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An Essay on Criticism

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were among other critics: Rymer, who had the strongest critique said, "till of late years England was as free from critics as it is from wolves...they who are least acquainted with the game are aptest to bark at everything that comes in their way."; Swift's statement concentrated on critics who were
648: 53:(1688–1744), published in 1711. It is the source of the famous quotations "To err is human; to forgive, divine", "A little learning is a dang'rous thing" (frequently misquoted as "A little knowledge is a dang'rous thing"), and "Fools rush in where angels fear to tread". 251:. This is a testament to his belief that the "Imitation of the ancients" is the ultimate standard for taste. Pope also says, "True Ease in Writing comes from Art, not Chance,/ As those move easiest who have learn'd to dance" (362–363), meaning poets are made, not born. 77:
of satire, it is a verse essay primarily concerned with how writers and critics behave in the new literary commerce of Pope's contemporary age. The poem covers a range of good criticism and advice, and represents many of the chief literary ideals of Pope's age.
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The phrase "fools rush in where angels fear to tread" from Part III (line 625) has become part of the popular lexicon, and has been used for and in various works.
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The verse "essay" was not an uncommon form in eighteenth-century poetry, deriving ultimately from classical forebears including Horace's
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in 1707. It was first published in May 1711. Many of the poem's ideas had existed in prose form since at least 1706. Composed in
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damned "as barbarous as a judge who should take up a resolution to hang all men that came before him upon trial."
892: 534: 20: 674: 705: 19:"Fools rush in where angels fear to tread" and "a little learning" redirect here. For other uses, see 356:, who is mentioned mockingly in the work. Consequently, Dennis also appears in Pope's later satire, 101:
Pope contends in the poem's opening couplets that bad criticism does greater harm than bad writing:
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Pope delineates common faults of poets, e.g., settling for easy and clichéd rhymes:
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is one of the first major poems written by the English writer
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Throughout the poem, Pope refers to ancient writers such as
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also gives this famous line (towards the end of Part II):
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The first fragmentary drafts of the work were written in
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The Cambridge Introduction to Eighteenth-Century Poetry
559:. New York: Oxford University Press. pp. 311–312. 498: 939: 118:But, of the two, less dang'rous is th' Offence, 734:Peri Bathous, Or the Art of Sinking in Poetry 675: 493: 180:And ten low Words oft creep in one dull Line, 581: 258:concludes with a reference to Pope himself. 216:The Reader's threaten'd (not in vain) with 212:Crystal Streams with pleasing Murmurs creep 140:Ten Censure wrong for one who Writes amiss; 815:Elegy to the Memory of an Unfortunate Lady 682: 668: 557:The restoration and the eighteenth century 298:This is in reference to the spring in the 106:'Tis hard to say, if greater Want of Skill 614:Eighteenth-Century Poetry Archive (ECPA) 35: 81: 940: 352:was famously and fiercely attacked by 663: 551: 344: 900:Who breaks a butterfly upon a wheel? 519: 69:(pairs of adjacent rhyming lines of 13: 689: 14: 969: 601: 254:As is usual in Pope's poems, the 716: 643: 464: 182:While they ring round the same 893:Memoirs of Martinus Scriblerus 586:. Cambridge University Press. 455: 446: 437: 428: 419: 410: 401: 392: 383: 56: 16:English poem by Alexander Pope 1: 631:(much punctuation is missing) 487: 280:Drink deep, or taste not the 302:in Macedonia, sacred to the 7: 829:'s Latin translation; 1728) 653:public domain audiobook at 526:The Poems of Alexander Pope 269:includes a famous couplet: 10: 974: 706:Three Hours After Marriage 523:(1963). Butt, John (ed.). 200:the cooling Western Breeze 25:Where Angels Fear to Tread 18: 914: 867: 743: 725: 714: 697: 505:. Yale University Press. 639:, by Walter Jackson Bate 376: 206:whispers thro' the Trees 953:Works by Alexander Pope 857:Epistle to Dr Arbuthnot 310:is a dangerous thing". 635:A Study Guide for the 501:Alexander Pope: A Life 339: 296: 229: 173: 41: 767:An Essay on Criticism 650:An Essay on Criticism 623:An Essay on Criticism 609:An Essay on Criticism 582:Sitter, John (2011). 350:An Essay on Criticism 319: 278:is a dangerous thing; 271: 267:An Essay on Criticism 204:In the next Line, it 177: 134:, but Numbers err in 103: 73:) and written in the 46:An Essay on Criticism 39: 783:The Rape of the Lock 198:Where-e'er you find 124:, than mis-lead our 82:Structure and themes 407:Sitter 2011, p. 34. 160:makes many more in 837:(1728–29, 1742–43) 799:The Temple of Fame 398:Mack 1985, p. 177. 389:Mack 1985, p. 168. 345:Critical reception 42: 935: 934: 807:Eloisa to Abelard 628:Project Gutenberg 593:978-0-521-84824-4 473:The Bishop's Wife 470:In the 1947 film 461:Pope 1963, p. 163 452:Pope 1963, p. 160 443:Pope 1963, p. 151 434:Pope 1963, p. 155 425:Pope 1963, p. 154 416:Pope 1963, p. 144 300:Pierian Mountains 71:iambic pentameter 29:A Little Learning 965: 720: 684: 677: 670: 661: 660: 647: 646: 630: 597: 578: 548: 516: 504: 481: 468: 462: 459: 453: 450: 444: 441: 435: 432: 426: 423: 417: 414: 408: 405: 399: 396: 390: 387: 337: 294: 227: 171: 973: 972: 968: 967: 966: 964: 963: 962: 938: 937: 936: 931: 910: 887:Scriblerus Club 863: 842:An Essay on Man 752:Ode on Solitude 739: 721: 712: 693: 688: 644: 620: 604: 594: 567: 537: 521:Pope, Alexander 513: 490: 485: 484: 469: 465: 460: 456: 451: 447: 442: 438: 433: 429: 424: 420: 415: 411: 406: 402: 397: 393: 388: 384: 379: 347: 338: 335: 332: 295: 292: 289: 279: 276:little Learning 228: 225: 222: 215: 209: 203: 197: 194:expected Rhymes 187: 184:unvary'd Chimes 181: 172: 169: 166: 151: 141: 139: 129: 119: 117: 107: 95:De rerum natura 92:and Lucretius' 84: 67:heroic couplets 59: 32: 17: 12: 11: 5: 971: 961: 960: 955: 950: 933: 932: 930: 929: 924: 918: 916: 912: 911: 909: 908: 906:Heroic couplet 903: 896: 889: 884: 883: 882: 871: 869: 865: 864: 862: 861: 853: 845: 838: 830: 827:Samuel Johnson 818: 811: 803: 795: 791:Windsor-Forest 787: 779: 771: 763: 755: 747: 745: 741: 740: 738: 737: 729: 727: 723: 722: 715: 713: 711: 710: 701: 699: 695: 694: 691:Alexander Pope 687: 686: 679: 672: 664: 658: 657: 641: 632: 617: 616: 603: 602:External links 600: 599: 598: 592: 579: 565: 555:, ed. (1973). 549: 535: 517: 511: 489: 486: 483: 482: 463: 454: 445: 436: 427: 418: 409: 400: 391: 381: 380: 378: 375: 370:Jonathan Swift 346: 343: 333: 326:; to Forgive, 320: 290: 272: 223: 178: 167: 104: 83: 80: 58: 55: 51:Alexander Pope 15: 9: 6: 4: 3: 2: 970: 959: 956: 954: 951: 949: 948:British poems 946: 945: 943: 928: 925: 923: 922:Martha Blount 920: 919: 917: 913: 907: 904: 901: 897: 895: 894: 890: 888: 885: 881: 878: 877: 876: 873: 872: 870: 866: 859: 858: 854: 851: 850: 846: 843: 839: 836: 835: 831: 828: 824: 823: 819: 816: 812: 809: 808: 804: 801: 800: 796: 793: 792: 788: 785: 784: 780: 777: 776: 772: 769: 768: 764: 761: 760: 756: 753: 749: 748: 746: 742: 735: 731: 730: 728: 724: 719: 708: 707: 703: 702: 700: 696: 692: 685: 680: 678: 673: 671: 666: 665: 662: 656: 652: 651: 642: 640: 638: 633: 629: 625: 624: 619: 618: 615: 611: 610: 606: 605: 595: 589: 585: 580: 576: 572: 568: 566:0-19-501614-9 562: 558: 554: 553:Price, Martin 550: 546: 542: 538: 532: 528: 527: 522: 518: 514: 512:0-300-03391-5 508: 503: 502: 496: 495:Mack, Maynard 492: 491: 479: 475: 474: 467: 458: 449: 440: 431: 422: 413: 404: 395: 386: 382: 374: 371: 367: 363: 361: 360: 355: 351: 342: 331: 329: 325: 318: 316: 311: 309: 305: 301: 293:lines 215–216 288: 286: 284: 277: 270: 268: 263: 261: 260:William Walsh 257: 252: 250: 246: 242: 238: 234: 226:lines 347–353 221: 219: 213: 207: 201: 195: 191: 185: 176: 165: 163: 159: 155: 150:alone expose, 149: 145: 137: 133: 127: 123: 115: 111: 102: 99: 97: 96: 91: 90: 79: 76: 75:Horatian mode 72: 68: 64: 54: 52: 48: 47: 38: 34: 30: 26: 22: 21:Fools Rush In 891: 855: 849:Moral Essays 847: 832: 820: 805: 797: 789: 781: 773: 766: 765: 757: 704: 649: 636: 621: 608: 583: 556: 525: 500: 471: 466: 457: 448: 439: 430: 421: 412: 403: 394: 385: 366:Thomas Rymer 364: 357: 349: 348: 340: 327: 323: 321: 314: 312: 307: 297: 282: 275: 273: 266: 264: 255: 253: 230: 217: 211: 205: 199: 193: 189: 183: 179: 174: 161: 157: 153: 147: 143: 135: 131: 130:Some few in 125: 121: 120:To tire our 113: 109: 105: 100: 93: 87: 85: 60: 45: 44: 43: 40:Frontispiece 33: 927:John Caryll 834:The Dunciad 359:The Dunciad 354:John Dennis 265:Part II of 146:might once 89:Ars Poetica 57:Composition 958:1711 poems 942:Categories 536:0300003404 488:References 322:To Err is 188:With sure 108:Appear in 875:Popeswood 852:(1731–35) 759:Pastorals 545:855720858 480:pattern). 308:knowledge 241:Aristotle 192:of still 170:lines 1–8 880:Binfield 844:" (1734) 817:" (1717) 754:" (1700) 736:" (1727) 655:LibriVox 497:(1985). 478:metrical 336:line 525 334:—  291:—  249:Longinus 224:—  168:—  122:Patience 63:Abberley 868:Related 822:Messiah 775:Messiah 612:at the 575:2341106 283:Pierian 190:Returns 148:himself 114:Judging 110:Writing 915:People 860:(1735) 810:(1717) 802:(1715) 794:(1713) 786:(1712) 778:(1712) 770:(1711) 762:(1709) 744:Poetry 726:Essays 709:(1717) 590:  573:  563:  543:  533:  509:  328:Divine 285:Spring 245:Horace 233:Virgil 112:or in 27:, and 698:Plays 637:Essay 377:Notes 324:Human 315:Essay 304:Muses 256:Essay 237:Homer 218:Sleep 162:Prose 158:Verse 126:Sense 588:ISBN 571:OCLC 561:ISBN 541:OCLC 531:ISBN 507:ISBN 368:and 313:The 247:and 152:Now 144:Fool 136:this 132:that 116:ill; 626:at 210:If 156:in 154:One 944:: 569:. 539:. 362:. 330:. 287:: 274:A 243:, 239:, 235:, 220:. 164:. 142:A 98:. 23:, 902:" 898:" 840:" 825:( 813:" 750:" 732:" 683:e 676:t 669:v 596:. 577:. 547:. 515:. 214:, 208:; 202:, 196:. 186:, 138:, 128:: 31:.

Index

Fools Rush In
Where Angels Fear to Tread
A Little Learning

Alexander Pope
Abberley
heroic couplets
iambic pentameter
Horatian mode
Ars Poetica
De rerum natura
Virgil
Homer
Aristotle
Horace
Longinus
William Walsh
Pierian Spring
Pierian Mountains
Muses
John Dennis
The Dunciad
Thomas Rymer
Jonathan Swift
The Bishop's Wife
metrical
Mack, Maynard
Alexander Pope: A Life
ISBN
0-300-03391-5

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