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Alfred Flechtheim

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416: 432: 448: 400: 31: 303:, Valentin left for New York and set up the Karl Buchholz Gallery at 3 West 46th Street which was later accused of serving as a conduit for bringing Nazi looted art, including paintings that had been seized from Flechtheim, into America. In March 1937 in London, Flechtheim slipped on a patch of ice, was taken to a hospital, punctured his leg on a rusty nail in his hospital bed, developed 319:, a wealthy Dortmund merchant's daughter. On a honeymoon trip to Paris, Flechtheim invested Betty's dowry in cubist art, to the horror of his inlaws. The marriage was childless. Betty Flechtheim was with her husband in London during his final days. Then she returned to Berlin. In 1941, when she was ordered to report for deportation to Minsk, she ingested a lethal dose of 212:' that opened in Cologne on 25 May 1912. Known as the Sonderbund, the exhibition brought together all avant-garde groups of artists and art movements in Europe (Expressionism, The Brücke, The Blauer Reiter, Fauvism, Cubism) for the first time. Flechtheim was the chairman of the steering committee and the lender of many important artworks by Picasso and other artists 388:'s "Joseph de Montesquiou-Fezensac" (1910) was sold by Alex Vömel to the National Museum of Fine Arts in Stockholm where it would later be transferred to the Moderna Museet. It remained in the Moderna Museet's collection until 2018, when it was restituted to Flechtheim's heirs. In November 2018, it sold at Sotheby's for $ 20,395,200 (including fees). 364:(1915) remained in the custody of Flechtheim's niece Rosi Hulisch in Berlin. It was acquired in 1938 by Kurt Feldhäusser, a member of the Nazi party. Upon Feldhäusser's death in 1945, the ownership of his collection passed to his mother, who brought the work to the United States and consigned it to the 224:
in 1913, followed by galleries in Berlin, Frankfurt, Cologne, and Vienna. Flechtheim served in the German Army during World War I, but not at the front. His art business collapsed during the war but he re-opened in DĂĽsseldorf in 1919. Legendary, glamorous parties in Flechtheim's gallery overflowed
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of Saint Louis in 1952. May amassed one of the largest collections of German Expressionist art in America and donated over one thousand works from his collection to various institutions; Das Soldatenbad was donated to The Museum of Modern Art in New York in 1956. In an exchange in 1988, the work
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in London. However Flechtheim could not initially count on a work permit because of Great Britain's restrictive immigration laws. According to Flechtheim's biographer Ottfried Dascher, collaboration in Mayor's gallery was only possible if Flechtheim's name did not appear at exhibitions or to the
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was restituted to the heirs of Alfred Flechtheim by The Solomon R. Guggenheim Museum and Foundation after an extensive examination of the circumstances surrounding the painting's history. In November 2018, it sold at Sotheby's for $ 21,975,800 (including fees).
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The Nazis came to power at the beginning of 1933 and destroyed Alfred's life and business almost overnight. His Jewish faith, his flamboyant reputation and his ardent support of the avant-garde exposed him to unparalleled
699: 270:, who was authorized by Hitler and Goering to sell confiscated art to raise cash for the Nazis. The Nazis seized and sold off Flechtheim's private collection, as well as the contents of his gallery. 133:
Flechtheim was born into a Jewish merchant family; his father, Emil Flechtheim, was a grain dealer. Alfred became a partner in his father's company after business internships in London and Paris.
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Flechtheim's gallery, as they would many other Jewish businesses. After the war, former Nazi party member Vömel claimed he didn't even remember who Flechtheim was. Flechtheim's former assistant,
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After over four years of investigation, the Cologne City Council unanimously decided to offer the return of the painting to Flechtheim's family on April 30, 2013.
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press. Flechtheim subsequently organized exhibits in London of the paintings of exiled German artists. On August 8, 1935, Flechtheim wrote Alfred Barr of the
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Flechtheim's heirs are attempting to recover artworks stolen from Flechtheim. These works reside in German museums and American museums, including the
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Six months after the Nazis came to power in 1933, Flechtheim, penniless, fled to Paris, and tried to find work with his former business partner,
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in Cologne restituted Oskar Kokoschka's “Portrait of Tilla Durieux” (1910) to the Flechtheim heirs after a long investigation.
125:(1 April 1878 – 9 March 1937) was a German Jewish art dealer, art collector, journalist and publisher persecuted by the Nazis. 1021: 820: 629: 307:
leading to amputation of his leg, and died. The Galerie Alfred Flechtheim GmbH disappeared in its entirety on 27 March 1937.
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a letter informing him, “I lost all my money and all my pictures.” By November 1936, Flechtheim's former gallery assistant,
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As soon as the Nazis came into power, in 1933, Flechtheim was persecuted and his business attacked. In 1933, Nazi
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with the glitterati of the new Berlin: movie stars, titans of finance, prizefighters and artists of every stripe.
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Dealers, Critics, and Collectors of Modern Painting: Aspects of the Parisian Art Market between 1910 and 1930
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Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Kunstler zu Coeln 1912
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In 1912 he organised the pioneering Sonderbund Exhibition in Cologne to which he also loaned works.
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Malcolm Gee, 'The Berlin Art World, 1918-1933' in: Malcolm Gee, Tim Kirk and Jill Steward (eds),
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The 'Internationale Kunstausstellung des Sonderbunds Westdeutscher Kunstfreunde und KĂĽnstler
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Flechtheim appeared in the art world shortly after 1900, with a collection of paintings by
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men broke up an auction of Flechtheim's paintings. In March 1933, an art dealer named
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in New York in 1949. It was then purchased by American philanthropist and collector
853: 797:"Heirs of Major Jewish Art Dealer Sue Bavaria over $ 20 Million of Nazi-Looted Art" 142: 770: 454: 385: 266:, left the Flechtheim Gallery in 1934 and began working in the Berlin gallery of 230: 334:, who in mid-1940s coined the term "Futurology", and later became a director of 158: 146: 247: 186: 154: 36: 857: 608:
The City in central Europe : culture and society from 1800 to the present
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Haunting MoMA: The Forgotten Story of 'Degenerate' Dealer Alfred Flechtheim
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German Jewish art dealer, art collector, journalist and publisher
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Jewish emigrants from Nazi Germany to the United Kingdom
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Guggenheim Foundation 149:; French Avant garde early works of 1077:Subjects of Nazi art appropriations 1018:", Observer, by Nina Burleigh, 2012 588:Michael Sontheimer (25 June 2012). 551:"Alfred Flechtheim –THE SONDERBUND" 497: 13: 904:Koldehoff, Stefan (30 June 2010). 732:from the original on Nov 18, 2019. 242:Flechtheim, Nazis and Aryanization 238:) which ran from 1921 until 1936. 14: 1113: 998: 887:"Alfred Flechtheim – Liquidation" 702:from the original on 2020-09-23. 437:Portrait of Alfred Flechtheim by 405:Portrait of Alfred Flechtheim by 373:became part of the collection of 844:Dascher, Ottfried (2015-12-31), 726:"MoMA's Problematic Provenances" 624:(in German). Wädenswil: Nimbus. 446: 430: 414: 398: 310: 136: 1097:German male non-fiction writers 976: 948: 918: 897: 879: 837: 813: 788: 763: 746:Wannsee House and the Holocaust 736: 684: 177:, and the Rhein Expressionists 110: 659: 613: 600: 596:(in German). No. 26/2012. 581: 567: 543: 516: 491: 128: 1: 484: 215: 1010:The Devil and the Art Dealer 795:Kaplan, Isaac (2016-12-07). 7: 462: 327:seized her art collection. 10: 1118: 1052:German publishers (people) 391: 204:1912 Sonderbund in Cologne 858:10.1515/9783110404975-017 620:Ottfried Dascher (2011). 360:Ernst Ludwig Kirchner's " 97: 89: 73: 44: 28: 21: 1102:German magazine founders 254:, a member of the SA or 962:. Artinfo. 19 June 2013 925:Burleigh, Nina (2012). 743:Lehrer, Steven (2000). 280:Daniel-Henry Kahnweiler 906:"Mit deutschen GrĂĽĂźen" 1067:German art historians 1062:Jewish art collectors 498:Gee, Malcolm (1981). 208:Flechtheim organised 891:alfredflechtheim.com 555:alfredflechtheim.com 528:alfredflechtheim.com 348:Museum of Modern Art 342:Recovery of artworks 289:Museum of Modern Art 274:Emigration and death 171:Alexej von Jawlensky 1072:Writers from Berlin 646:""Der Querschnitt"" 524:"Alfred Flechtheim" 502:. London: Garland. 332:Ossip K. Flechtheim 315:Flechtheim married 179:Heinrich Campendonk 167:Maurice de Vlaminck 1057:German art dealers 931:Gallerist New York 336:Otto-Suhr-Institut 191:Paul Adolf Seehaus 850:Alfred Flechtheim 631:978-3-907142-62-2 317:Betty Goldschmidt 236:The Cross Section 163:Wassily Kandinsky 123:Alfred Flechtheim 120: 119: 103:Betty Goldschmidt 23:Alfred Flechtheim 1109: 992: 991: 980: 974: 973: 968: 967: 952: 946: 945: 943: 942: 933:. Archived from 922: 916: 915: 901: 895: 894: 883: 877: 876: 875: 874: 841: 835: 834: 832: 831: 817: 811: 810: 808: 807: 792: 786: 785: 783: 782: 767: 761: 760: 740: 734: 733: 721: 708: 707: 698:. 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Index


Jacob Hilsdorf
MĂĽnster
Westphalia
German Empire
Vincent van Gogh
Paul CĂ©zanne
Pablo Picasso
Georges Braque
André Derain
Wassily Kandinsky
Maurice de Vlaminck
Alexej von Jawlensky
Gabriele MĂĽnter
Heinrich Campendonk
August Macke
Heinrich Nauen
Paul Adolf Seehaus
de
The 'Internationale Kunstausstellung des Sonderbunds Westdeutscher Kunstfreunde und KĂĽnstler
DĂĽsseldorf
Der Querschnitt
Sturmabteilung
Alexander Vömel
Brown Shirts
aryanized
Curt Valentin
Karl Buchholz
Daniel-Henry Kahnweiler
Mayor Gallery

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