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Professor, responsible for the one year basic acting course. Over the next few years, Krause revamped the basic acting program, transforming it into a three year program. The first year focused on developing student's artistic skills, including work in voice and movement, and cross-disciplinary work in other artistic fields. The second year, students worked on developing their dramatic skills, using classical dramas and characters to understand the art of playmaking. During the third year, students focused on principles of "style" — developing their own sensibilities and polishing their communications skills. Krause's approach to teaching acting through this three year program became a model for the field and continues at
Northwestern to this day.
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still use many of her teachings in my work both professionally and in mentoring at the North
Carolina School of the Arts. They are still valid. Alvina Krause reinforced in Art what I had learned from my Jewish parents in Lorain, Ohio. An unalloyed irreducible/inflexible respect for integrity of execution in all things. I arrived at Northwestern loaded with potential in skills, a hunger to learn about everything and boundless curiosity and energy. Alvina Krause guided me through a maze of possibilities to a clearer vision of who I was meant to be.
1295:...he is a protégé of Alvina Krause at Northwestern University during the golden age of that famous theatre school; he presided over the golden era of John Houseman's Acting Company at Juilliard; he was artistic director during the golden years of Joe Papp's New York Shakespeare Festival; he was instrumental in the creation of a dozen musicals during the golden age of Broadway; he was artistic director of the American Shakespeare Festival in Stratford during that company's golden vintage; last year, he directed Beckett's
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directed by Alvina Krause, Mrs. George in Shaw's GETTING MARRIED directed by Jerry
Stropnicky, Kristine Linde in A DOLL'S HOUSE, directed by John Chism, and Polly Garter in UNDER MILKWOOD directed by Rand Whipple. Kemper directed Shaw's PYGMALION, as part of what was then BTE's Theatre Arts in the Classroom program. She left Bloomsburg to get an MFA from Penn State University ... with BTE's Laurie McCants in her piece, Industrious Angels, and more recently, at BTE's Women's Theatre Festival.
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drilling into her the importance of technique. Voice, movement, diction: over and over, in different styles, do it until it's done right, and then do it again because it's not right enough. "There was no 'make or break' about her," Zinoman recalls. "Only 'break.' Her standards were so high, and whenever you got close, she would run ahead and raise them."
922:..1926 when Lucy McCammon was hired to teach women's physical education classes. McCammon organized the "B" Club so women could reach athletic milestones and earn letters for participation in sports, as men did. The club also competed against women from other schools in "Play Days." When McCammon retired in 1958...
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She enjoyed great popularity even in retirement, and students engaged her for private instruction. She conducted master classes as late as 1976 and 1977. She had moved to
Bloomsburg in 1971, and some of her former master class students founded the Bloomsburg Theater Ensemble in 1978. They engaged
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It started when I went to
Northwestern University and fell under the guidance of Alvina Krause, a former girl's gym teacher and eurhythmics instructor who seemed to have discovered Stanislavski and his techniques by accident, by curiosity and by observing the actors of the Twenties and Thirties. I
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Her teacher was the legendary Alvina Krause, "a fierce old lesbian," as
Zinoman recalls her, and an apostle of Stanislavski-style realism. Of this, the teenage Joy knew zip. "I was in a state of shock. Everything I knew wasn't going to work." For three years, Krause "tortured" Zinoman by endlessly
213:), and was smitten with a love of dramatic literature, even though an older sister teased her for mispronouncing many of the words. As a high school senior, she dismissed her first marriage proposal, vowing to seek a career. After a stint at University of Wisconsin, she found her way to Evanston.
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had performed there.) Each summer, AK invited some of her
Northwestern acting students to Eagles Mere. She herself acted in two productions. The students acted and produced the plays, sewed costumes, sold tickets door to door, cooked, cleaned, and controlled the bat and mouse population. They
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Martha Kemper ... graduated from
Northwestern University in 1976, and moved to Bloomsburg, PA, to study with Alvina Krause and become a founding member of the Bloomsburg Theatre Ensemble. As an actor with BTE, her roles included Masha in THE SEAGULL and Lady Audley in LADY AUDLEY'S SECRET, both
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During her early years at
Northwestern, Krause's primary responsibility was giving students private instruction in voice and interpretation. In the early 1940s, the School of Speech was forced by budgetary constraints to drop its private instruction program and Krause was appointed to Assistant
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The
Bloomsburg Theatre Ensemble ... was organized May 12, 1978, by a small group of young professionals. These professionals, now the Bloomsburg Theatre Ensemble, came from all over the United Slates to study and work with Miss Alvina Krause. Miss Krause was instrumental in shaping of the
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Northwestern University theatre department. She is also an internationally known teacher of theatre and an authority on the works of Anton Chekhov. Locally, Miss Krause is remembered as the director of the playhouse at Eagles Mere, a position she held for 20 years.
281:) purported to describe the creative process scientifically. Her principal duties were giving private lessons in voice and interpretation. Budget considerations led the School of Speech to discontinue private instruction in the early 1940s. She was appointed
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featured performers such as Patricia Neal, Jimmy Gheen, Charlton Heston, Jennifer Jones, Paula Prentiss, and Richard Benjamin. The legacy remained in a nationally recognized summer drama workshop Dewire Community Center, as of 1993.
193:(January 28, 1893 – December 31, 1981) was an American drama teacher at Northwestern University, theatrical entrepreneur, "maker of stars", and director. Her students called her AK. Her first name is pronounced Al-vine-na
321:. It drew scouts from movie studios and the professional stage. Over spring break in 1945, she and Miss McCammon (who taught physical education at nearby Bloomsburg State Teachers College) leased the Forest Inn Playhouse. (
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in 1941, and developed a one-year course in acting. She expanded this to a three-year acting program, developing an approach still used at Northwestern and emulated elsewhere. In 1957 she was appointed
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interview, "Alvina Krause would not validate and would not allow. I think she had favorites, and you could never figure out why you weren't a favorite, and it never made any sense."
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In her first year at the Cumnock school she was thrilled and intimidated when its founder (later professor at Northwestern) addressed the new class.
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Krause's life partner was her former student, Lucy McCammon (August 12, 1898–December 19, 1991), born to a family prominent in
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Northwestern forced her to retire in 1961, but in the face of alumni protest they let her stay on for two years as a part-time
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Simon, Alex (October 9, 2013) . "Karen Black Dances the Missouri Waltz". The Huffington Post. Archived from the original
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Despite Karuse's accolades, some of her former students have been critical of her methodology, including former student
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In 1930, Northwestern appointed her an Instructor of Voice and Interpretation in the School of Speech. She earned a
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the 83-year-old Krause as artistic advisor, and later artistic director. In the summer of 1981 she directed
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The Diary of a Professional Experiencer: An Autobiographical Journey Into the Evolution of an Acting System
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After high school, she attended the Cumnock Oratorical School, 1914–1916. After graduation, she taught
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1279:. Vol. 47. College of Fellows of the American Theatre. Summer 2008. pp. 4–5. Archived from
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at an Istanbul on the Golden Horn of Turkey; and he recently staged a golden anniversary revival of
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1421:(revised and expanded 3rd ed.). New York, NY: Theatre Communications Group, Inc. p. 114.
1153:(revised and expanded 3rd ed.). New York, NY: Theatre Communications Group, Inc. p. 113.
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Wiley, Doris (November 26, 1979). "A Teacher of stars devotes herself to young 'unknowns'".
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at Chicago's Harper Theatre in 1966. It achieved critical acclaim in its first season (for
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at Bloomsburg State College (1926-1958). From 1971, the two women shared a house in
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FACADE EASEMENTS: A PRESERVATION ALTERNATIVE FOR HISTORIC EAGLES MERE, PENNSYLVANIA
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1086:(1). Williamsport, Pa.: The Williamsport Area Community College. October 19, 1981
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and girls' athletics in high schools in Colorado and Springfield, Missouri.
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1190:"UNCSA NAMES THEATRE FOR GERALD FREEDMAN, DEAN EMERITUS OF SCHOOL OF DRAMA"
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Krause was the artistic director and driving force for summer theater at
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Marcus Overton (actor, director, writer, critic) (BS Schl Speech NU 65)
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Cumnock's school speaker - rhetorical recitations for boys and girls
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team to a state championship. She taught drama for a year at
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professor of rhetoric and elocution, Northwestern University
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Women Building Chicago 1790-1990: A Biographical Dictionary
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in 1928. She taught drama and English at a high school in
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Wegner, William H. (May 1977). "Alvina Krause Revisited".
1387:. November 29, 1989. Gale Document Number: GALE|A175793996
1270:"Introduction of Roger L. Stevens Speaker Gerald Freedman"
1145:
Chinoy, Helen Krich; Jenkins, Linda Walsh, eds. (2006) .
577:"ALVINA KRAUSE, 88, PROFESSOR OF DRAMA TAUGHT MANY STARS"
1417:. In Chinoy, Helen Krich; Jenkins, Linda Walsh (eds.).
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Weaver, Neal (March 1968). "Alvina Krause: Teacher".
1227:"My Life in Art: A 21st Century Riff on Stanislavsky"
798:"Alvina E. Krause (1893-1981) Collection, 1929-2003"
297:, for twenty years from 1945 producing 178 plays by
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254:, where some of her family lived. She coached the
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1539:Testa, Randy Michael (1977). "A Chekhov Summer".
201:As a girl in rural Wisconsin she found a copy of
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1508:Schultz, Rima Lunin; Hast, Adele (May 1, 2001).
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1198:University of North Carolina School of the Arts
1485:Jacobi, Peter. "You Can Do Better Than That".
1350:. Los Angeles, California: Ermor Enterprises.
1236:. The Roger L. Stevens Address. Vol. 47.
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887:(14th ed.). Chicago: A. C. McClurg.
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637:"Stage Listings: Nov. 29 to Dec. 5, 2013"
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1454:The Actor's Eye: Seeing and Being Seen
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1188:Whitaker, Lauren (November 19, 2012).
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903:"The Early Years of Women's Athletics"
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1706:Bloomsburg University of Pennsylvania
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911:Bloomsburg University of Pennsylvania
883:Cumnock, Robert McLean, ed. (1913) .
840:(revised and expanded 3rd ed.).
742:Bloomsburg University of Pennsylvania
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350:Six Characters in Search of an Author
1055:University of Pennsylvania Libraries
901:Dunkelberger, Robert (Winter 2013).
796:Osborne, Lori J. (August 25, 2004).
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408:David A. Downs, Northwestern faculty
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1625:Music Division, Library of Congress
907:Bloomsburg: the University Magazine
830:"Alvina Krause on Women in Theatre"
649:. November 29, 2013. Archived from
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1567:The Johns Hopkins University Press
1499:(Fall 1962). "Forever Beginning".
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736:Goode, James (December 15, 2004).
612:"New Theater Honors Alvina Krause"
91:Alvina Krause Studio, Northwestern
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1746:20th-century American LGBT people
1676:People from New Lisbon, Wisconsin
1636:Alvina Krause Papers, 1930s-1970s
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1460:Applause Theatre and Cinema Books
965:Shearer, Stephen Michael (2006).
545:Studio Theatre (Washington, D.C.)
88:Alvina Krause Theatre, Bloomsburg
1721:American women theatre directors
1541:Secondary School Theatre Journal
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1701:Northwestern University faculty
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1240:. pp. 5–10. Archived from
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836:; Jenkins, Linda Walsh (eds.).
802:Northwestern University Library
279:A Study of Creative Imagination
113:Cumnock School of Oratory, 1916
85:Alvina Krause Theater, New York
1691:Northwestern University alumni
968:Patricia Neal: An Unquiet Life
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1736:LGBT people from Pennsylvania
1488:The Christian Science Monitor
1319:. Bloomsburg Theatre Ensemble
1194:Winston-Salem, North Carolina
1076:"Theatre Ensemble to perform"
1047:Wise, Jr., Robert J. (1993).
936:"ALVINA KRAUSE: KRAUSE NOTES"
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1648:How to use archival material
977:University Press of Kentucky
846:Theatre Communications Group
371:a 19th-century play, there.
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1559:Educational Theatre Journal
1378:"Ralph S. Purdum Actor, 63"
1317:"Me, Miss Krause, and Joan"
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1741:LGBT people from Wisconsin
1716:American theatre directors
1696:Hamline University faculty
1501:Northwestern Tri-quarterly
337:. In 1963 she retired as
1731:LGBT people from Illinois
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1596:The Philadelphia Bulletin
1419:Women in American Theatre
1151:Women in American Theatre
838:Women in American Theatre
828:McCants, Billie (2006) .
378:, who reported in a 2013
295:Eagles Mere, Pennsylvania
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1516:Indiana University Press
1109:"Karen Black: 1939-2013"
543:Joy Zinoman, founder of
229:Bloomsburg, Pennsylvania
73:New Lisbon City Cemetery
62:Bloomsburg, Pennsylvania
1711:American drama teachers
1588:(subscription required)
1550:Ballroom Dance Magazine
1398:(subscription required)
616:Northwestern (magazine)
108:University of Wisconsin
1413:Downs, David (2006) .
1396:Biography in Context.
163:Lucy McCammon (?-1981)
1450:Downs, David (1995).
909:. over the shoulder.
221:Springfield, Missouri
43:New Lisbon, Wisconsin
367:Lady Audley's Secret
327:Ethel Barrymore Colt
171:honorary doctorate,
121:Bachelors in Science
1415:"A Teacher of Life"
1277:The Fellows Gazette
1234:The Fellows Gazette
1023:The Washington Post
834:Chinoy, Helen Krich
738:"Ms. Alvina Krause"
653:on December 8, 2013
575:(January 1, 1982).
358:Too True To Be Good
288:associate professor
283:assistant professor
273:there in 1933; her
1385:The New York Times
582:The New York Times
339:professor emeritus
260:Hamline University
225:physical education
223:. McCammon taught
154:Professor emeritus
131:Masters in Science
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1147:"Acting Teachers"
1065:(master's thesis)
509:Lawrence Pressman
346:repertory company
256:girls' basketball
248:bachelor's degree
235:Professional life
207:(one source says
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642:Times Leader
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522:Tony Roberts
427:Frank Galati
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417:Penny Fuller
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56:(1981-12-31)
1686:1981 deaths
1681:1893 births
1612:Archives at
1569:: 221–230.
532:Neal Weaver
517:Robert Reed
495:James Olson
490:Agnes Nixon
479:Eric Morris
459:Walter Kerr
399:Karen Black
376:Karen Black
315:Shakespeare
1670:Categories
1531:2013-12-02
1469:1557832129
1442:2013-12-02
1391:2013-12-02
1363:2013-12-02
1323:2013-12-09
1297:Happy Days
1290:2013-12-05
1251:2013-12-05
1208:2013-12-05
1174:2013-12-04
1119:2023-10-01
1090:2013-12-04
1060:2013-12-04
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1000:2013-12-08
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869:2013-12-02
807:2012-12-06
747:2013-12-02
657:2013-12-02
622:2013-12-02
588:2013-12-03
552:References
539:Helen Wood
486:(C47, H94)
142:Occupation
110:, attended
35:1893-01-28
973:Lexington
241:elocution
100:Education
78:Monuments
1621:Location
1478:95034942
1437:00037753
1344:(2007).
1169:00037753
1113:HuffPost
864:00037753
386:Students
380:HuffPost
335:lecturer
264:St. Paul
1583:3206222
311:Rostand
307:Molière
299:Chekhov
160:Partner
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317:, and
204:Hamlet
175:, 1969
168:Awards
1579:JSTOR
1565:(2).
1284:(PDF)
1273:(PDF)
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1230:(PDF)
832:. In
472:(J56)
434:(C45)
303:Ibsen
180:Notes
150:Title
1520:ISBN
1474:LCCN
1464:ISBN
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850:ISBN
759:.org
757:.bte
319:Shaw
133:1933
123:1928
64:, US
51:Died
45:, US
29:Born
1659:at
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