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Analog high-definition television

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253: 177:'s electron beam returns to the top of the screen to begin scanning the next field. Only 1035-lines have picture information. Digital signals count only the lines (rows of pixels) of the picture makeup as there are no other scanning lines (though conversion to an analogue format will introduce them), so NTSC's 525-lines become 480i, and MUSE would be 1035i. 169:
In the typical setup, three picture elements on a line were actually derived from three separate scans. Stationary images were transmitted at full resolution. However, as MUSE lowers the horizontal and vertical resolution of material that varies greatly from frame to frame, moving images were blurred
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in the 1980s, employed filtering tricks to reduce the original source signal to decrease bandwidth utilization. MUSE was marketed as "Hi-Vision" by NHK. Japanese broadcast engineers rejected conventional vestigial sideband broadcasting to allow transmitting a HD signal on a tighter bandwidth. It was
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lawsuits and deployment issues given the tumultuous financial climate of the late 1920s and 1930s. Most patents were expiring by the end of World War II leaving no worldwide standard for television. The standards introduced in the early 1950s stayed for over half a century.
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coding, as JPEG offers Chroma sub-sampling. High quality HD television has a sampling structure approximating 4:2:1 (Luma : Chroma : Saturation) for reference images (I-Frames), though 4:0.75:0.65 is probably typical for multi-channel delivery.
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819-line was a monochrome TV system developed and used in France as television broadcast resumed after World War II. Transmissions started in 1949 and were active up to 1985, although limited to France, Belgium and Luxembourg. It is associated with
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in a manner similar to using 16 mm movie film for HDTV projection. In fact, whole-camera pans would result in a loss of 50% of horizontal resolution. Shadows and multipath still plague this analog frequency modulated transmission mode.
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introduced in 1936 was described as "high definition"; however, this was in comparison with the early 30-line (largely) experimental system from the 1920s, and would not be considered high definition by modern standards.
264:, experimental HD-MAC broadcasting took place. 100 HD-MAC receivers (in that time, retroprojectors) in Europe were used to test the capabilities of the standard. This project was financed by the 17: 1846: 1998: 162: 480: 184:; the original MUSE-based BS Satellite channel 9 (NHK BS Hi-vision) ended transmitting on November 30, 2007, moving to BS-digital channel 103. 85:
had each developed competing TV systems, but resolution was not the issue that separated their substantially different technologies, it was
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Japan had the earliest working HDTV system, with design efforts going back to 1979. The country began broadcasting wideband analog
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decided early on that MUSE would be a satellite broadcast format as Japan economically supports satellite broadcasting.
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in north London. It therefore claims to be the birthplace of television broadcasting as we know it today. The UK's
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began transmitting the world's first public regular analog "high definition" television service from the Victorian
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in Monaco were the last broadcasters to transmit 819-line television, closing down their transmitter in 1985.
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version of the 819-line system, France gradually abandoned the system in favor of the Europe-wide standard of
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MUSE's "1125-lines" are an analog measurement, which includes non-video "scan lines" during which a
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signals in the late 1980s using an interlaced resolution of 1035 or 1080-lines active (
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with the final 819-line transmissions taking place in Paris from the
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Restore operation on a French 1951 TV set (French language only)
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The HD-MAC standard was abandoned in 1993, and since then all
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Japan has since switched to a digital HDTV system based on
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The analog TV systems these systems were meant to replace
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in 1986 (MAC standard). It was an early attempt by the
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HD-MAC test pattern similar to the B-MAC test pattern
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Multiple sub-nyquist sampling Encoding system (MUSE)
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Television Standards Converter" 1635: 1621: 596: 582: 245:aspect ratio) was encoded with a modified 428:on June 16, 2018 – via IEEE Xplore. 93: 1642: 1484: 1482: 403: 372:Teletronic – The Television History Site 251: 154:) and 1125-lines total supported by the 116:Despite some attempts to create a color 27:Analog video broadcast television system 18:Analog high-definition television system 437: 435: 14: 2012: 1476:Also used in China's DVB-S/S2 network. 550:The HDTV demonstrations at the Expo 92 441: 380: 378: 340:in TV indicated as 4:2:2, 4:1:1 etc... 142:Multiple sub-Nyquist sampling encoding 1616: 1514: 1479: 1472: 1470: 615: 577: 478: 363:http://www.teletronic.co.uk/tvera.htm 1515: 432: 299:), which allows both SDTV and HDTV. 375: 24: 1467: 552:by J.L. Tejerina and F. Visintin ( 482:Communications Technology Handbook 161:The Japanese system, developed by 25: 2041: 527: 384: 37:Analog high-definition television 1666:Ultra-high-definition television 442:Birkinshaw, AUTHOR: Douglas C. 404:Worswick, T. (March 11, 1959). 187:Subsampling lives on in modern 616: 499: 472: 454: 397: 356: 53: 13: 1: 981:Field-sequential color system 542:by M. Romero and E. Gavilan ( 350: 239:Multiplexed Analog Components 39:has referred to a variety of 1561:Reverse Standards Conversion 507:"MIC(Press Release-Telecom)" 291:efforts have focused on the 44:broadcast television systems 7: 565:COUNCIL DIRECTIVE 92/38/EEC 560:European Broadcasting Union 302: 10: 2046: 2025:High-definition television 1656:High-definition television 297:Digital Video Broadcasting 233:. It was a complex mix of 203: 139: 97: 29: 1991: 1955: 1845: 1824: 1788: 1752: 1720: 1674: 1648: 1521: 1510: 1462: 1421: 1348: 1310: 1292: 1239: 1221: 1198: 1180: 1135: 1049: 1007: 998: 933: 862: 819: 803: 787: 765: 693: 653: 635: 626: 622: 611: 199: 605:Broadcast video formats 58:On 2 November 1936 the 1571:Television transmitter 257: 94:French 819-line system 2020:Television technology 1661:High-definition video 1556:MPEG transport stream 1383:MPEG-1 Audio Layer II 946:Mechanical television 854:Zweikanalton (A2/IGR) 479:Lewis, Geoff (1996). 255: 148:high-definition video 32:History of television 30:Further information: 1712:8640p (16K Ultra HD) 1643:High-definition (HD) 1591:Widescreen signaling 1566:Standards conversion 1551:Moving image formats 410:Journal of the SMPTE 391:www.redsharknews.com 262:1992 Summer Olympics 50:throughout history. 2030:Japanese inventions 1825:Filming and storage 1707:4320p (8K Ultra HD) 1702:2160p (4K Ultra HD) 1546:Display motion blur 466:La Revue des MĂ©dias 219:European Commission 215:television standard 158:line of equipment. 87:patent interference 79:Philo T. Farnsworth 48:display resolutions 1597:Analogue TV Topics 368:2011-08-13 at the 338:Chroma subsampling 327:Related standards 258: 191:systems based on 2007: 2006: 1753:Digital broadcast 1610: 1609: 1606: 1605: 1506: 1505: 1502: 1501: 1498: 1497: 1388:MPEG Multichannel 994: 993: 128:on 19 July 1983. 83:Vladimir Zworykin 16:(Redirected from 2037: 1932:Ultra HD Blu-ray 1744:MUSE (Hi-Vision) 1727: 1722:Analog broadcast 1637: 1630: 1623: 1614: 1613: 1586:Video processing 1516:Technical issues 1512: 1511: 1489: 1486: 1477: 1474: 1005: 1004: 737:(Color systems: 665:(Color systems: 633: 632: 624: 623: 613: 612: 598: 591: 584: 575: 574: 522: 521: 519: 517: 503: 497: 496: 476: 470: 469: 458: 452: 451: 439: 430: 429: 424:. 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Index

Analog high-definition television system
History of television
analog video
broadcast television systems
display resolutions
BBC
Alexandra Palace
405-line system
John Logie Baird
Philo T. Farnsworth
Vladimir Zworykin
patent interference
819-line
CCIR System E
F
SECAM
625-lines
Eiffel Tower
Tele Monte Carlo
Multiple sub-Nyquist sampling encoding
high-definition video
Sony HDVS
NHK Science & Technology Research Laboratories
CRT
ISDB
MPEG
JPEG
HD-MAC
television standard
European Commission

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