263:, hoping he will figure out how to write the article once he is back home, but is told at the airport that there are no flights to Germany because of a strike by German airport ground crews. He meets a German woman, Lisa van Dam, and her young daughter, Alice, who are also trying to book a flight, and manages to get them all tickets on a plane to Amsterdam the next day. In the morning, Lisa leaves Alice in Philip's care while she attempts to deal with her emotionally fragile ex-boyfriend, leaving Philip a note in which she tells him to take Alice to
298:. On the ferry, a policeman from Wuppertal spots Philip and Alice and informs Philip that both Alice's grandmother and Lisa have been located. The policeman puts Alice on a train to meet Lisa in Munich, and, though Philip has no money for a ticket, Alice produces a 100-dollar bill from her purse so he can come along. En route, Alice and Philip ask each other what they will do in Munich; Philip says he will finish writing his article, while Alice just raises her eyebrows. They open the window of their train compartment and look forward together.
271:
Alice's constant demands for care very endearing. When they go to the airport to meet Lisa's flight and find out she is not on the plane, Philip intends to leave Alice to wait for her mother with the authorities while he continues his journey home, but she is upset and locks herself in a bathroom stall. Feeling sorry for the girl, Philip remembers she mentioned visiting a grandmother in
Germany, and offers to take her there, but Alice does not remember where her grandmother lives. He reads Alice a list of city names, and "
396:
387:
497:. Although they filmed with the 1.66:1 wide-screen format (a common European format at the time) in mind, even drawing it on the viewfinder, they had to provide a 4:3 full frame format of the film due to television broadcast demands, even though it was not their intended aspect ratio. This would create some problems in later years, before everything was rectified with the film's definitive restoration in 2014.
477:, who had invited him to come visit after a prior encounter in Germany. Wenders mentioned to Fuller that he had just cancelled a project, and, upon finding out that Wenders had already secured the financing for the film, Fuller convinced Wenders that it was a mistake. After a few hours of discussion, Wenders realized he could still proceed, albeit with some extensive rewrites to differentiate
294:, and, miraculously, they eventually find the house in Alice's picture, but the current resident does not know Alice's grandmother. With no solution in sight, they go swimming, releasing their frustration by playfully shouting insults at one another. Now virtually broke, Philip decides to go to his parents, who live across the
286:
concert. When he returns to his hotel, Alice, having escaped from the police station, gets into his car and says she now knows where her grandmother lives. Philip is glad to see her again and drives away, while she tells him that, during her interview with the police, she remembered that she and her
585:
wrote in 1974 that the film has "a great deal to say about Europe and
America, about the exhaustion of dreams and the homogenization of nations, about roots and the awareness of time, about sterility and creativity, about vicarious and real adventure and, eventually, about the possibilities of the
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The film was shot in close-to-chronological order—beginning in North
Carolina, proceeding to New York, continuing in Amsterdam, and finishing in Germany—throughout the summer of 1973. As filming progressed, the production grew more confident about improvising each scene. Some parts, like certain
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As Alice and Lisa lived in
Amsterdam at one point, Alice speaks some Dutch, and she suggests showing Philip the city while they wait for Lisa's flight. Saddled with someone else's child and short on money, Philip begins to get irritated, cutting short the sightseeing trip and no longer finding
512:", in which a man is trying to re-connect with his daughter. When Wenders tried to include footage of Berry performing the song that he had shot in Frankfurt (presumably in late July 1973), Berry's camp demanded a clearance fee that he could not afford to pay. Instead, Wenders approached
554:, and that they were not able to see the film before recording the music. Instead, Wenders, who was very short on time, told them the film's story and then let them know what would and would not work as they came up with ideas and recorded, all over the course of one session.
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called Rottländer's performance as Alice "unforgettable". He went on to say that the film would not be able to be made today, "partly because of the invention of the mobile phone, partly because of our obsessive fear of anything that might be interpreted as paedophilia".
29:
473:(1973). To his horror, the film was very similar to this own, prompting him to call his production office and break the news that he was canceling the project, as he believed the film they were about to shoot "had already been made". Soon after, Wenders went to see
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as "one of my very favorite films, and a guiding light", and praised Alice as "one of the screen's most multifaceted child characters, and one of the most empowered female characters in cinema to this day". In a review of the
Criterion release,
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has missed his publisher's deadline for writing an article about the United States. So far, he has traveled a lot, but has not written anything substantial, as he has been unable to find inspiration either in what he has seen, or in the many
229:, a stranger entrusts her daughter to his care and then disappears, and the duo search for the girl's estranged grandmother, aided only by the girl's hazy memories. The film's theme has been said to foreshadow Wenders' later film
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with the Arri BL, which had just come out at the time, but it was too difficult to find one (a common problem with newly issued cameras). Given their budgetary limitations, they were left with no other option than to switch to
287:
mother had been the ones who lived in
Wuppertal, but her grandmother, whose name is KrĂĽger, lived just a short train ride away. Alice also finally shows Philip a picture of her grandmother's house that she has in her purse.
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as one of
Wenders' strongest works, calling it a pungent hybrid of European and American elements "with its effective broodings over American and German landscapes and their ambiguous photographic representations".
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hotel scenes and almost anything filmed in a car, closely followed the script for logistical reasons, but, by the end of the film, Wenders said they virtually ignored the script altogether.
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Although Alice cannot remember her grandmother's name or address, she says she is sure she will recognize the right house when she sees it. After searching
Wuppertal for two days using the
415:, his fourth feature-length film, came at a major turning point when he was deciding whether to remain a filmmaker. He felt that his first two features were too heavily indebted to
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and a rented car, Alice realizes her grandmother does not actually live in the city. Fed up, Philip drops Alice off at the police station, and then tries to unwind at a
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In the film, a professional writer loses a job due to his inability to complete an assignment. When he tries to travel to
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The scenario of a young girl and a writer thrown together was inspired by
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described Alice as resembling "a genuine little kid", and praised the film's photography as "gorgeous".
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Criterion offers a loose trilogy from Wim
Wenders, king of the road movie
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King of the Road by Chris Petit in the Guardian Saturday January 5, 2008
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Wim Wenders and Peter Handke: Collaboration, Adaptation, Recomposition
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Didi Petrikat as the woman Philip and Alice meet at the swimming park
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pictures he has taken of his trip. He attempts to book a flight from
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was a conscious attempt to make something only he could do.
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One of Wenders' inspirations for the story of the film was
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as the man by the jukebox in an American diner (uncredited)
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Wenders and Robby MĂĽller had hoped to shoot the film in
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Edda Köchl as Angela, Philip's ex-girlfriend in New York
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Wim Wenders on Walker Evans, polaroids and road movies
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Wenders' restoration notes from Wim Wenders Stiftung
423:, while his third was an ill-advised adaptation of
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332:Sam Presti as the car dealer who buys Philip's car
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218:(1976). The film was shot in black and white by
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888:, 28 May 2016, URL accessed 10 July 2016.
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753:"An Interview with CAN's Irmin Schmidt"
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1339:Pictures from the Surface of the Earth
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567:German Film Critics Association Awards
463:, a friend took him to a screening of
1491:Films with screenplays by Wim Wenders
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720:: Editions Ropodi. pp. 169–170.
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1486:Films shot in North Rhine-Westphalia
1024:The Goalkeeper's Fear of the Penalty
710:Brady, Martin; Leal, Joanne (2011).
546:stated that it was recorded by him,
202:. It is the first part of Wenders' "
956:Alice in the Cities: A Girl's Story
658:Alice in the Cities: A Girl's Story
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1283:Pope Francis: A Man of His Word
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565:won the Best Film award at the
323:as Lisa van Dam, Alice's mother
1235:Notebook on Cities and Clothes
1184:The Beautiful Days of Aranjuez
830:. 15 July 1988. Archived from
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755:. Screen Slate. Archived from
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1:
1441:Films directed by Wim Wenders
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518:Toronto Rock and Roll Revival
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1436:German black-and-white films
798:"Alice in the Cities (1974)"
787:, URL accessed 10 July 2016.
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459:While Wenders was preparing
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1431:1970s German-language films
1309:"Twelve Miles to Trona" in
666:, URL accessed 7 June 2016.
443:Short Letter, Long Farewell
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1446:Films set in New York City
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1471:Films shot in 16 mm film
1426:German independent films
1421:German drama road movies
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1144:The Million Dollar Hotel
824:"Wings of Desire (1987)"
663:The Criterion Collection
617:The Criterion Collection
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1411:1970s drama road movies
1251:Buena Vista Social Club
361:as himself (uncredited)
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206:", which also includes
1466:1974 independent films
1451:Films set in Amsterdam
1318:"Person to Person" in
683:Post-screening Q&A
411:According to Wenders,
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1275:The Salt of the Earth
855:"Alice in the Cities"
689:Tuesday March 3, 2015
135:17 May 1974
54:Veith von FĂĽrstenberg
1072:Lightning Over Water
965:Criterion Collection
687:Museum of Modern Art
404:Museum of Modern Art
191:Alice in den Städten
1496:Films about writers
1160:Don't Come Knocking
1136:The End of Violence
1088:The State of Things
1064:The American Friend
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934:Alice in the Cities
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431:Alice in the Cities
413:Alice in the Cities
194:) is a 1974 German
181:Alice in the Cities
22:Alice in the Cities
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1120:Faraway, So Close!
1032:The Scarlet Letter
1016:Summer in the City
939:TCM Movie Database
828:The Chicago Reader
802:The New York Times
759:on 28 October 2011
591:Jonathan Rosenbaum
582:The New York Times
510:Memphis, Tennessee
426:The Scarlet Letter
335:Lois Moran as the
204:Road Movie trilogy
33:Promotional poster
1416:West German films
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1375:Beyond the Clouds
1331:Photography books
1311:Ten Minutes Older
1259:The Soul of a Man
1056:Kings of the Road
727:978-90-420-3248-4
601:Writing in 2008,
508:'s classic song "
465:Peter Bogdanovich
453:Young Mr. Lincoln
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1370:(1974–1976)
1302:Short films
1192:Submergence
1001:Wim Wenders
506:Chuck Berry
365:Wim Wenders
359:Chuck Berry
284:Chuck Berry
280:Schwebebahn
244:West German
212:(1975) and
200:Wim Wenders
155:110 minutes
117:Axiom Films
59:Produced by
52:Wim Wenders
43:Wim Wenders
39:Directed by
1406:1974 films
1400:Categories
1366:Road Movie
638:References
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490:35 mm
483:Paper Moon
470:Paper Moon
373:Production
196:road movie
139:1974-05-17
49:Written by
718:Amsterdam
589:In 1988,
586:future".
558:Reception
448:John Ford
347:Wuppertal
292:Ruhr area
273:Wuppertal
265:Amsterdam
168:Languages
91:Edited by
16:1974 film
1227:Tokyo-Ga
1219:Room 666
928:AllMovie
864:26 April
808:26 April
763:26 April
402:, 3:18,
253:Polaroid
235:(1984).
103:Music by
67:Starring
1368:trilogy
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1080:Hammett
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246:writer
173:English
160:Country
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1386:(1998)
1378:(1995)
1350:(2017)
1342:(2001)
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1294:(2023)
1291:Anselm
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1278:(2014)
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1222:(1982)
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261:Munich
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186:German
171:German
534:Music
481:from
296:Rhine
1267:Pina
917:IMDb
866:2012
840:2015
810:2012
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722:ISBN
575:and
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302:Cast
239:Plot
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