191:. In the summers, she returned to South America, performing in various theaters in Buenos Aires, as well as performing in Ecuador, Montevideo and in Brazil at the 400th anniversary of the founding of Rio de Janeiro, or toured in Europe. Itelman performed in England, France, Germany, Italy, the Netherlands, Spain and the USSR. She remained at Bard as the Director of the dance department until 1969, when she returned to Buenos Aires.
198:
and began developing both creative and educational aspects of dance theater. She staged "Alicia en el país de las
Maravillas" as her first production. Her studio is now the home of the Choreographic Workshop at the San Martín Theater. Between 1977 and her death, she created choreographies of works
155:
to perfect her craft. Returning to
Argentina in 1947, Itelman began choreographing and performing solo work, and created a modern dance studio in 1950 to develop her own company. She premiered in 1955 with a fusion style in "Esta ciudad de Buenos Aires" (This is the City of Buenos Aires), which
127:, Chile. When she was two years old, her family relocated to Argentina. She studied dance at the Conservatorio Nacional de Danza (National Conservatory of Dance) and Conservatorio Nacional de Música y Arte Escénico (National Conservatory of Music and Performing Arts), graduating in 1945.
28:
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and began choreographing and supervising performances for the college's dance students. In 1965, she was the head of the dance department at Bard. Simultaneously with her teaching, Itelman continued her own training with
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and then director of the school of dance, she toured internationally between 1957 and 1969. In 1970, she returned to
Argentina and established a contemporary dance theater. She was honored with the
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for choreography. On the tenth anniversary of her death, a tribute to her choreography was held at the Ana
Itelman Salon on Guardia Vieja in Buenos Aires. Rubén Szuchmacher released
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in 2002, a biography of
Itelman's career and artistic trajectory which chronicled her impact on modern dance in Argentina. In 2004,
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107:-born dancer and choreographer, who spent most of her career in Argentina and the United States. Serving as a professor at
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139:, the first Argentine modern dance company. After five years, in 1945 she moved to the United States training with
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Itelman committed suicide on 16 September 1989 in Buenos Aires. That same year, she was honored with the
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Itelman returned to the United States in 1957 and began working as an associate professor of dance at
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Epelbaum
Weinstein, Ana; Gover de Nasatsky, Miryam Esther; Nasatsky, Roberto B. (1998).
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528:[The dance does not forget Itelman] (in Spanish). Buenos Aires, Argentina:
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484:(in Spanish). Buenos Aires, Argentina: AMIA/Editorial Milá. pp. 105–106.
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701:[Remembering Ana Itelman] (in Spanish). Buenos Aires, Argentina:
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553:[Reviews: Ways to dance] (in Spanish). Buenos Aires, Argentina:
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675:"Dutchess Youth Will View Dance and Music Program in Red Hook"
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which have become iconic pieces for the
Workshop, including:
507:(in Spanish) (29). Buenos Aires, Argentina. Archived from
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Epelbaum
Weinstein, Gover de Nasatsky & Nasatsky 1998
311:
Epelbaum
Weinstein, Gover de Nasatsky & Nasatsky 1998
172:, among others, and studied lighting and makeup at the
723:"Theatre and Dance Departments Plan Programs at Bard"
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combined tango dynamics with classical choreography.
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In the early 1940s, Itelman joined Myriam
Winslow's
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103:(20 August 1927 – 16 September 1989) was a
123:Ana Itelman was born on 20 August 1927 in
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482:Trayectorias musicales judeo-argentinas
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187:and attended painting classes at the
183:She took lessons in performance with
603:"Bard Dance Group N. Y. Performance"
258:staged a retrospective of her works
211:(The houses of Colomba, inspired by
524:Gsell, Silvia (16 September 1999).
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13:
14:
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499:García, Lele (July–August 2006).
782:Chilean expatriates in Argentina
503:[Who Was Ana Itelman?].
705:. 28 March 2004. Archived from
526:"La danza no olvida an Itelman"
468:
609:. 8 December 1965a. p. 37
1:
549:Waisman, Abel (25 May 2003).
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194:In 1970, Itelman founded the
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772:Chilean women choreographers
651:"Bard Theater Lists Program"
627:"Bard Names Nine to Faculty"
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196:Café Estudio de Teatro Danza
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551:"Reseñas: Formas de bailar"
223:(Parallel to the horizon),
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729:. 1 June 1965b. p. 20
699:"Recordando a Ana Itelman"
657:. 9 April 1969. p. 10
633:. 2 August 1957. p. 5
629:. Poughkeepsie, New York:
207:(History of the soldier),
115:for choreography in 1989.
681:. 21 May 1958. p. 14
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501:"Quien Fue Ana Itelman?"
217:A Streetcar Named Desire
227:(Suite of percale) and
68:Buenos Aires, Argentina
767:Chilean choreographers
725:. Kingston, New York:
677:. Kingston, New York:
653:. Kingston, New York:
605:. Kingston, New York:
585:. 1989. Archived from
231:(And she visited it).
797:Suicides in Argentina
221:Paralelo al horizonte
78:dancer, choreographer
777:Bard College faculty
631:Poughkeepsie Journal
368:Poughkeepsie Journal
282:Fundación Konex 1989
209:Las casas de Colomba
205:Historia del soldado
709:on 24 November 2017
589:on 24 November 2017
536:on 24 November 2017
505:Revista Luciérnaga
229:Y ella lo visitaba
213:Tennessee Williams
491:978-950-9829-93-0
443:The Daily Freeman
413:The Daily Freeman
398:The Daily Freeman
383:The Daily Freeman
174:Dramatic Workshop
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83:Years active
60:16 September 1989
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166:Merce Cunningham
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225:Suite de percal
215:'s iconic play
189:Brooklyn Museum
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619:Newspapers.com
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178:Erwin Piscator
170:Alwin Nikolais
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91:Known for
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64:(aged 62)
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45:20 August 1927
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575:"Ana Itelman"
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478:"Ana Itelman"
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75:Occupation(s)
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737:– via
731:. Retrieved
711:. Retrieved
707:the original
689:– via
683:. Retrieved
665:– via
659:. Retrieved
641:– via
635:. Retrieved
617:– via
611:. Retrieved
591:. Retrieved
587:the original
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563:. Retrieved
559:the original
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534:the original
513:. Retrieved
509:the original
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469:Bibliography
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161:Bard College
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137:dance troupe
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109:Bard College
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94:modern dance
62:(1989-09-16)
762:1989 deaths
757:1927 births
733:24 November
713:24 November
685:24 November
661:24 November
637:24 November
613:24 November
593:24 November
565:24 November
540:24 November
515:24 November
355:García 2006
252: [
241:Konex Award
149:Louis Horst
113:Konex Award
101:Ana Itelman
20:Ana Itelman
751:Categories
332:Gsell 1999
262:References
153:José Limón
145:Hanya Holm
119:Early life
41:1927-08-20
703:Página/12
555:Página/12
530:La Nación
458:Página/12
267:Citations
201:El capote
86:1940-1989
125:Santiago
49:Santiago
176:run by
105:Chilean
51:, Chile
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151:, and
131:Career
415:1965b
400:1965a
256:]
735:2017
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687:2017
663:2017
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615:2017
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567:2017
542:2017
517:2017
486:ISBN
460:2004
445:1969
385:1958
370:1957
168:and
57:Died
35:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
