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Alexandre Hardy

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25: 902: 867: 796:(Hardy's plays feature many locations and extend past 24 hours) or the rules of "bienséance" (his plays openly portray rape and murder and often feature non-noble characters). Hardy's verse style is sometimes convoluted and awkward and he shows a certain love of rare or erudite words (both of these stylistic habits would be condemned by 800:
in the same period); for these reasons later critics have called Hardy unreadable. It is impossible to know how much the dramatists of the seventeenth century were indebted to him in detail, since only a fraction of his work is preserved, but generally Hardy may be credited with developing a French
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Hardy educated the popular taste, and made possible the dramatic activity of the seventeenth century. He had abundant practical experience of the stage, and modified tragedy accordingly, maintaining five acts in verse, but suppressing the chorus (except in his earliest plays), limiting monologues
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had a similar admiration for him. Hardy's plays were written for the stage, not to be read; and it was in the interest of the company that they should not be printed and thus fall into the common stock. Hardy wrote quickly, often adapting plays from French, foreign and classical sources
354:, whom he provided with plays; Hardy may have toured the provinces and even acted with this company (his participation with this troupe is attested from 1611, but may have begun far earlier). Valleran Lecomte's troupe gave performances in Paris from 1598 to 1600 at the 748:(paraphrasing), Hardy's importance in the history of the French theatre has been frequently overlooked. Up to the end of the sixteenth century medieval farce and spectacle dominated the popular stage in Paris. The French Renaissance tragedy of 362:), and the troupe would gain exclusive rights to the HĂ´tel de Bourgogne in 1629. Because of his difficult relations with Bellerose, in 1627 Hardy started writing for a rival troupe of actors (the " 653:: a girl is raped anonymously by a young noble in Toledo and she gives birth to a son; seven years later this son is recognized by the young noble's family and the couple is married. 772:(although monologues reappear in his later plays), and providing the action and variety which was denied to the lyrical drama of the Renaissance. He was a popularizer of the 363: 946: 435: 319: 882: 956: 545:: a married man learns that his wife is committing adultery from the courtesan of her lover, and he kills his wife and rival, but is himself killed. 887: 742: 221: 951: 479:
rape and kill two girls of the country while the girls' father is away; their father is unable to obtain justice and commits suicide.
936: 312: 339:, one of the most prolific of all time. He claimed to have written some six hundred plays, but only thirty-four are extant. 236: 231: 305: 941: 68: 46: 39: 394: 377:
Hardy's numerous dedications never seem to have brought him riches or even patrons. His most powerful friend was
201: 355: 139: 134: 129: 124: 119: 114: 445:, a tragicomedy in eight "days" or "dramatic poems", and in 1624 he began a collected edition of his works, 931: 358:, and again from 1606 to 1612. At the death of Valleran, the troupe was headed by the actor Bellerose ( 262: 109: 95: 752:
and his followers had been written for the learned, and in 1628 when Hardy's work was nearly over and
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were on the threshold of their careers, very few literary dramas by any other author other than
371: 88: 50: 921: 415: 226: 926: 252: 386: 8: 677: 650: 528: 427: 423: 449:, of which five volumes (1624–1628) were published, one at Rouen and the rest in Paris. 347: 621: 431: 382: 267: 749: 378: 359: 293: 257: 170: 84: 906: 519: 367: 351: 180: 854:(An anthology). Collection: Bibliothèque de la PlĂ©iade. Paris: Gallimard, 1975. 777: 802: 781: 761: 346:, and seems to have been connected most his life with a troupe of actors (the " 915: 878: 873: 793: 288: 185: 175: 784:), but Hardy was unconcerned with Renaissance or classical dramatic theory ( 155: 542: 165: 773: 757: 753: 691: 687: 891:. Vol. 12 (11th ed.). Cambridge University Press. p. 946. 385:'s most unscrupulous agents, and he was on friendly terms with the poet 505: 160: 785: 336: 704: 496: 472: 419: 411: 407: 872:
This article incorporates text from a publication now in the
581: 577: 563: 789: 476: 403: 624:: a young man has his friend replace him in the marriage bed. 389:, who addressed him in some verses placed at the head of his 343: 738:
The titles of twelve more of Hardy's plays are also known.
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Four plays variously listed as tragedies or tragicomedies:
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Les Chastes et Loyales Amours de Théagène et Chariclée
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les Chastes et Loyales Amours de Théagène et Chariclée
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Dictionnaire des lettres françaises: Le XVIIe siècle.
815: 847:Collection: La Pochothèque. Paris: Fayard, 1996. 913: 947:17th-century French dramatists and playwrights 313: 780:model (although at times they echo medieval 801:theater of action. He died in 1632 of the 320: 306: 957:17th-century deaths from plague (disease) 69:Learn how and when to remove this message 877: 832: 32:This article includes a list of general 684:Le Ravissement de Proserpine par Pluton 914: 714:(considered the best of his pastorals) 676:- based on the ancient Greek novel by 447:Le Théâtre d'Alexandre Hardy, parisien 16:French dramatist (c. 1570/1572 – 1632) 452:Hardy's extant plays are as follows: 18: 335:(c. 1570/1572 – 1632) was a French 13: 38:it lacks sufficient corresponding 14: 968: 903:Works by or about Alexandre Hardy 896: 776:. His tragedies are close to the 768:are known to have been produced. 560:Procris ou la Jalousie infortunĂ©e 952:17th-century French male writers 865: 630:- drawn from the translation of 549:AlcmĂ©on ou la Vengeance fĂ©minine 23: 937:17th-century French male actors 469:ScĂ©dase ou l'HospitalitĂ© violĂ©e 551:- an adultery leads to murder. 534:TimoclĂ©e ou la Juste Vengeance 1: 808: 712:AlphĂ©e, ou la justice d'amour 665:- drawn from a Spanish source 659:- drawn from a Spanish source 350:") headed by the actor named 613:Elmire ou l'Heureuse Bigamie 7: 733:L'Amour victorieux ou vengĂ© 10: 973: 636:Cent excellentes nouvelles 632:Giovanni Battista Giraldi 942:French male stage actors 852:Théâtre du XVIIe siècle. 766:Antoine de Montchrestien 669:Three "dramatic poems": 441:In 1623 Hardy published 888:Encyclopædia Britannica 850:Scherer, Jacques, ed. 843:Dandrey, Patrick, ed. 744:Encyclopædia Britannica 381:(d. 1657), one of 370:which performed at the 53:more precise citations. 569:Alceste ou la FidĂ©litĂ© 475:: two young nobles of 364:Vieux ComĂ©diens du Roi 89:Francophone literature 416:Quintus Curtius Rufus 245:Countries and regions 798:François de Malherbe 593:Ten tragicomedies:: 728:Le Triomphe d'Amour 678:Heliodorus of Emesa 663:La Belle Egyptienne 651:Miguel de Cervantes 529:Alexander the Great 525:La Mort d'Alexandre 460:Didon se sacrifiant 428:Jorge de Montemayor 424:Miguel de Cervantes 232:Short story writers 207:Writers by category 932:Writers from Paris 455:Twelve tragedies: 436:François de Rosset 383:Cardinal Richelieu 356:HĂ´tel de Bourgogne 237:Children's writers 202:Chronological list 741:According to the 580:'s kidnapping by 493:La Mort d'Achille 462:- the suicide of 395:Tristan l'Hermite 387:ThĂ©ophile de Viau 379:Isaac de Laffemas 372:Théâtre du Marais 360:Pierre Le Messier 330: 329: 79: 78: 71: 964: 907:Internet Archive 892: 883:Hardy, Alexandre 871: 869: 868: 836: 830: 746:Eleventh Edition 698:La Gigantomachie 647:La Force du sang 516:La Mort de Daire 368:Claude Deschamps 352:Valleran Lecomte 348:ComĂ©diens du Roi 322: 315: 308: 81: 80: 74: 67: 63: 60: 54: 49:this article by 40:inline citations 27: 26: 19: 972: 971: 967: 966: 965: 963: 962: 961: 912: 911: 899: 881:, ed. (1911). " 866: 864: 840: 839: 831: 816: 811: 750:Étienne Jodelle 686:- the story of 576:- the story of 562:- the story of 527:- the death of 518:- the death of 504:- the story of 495:- the death of 342:He was born in 333:Alexandre Hardy 326: 263:Franco-American 75: 64: 58: 55: 45:Please help to 44: 28: 24: 17: 12: 11: 5: 970: 960: 959: 954: 949: 944: 939: 934: 929: 924: 910: 909: 898: 897:External links 895: 894: 893: 879:Chisholm, Hugh 856: 855: 848: 838: 837: 813: 812: 810: 807: 782:morality plays 762:Robert Garnier 736: 735: 730: 725: 720: 715: 701: 700: 695: 681: 667: 666: 660: 654: 644: 639: 625: 615: 610: 605: 600: 591: 590: 585: 571: 566: 553: 552: 546: 536: 531: 522: 513: 508: 499: 490: 485: 480: 466: 328: 327: 325: 324: 317: 310: 302: 299: 298: 297: 296: 291: 283: 282: 278: 277: 276: 275: 270: 265: 260: 255: 247: 246: 242: 241: 240: 239: 234: 229: 224: 219: 214: 209: 204: 196: 195: 191: 190: 189: 188: 183: 178: 173: 168: 163: 158: 150: 149: 145: 144: 143: 142: 137: 132: 127: 122: 117: 112: 104: 103: 99: 98: 92: 91: 77: 76: 31: 29: 22: 15: 9: 6: 4: 3: 2: 969: 958: 955: 953: 950: 948: 945: 943: 940: 938: 935: 933: 930: 928: 925: 923: 920: 919: 917: 908: 904: 901: 900: 890: 889: 884: 880: 875: 874:public domain 863: 862: 861: 860: 853: 849: 846: 842: 841: 834: 833:Chisholm 1911 829: 827: 825: 823: 821: 819: 814: 806: 804: 799: 795: 794:three unities 791: 787: 783: 779: 775: 769: 767: 763: 759: 755: 751: 747: 745: 739: 734: 731: 729: 726: 724: 721: 719: 716: 713: 710: 709: 708: 706: 699: 696: 693: 690:kidnapped by 689: 685: 682: 679: 675: 672: 671: 670: 664: 661: 658: 655: 652: 649:- drawn from 648: 645: 643: 640: 638:(Paris, 1583) 637: 633: 629: 626: 623: 620:- drawn from 619: 616: 614: 611: 609: 606: 604: 601: 599: 596: 595: 594: 589: 586: 583: 579: 575: 574:Ariadne ravie 572: 570: 567: 565: 561: 558: 557: 556: 550: 547: 544: 541:- drawn from 540: 537: 535: 532: 530: 526: 523: 521: 517: 514: 512: 509: 507: 503: 500: 498: 494: 491: 489: 486: 484: 481: 478: 474: 471:- drawn from 470: 467: 465: 461: 458: 457: 456: 453: 450: 448: 444: 439: 437: 433: 429: 425: 421: 417: 413: 409: 405: 401: 396: 392: 388: 384: 380: 375: 373: 369: 365: 361: 357: 353: 349: 345: 340: 338: 334: 323: 318: 316: 311: 309: 304: 303: 301: 300: 295: 292: 290: 287: 286: 285: 284: 280: 279: 274: 271: 269: 266: 264: 261: 259: 256: 254: 251: 250: 249: 248: 244: 243: 238: 235: 233: 230: 228: 225: 223: 220: 218: 215: 213: 210: 208: 205: 203: 200: 199: 198: 197: 193: 192: 187: 186:Nouveau roman 184: 182: 179: 177: 176:Parnassianism 174: 172: 169: 167: 164: 162: 159: 157: 154: 153: 152: 151: 147: 146: 141: 138: 136: 133: 131: 128: 126: 123: 121: 118: 116: 113: 111: 108: 107: 106: 105: 101: 100: 97: 94: 93: 90: 86: 83: 82: 73: 70: 62: 52: 48: 42: 41: 35: 30: 21: 20: 922:1570s births 886: 859:Attribution: 858: 857: 851: 844: 770: 743: 740: 737: 732: 727: 722: 717: 711: 702: 697: 683: 673: 668: 662: 656: 646: 641: 635: 627: 617: 612: 607: 602: 597: 592: 587: 573: 568: 559: 554: 548: 543:Lope de Vega 538: 533: 524: 515: 510: 501: 492: 487: 482: 468: 459: 454: 451: 446: 442: 440: 393:(1632), and 390: 376: 341: 332: 331: 273:Postcolonial 140:Contemporary 135:20th century 65: 56: 37: 927:1632 deaths 774:tragicomedy 758:Jean Mairet 754:Jean Rotrou 688:Prosperpina 222:Playwrights 115:Renaissance 96:by category 51:introducing 916:Categories 809:References 588:AristoclĂ©e 506:Coriolanus 366:") around 294:Literature 161:Classicism 156:PrĂ©cieuses 34:references 786:Aristotle 705:pastorals 657:FĂ©lismène 622:Boccaccio 432:Boccaccio 337:dramatist 217:Novelists 212:Essayists 181:Symbolism 148:Movements 642:CornĂ©lie 628:Phraarte 608:FrĂ©gonde 598:Arsacome 502:Coriolan 497:Achilles 488:MĂ©lĂ©agre 473:Plutarch 420:Josephus 412:Xenophon 408:Plutarch 171:Decadent 110:Medieval 59:May 2022 905:at the 876::  792:), the 778:Senecan 723:Corinne 618:GĂ©sippe 582:Theseus 578:Ariadne 564:Procris 539:Lucrèce 511:Mariane 483:PanthĂ©e 391:Théâtre 281:Portals 194:Writers 102:History 47:improve 870:  803:plague 790:Horace 603:Dorise 520:Darius 477:Sparta 404:Lucian 289:France 258:Quebec 253:France 166:Rococo 85:French 36:, but 718:AlcĂ©e 703:Five 692:Pluto 344:Paris 268:Haiti 227:Poets 764:and 756:and 464:Dido 400:Ovid 130:19th 125:18th 120:17th 87:and 885:". 634:'s 438:). 918:: 817:^ 805:. 788:, 707:: 434:, 430:, 426:, 422:, 418:, 414:, 410:, 406:, 402:, 374:. 835:. 694:. 680:. 584:. 398:( 321:e 314:t 307:v 72:) 66:( 61:) 57:( 43:.

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