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describes the neologism as a response to "the idea that, good or bad, Jews are different from the non-Jewish mainstream and thus unable to be dealt with in the same way or measured by the same yardstick". According to Gruber, the term was coined by the Polish-Jewish literary critic
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Linnett uses the term "to describe the multiple modes of difference that these women authors ascribed to the Jew in order to complicate what she views as the overly simplistic polarities of anti-Semitism and philo-Semitism".
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Weinstein, Valerie. "Dissolving
Boundaries: Assimilation and Allosemitism in E. A. Dupont's "Das Alte Gesetz" (1923) and Veit Harlan's "Jud SĂĽss" (1940)." The German Quarterly 78.4 (2005): 496-516.
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Eva
Frojmovic. Review of Kessler, Herbert L.; Nirenberg, David, eds., Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism, H-Judaic, H-Net Reviews. March, 2013.
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Zygmunt Bauman, “Allosemitism: Premodern, Modern, Postmodern,” in
Modernity, Culture, and “the Jew,” ed. Bryan Cheyette and Laura Marcus (Cambridge: Polity Press, 1998)
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Artur
Sandauer, O sytuacji pisarza polskiego pochodzenia żydowskiego w XX wieku (Rzecz, którą nie ja powinienem był napisać...) (Warszawa: Czytelnik, 1982, p. 9.
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proposed the term in his 1997 essay "Allosemitism: Premodern, Modern, Postmodern" in which he argued that "allosemitism" should be used in place of "
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On the
Situation of the Polish Writer of Jewish Descent in the Twentieth Century : It Is Not I Who Should Have Written This Study
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Briefel, Aviva. "Allosemitic
Modernism." Novel: A Forum on Fiction 43, no. 2 (2010): 361-63.
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Confronting
Allosemitism in Europe: The Case of Belgian Jews
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