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117:, Ferraris was considered an Italian virtuosity, known for "bravura displays of technique". According to Lillian Moore, Ferraris "could leap like a fawn and descend like a falling leaf".
101:, her artistic rival, Ferraris was one of the most notable Italian dancers of her era. In 1857, she performed with Rosati at the Paris Opera in the ballet
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for
Ferraris and Rosati, who was considered to be the most celebrated ballerinas at the time. Along with Rosati,
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as an ode to the
Italian ballerina. The pas de deux was later added to the ballet
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Images of the dance : historical treasures of the Dance
Collection 1581-1861
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Her year of birth may have been 1828, 1830, or 1832. After studying in
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Ballerina: Sex, Scandal, and
Suffering Behind the Symbol of Perfection
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in 1866 where it acquired its more well-known title, the
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120:In 1859, she made her debut with the
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251:Kelly, Deirdre (7 September 2012).
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23:Amalia Ferraris, lithograph by
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78:and then throughout Europe.
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174:Staccioli, Roberto (1996).
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184:(in Italian). Vol. 46
50:) was an Italian dancer.
70:. Ferraris danced at the
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81:In 1848, she joined the
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97:in 1856. Together with
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152:Satanella pas de deux
35:Amalia Ferraris, 1852
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111:Giuseppina Bozzacchi
91:The Great Exhibition
72:Teatro di San Carlo
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176:"FERRARIS, Amalia"
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132:to music by
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128:created the
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54:Biography
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