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303:. Two symphonies and two overtures are published by A-R Editions in editions by Ian Graham-Jones. The Symphony in A minor, Symphony in C minor and the Andante for clarinet and orchestra (taken from the Clarinet Sonata) have been recorded by
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of 13 December 1884: "Her music is marked by elegance and grace ... power and energy. Her forms were always clear and her ideas free from eccentricity; her sympathies were evidently with the
Classic rather than with the Romantic school."
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Smith's oeuvre includes one of the largest collections of sacred choral music by a woman composer, and comprises six anthems, three canticles (and the beginning to a fourth), as well as a short Sacred
Cantata
114:, publishing her first song in 1857. In November 1867, the year of her marriage to a lawyer, Frederick Meadows White, she was elected Female Professional Associate of the
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in that year, and two cantatas for male voices in the last two years of her life. In her obituary, her husband claimed that she was working on a setting of the poem
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Smith was born in London, the third child of a relatively well-to-do family. She showed aptitude for music from her early years and took lessons privately from
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for chorus, soloists and orchestra; however, there is no manuscript to support this claim. Of her forty songs, her most popular work was the vocal
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edited the complete sacred choral music of Alice Mary Smith, and recorded this repertoire with The
Eoferwic Consort, supported by an
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in
February 1864, making them the first recorded instance of music by a woman composer to be used for the liturgies of the
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British musical biography: a dictionary of musical artists, authors and composers, born in
Britain and its colonies
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and two symphonies. Her first symphony, in C minor, was written at the age of 24 and performed by the
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for chorus, orchestra, and soloists which was performed in 1865 at the
Fitzwilliam Music Society,
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The Life and Music of Alice Mary Smith (1839-1884), A Woman
Composer of the Victoria Era
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Grave of Alice Mary Smith (married surname White) in
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Smith was a prolific composer, writing for a diverse range of ensembles.
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and a large collection of choral works, both sacred and secular.
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Chandos CHAN10283 (2005), Gramophone review by Jeremy
Nichols
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In 1880 she turned her attention towards writing large-scale
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204:(1875), for which the orchestration was never completed.
496:"Alice Mary Smith - The Complete Sacred Choral Music"
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in 1863; the second, in A minor, was written for the
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A-R Editions' prefaces are available on Google Books
372:, Oxford University Press, 2004 accessed 4 Feb 2005
118:. In 1884 she was elected an honorary member of the
572:on Sanderman's editions of the sacred choral music
299:Since 2010, Smith's manuscripts are housed in the
188:Smith composed two large pieces for the stage: an
401:in: Brown, James Duff; Stratton, Stephen Samuel.
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626:Deaths from typhoid fever in the United Kingdom
185:competition of 1876, but was never submitted.
345:Rosemary Williamson: 'Smith , Alice Mary',
259:(1882), her longest work, performed at the
228:were performed in a liturgical context at
173:. Her orchestral compositions include six
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542:International Music Score Library Project
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141:Among her chamber compositions are four
370:Oxford Dictionary of National Biography
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349:ed. L. Macy (Accessed 4 February 2005)
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646:19th-century British women composers
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596:British women classical composers
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393:But note the competing claim for
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222:Whoso hath this world's goods
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126:in London and was buried in
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16:English composer (1839–1884)
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586:English classical composers
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591:English Romantic composers
527:(Edwin Mellen Press, 2010)
319:Knowledge Exchange Grant.
288:Elizabeth Barrett Browning
255:for chorus and orchestra,
253:Ode to the North-East Wind
157:, anticipating sonatas by
116:Royal Philharmonic Society
112:George Alexander Macfarren
280:O that we two were maying
230:St Andrew's, Wells Street
179:Musical Society of London
155:the first British example
108:William Sterndale Bennett
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226:By the waters of Babylon
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92:Alice Mary Meadows White
212:based on episodes from
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273:Louisa Sarah Bevington
120:Royal Academy of Music
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553:1 August 2021 at the
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309:London Mozart Players
284:Lessons of the Gorses
269:The Valley of Remorse
261:Three Choirs Festival
202:The Masque of Pandora
399:Te Deum and Jubilate
293:The Girl's Own Paper
290:), was published in
570:further information
257:Ode to The Passions
247:, all published by
194:Gisela of Rüdesheim
523:Ian Graham-Jones:
430:"Alice Mary Smith"
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347:Grove Music Online
313:Leonard Sanderman
251:. These included
238:Church of England
234:Sir Joseph Barnby
175:concert overtures
128:Highgate Cemetery
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153:(1870), perhaps
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282:. Another,
214:Jean Racine
50:19 May 1839
580:Categories
470:1.cpdl.org
333:References
96:symphonies
78:Occupation
46:1839-05-19
505:13 August
480:13 August
296:in 1883.
286:(setting
198:Cambridge
102:Biography
56:, England
551:Archived
307:and the
265:Hereford
245:cantatas
190:operetta
171:Stanford
145:, three
81:Composer
557:at the
544:(IMSLP)
540:at the
500:YouTube
439:27 July
418:archive
218:Esther.
561:(CPDL)
405:(1897)
210:Exile,
200:, and
149:and a
54:London
167:Tovey
163:Prout
134:Works
507:2019
482:2019
441:2020
317:AHRC
277:duet
224:and
169:and
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40:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
