:
7169:
7158:
7157:
7155:
7153:
7144:. Archived from
7134:
7128:
7127:
7125:
7123:
7109:
7103:
7102:
7100:
7098:
7084:
7078:
7077:
7075:
7073:
7062:
7056:
7055:
7053:
7051:
7038:
7032:
7025:
7019:
7018:
7016:
7014:
6998:
6992:
6991:
6989:
6987:
6963:
6957:
6956:
6954:
6952:
6928:
6922:
6921:
6919:
6917:
6898:The NMC Songbook
6893:
6887:
6886:
6884:
6882:
6858:
6852:
6851:
6849:
6847:
6823:
6817:
6816:
6814:
6812:
6788:
6782:
6781:
6779:
6777:
6753:
6747:
6746:
6744:
6742:
6728:
6719:
6718:
6716:
6714:
6690:
6684:
6683:
6681:
6679:
6655:
6649:
6648:
6646:
6644:
6620:
6614:
6613:
6611:
6609:
6585:
6579:
6578:
6576:
6574:
6550:
6544:
6543:
6541:
6539:
6515:
6509:
6508:
6506:
6504:
6480:
6474:
6473:
6471:
6469:
6445:
6439:
6438:
6436:
6434:
6417:
6411:
6410:
6408:
6406:
6392:
6386:
6385:
6383:
6381:
6365:
6357:
6351:
6350:
6348:
6346:
6330:
6323:
6317:
6311:
6305:
6299:
6288:
6287:
6285:
6283:
6274:. Archived from
6261:
6250:
6249:
6247:
6245:
6234:
6228:
6227:
6225:
6223:
6212:
6203:
6202:
6200:
6198:
6187:
6178:
6177:
6175:
6173:
6162:
6153:
6152:
6150:
6148:
6136:Payne, Anthony.
6133:
6127:
6126:
6124:
6122:
6106:
6095:
6089:
6088:
6086:
6084:
6064:
6051:
6050:
6048:
6046:
6032:
6026:
6025:
6023:
6021:
6010:
6001:
6000:
5998:
5996:
5985:
5979:
5978:
5971:
5951:
5943:
5937:
5936:
5934:
5932:
5921:
5912:
5911:
5909:
5907:
5896:
5890:
5889:
5863:
5852:
5851:
5849:
5847:
5836:
5825:
5819:
5813:
5807:
5792:
5791:
5784:
5782:
5780:
5738:
5736:"Payne, Anthony"
5727:
5674:
5673:
5671:
5669:
5648:Northcott, Bayan
5644:
5635:
5634:
5632:
5630:
5615:
5609:
5608:
5606:
5604:
5582:
5569:
5568:
5566:
5564:
5544:
5515:
5509:
5472:
5471:
5469:
5467:
5445:
5406:
5405:
5402:
5400:
5398:
5382:
5375:
5313:
5312:
5305:
5275:
5259:
5253:
5244:
5238:
5212:
5206:
5194:; Robert Gibbs,
5188:
5182:
5179:
5173:
5162:
5156:
5145:
5139:
5121:
5115:
5104:
5098:
5087:
5028:(with Manning),
4997:
4976:Goehr, Alexander
4950:——;
4946:
4939:
4909:
4900:
4893:
4863:
4854:
4847:
4817:
4808:
4801:
4771:
4762:
4723:
4684:
4667:(3–4): 149–154.
4653:
4630:
4591:
4552:
4521:
4490:
4459:
4436:
4397:
4358:
4319:
4296:
4257:
4218:
4179:
4156:
4133:
4102:
4063:
4013:
3982:
3963:
3944:
3853:Vaughan Williams
3767:Frederick Delius
3717:
3684:
3680:
3665:
3663:Choral and vocal
3651:
3637:
3635:Choral and vocal
3623:
3612:
3610:Choral and vocal
3598:
3587:
3583:
3581:Choral and vocal
3572:Francis Thompson
3569:
3558:
3556:Choral and vocal
3544:
3533:
3529:
3527:Choral and vocal
3515:
3504:
3502:Choral and vocal
3494:
3482:
3478:
3476:Choral and vocal
3464:
3453:
3451:Choral and vocal
3439:
3427:
3423:
3421:Choral and vocal
3409:
3398:
3394:
3392:Choral and vocal
3384:
3373:
3371:Choral and vocal
3359:
3348:
3344:
3342:Choral and vocal
3338:
3325:
3314:
3310:
3308:Choral and vocal
3304:
3291:
3279:
3275:
3273:Choral and vocal
3261:
3258:The Sea of Glass
3250:
3248:Choral and vocal
3236:
3224:
3220:
3218:Choral and vocal
3208:
3206:Choral and vocal
3194:
3183:
3179:
3177:Choral and vocal
3173:
3164:
3153:
3151:Choral and vocal
3135:
3131:
3129:Choral and vocal
3125:
3109:Choral and vocal
3100:
3083:
3066:
3049:
3032:
3023:Song Without End
3015:
2998:
2981:
2964:
2936:
2919:
2902:
2887:
2870:
2851:
2834:
2819:
2800:
2785:
2768:
2745:
2728:
2711:
2699:
2682:
2665:
2648:
2631:
2608:
2589:
2574:
2556:
2550:
2506:
2471:
2440:
2417:
2391:
2378:
2369:
2297:
2190:string orchestra
2188:
2158:string orchestra
2151:
2123:string orchestra
2116:
2110:
2092:
2060:
2056:
2038:Sir Andrew Davis
1837:The NMC Songbook
1720:Jane's Minstrels
1493:Song Without End
1462:Jane's Minstrels
1266:Jane's Minstrels
1166:
1162:
1047:In this excerpt
952:Michael Berkeley
894:, London by Sir
871:
797:Jane's Minstrels
737:
736:
727:Jane's Minstrels
714:
713:
676:The Sea of Glass
626:Richard Bradshaw
538:Barry Millington
510:It Happened Once
461:Polyphonic suite
457:Vaughan Williams
434:classical period
347:Vaughan Williams
335:
324:
315:
212:Vaughan Williams
173:Jane's Minstrels
131:
128:
126:
124:
65:
49:
47:
35:
21:
20:
7604:
7603:
7599:
7598:
7597:
7595:
7594:
7593:
7524:
7523:
7522:
7512:
7510:
7500:
7498:
7488:
7486:
7482:Classical music
7476:
7474:
7466:
7441:discography at
7434:The Independent
7415:
7414:
7411:
7393:
7360:
7341:
7335:
7272:Bradshaw, Susan
7267:
7265:Further reading
7262:
7242:(1583): 36–38.
7200:Bradshaw, Susan
7194:
7189:
7188:
7178:
7176:
7171:
7170:
7161:
7151:
7149:
7148:on 7 April 2020
7136:
7135:
7131:
7121:
7119:
7111:
7110:
7106:
7096:
7094:
7086:
7085:
7081:
7071:
7069:
7064:
7063:
7059:
7049:
7047:
7040:
7039:
7035:
7029:Bradshaw (2010)
7026:
7022:
7012:
7010:
7000:
6999:
6995:
6985:
6983:
6965:
6964:
6960:
6950:
6948:
6930:
6929:
6925:
6915:
6913:
6895:
6894:
6890:
6880:
6878:
6860:
6859:
6855:
6845:
6843:
6825:
6824:
6820:
6810:
6808:
6790:
6789:
6785:
6775:
6773:
6755:
6754:
6750:
6740:
6738:
6730:
6729:
6722:
6712:
6710:
6692:
6691:
6687:
6677:
6675:
6657:
6656:
6652:
6642:
6640:
6622:
6621:
6617:
6607:
6605:
6587:
6586:
6582:
6572:
6570:
6552:
6551:
6547:
6537:
6535:
6517:
6516:
6512:
6502:
6500:
6482:
6481:
6477:
6467:
6465:
6447:
6446:
6442:
6432:
6430:
6418:
6414:
6404:
6402:
6394:
6393:
6389:
6379:
6377:
6369:The Independent
6358:
6354:
6344:
6342:
6325:
6324:
6320:
6312:
6308:
6300:
6291:
6281:
6279:
6262:
6253:
6243:
6241:
6238:"Anthony Payne"
6236:
6235:
6231:
6221:
6219:
6214:
6213:
6206:
6196:
6194:
6189:
6188:
6181:
6171:
6169:
6164:
6163:
6156:
6146:
6144:
6142:British Library
6134:
6130:
6120:
6118:
6110:The Independent
6099:Matthews, Colin
6096:
6092:
6082:
6080:
6065:
6054:
6044:
6042:
6034:
6033:
6029:
6019:
6017:
6012:
6011:
6004:
5994:
5992:
5987:
5986:
5982:
5972:
5944:
5940:
5930:
5928:
5923:
5922:
5915:
5905:
5903:
5898:
5897:
5893:
5865:
5864:
5855:
5845:
5843:
5838:
5837:
5828:
5820:
5816:
5808:
5795:
5785:
5778:
5776:
5769:
5747:Bayan Northcott
5731:Bradshaw, Susan
5728:
5677:
5667:
5665:
5657:The Independent
5645:
5638:
5628:
5626:
5617:
5616:
5612:
5602:
5600:
5583:
5572:
5562:
5560:
5545:
5518:
5510:
5475:
5465:
5463:
5446:
5409:
5403:
5396:
5394:
5376:
5327:
5322:
5317:
5316:
5306:
5302:
5273:"Bridge, Frank"
5269:
5260:
5256:
5245:
5241:
5214:Clare Shearer,
5213:
5209:
5190:Anthony Payne,
5189:
5185:
5180:
5176:
5163:
5159:
5153:Bradshaw (2010)
5146:
5142:
5129:Bradshaw (2010)
5122:
5118:
5108:Bradshaw (2010)
5105:
5101:
5088:
5081:
5076:
5071:
5026:Doctor of Music
5005:
5000:
4968:Matthews, David
4940:
4936:
4903:
4894:
4890:
4857:
4848:
4844:
4811:
4802:
4798:
4769:"Bridge, Frank"
4726:
4687:
4656:
4633:
4594:
4555:
4524:
4493:
4462:
4439:
4400:
4361:
4322:
4299:
4260:
4221:
4182:
4159:
4136:
4105:
4066:
4027:
4016:
4002:
3992:Faber and Faber
3979:
3966:
3960:
3947:
3890:The Independent
3878:
3858:Four Last Songs
3770:
3769:: "Hidden Love"
3748:
3716:
3679:
3664:
3650:
3636:
3622:
3611:
3597:
3582:
3568:
3557:
3543:
3528:
3514:
3503:
3493:
3477:
3463:
3452:
3438:
3422:
3408:
3393:
3383:
3372:
3358:
3343:
3335:
3324:
3309:
3301:
3290:
3274:
3262:(Text from the
3260:
3249:
3235:
3219:
3207:
3193:
3178:
3170:
3163:
3152:
3130:
3122:
3111:
3099:
3082:
3065:
3048:
3031:
3014:
2997:
2980:
2963:
2949:
2935:
2918:
2901:
2886:
2869:
2850:
2833:
2818:
2799:
2784:
2767:
2744:
2727:
2710:
2698:
2681:
2664:
2647:
2630:
2607:
2588:
2573:
2566:(Wind Quintet)
2555:
2547:
2536:
2505:
2470:
2439:
2416:
2402:
2390:
2377:
2368:
2296:
2187:
2150:
2115:
2107:
2089:
2078:
2055:
2034:Martyn Brabbins
2029:
2008:
2005:
2004:
2003:
1978:
1945:
1942:
1941:
1940:
1908:
1899:
1896:
1895:
1894:
1855:
1847:
1844:
1843:
1812:
1803:
1800:
1799:
1798:
1780:Signum Classics
1766:
1749:
1746:
1745:
1744:
1716:
1671:
1668:
1667:
1666:
1644:; Andrew Bell,
1634:
1625:
1622:
1621:
1593:
1586:"Solenne" from
1583:
1580:
1579:
1548:
1539:
1536:
1535:
1534:
1503:
1489:
1486:
1485:
1458:
1425:
1422:
1421:
1420:
1388:
1377:
1374:
1373:
1372:
1350:
1341:
1338:
1337:
1336:
1304:
1295:
1292:
1291:
1290:
1262:
1258:
1251:
1248:
1247:
1246:
1210:
1206:
1199:
1196:
1195:
1194:
1161:
1122:The Independent
1113:
1037:
1032:
1017:Arthur Streeton
993:Isles of Scilly
972:Isles of Scilly
964:
938:(1995) for the
930:(1994) for the
922:(1992) for the
873:
866:
858:
852:
786:New South Wales
758:Fires of London
734:
712:
694:(1977, text by
670:(1976, text by
522:
410:Dulwich College
380:classical music
364:
363:
362:
361:
338:
337:
336:
327:
326:
325:
317:
316:
305:
300:
298:Life and career
270:The Independent
177:modernist music
121:
93:
73:
67:
63:
54:
51:
45:
43:
26:
17:
12:
11:
5:
7602:
7592:
7591:
7589:Elgar scholars
7586:
7581:
7576:
7571:
7566:
7561:
7556:
7551:
7546:
7541:
7536:
7521:
7520:
7508:
7496:
7484:
7464:
7463:
7455:
7445:
7436:
7427:
7421:
7410:
7409:External links
7407:
7406:
7405:
7391:
7372:
7358:
7339:
7333:
7320:
7294:
7266:
7263:
7261:
7260:
7248:10.2307/958865
7226:
7195:
7193:
7190:
7187:
7186:
7159:
7129:
7104:
7079:
7057:
7033:
7020:
7008:NMC Recordings
6993:
6958:
6923:
6888:
6853:
6818:
6783:
6748:
6720:
6685:
6650:
6615:
6580:
6545:
6510:
6475:
6440:
6412:
6387:
6352:
6337:. 3 May 2021.
6318:
6314:Northcott 1975
6306:
6289:
6271:The Gramophone
6251:
6229:
6204:
6179:
6154:
6128:
6090:
6052:
6027:
6002:
5980:
5938:
5913:
5891:
5853:
5826:
5822:Northcott 1975
5814:
5810:Northcott 1975
5793:
5767:
5675:
5636:
5610:
5570:
5516:
5512:Northcott 1975
5473:
5407:
5389:. 2 May 2021.
5324:
5323:
5321:
5318:
5315:
5314:
5300:
5254:
5239:
5228:Barbara Marten
5207:
5183:
5174:
5157:
5140:
5127:, California;
5116:
5099:
5078:
5077:
5075:
5072:
5070:
5067:
5066:
5065:
5060:Fellow of the
5058:
5052:
5046:
5036:
5033:
5022:
5012:
5004:
5001:
4999:
4998:
4988:(252): 14–20.
4972:Maconie, Robin
4947:
4934:
4901:
4888:
4855:
4842:
4809:
4796:
4763:
4724:
4685:
4654:
4631:
4592:
4553:
4541:10.2307/957574
4522:
4510:10.2307/954597
4491:
4479:10.2307/955896
4460:
4437:
4398:
4359:
4320:
4297:
4258:
4219:
4180:
4157:
4134:
4122:10.2307/949357
4103:
4064:
4038:: 6–16+23–25.
4024:
4023:
4022:
4015:
4014:
4000:
3983:
3977:
3964:
3958:
3945:
3923:
3922:
3921:
3877:
3874:
3871:
3870:
3867:
3866:Orchestration
3864:
3861:
3849:
3848:
3845:
3844:Orchestration
3842:
3839:
3827:
3826:
3823:
3820:
3817:
3805:
3804:
3801:
3800:Orchestration
3798:
3795:
3785:
3784:
3781:
3780:Orchestration
3778:
3775:
3763:
3762:
3759:
3758:Orchestration
3756:
3753:
3741:
3740:
3737:
3734:
3731:
3729:Symphony No. 3
3721:
3720:
3713:
3710:
3707:
3698:
3697:
3694:
3691:
3688:
3678:
3675:
3672:
3671:
3661:
3658:
3644:
3643:
3633:
3630:
3626:Pär Lagerkvist
3616:
3615:
3608:
3605:
3591:
3590:
3579:
3576:
3562:
3561:
3554:
3551:
3537:
3536:
3525:
3522:
3508:
3507:
3500:
3497:
3487:
3486:
3474:
3471:
3457:
3456:
3454:Soprano, piano
3449:
3446:
3432:
3431:
3419:
3416:
3402:
3401:
3390:
3387:
3377:
3376:
3374:Soprano, piano
3369:
3366:
3362:Pär Lagerkvist
3352:
3351:
3340:
3332:
3318:
3317:
3306:
3298:
3284:
3283:
3271:
3268:
3254:
3253:
3246:
3243:
3229:
3228:
3216:
3212:
3211:
3209:16 solo voices
3204:
3201:
3187:
3186:
3175:
3167:
3157:
3156:
3149:
3146:
3140:
3139:
3127:
3119:
3113:
3112:
3110:
3107:
3104:
3103:
3096:
3093:
3087:
3086:
3079:
3076:
3070:
3069:
3062:
3059:
3053:
3052:
3045:
3042:
3036:
3035:
3028:
3025:
3019:
3018:
3011:
3008:
3002:
3001:
2994:
2991:
2985:
2984:
2977:
2974:
2968:
2967:
2960:
2957:
2951:
2950:
2948:
2945:
2942:
2941:
2938:String quartet
2932:
2929:
2925:
2924:
2915:
2912:
2911:Piano Quartet
2908:
2907:
2904:String quartet
2898:
2895:
2891:
2890:
2883:
2880:
2874:
2873:
2866:
2863:
2857:
2856:
2847:
2844:
2843:Piano Quintet
2840:
2839:
2830:
2827:
2823:
2822:
2815:
2812:
2806:
2805:
2796:
2793:
2789:
2788:
2781:
2778:
2772:
2771:
2764:
2761:
2755:
2754:
2741:
2738:
2732:
2731:
2724:
2721:
2715:
2714:
2707:
2703:
2702:
2695:
2692:
2686:
2685:
2683:2 vn, 2 va, vc
2678:
2675:
2669:
2668:
2661:
2658:
2652:
2651:
2644:
2641:
2635:
2634:
2627:
2624:
2618:
2617:
2604:
2601:
2595:
2594:
2591:String quartet
2585:
2582:
2578:
2577:
2570:
2567:
2560:
2559:
2552:
2544:
2538:
2537:
2535:
2532:
2529:
2528:
2502:
2499:
2493:
2492:
2467:
2464:
2458:
2457:
2436:
2433:
2427:
2426:
2413:
2410:
2404:
2403:
2401:
2398:
2395:
2394:
2387:
2384:
2376:Variation XIII
2373:
2372:
2365:
2362:
2356:
2355:
2352:
2349:
2343:
2342:
2339:
2336:
2330:
2329:
2326:
2323:
2290:Bright Cecilia
2286:
2285:
2282:
2279:
2273:
2272:
2269:
2266:
2259:
2258:
2255:
2252:
2246:
2245:
2242:
2239:
2233:
2232:
2229:
2226:
2220:
2219:
2216:
2213:
2207:
2206:
2203:
2200:
2194:
2193:
2184:
2181:
2175:
2174:
2171:
2168:
2162:
2161:
2147:
2144:
2138:
2137:
2134:
2131:
2127:
2126:
2119:string quartet
2112:
2104:
2098:
2097:
2094:
2086:
2080:
2079:
2077:
2074:
2071:
2070:
2067:
2064:
2054:
2051:
2048:
2047:
2041:
2030:
2028:
2027:
2021:
2015:
2009:
2001:
1997:
1996:
1995:
1993:
1989:
1988:
1982:
1979:
1977:
1976:
1970:
1964:
1958:
1952:
1946:
1938:
1934:
1933:
1932:
1930:
1926:
1925:
1919:
1909:
1907:
1906:
1900:
1892:
1888:
1887:
1886:
1884:
1880:
1879:
1873:
1856:
1854:
1853:
1848:
1841:
1840:
1839:
1834:
1830:
1829:
1823:
1813:
1811:
1810:
1804:
1796:
1792:
1791:
1790:
1788:
1784:
1783:
1777:
1767:
1765:
1764:
1758:
1750:
1742:
1738:
1737:
1736:
1734:
1730:
1729:
1723:
1717:
1715:
1714:
1708:
1702:
1696:
1690:
1684:
1678:
1672:
1664:
1660:
1659:
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1656:
1652:
1651:
1648:
1635:
1633:
1632:
1626:
1619:
1618:
1617:
1612:
1608:
1607:
1604:
1594:
1592:
1591:
1588:Bright Cecilia
1584:
1577:
1576:
1575:
1570:
1566:
1565:
1562:
1549:
1547:
1546:
1540:
1532:
1528:
1527:
1526:
1524:
1520:
1519:
1513:
1504:
1502:
1501:
1495:
1490:
1483:
1482:
1481:
1476:
1472:
1471:
1465:
1459:
1457:
1456:
1450:
1444:
1438:
1432:
1426:
1418:
1414:
1413:
1412:
1410:
1406:
1405:
1399:
1389:
1387:
1386:
1378:
1370:
1366:
1365:
1364:
1362:
1358:
1357:
1354:
1351:
1349:
1348:
1342:
1334:
1330:
1329:
1328:
1326:
1322:
1321:
1315:
1305:
1303:
1302:
1296:
1288:
1284:
1283:
1282:
1280:
1276:
1275:
1269:
1263:
1261:
1260:
1252:
1244:
1240:
1239:
1238:
1236:
1232:
1231:
1228:Nimbus Records
1225:
1219:Elinor Bennett
1211:
1209:
1208:
1200:
1192:
1188:
1187:
1186:
1184:
1180:
1179:
1176:
1173:
1170:
1160:
1157:
1112:
1109:
1036:
1033:
1031:
1028:
1024:Colin Matthews
963:
960:
877:Third Symphony
868:Colin Matthews
859:
854:Main article:
851:
848:
825:Maxwell Davies
754:Susan Bradshaw
744:
743:
730:
729:
719:
718:
717:External audio
711:
708:
521:
518:
507:symphonic poem
418:Stanley Wilson
388:Symphony No. 1
340:
339:
330:
329:
328:
319:
318:
310:
309:
308:
307:
306:
304:
301:
299:
296:
185:Susan Bradshaw
133:
132:
119:
115:
114:
109:
105:
104:
99:
95:
94:
92:
91:
88:
85:
81:
79:
75:
74:
68:
66:(aged 84)
60:
56:
55:
52:
41:
37:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
7601:
7590:
7587:
7585:
7582:
7580:
7577:
7575:
7572:
7570:
7567:
7565:
7562:
7560:
7557:
7555:
7552:
7550:
7547:
7545:
7542:
7540:
7537:
7535:
7532:
7531:
7529:
7519:
7509:
7507:
7497:
7495:
7485:
7483:
7473:
7472:
7469:
7461:
7460:
7456:
7453:
7449:
7446:
7444:
7440:
7439:Anthony Payne
7437:
7435:
7431:
7428:
7425:
7422:
7418:
7413:
7412:
7402:
7398:
7394:
7388:
7384:
7380:
7379:
7373:
7369:
7365:
7361:
7355:
7351:
7347:
7346:
7340:
7336:
7330:
7326:
7321:
7317:
7313:
7309:
7305:
7304:
7299:
7295:
7291:
7287:
7283:
7279:
7278:
7273:
7269:
7268:
7257:
7253:
7249:
7245:
7241:
7237:
7236:
7231:
7227:
7223:
7219:
7215:
7211:
7210:
7205:
7201:
7197:
7196:
7174:
7168:
7166:
7164:
7147:
7143:
7142:Elgar Society
7139:
7133:
7118:
7114:
7108:
7093:
7089:
7083:
7067:
7061:
7046:
7043:
7037:
7030:
7024:
7009:
7005:
7004:
6997:
6982:
6978:
6974:
6970:
6969:
6962:
6947:
6943:
6939:
6935:
6934:
6927:
6912:
6908:
6904:
6900:
6899:
6892:
6877:
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6864:
6857:
6842:
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6834:
6830:
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6822:
6807:
6803:
6799:
6795:
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6768:
6764:
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6759:
6752:
6737:
6733:
6727:
6725:
6709:
6705:
6701:
6697:
6696:
6689:
6674:
6670:
6666:
6662:
6661:
6654:
6639:
6635:
6631:
6627:
6626:
6619:
6604:
6600:
6596:
6592:
6591:
6584:
6569:
6565:
6561:
6557:
6556:
6549:
6534:
6530:
6526:
6522:
6521:
6514:
6499:
6495:
6491:
6487:
6486:
6479:
6464:
6460:
6456:
6452:
6451:
6444:
6429:
6428:
6423:
6416:
6401:
6397:
6391:
6375:
6371:
6370:
6364:
6356:
6340:
6336:
6335:
6329:
6322:
6315:
6310:
6304:, p. 41.
6303:
6298:
6296:
6294:
6278:on 5 May 2014
6277:
6273:
6272:
6267:
6260:
6258:
6256:
6239:
6233:
6217:
6211:
6209:
6192:
6186:
6184:
6167:
6161:
6159:
6143:
6139:
6132:
6116:
6112:
6111:
6105:
6100:
6094:
6078:
6074:
6070:
6063:
6061:
6059:
6057:
6041:
6037:
6031:
6015:
6009:
6007:
5990:
5984:
5976:
5969:
5965:
5961:
5957:
5956:
5950:
5942:
5926:
5920:
5918:
5901:
5895:
5887:
5883:
5879:
5875:
5871:
5870:
5862:
5860:
5858:
5841:
5835:
5833:
5831:
5823:
5818:
5812:, p. 37.
5811:
5806:
5804:
5802:
5800:
5798:
5789:
5774:
5770:
5764:
5760:
5756:
5752:
5748:
5745:. Revised by
5744:
5743:
5737:
5732:
5726:
5724:
5722:
5720:
5718:
5716:
5714:
5712:
5710:
5708:
5706:
5704:
5702:
5700:
5698:
5696:
5694:
5692:
5690:
5688:
5686:
5684:
5682:
5680:
5663:
5659:
5658:
5653:
5649:
5643:
5641:
5624:
5620:
5614:
5598:
5594:
5593:
5588:
5581:
5579:
5577:
5575:
5558:
5554:
5550:
5543:
5541:
5539:
5537:
5535:
5533:
5531:
5529:
5527:
5525:
5523:
5521:
5514:, p. 36.
5513:
5508:
5506:
5504:
5502:
5500:
5498:
5496:
5494:
5492:
5490:
5488:
5486:
5484:
5482:
5480:
5478:
5461:
5457:
5456:
5451:
5444:
5442:
5440:
5438:
5436:
5434:
5432:
5430:
5428:
5426:
5424:
5422:
5420:
5418:
5416:
5414:
5412:
5392:
5388:
5387:
5381:
5374:
5372:
5370:
5368:
5366:
5364:
5362:
5360:
5358:
5356:
5354:
5352:
5350:
5348:
5346:
5344:
5342:
5340:
5338:
5336:
5334:
5332:
5330:
5325:
5310:
5303:
5301:9781561592630
5297:
5293:
5289:
5285:
5281:
5280:
5274:
5267:
5263:
5258:
5251:
5250:
5243:
5237:
5233:
5229:
5225:
5221:
5220:Gerald Finley
5217:
5216:mezzo soprano
5211:
5205:
5201:
5197:
5193:
5187:
5178:
5171:
5167:
5161:
5154:
5150:
5144:
5138:records 1985.
5137:
5135:
5134:The Telegraph
5130:
5126:
5125:Mills College
5120:
5113:
5109:
5103:
5096:
5092:
5091:Lennie (2013)
5086:
5084:
5079:
5063:
5059:
5057:
5053:
5051:
5047:
5044:
5043:Elgar Society
5040:
5037:
5034:
5031:
5027:
5023:
5021:
5017:
5013:
5011:
5007:
5006:
4995:
4991:
4987:
4983:
4982:
4977:
4973:
4969:
4965:
4961:
4957:
4953:
4948:
4944:
4937:
4931:
4927:
4923:
4919:
4915:
4914:
4908:
4902:
4898:
4891:
4885:
4881:
4877:
4873:
4869:
4868:
4862:
4856:
4852:
4845:
4839:
4835:
4831:
4827:
4823:
4822:
4816:
4810:
4806:
4799:
4793:
4789:
4785:
4781:
4777:
4776:
4770:
4764:
4760:
4756:
4752:
4748:
4744:
4740:
4736:
4732:
4731:
4725:
4721:
4717:
4713:
4709:
4705:
4701:
4697:
4693:
4692:
4686:
4682:
4678:
4674:
4670:
4666:
4663:(in German).
4662:
4661:
4655:
4651:
4647:
4643:
4639:
4638:
4632:
4628:
4624:
4620:
4616:
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4608:
4604:
4600:
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4414:
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4406:
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4395:
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4375:
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4360:
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4135:
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4018:
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3938:
3934:
3930:
3925:
3924:
3920:
3917:
3916:
3915:
3913:
3909:
3908:
3907:Musical Times
3903:
3902:
3897:
3896:
3891:
3887:
3883:
3868:
3865:
3862:
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3859:
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3752:
3746:
3743:
3742:
3738:
3735:
3732:
3730:
3726:
3723:
3722:
3714:
3712:Arrangements
3711:
3708:
3706:
3705:
3700:
3699:
3685:
3668:
3667:Mezzo soprano
3659:
3655:
3649:
3646:
3645:
3640:
3631:
3627:
3621:
3618:
3617:
3606:
3602:
3601:Edward Thomas
3596:
3593:
3592:
3588:
3577:
3573:
3567:
3564:
3563:
3552:
3548:
3542:
3539:
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3498:
3492:
3489:
3488:
3483:
3472:
3468:
3462:
3459:
3458:
3447:
3443:
3442:Edward Thomas
3437:
3434:
3433:
3428:
3417:
3413:
3407:
3404:
3403:
3399:
3388:
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3379:
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3289:
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3265:
3259:
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3255:
3244:
3240:
3234:
3231:
3230:
3225:
3214:
3213:
3202:
3198:
3192:
3188:
3184:
3168:
3162:
3159:
3158:
3154:5 male voices
3147:
3145:
3142:
3141:
3136:
3120:
3118:
3115:
3114:
3105:
3094:
3092:
3089:
3088:
3077:
3075:
3074:Storm Chorale
3072:
3071:
3060:
3058:
3055:
3054:
3043:
3041:
3038:
3037:
3026:
3024:
3021:
3020:
3009:
3007:
3004:
3003:
2992:
2990:
2987:
2986:
2975:
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2969:
2958:
2956:
2953:
2952:
2943:
2939:
2930:
2927:
2926:
2922:
2921:Piano Quartet
2913:
2910:
2909:
2905:
2896:
2893:
2892:
2881:
2879:
2876:
2875:
2864:
2862:
2859:
2858:
2854:
2853:Piano quintet
2845:
2842:
2841:
2837:
2828:
2825:
2824:
2813:
2811:
2808:
2807:
2803:
2794:
2791:
2790:
2779:
2777:
2774:
2773:
2762:
2760:
2757:
2756:
2752:
2748:
2739:
2737:
2734:
2733:
2722:
2720:
2717:
2716:
2705:
2704:
2693:
2691:
2687:
2676:
2674:
2673:Consort Music
2671:
2670:
2659:
2657:
2654:
2653:
2642:
2640:
2637:
2636:
2625:
2623:
2620:
2619:
2615:
2611:
2602:
2600:
2597:
2596:
2592:
2583:
2580:
2579:
2568:
2565:
2562:
2561:
2545:
2543:
2540:
2539:
2530:
2526:
2522:
2518:
2514:
2510:
2500:
2498:
2495:
2494:
2490:
2486:
2482:
2478:
2474:
2465:
2463:
2460:
2459:
2455:
2451:
2447:
2443:
2434:
2432:
2429:
2428:
2424:
2420:
2411:
2409:
2406:
2405:
2396:
2385:
2382:
2375:
2374:
2363:
2361:
2358:
2357:
2350:
2348:
2345:
2344:
2337:
2335:
2332:
2331:
2324:
2321:
2317:
2313:
2309:
2305:
2301:
2295:
2291:
2288:
2287:
2280:
2278:
2275:
2274:
2267:
2265:
2261:
2260:
2253:
2251:
2248:
2247:
2240:
2238:
2235:
2234:
2227:
2225:
2222:
2221:
2214:
2212:
2209:
2208:
2201:
2199:
2196:
2195:
2191:
2182:
2180:
2177:
2176:
2169:
2167:
2164:
2163:
2159:
2155:
2145:
2143:
2140:
2139:
2132:
2129:
2128:
2124:
2120:
2105:
2103:
2100:
2099:
2087:
2085:
2082:
2081:
2072:
2061:
2045:
2042:
2039:
2035:
2031:
2025:
2022:
2019:
2016:
2013:
2010:
2007:
2006:
2000:
1994:
1991:
1990:
1986:
1983:
1980:
1974:
1971:
1968:
1965:
1962:
1959:
1956:
1953:
1950:
1947:
1944:
1943:
1937:
1931:
1928:
1927:
1923:
1920:
1917:
1916:Quentin Poole
1913:
1910:
1904:
1901:
1898:
1897:
1891:
1885:
1882:
1881:
1877:
1874:
1872:
1868:
1867:Iain Burnside
1864:
1860:
1857:
1852:
1849:
1846:
1845:
1838:
1835:
1832:
1831:
1827:
1824:
1821:
1817:
1814:
1808:
1805:
1802:
1801:
1795:
1789:
1786:
1785:
1781:
1778:
1775:
1774:Tadaaki Otaka
1771:
1768:
1762:
1759:
1756:
1755:
1751:
1748:
1747:
1741:
1735:
1732:
1731:
1727:
1724:
1721:
1718:
1712:
1709:
1706:
1703:
1700:
1697:
1694:
1691:
1688:
1685:
1682:
1679:
1676:
1673:
1670:
1669:
1663:
1657:
1654:
1653:
1649:
1647:
1643:
1642:mezzo soprano
1639:
1636:
1630:
1627:
1624:
1623:
1616:
1613:
1610:
1609:
1605:
1602:
1598:
1595:
1589:
1585:
1582:
1581:
1574:
1571:
1568:
1567:
1563:
1561:
1557:
1553:
1550:
1544:
1541:
1538:
1537:
1531:
1525:
1522:
1521:
1517:
1514:
1512:
1508:
1505:
1499:
1496:
1494:
1491:
1488:
1487:
1480:
1477:
1474:
1473:
1469:
1466:
1463:
1460:
1454:
1451:
1448:
1445:
1442:
1439:
1436:
1433:
1430:
1427:
1424:
1423:
1417:
1411:
1408:
1407:
1403:
1400:
1397:
1393:
1390:
1384:
1383:
1379:
1376:
1375:
1369:
1363:
1360:
1359:
1355:
1352:
1346:
1343:
1340:
1339:
1333:
1327:
1324:
1323:
1319:
1316:
1313:
1309:
1306:
1300:
1297:
1294:
1293:
1287:
1281:
1278:
1277:
1273:
1270:
1267:
1264:
1256:
1253:
1250:
1249:
1243:
1237:
1234:
1233:
1229:
1226:
1224:
1220:
1216:
1213:Judith Hall,
1212:
1204:
1201:
1198:
1197:
1191:
1185:
1182:
1181:
1167:
1156:
1154:
1149:
1147:
1146:The Telegraph
1143:
1139:
1138:chamber music
1135:
1131:
1126:
1124:
1123:
1118:
1108:
1106:
1100:
1098:
1094:
1090:
1086:
1082:
1078:
1074:
1070:
1066:
1062:
1058:
1050:
1045:
1041:
1027:
1025:
1020:
1018:
1014:
1010:
1005:
1000:
998:
994:
990:
986:
977:
973:
968:
959:
958:during 1996.
957:
953:
949:
945:
941:
940:Nash Ensemble
937:
933:
929:
925:
921:
916:
914:
913:
908:
907:
901:
897:
893:
889:
884:
882:
878:
872:
869:
863:
857:
847:
845:
841:
837:
833:
828:
826:
822:
818:
814:
810:
806:
803:entitled the
802:
801:Peter Warlock
798:
793:
791:
787:
783:
779:
775:
774:Mills College
771:
767:
763:
759:
755:
751:
742:
741:
731:
728:
725:performed by
724:
720:
715:
707:
705:
701:
697:
693:
689:
685:
681:
677:
673:
669:
665:
661:
660:
655:
654:Elgar Howarth
651:
647:
643:
639:
635:
632:and—like the
631:
627:
623:
619:
615:
610:
608:
604:
603:tone clusters
600:
596:
592:
588:
584:
580:
577:in 1970, his
576:
572:
568:
564:
560:
556:
552:
550:
546:
543:
539:
535:
531:
527:
517:
515:
511:
508:
504:
500:
496:
492:
488:
485:
481:
477:
473:
469:
464:
462:
458:
454:
450:
446:
442:
439:
435:
431:
427:
423:
419:
415:
411:
407:
403:
399:
395:
394:
389:
385:
381:
377:
373:
372:civil servant
369:
360:
356:
352:
348:
344:
334:
323:
314:
295:
293:
289:
285:
283:
278:
277:
272:
271:
266:
265:
260:
256:
252:
248:
244:
243:Mills College
239:
237:
233:
229:
225:
221:
217:
213:
209:
205:
201:
200:British poets
197:
193:
188:
186:
182:
178:
174:
170:
166:
165:chamber music
162:
161:
155:
151:
147:
143:
139:
130:
125:.anthonypayne
120:
116:
113:
110:
106:
103:
100:
96:
89:
86:
83:
82:
80:
76:
71:
62:30 April 2021
61:
57:
50:2 August 1936
42:
38:
34:
29:
25:Anthony Payne
22:
19:
7457:
7433:
7381:. Berkeley:
7377:
7344:
7324:
7301:
7275:
7239:
7233:
7207:
7177:. Retrieved
7150:. Retrieved
7146:the original
7132:
7120:. Retrieved
7116:
7107:
7095:. Retrieved
7091:
7082:
7070:. Retrieved
7060:
7048:. Retrieved
7036:
7023:
7011:. Retrieved
7002:
6996:
6984:. Retrieved
6967:
6961:
6949:. Retrieved
6933:Sound census
6932:
6926:
6914:. Retrieved
6897:
6891:
6879:. Retrieved
6862:
6856:
6844:. Retrieved
6827:
6821:
6809:. Retrieved
6792:
6786:
6774:. Retrieved
6757:
6751:
6739:. Retrieved
6711:. Retrieved
6694:
6688:
6676:. Retrieved
6659:
6653:
6641:. Retrieved
6624:
6618:
6606:. Retrieved
6589:
6583:
6571:. Retrieved
6554:
6548:
6536:. Retrieved
6519:
6513:
6501:. Retrieved
6484:
6478:
6466:. Retrieved
6449:
6443:
6431:. Retrieved
6425:
6415:
6403:. Retrieved
6390:
6378:. Retrieved
6367:
6355:
6343:. Retrieved
6332:
6321:
6309:
6280:. Retrieved
6276:the original
6269:
6242:. Retrieved
6232:
6220:. Retrieved
6195:. Retrieved
6170:. Retrieved
6145:. Retrieved
6131:
6119:. Retrieved
6108:
6093:
6081:. Retrieved
6043:. Retrieved
6039:
6030:
6018:. Retrieved
5993:. Retrieved
5983:
5953:
5949:"Luff, Enid"
5941:
5929:. Retrieved
5904:. Retrieved
5894:
5873:
5867:
5844:. Retrieved
5817:
5777:. Retrieved
5740:
5666:. Retrieved
5655:
5627:. Retrieved
5623:the original
5613:
5601:. Retrieved
5590:
5561:. Retrieved
5464:. Retrieved
5455:The Guardian
5453:
5395:. Retrieved
5384:
5277:
5261:
5257:
5247:
5242:
5231:
5223:
5215:
5210:
5203:
5195:
5191:
5186:
5177:
5160:
5148:
5143:
5133:
5119:
5111:
5102:
5019:
5018:, 2003, for
5009:
4985:
4979:
4960:Miller, Karl
4911:
4865:
4819:
4773:
4728:
4689:
4664:
4658:
4635:
4596:
4557:
4532:
4526:
4501:
4495:
4470:
4464:
4450:: 19+21–22.
4441:
4402:
4363:
4324:
4301:
4262:
4223:
4184:
4161:
4138:
4113:
4107:
4068:
4029:
4019:
3987:
3968:
3949:
3928:
3918:
3911:
3905:
3899:
3895:Country Life
3893:
3889:
3885:
3879:
3856:
3834:
3831:Edward Elgar
3812:
3809:Edward Elgar
3792:
3789:Edward Elgar
3772:
3750:
3745:Gerald Finzi
3725:Edward Elgar
3701:
3648:The Headland
3647:
3619:
3594:
3565:
3547:Thomas Hardy
3540:
3511:
3490:
3467:Thomas Hardy
3460:
3435:
3405:
3380:
3356:Evening Land
3355:
3328:Emily Brontë
3321:
3287:
3257:
3232:
3197:Thomas Hardy
3190:
3160:
3143:
3117:Phoenix Mass
3116:
3090:
3073:
3056:
3040:Micro-Sonata
3039:
3022:
3005:
2988:
2971:
2954:
2877:
2860:
2809:
2775:
2758:
2735:
2718:
2689:
2672:
2655:
2638:
2621:
2598:
2563:
2541:
2496:
2461:
2430:
2407:
2380:
2359:
2346:
2333:
2289:
2276:
2263:
2250:Hidden Music
2249:
2236:
2224:Time's Arrow
2223:
2210:
2197:
2178:
2165:
2141:
2102:Contrapuncti
2101:
2083:
2023:
2017:
2011:
1998:
1972:
1966:
1960:
1954:
1949:Phoenix Mass
1948:
1936:Phoenix Mass
1935:
1902:
1890:Sound census
1889:
1870:
1862:
1850:
1836:
1820:Andrew Davis
1806:
1793:
1760:
1752:
1739:
1710:
1704:
1698:
1692:
1686:
1680:
1674:
1661:
1645:
1641:
1628:
1614:
1587:
1572:
1559:
1555:
1542:
1529:
1510:
1507:Thalia Myers
1497:
1492:
1478:
1452:
1446:
1441:Evening Land
1440:
1434:
1428:
1415:
1396:Andrew Davis
1380:
1367:
1344:
1331:
1312:Andrew Davis
1299:Time's Arrow
1298:
1286:Time's Arrow
1285:
1254:
1242:Jane Manning
1241:
1222:
1214:
1202:
1189:
1152:
1150:
1145:
1141:
1133:
1130:Time's Arrow
1129:
1127:
1120:
1114:
1101:
1092:
1084:
1076:
1069:major thirds
1057:Phoenix Mass
1056:
1054:
1048:
1038:
1021:
1012:
1003:
1001:
996:
988:
985:Micro-Sonata
984:
981:
975:
935:
927:
920:Hidden Music
919:
917:
911:
905:
896:Andrew Davis
887:
885:
874:
865:
861:
839:
832:Time's Arrow
831:
829:
804:
794:
769:
765:
749:
747:
739:
722:
703:
696:Emily Brontë
691:
683:
675:
667:
663:
657:
645:
641:
638:Thomas Hardy
633:
621:
617:
613:
611:
590:
586:
578:
570:
567:Phoenix Mass
566:
563:Phoenix Mass
562:
554:
553:
549:Jane Manning
526:Phoenix Mass
525:
523:
513:
509:
503:musicologist
499:music critic
487:counterpoint
484:Palestrinian
465:
460:
391:
365:
358:
350:
292:Frank Bridge
281:
276:Country Life
274:
268:
262:
240:
235:
231:
227:
224:Time's Arrow
223:
219:
203:
196:Phoenix Mass
195:
189:
169:Jane Manning
159:
154:Edward Elgar
146:musicologist
142:music critic
137:
136:
112:Jane Manning
90:musicologist
64:(2021-04-30)
18:
7539:2021 deaths
7534:1936 births
7348:. Suffolk:
5629:10 November
5264:notes that
5170:Lutoslawski
5039:Elgar Medal
3869:Orchestral
3847:Orchestral
3825:Orchestral
3822:Completion
3803:Orchestral
3783:Orchestral
3761:Orchestral
3739:Orchestral
3736:Completion
3704:Tchaikovsky
3620:Ghost Train
2792:Piano Trio
2354:Orchestral
2341:Orchestral
2328:Orchestral
2304:C. Matthews
2284:Orchestral
2271:Orchestral
2257:Orchestral
2244:Orchestral
2231:Orchestral
2218:Orchestral
2205:Orchestral
2173:Orchestral
2136:Orchestral
2096:Orchestral
1851:Ghost Train
1601:Ronald Corp
1597:BBC Singers
1498:Microsonata
1132:(1990) and
1061:whole tones
987:(1997) and
948:Judith Weir
630:ritornellos
491:Peter Evans
422:Alan Hacker
398:Tchaikovsky
234:(2010) and
222:(1985) and
181:romanticism
78:Occupations
7528:Categories
6603:1252724098
6568:1173872693
6282:19 January
5958:. Oxford:
5749:. Oxford:
5282:. Oxford:
5192:commentary
5069:References
4964:Wood, Hugh
4916:. Oxford:
4870:. Oxford:
4824:. Oxford:
4778:. Oxford:
3990:. London:
3929:Schoenberg
3841:2007–2008
3733:1993–1997
2826:Horn Trio
2802:Piano trio
2719:Sea-Change
2557:cl, va, pf
2497:River-race
2419:Brass band
2389:Orchestral
2367:Orchestral
2186:Orchestral
2149:Orchestral
2114:Orchestral
2076:Orchestral
1828:CHAN10570
1638:Fiona Kimm
1345:Sea-Change
995:-inspired
764:, London,
585:. Payne's
583:numerology
282:Schoenberg
53:London, UK
46:1936-08-02
7494:Biography
7310:: 26–27.
7216:: 40–44.
6981:849518077
6946:644282025
6911:906957982
6876:793341656
6841:244008082
6806:840348815
6771:227149521
6673:225734245
6638:878532302
6533:642525781
6433:17 August
6405:17 August
6334:The Times
5977:required)
5790:required)
5733:(2010) .
5320:Citations
5311:required)
5112:Liebestod
5095:Islington
5024:Honorary
4952:Kemp, Ian
4945:required)
4899:required)
4853:required)
4807:required)
4759:251411714
4720:145266557
4698:: 2–4+6.
4681:163613817
4644:: 29–32.
4627:144377032
4605:: 11–18.
4588:146409779
4566:: 18–25.
4433:251415624
4411:: 10–19.
4394:145431230
4372:: 12–17.
4355:145680508
4310:: 21–23.
4293:145010719
4271:: 12–15.
4254:145764346
4215:143535551
4099:146426517
4077:: 22–26.
4073:(66–67).
4060:145521419
4010:247161355
3941:915854222
3652:(Text by
3599:(Text by
3570:(Text by
3545:(Text by
3516:(Text by
3465:(Text by
3440:(Text by
3436:Adlestrop
3360:(Text by
3326:(Text by
3237:(Text by
3195:(Text by
3091:Conundrum
2836:Horn trio
2481:flugel hn
2392:Orchestra
1973:Horn Trio
1782:SIGCD118
1097:harmonies
811:, Elgar,
790:Enid Luff
700:BBC Proms
646:Liebestod
614:Liebestod
607:Islington
551:in 1966.
545:intervals
514:Liebestod
438:Romantics
406:composing
376:Godalming
216:The Proms
70:Islington
6973:WorldCat
6938:WorldCat
6903:WorldCat
6868:WorldCat
6833:WorldCat
6798:WorldCat
6763:WorldCat
6736:AllMusic
6708:48483429
6700:WorldCat
6665:WorldCat
6630:WorldCat
6595:WorldCat
6560:WorldCat
6525:WorldCat
6498:41228023
6490:WorldCat
6463:26102614
6455:WorldCat
6374:Archived
6339:Archived
6115:Archived
6077:Archived
6073:BBC News
5773:Archived
5662:Archived
5597:Archived
5592:Time Out
5563:30 April
5557:Archived
5553:BBC News
5460:Archived
5391:Archived
5232:speakers
5224:baritone
4994:40794440
4333:: 5–11.
4232:: 7–11.
4193:: 2–14.
4170:: 2–13.
4020:Articles
3639:Baritone
3607:2002–03
3368:1980–81
3294:Cynewulf
2829:2005–06
2763:1994–95
2694:1986–87
2677:1987–88
2626:1978–79
2569:1970–71
2412:1975–76
2338:2006–07
2300:Lindberg
2281:2001–02
2268:1992–94
2228:1989–90
2170:1980–81
2146:1979–80
2002:Contents
1981:Various
1939:Contents
1912:Endymion
1893:Contents
1863:baritone
1842:Contents
1797:Contents
1743:Contents
1665:Contents
1620:Contents
1578:Contents
1533:Contents
1484:Contents
1419:Contents
1371:Contents
1335:Contents
1289:Contents
1245:Contents
1193:Contents
904:Elgar's
898:and the
836:Big Bang
817:Grainger
688:Cynewulf
542:harmonic
445:Sibelius
436:and the
414:classics
393:Time Out
257:and the
238:(2016).
230:(2002),
158:Elgar's
84:Composer
7506:England
7468:Portals
7443:Discogs
7306:(148).
7280:(128).
7212:(100).
7192:Sources
7122:17 July
7097:24 July
7072:24 July
7050:24 July
6986:19 June
6951:19 June
6916:24 July
6881:25 July
6846:25 July
6776:24 July
6741:19 June
6678:19 June
6608:25 July
6468:19 June
6380:11 July
6244:17 July
6147:11 June
6121:24 July
5166:Gerhard
5041:of the
4737:: 2–3.
4733:(204).
4694:(163).
4640:(150).
4601:(107).
4562:(106).
4147:: 2–8.
3669:, piano
3412:Machaut
3410:(after
3281:, organ
2934:Chamber
2917:Chamber
2900:Chamber
2885:Chamber
2868:Chamber
2849:Chamber
2832:Chamber
2817:Chamber
2798:Chamber
2783:Chamber
2766:Chamber
2743:Chamber
2726:Chamber
2709:Chamber
2700:fl, gui
2697:Chamber
2680:Chamber
2663:Chamber
2646:Chamber
2629:Chamber
2606:Chamber
2587:Chamber
2572:Chamber
2554:Chamber
2534:Chamber
2294:Purcell
2026:(1994)
2020:(1987)
2014:(2002)
1975:(2006)
1969:(1976)
1963:(1976)
1957:(1971)
1951:(1969)
1905:(2009)
1826:Chandos
1809:(2008)
1763:(2006)
1757:(1997)
1713:(1979)
1689:(2000)
1683:(1999)
1677:(1995)
1545:(1987)
1500:(1997)
1455:(1981)
1449:(1969)
1443:(1981)
1437:(1986)
1431:(1991)
1385:(1997)
1353:Chroma
1347:(1988)
1301:(1990)
1230:NI5247
1073:Sanctus
1071:in the
1063:in the
809:Purcell
748:In the
690:); and
659:Beowulf
599:toccata
534:Phoenix
432:of the
118:Website
7399:
7389:
7366:
7356:
7331:
7316:945059
7314:
7290:946067
7288:
7284:: 33.
7256:958865
7254:
7222:942527
7220:
7179:26 May
7152:26 May
7013:28 May
6979:
6944:
6909:
6874:
6839:
6811:14 May
6804:
6769:
6713:9 June
6706:
6671:
6643:14 May
6636:
6601:
6573:14 May
6566:
6555:Chroma
6531:
6503:9 June
6496:
6461:
6222:9 June
6197:9 June
6172:9 June
6045:9 June
6020:9 June
5995:9 June
5931:28 May
5906:25 May
5886:943692
5884:
5846:25 May
5765:
5603:16 May
5298:
5196:violin
5136:(2021)
5089:As of
5045:, 2011
5032:, 2007
4992:
4932:
4886:
4840:
4794:
4757:
4751:944898
4749:
4718:
4712:945685
4710:
4679:
4650:946079
4648:
4625:
4619:944268
4617:
4586:
4580:943018
4578:
4549:957574
4547:
4518:954597
4516:
4487:955896
4485:
4456:944199
4454:
4446:(86).
4431:
4425:943881
4423:
4407:(81).
4392:
4386:942940
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4368:(76).
4353:
4347:944360
4345:
4329:(74).
4316:944363
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4306:(74).
4291:
4285:942857
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4213:
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4176:943548
4174:
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4130:949357
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4052:943269
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4034:(60).
4008:
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3956:
3939:
3696:Genre
3687:Title
3084:Violin
2871:vc, pf
2820:vn, pf
2712:fl, hp
2308:Ruders
2069:Genre
2063:Title
1332:Chroma
1320:D037S
1205:(1989)
1178:Label
1172:Album
1065:Gloria
934:; and
906:oeuvre
821:Webern
813:Bridge
453:Delius
441:Dvořák
426:Mozart
384:Brahms
359:bottom
353:, and
343:Delius
284:(1968)
253:, the
249:, the
245:, the
208:Delius
160:oeuvre
108:Spouse
87:critic
7518:Music
7397:JSTOR
7364:JSTOR
7312:JSTOR
7303:Tempo
7286:JSTOR
7277:Tempo
7252:JSTOR
7218:JSTOR
7209:Tempo
6538:9 May
6345:5 May
6083:6 May
5882:JSTOR
5869:Tempo
5779:1 May
5668:9 May
5466:5 May
5397:2 May
5262:Grove
5204:piano
5074:Notes
4990:JSTOR
4981:Tempo
4755:S2CID
4747:JSTOR
4730:Tempo
4716:S2CID
4708:JSTOR
4691:Tempo
4677:S2CID
4646:JSTOR
4637:Tempo
4623:S2CID
4615:JSTOR
4598:Tempo
4584:S2CID
4576:JSTOR
4559:Tempo
4545:JSTOR
4514:JSTOR
4483:JSTOR
4452:JSTOR
4443:Tempo
4429:S2CID
4421:JSTOR
4404:Tempo
4390:S2CID
4382:JSTOR
4365:Tempo
4351:S2CID
4343:JSTOR
4326:Tempo
4312:JSTOR
4303:Tempo
4289:S2CID
4281:JSTOR
4264:Tempo
4250:S2CID
4242:JSTOR
4225:Tempo
4211:S2CID
4203:JSTOR
4186:Tempo
4172:JSTOR
4163:Tempo
4149:JSTOR
4140:Tempo
4126:JSTOR
4095:S2CID
4087:JSTOR
4070:Tempo
4056:S2CID
4048:JSTOR
4031:Tempo
3919:Books
3901:Tempo
3863:2013
3819:2005
3797:2002
3777:2000
3771:From
3755:2000
3749:From
3709:1993
3693:Type
3690:Year
3677:Other
3660:2008
3632:2008
3578:2001
3553:1999
3524:1996
3499:1991
3473:1989
3448:1989
3418:1987
3389:1983
3339:1984
3305:1984
3270:1977
3245:1976
3215:1988
3203:1975
3174:1984
3148:1970
3126:1972
3101:Cello
3095:2004
3078:2003
3067:Piano
3061:1998
3050:Piano
3044:1997
3033:Piano
3027:1995
3016:Viola
3010:1987
2999:Organ
2993:1983
2982:Piano
2976:1980
2965:Piano
2959:1971
2955:Paean
2931:2018
2914:2014
2897:2010
2882:2009
2865:2008
2846:2007
2814:2000
2795:1988
2780:1996
2740:1990
2723:1988
2706:1989
2660:1986
2643:1981
2603:1978
2584:1978
2551:1978
2504:Brass
2501:1990
2469:Brass
2466:1987
2438:Brass
2435:1986
2415:Brass
2400:Brass
2386:2019
2379:from
2364:2016
2351:2010
2325:2002
2316:Torke
2312:Sawer
2298:with
2254:1992
2241:1991
2215:1987
2202:1985
2183:1984
2133:1974
2117:solo
2111:1979
2093:1985
2066:Year
2046:D281
1992:2024
1987:D159
1955:Paean
1929:2013
1924:D160
1883:2010
1878:D150
1871:piano
1833:2010
1818:(Sir
1787:2009
1733:2008
1728:D130
1655:2007
1646:piano
1611:2005
1569:2002
1560:piano
1556:viola
1523:2001
1518:D057
1511:piano
1475:1999
1470:D056
1409:1998
1404:D052
1394:(Sir
1361:1998
1325:1996
1310:(Sir
1279:1996
1274:D025
1235:1995
1215:flute
1183:1990
1169:Year
1085:Paean
1049:Paean
1030:Music
946:with
591:Paean
559:viola
449:Elgar
430:Haydn
355:Elgar
98:Works
7452:WNIB
7387:ISBN
7354:ISBN
7329:ISBN
7181:2021
7154:2021
7124:2021
7099:2021
7074:2021
7052:2021
7015:2024
6988:2021
6977:OCLC
6953:2021
6942:OCLC
6918:2021
6907:OCLC
6883:2021
6872:OCLC
6848:2021
6837:OCLC
6813:2021
6802:OCLC
6778:2021
6767:OCLC
6743:2021
6715:2021
6704:OCLC
6680:2021
6669:OCLC
6645:2021
6634:OCLC
6610:2021
6599:OCLC
6575:2021
6564:OCLC
6540:2021
6529:OCLC
6505:2021
6494:OCLC
6470:2021
6459:OCLC
6435:2021
6407:2021
6382:2021
6347:2021
6284:2012
6246:2021
6224:2021
6199:2021
6174:2021
6149:2021
6123:2021
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5399:2021
5296:ISBN
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4884:ISBN
4838:ISBN
4792:ISBN
4006:OCLC
3996:ISBN
3973:ISBN
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3641:, pf
3586:SATB
3532:SATB
3481:SATB
3426:SATB
3397:SATB
3347:SATB
3337:rev.
3334:1977
3313:SATB
3303:rev.
3300:1977
3278:SATB
3223:SATB
3182:SATB
3172:rev.
3169:1974
3134:SATB
3124:rev.
3121:1969
3098:Solo
3081:Solo
3064:Solo
3047:Solo
3030:Solo
3013:Solo
2996:Solo
2979:Solo
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2525:perc
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2517:trbn
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2489:tuba
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2450:trbn
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2423:perc
2320:Weir
2318:and
2154:perc
2109:rev.
2106:1958
2091:rev.
2088:1955
1223:harp
1081:Mass
1067:and
970:The
950:and
702:for
652:and
597:and
595:aria
569:and
530:SATB
528:for
501:and
455:and
443:and
428:and
345:and
273:and
210:and
144:and
127:.org
59:Died
40:Born
7450:on
7432:on
7244:doi
7240:116
6400:BBC
5964:doi
5874:114
5755:doi
5288:doi
4922:doi
4876:doi
4830:doi
4784:doi
4739:doi
4700:doi
4669:doi
4607:doi
4568:doi
4537:doi
4533:114
4506:doi
4502:112
4475:doi
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