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Anna
Dorothea married Berlin innkeeper Ernst Friedrich Therbusch (1711–1773) in 1742 and gave up painting until around 1760 to help her husband in the restaurant. Not until her spousal obligations were discharged, as a "short-sighted, middle-aged woman", did she return to her art career in 1760. She
329:
Paris was, and is, an expensive city and Anna
Dorothea had financial difficulties. From November 1768 until early 1769, the heavily indebted painter returned to Berlin, via Brussels and the Netherlands, and became the primary painter in Prussia, where she was held in high esteem. She was portrait
252:
She does not lack the talent to arouse interest in a country like ours, she lacks youth, beauty, modesty, coquetterie. She could have been enthusiastic about the merits of our great artists, taken lessons from them, had more bosom and a handsome posterior and have had to offer both to the
346:. Therbusch would continue to paint into her late life. She frequently painted self-portraits, twelve total. As her eyesight started to fail her, she would frequently add monocles into her self-portraits. Her late paintings were loosely classical, with garbs and hints of Roman goddesses.
204:
By the end of her life, she had received honours from Berlin, Stuttgart, and
Mannheim. She made lucrative commissions from her works and eventually received royal patronage, after many letters of introduction from her patrons in Paris, Italy, Germany, and Prussia.
309:, the controversial and outspoken art critic and philosopher, was sympathetic to her, even to the point of posing naked for her. Anna Dorothea was elected as a member of the Académie Royale in 1767, lived with Diderot and met famous artists, and even painted
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had three children by the age of forty. She left Berlin to paint in
Stuttgart for the court of Duke Karl Eugen, Duke of Wurttemberg, seeking increased recognition for her works.
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and their brother
Christian Friedrich Reinhold to paint. She trained as a painter during her teens. Anna Dorothea and her elder sister Anna Rosina were hailed as
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342:(Catherine the Great). Though Anna Dorothea never went to Russia, Russian collectors also appreciated her work. She also met the group of artists surrounding
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895:(Catalog for exhibition at the Metropolitan Museum Ludwigsburg, Kunstverein Ludwigsburg, Villa Franck, 2002/2003), Kehrer Verlag Heidelberg,
275:. She completed eighteen paintings in the shortest time for the castle gallery. In 1762 she became an honorary member of the Stuttgart
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Therbusch painted in all genres. She also did history paintings, and experimented with Dutch-style
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she decorated with mythological scenes. She also painted portraits of eight
Prussian royals for
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229:(Neues Palais, Potsdam) are a pair of conversation pieces that defined her first period of work.
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but she remained unsuccessful in Paris. That time is, however, seen as her most creative.
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127:. About 200 of her works survive, and she painted at least eighty-five verified portraits.
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Zwischen Ideal und
Wirklichkeit, KĂĽnstlerinnen der Goethe-Zeit zwischen 1750 und 1850
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of
Bologna. She was also honored by the court of Mannheim. Therbusch had painted the
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Lumen: Selected
Proceedings from the Canadian Society for Eighteenth-Century Studies
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139:. She came from a noted family, the daughter of Maria Elisabetha (née Kahlow) and
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Russian
Revelation; At Women in the Arts, Catherine's St. Petersburg Resurrected
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618:"Indicting the Woman Artist: Diderot, Le Libertin, and Anna Dorothea Therbusch"
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285:. She did receive recognition for her works. Her talent was recognized by the
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was signed and dated in 1741. These two paintings were modeled on works of
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She died in Berlin on 9 November 1782 at the age of 61, and was buried at
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909:, exhibition catalogue, Hatje Crantz Verlag, Gotha, Constance, 1999,
741:
Dictionary of Women Artists: Introductory surveys ; Artists, A-I
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281:, founded by Duke Karl Eugen in 1761, and worked in Stuttgart and
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Therbusch's first recorded return to painting was in 1761 in the
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displayed her work first, proudly supporting a female artist.
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Wie Frauen sich sehen. Selbstbildnisse aus fĂĽnf Jahrhunderten.
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Karl Throdor in and received commissions from the Prince of
119:, 23 July 1721 – 9 November 1782) was a prominent
651:"Exhibition of self-portraits highlights women artists"
649:
Higgins, Charlotte; correspondent, arts (2005-10-17).
887:
Katharina KĂĽster, Beatrice Scherzer and Andrea Fix:
648:
147:
stock who arrived in Prussia in 1692 as part of the
334:(Frederick the Great), whose newly built palace of
178:and, like Pesne, learned to emulate the styles of
846:Morril, R., Wright, K., and Elderton, L. (2019).
429:A Scientist Seated at a Desk by Candlelight, 1767
170:of painting. In her youth, she painted copies of
974:
893:. Zwei Porträtmalerinnen des 18. Jahrhunderts.
303:French Royal Academy of Painting and Sculpture
190:– artists who Frederic II especially admired.
889:Der freie Blick. Anna Dorothea Therbusch und
860:: CS1 maint: multiple names: authors list (
527:, by Heide Wunder, retrieved on 20 July 2009
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353:, whose pertaining church was destroyed in
1013:People from the Margraviate of Brandenburg
143:(1674–1751), a Berlin portrait painter of
29:
715:, 4 April 1998, retrieved on 20 July 2009
633:
491:
88:Lisiewski (maiden name) Madame Therbouche
882:in the German Knowledge on 20 July 2009.
836:, 23 Feb 2003, retrieved on 20 July 2009
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820:, 7 Feb 2003, retrieved on 20 July 2009
1038:Burials at the Dorotheenstadt Cemetery
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1003:Painters from the Kingdom of Prussia
744:. Taylor & Francis. p. 99.
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484:Prince Augustus Ferdinand of Prussia
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135:Anna Dorothea Therbusch was born in
804:, p. 154, retrieved on 20 July 2009
773:. Oxford University Press. p.
557:Concise dictionary of women artists
372:("The Free Spirit"), also known as
153:Johann Friedrich Eosander von Göthe
13:
933:Ellert und Richter, Hamburg 1988,
931:Malerinnen aus fĂĽnf Jahrhunderten.
765:Wilson, Arthur McCandless (1972).
469:Duke Ernest Gottlob of Mecklenburg
442:Anna Amalia, Abbess of Quedlinburg
14:
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998:18th-century German women artists
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926:Karl Blessing Verlag Munich 1998.
878:This article was translated from
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162:. Georg taught Anna, her sister
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456:Heinrich Albert Thalbitzer, 1762
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1033:German people of Polish descent
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798:Portraiture: Facing the Subject
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726:The Dictionary of Women Artists
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525:He is the sun, she is the moon
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1:
1028:18th-century Prussian people
993:18th-century German painters
560:. London: Fitzroy Dearborn.
393:Anna von Wartensleben, 1760s
357:. Her tomb remains intact.
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1043:18th-century women painters
1023:18th-century Prussian women
593:Dictionary of Women Artists
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197:scenes similar to those of
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702:Who does she think she is?
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344:Johann Wolfgang von Goethe
905:Bärbel Kovalevski (ed.):
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16:German artist (1721–1782)
814:St. Petersburg the Great
515:, retrieved 21 July 2009
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237:and similar to those of
967:German National Library
963:Anna Dorothea Therbusch
957:Anna Dorothea Therbusch
351:Dorotheenstadt cemetery
332:Frederick II of Prussia
151:of the court architect
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105:Anna Dorothea Therbusch
35:Self-portrait from 1761
23:Anna Dorothea Therbusch
492:References and sources
360:Her relationship with
340:Catherine II of Russia
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297:. In 1765 she went to
295:Hohenzollern-Hechingen
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1018:German women painters
405:Toilet of Venus, 1772
366:Éric-Emmanuel Schmitt
319:
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164:Anna Rosina Lisiewski
117:Anna Dorota Lisiewska
959:at Wikimedia Commons
738:Gaze, Delia (1997).
554:Gaze, Delia (2001).
417:Henriette Herz, 1778
235:Jean-Antoine Watteau
123:painter born in the
107:(born Anna Dorothea
79:, Kingdom of Prussia
1008:Artists from Berlin
848:Great Women Artists
834:The Washington Post
818:The Washington Post
728:by Delia Gaze, p.99
595:by Delia Gaze, p.37
376:("The Libertine").
320:Self-portrait, 1777
231:Game of Shuttlecock
227:Game of Shuttlecock
891:Ludovike Simanowiz
707:2017-02-07 at the
687:has generic name (
368:to write his play
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125:Kingdom of Prussia
59:Kingdom of Prussia
955:Media related to
929:Gottfried Sello:
751:978-1-884964-21-3
635:10.7202/1012185ar
325:Return to Prussia
278:Académie des Arts
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71:(1782-11-09)
51:23 July 1721
988:1782 deaths
983:1721 births
330:painter to
156: [
977:Categories
850:. Phiadon.
724:Quoted in
668:2023-07-02
513:Artnet.com
497:References
273:Karl Eugen
199:Gerard Dou
93:Occupation
47:1721-07-23
969:catalogue
856:cite book
677:cite news
663:0261-3077
364:inspired
336:Sanssouci
269:Stuttgart
223:The Swing
109:Lisiewski
705:Archived
628:: 1–37.
576:48951109
291:Kurfurst
287:Academia
283:Mannheim
253:artists.
209:Marriage
965:in the
873:Sources
769:Diderot
589:Page 37
380:Gallery
362:Diderot
301:. The
184:Lancret
180:Watteau
149:retinue
97:Painter
937:
913:
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748:
661:
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486:, 1779
444:, 1771
186:, and
145:Polish
137:Berlin
121:Rococo
113:Polish
77:Berlin
55:Berlin
800:, by
299:Paris
245:Paris
195:genre
188:Pater
160:]
935:ISBN
911:ISBN
897:ISBN
862:link
779:ISBN
746:ISBN
689:help
659:ISSN
572:OCLC
562:ISBN
225:and
131:Life
66:Died
41:Born
775:525
630:doi
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