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professional models are also incomparable. On the one hand there is his identity as an architect and professional experience in that he designed many buildings, most of which he built; on the other hand there is the duty that is obligatory for the teaching profession of transferring information and experience within specific systematics; a writing function arising from the synergy of this dichotomy and a realisation of the need for questioning, evaluation and historical contextualisation. When research and thought of the genetic codes of a work and profession are perceived as a mission, the first or earliest written account of our history of architecture has begun. Of course the content and the approach can be debated. But not his pioneering.
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buildings, the basic and traditional function of the
Ministry, was also a very special learning opportunity. Kemaleddin took the intelligent approach of evaluating the two fields together and allowing each to foster the other. Restoration was an opportunity for productivity in which he drew on and applied information that was the source for the experimentation that differentiates architectural language.
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these works and applied it. His restoration works are the least well known and least documented of
Kemaleddin Bey's works. We can find out about the restoration of the Yeni Cami Hunkar imperial gathering place from written documents, and the restoration of Fatih Mosque and its rest house and Nuruosmaniye Mosque from the drawings in the archive of the General Directorate of Foundations.
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spite of the projections made on each axis for axial emphasis, the central corridor plan and texture of the facade with flat square windows is austere. The decorative ironwork of the high gate opening into the courtyard and the large rosace patterned ironwork in the half circle arch above it is incomparable.
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This is
Kemaleddin Bey's last design. The foundations of the building were made a month after the architect's death and construction was completed in 1928. These multi storey residences that were actually designed for railway employees were used temporarily and then permanently by the administration.
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The tomb made for Mahmut Şevket Pasha, one of the last
Ottoman grand viziers, and his aide Ibrahim Halıl Bey and his footman Kazım Efendi is in the Hurriyet-i Ebediye War Cemetery to commemorate those who lost their lives in the events of 31 March 1909. Mahmut Sevket Pasha, known to the people as the
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A Kemaleddin work doubtless presents an image overflowing with ideological connections. Only here his creativity also feeds his ideology. The transformation of his ideology into a school of architecture is essentially down to his creative talent and self-confidence, if also fed by his industriousness
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According to available documents the building that is identified together with the 19th May Square in front of Ankara
Station and the station itself was designed as an apartment built around a spacious inner courtyard. However, only one third of the section in the station direction was completed. In
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When he returned to İstanbul he continued his education at the Numune-i
Terakki school, which provided a model education. He graduated from this school, where the most well known teachers of the era gave lessons such as the mathematician Mehmed Nadir or the astronomer Huseyin Efendi. In 1887, he was
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When he was appointed to the Evkaf
Nezareti, he took his students to the Building and Reparation Technological Assembly to meet the anticipated demand for intensive and fast production. This permanent staff composed of the talented architects and engineers he had chosen was to turn into a school and
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They were the years when the school of civil engineering was founded and developed as part of the
Muhendishane-i Berri-i Humayun (the Military School of Engineering). At the stage when the curriculum of the school was being developed Kemaleddin Bey was running a large number of different courses. It
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Whilst still a student at the
Hendese-i Mulkıye (State School of Engineering) where he commenced his studies in 1887 he received the Medal for Industry. He must have been hardworking and creative. These personal attributes may have been related to his greater interest in the lessons of Prof. Jasmund
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On 18 May 1909, he was appointed head of architecture at the
Imperial Ministry of Foundations (or, the General Directorate of Foundations, as it is now known). The years of this period of office, 1909-1919, were the most productive era for Kemaleddin Bey from the perspective of architectural design
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He restored the Yeni Cami Hunkar Gathering Place with passionate enthusiasm. But his principal performance was certainly the Mescid-i Aksa and Harem-i Serif project. The skill he demonstrated in the restoration of the Mescid-i Aksa won him international acclaim and an award from the Royal Institute
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connections are on his perception of design, the wide scope of his references is also important. The Art Nouveau of Ratip Pasha Mansion, a building of the early era, or the connection of Harikzedegan Apartments with French public housing, the Orientalist flavour in the design of the Evkaf-ı Humayun
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In 1900, Ahmed Kemaleddin returned home and resumed work at the university. Following the departure of August Jachmund, he assumed his post as lecturer. In 1908, he played a pioneering role in the formation of the first vocational organization for engineers and architects in the Ottoman Empire, the
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The building consists of four storeys including the basement and occupies a large rectangular area. Two inner courtyards symmetrically aligned with the entrance axis are surrounded with a corridor system in the axial plan. The midsection on the axis is five storeys high with a sixth floor over the
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The design of the tomb has a completely new composition distinguishing it from other tombs by Kemaleddin Bey. The tomb consists of a canopy like section that is square plan, accessed on three sides by steps, covered with a double walled dome, and open on three sides, and an adjacent semi octagonal
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The restoration works that made it possible to become acquainted with and examine Ottoman architecture directly and in a concrete manner were his field of reference for new building designs. He took the information source of trials that distinguish the language of architecture experimentation from
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Structural engineering and architecture are taught together at the historical Muhendishane (Hendese-i Mulkiye) in Halıcıoğlu, which Kemaleddin starts attending in the second class. Kemaleddin shows more interest in Prof. Jasmund's architecture classes than in engineering classes. Nevertheless, his
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On graduation from the Hendese-i Mülkiye he was appointed to the teaching staff of Technology and Architecture at the same school and as Prof. Jasmund's assistant. On his return from Germany where he went to gain knowledge and experience he took up his post at the Hendese-i Mulkiye again. And from
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On 27 Rebi-ül ahir 1327/18 May 1909, he was appointed head of architecture at the Imperial Ministry of Foundations. The possibility of designing and bringing to fruition new building projects is an irresistible passion for an architect, but running maintenance and restoration works on historical
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The writing of Turkish architecture and the history of architecture is a field that opened up late and has not yet accumulated enough strength. Even today it does not appear to have reached the necessary level. Kemaleddin Bey is an unrivalled pioneer on this subject. His thoughts on living and
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The availability of information and documentation of the first years of Kemaleddin's life is very limited. All that is known is that he started at the Ibrahim Aga primary school near his home in 1875 and that he learned French and Arabic at the special school, to which his father was appointed,
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and organisational expertise or teaching skill/teaching discipline. His life was already over when he ascertained the eventuality of this confidence being shaken. His architecture was a tale that prevented the hero from experiencing a tragic end, from an untimely death.
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This was Kemaleddin Bey's first design project after arriving in Ankara. The hotel was designed in 1924 by Architect Vedad Bey, but when he left the project the hotel was built according to Kemaleddin Bey's new design and opened for business in the autumn of 1927.
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The large balcony with pointed arches on the axially planned rectangular mass' axis, the raised mass and its domed entrance emphasize its orientalist appearance and monumental aspect. There is a magnificent ballroom receiving daylight from above.
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Whilst perceiving restoration as a method of interpreting traditional architecture and making the linguistic infrastructure for its renewal, he attempted to manage and give direction to a field whose principles were as yet not clearly defined.
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that point on he continued to teach. He educated hundreds of students at Sanayi-i Nefise Mekteb-i Alisi (the Academy of Fine Arts), Konduktor Mekteb-i Alisi (the Conductor School) and Muhendis Mekteb-i Alis (the Academy of Engineering).
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The entrance porch accessed by wide steps is indicated with colossal columns and high arches. On the upper veranda a distinctive balance and decorative accent pattern is achieved with the lintels of pairs of flat arched dwarf.
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was an open field ranging from Technology and Architecture to Pen and Ink and Shadow Drawing and from Calligraphy to Iron Works. But what is certain is that he transmitted his enthusiasm to the students.
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The hotel was the setting for Ankara's important political and social meetings, particularly during the early years of the Republic, and was a venue for welcoming all the important guests of the state.
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It was Kemaleddin Bey who pioneered the founding of the Ottoman Society of Architects and Engineers, and who personally penned the call to the meetings of the Foundation through the Tanin newspaper.
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915:) is one of Kemaleddin Bey's last works. Its design was completed in 1927 and its construction in 1930; the same year in which the school began its educational programme.
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As well as running maintenance and repair works on historical structures, the traditional role of the ministry, he also designed and built new construction projects.
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banknotes went into circulation. The reverse side of the 20-lira banknote depicts Mimar Kemaleddin, together with one of his major works, the rectorate building of
293:, and his mother was Sadberk Hanım. In 1875, he began with his primary education at the İbrahim Ağa Primary School. He continued his secondary education in 1881 in
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freedom Hero for suppressing the uprising in Istanbul as commander of the 3rd Army in the 31 March events, was killed by counter revolutionaries on 14 June 1913.
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The classicist fiction of the 'losenge' patterned colonnades in the entrances allow the magnificence of the building to be sensed on a human scale.
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accepted into the second class of the Hendese-i Mulkiye. He was awarded the Medal for Industry while he was still a student and graduated in 1891.
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and worked as an assistant for four years. During this period, he created his own works in his office he had opened outside the university.
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He pioneered in the field by restoring a great number of Ottoman monumental structures employing for the first time a scientific approach.
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His final role was membership, and subsequently the presidency, of the Council of Fine Arts founded by the Ministry of Education in 1926.
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528:. At the railway station of Thessaloniki, only the foundations were completed. The railway station of Edirne could be completed in 1914.
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Kemaleddin showed himself to be a designer open to learning and experimentation and is also a portrayal of a self-reliant architect.
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in 1908, Ahmet Kemaleddin Bey was appointed director of the Construction and Restoration Department at the Ministry of Foundations (
555:. He stayed there a while. For his successful restoration work, Mimar Kemaleddin Bey was awarded with honorific membership by the
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in Istanbul, and supported by a state scholarship, he went to Germany, where he was educated two years in architecture at the
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its office was to become a production centre, as it were, of the design concept given the name of national architecture.
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and tiles on the facade of his buildings in foreground, emphasized symmetry and highlighted conventional style with
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The limitation of traditional decoration to balcony parapets and console stones balances the Orientalist emphasis.
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Edirne Karaağaç Tren İstasyonu (Karaağaç Railroad Station in Edirne) designed by Mimar Kemaleddin Bey
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on architecture than in engineering and to the fact that Prof. Jasmund chose him as his assistant.
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Facade of the building in the west, south and east direction are covered by cut stone and marble
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Nezareti (Ministry of Imperial Foundations), the eclectic style of the 3rd Foundation Han or the
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Hotel demonstrates characteristics of the First Turkish national architectural movement.
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Cephanecigil, Gül; Meryem Fındıklıgil Doğuoğlu, Aras Neftçi (2009). Afife Batur (ed.).
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316:). Kemaleddin graduated as an engineer with honours in 1891. He then remained at his
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Ankara 2nd Vakıf Han (Ankara Evkaf Apartment) died during its construction (1927)
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1276:"The Restoration Project of the Masjid al-Aqsa by Mimar Kemalettin (1922-26)"
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In 1887, at the age of 17, he enrolled in the School of Civil Engineering (
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Ahmed Kemaleddin was born in 1870 to a middle-class Ottoman family in the
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Ahmet Kemaleddin died on 13 July 1927, in Ankara at the building site of
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He knew that restoration was not an ordinary repairs job. He taught it.
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years in various architecture offices gaining professional experience.
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structures so that they reflect the Turkish national identity. He put
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Mimar A. Kemalettin: İmparatorluk'tan cumhuriyet'e : (1870-1927)
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1385:"Tarihi yarımadada yeni bir adres Vakıf Han 94 yıl sonra otel oldu"
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Projecting of restoration work for Al-Aqsa Mosque, Jerusalem (1925)
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975:(in Turkish). ODTÜ Mimarlık Fakültesi Basım İşliği. p. 372
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training as an engineer makes itself felt in all his designs.
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Mimar Kemalettin ve çağı: mimarlık, toplumsal yaşam, politika
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1305:"Mimar Kemaleddin: Tarihin dönüm noktalarında bir mimar"
520:, he was tasked with the design of railway stations of
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opened for children of army officers in Crete in 1881.
249:; 1870 – 13 July 1927), widely known as
1225:"Artık Mimar Kemaleddin Bey'in de Bir Dikili Taşı Var"
535:, which went 1910 in education. He was invited by the
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and crossing Hamidiye Cad., on which his masterpiece
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Grave of Mimar Kemaleddin Bey at the cemetery of the
1183:"Mimar Kemaleddin (1870 İstanbul - 1927 İstanbul)"
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972:Mimar Kemalettin ve birinci ulusal mimarlık dönemi
1249:(in Turkish). Trakya Üniversitesi. Archived from
1050:(in Turkish). TMMOB Mimarlar Odası. p. 340.
1022:(in Turkish). TMMOB Mimarlar Odası. p. 251.
994:(in Turkish). TMMOB Mimarlar Odası. p. 536.
673:was converted into a five-star World Park Hotel.
582:. He rendered the characteristics of Ottoman and
516:. For his successful work at the construction of
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1016:Cengizkan, N. Müge (2009). Ali Cengizkan (ed.).
740:plan structure covered with a semidomed exedra.
1491:Academic staff of Istanbul Technical University
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357:"Society of Ottoman Architects and Engineers".
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568:First Turkish National Architectural Movement
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686:Çapa Anadolu Teachers' High School, Istanbul
645:, due to the construction of a road between
570:, Mimar Kemaleddin Bey was inspired by the
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381:of the Husnu Pasha Tomb cannot be ignored.
372:However great an influence Jasmund and the
327:architect August Jachmund, designer of the
885:Gazi Institute of Education, Ankara (1930)
531:In 1908, he built a girls' high school in
512:He designed four railway stations for the
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543:. He accepted the invitation and went to
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70:Learn how and when to remove this message
1355:"Tayyare Apartmanları Crowne Plaza oldu"
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1307:(in Turkish). arkitera. 25 January 2008
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1327:"Ulusal mimarlık hazinesi Kemalettin"
557:Royal Institute of British Architects
539:to carry out restoration work on the
263:First National architectural movement
103:An old photograph of Mimar Kemaleddin
1486:Istanbul Technical University alumni
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943:is situated, is named in his honour.
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333:Technische Hochschule Charlottenburg
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1476:Architects from the Ottoman Empire
1442:Works by or about Mimar Kemaleddin
1188:(in Turkish). TCMB. Archived from
1101:Inside staircase and balconies of
42:tone or style may not reflect the
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323:In 1895, promoted by his scholar
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1047:Mimar Kemaleddin: Proje kataloğu
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52:guide to writing better articles
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1383:Başaran, Duygu (28 July 2006).
1120:on the 20-Turkish lira banknote
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518:Plovdiv Central railway station
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1132:Statue of Mimar Kemaleddin in
776:Plovdiv Central Station (1908)
676:Notable works of him include:
572:Ottoman classical architecture
566:As one of the pioneers of the
499:Second Constitutional Monarchy
497:After the proclamation of the
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1223:Tufan, Mesut (16 July 2007).
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806:Istanbul 1st Vakıf Han (1918)
683:Anadolu High School, Istanbul
665:, built between 1919-1922 in
661:He designed among others the
314:Istanbul Technical University
82:Turkish architect (1870–1927)
796:'s Faculty of Letters (1913)
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1364:(in Turkish). 12 March 2006
1335:(in Turkish). 12 March 2010
905:Gazi Institute of Education
894:Gazi Institute of Education
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694:Çamlıca Girls' High School
690:Şemsi Pasha Primary School
551:from Ottoman Empire after
1415:. ArchNet. Archived from
1278:. ArchNet. Archived from
1247:"Tarihi Rektörlük Binası"
946:In 2009, a new series of
709:Reşadiye School (today's
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310:Hendese-i Mülkiye Mektebi
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988:Yavuz, Yıldırım (2009).
969:Yavuz, Yıldırım (1981).
937:Sirkeci Railway Terminal
713:Middle School), Istanbul
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537:Grand Mufti of Jerusalem
514:Oriental Railway Company
389:Restorer with principles
339:. Afterwards, he worked
329:Sirkeci Railway Terminal
833:, a project started by
547:, which had come under
412:Teaching and organizing
408:of British Architects.
1227:(in Turkish). Mimarizm
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941:Istanbul 4th Vakıf Han
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870:Turkish State Railways
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819:Istanbul 4th Vakıf Han
803:Railway Station (1914)
744:Tomb of Ali Rıza Pasha
671:Istanbul 4th Vakıf Han
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428:But that was not all.
361:Designing and building
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913:Gazi Eğitim Enstitüsü
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779:Kamer Hatun Mosque,
730:Mahmud Shevket Pasha
639:Karacaahmet Cemetery
580:Ottoman architecture
438:Thinking and writing
255:Architect Kemaleddin
1471:People from Kadıköy
1282:on 11 November 2012
794:Istanbul University
766:Haydar Çavuş Mosque
747:Tomb of Hüsnü Pasha
631:cerebral hemorrhage
297:, then part of the
1481:Turkish architects
1419:on 27 January 2009
1195:on 14 January 2013
1103:Tayyare Apartments
1088:Tayyare Apartments
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810:Tayyare Apartments
663:Tayyare Apartments
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474:and applications.
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232:Tayyare Apartments
206:Tayyare Apartments
1086:Facade detail of
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789:, Istanbul (1913)
783:, Istanbul (1911)
773:, Istanbul (1901)
771:Ahmed Cevad Pasha
643:Bayezid II Mosque
629:as a result of a
616:Bayezid II Mosque
289:Ali Bey, a naval
285:. His father was
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16:(Redirected from
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139:13 July 1927
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1466:1927 deaths
1461:1870 births
1423:26 February
1397:26 February
1368:26 February
1339:28 February
1311:26 February
1286:26 February
1257:26 February
1231:26 February
1199:26 February
1063:28 February
1035:28 February
1007:28 February
979:28 February
792:Library of
756:Sinan Pasha
553:World War I
379:Empire line
273:Early years
158:Nationality
1455:Categories
1156:References
318:alma mater
180:Occupation
835:Vedat Tek
545:Jerusalem
469:1909-1919
460:1891-1909
447:1870-1891
267:Vedat Tek
259:architect
202:Buildings
183:Architect
1390:Hürriyet
769:Tomb of
764:Bandırma
728:Tomb of
722:Tomb of
716:Tomb of
704:Yeşilköy
698:Bostancı
667:Istanbul
620:Istanbul
600:cornices
283:Istanbul
279:Acıbadem
188:Children
126:(modern
120:Istanbul
116:Acıbadem
60:May 2024
1444:at the
1362:Ekonomi
1332:Radikal
930:Honours
909:Turkish
781:Beyoğlu
759:Madrasa
651:Üsküdar
647:Kadıköy
596:turrets
592:copings
584:Islamic
348:⁄
291:captain
287:Miralay
161:Turkish
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898:Ankara
837:(1927)
821:(1926)
801:Edirne
588:arches
576:German
561:Ankara
533:Edirne
526:Edirne
485:Career
374:German
337:Berlin
325:German
312:, now
151:Turkey
147:Ankara
128:Turkey
1360:Sabah
1193:(PDF)
1186:(PDF)
1134:Izmir
606:Death
295:Crete
1425:2013
1399:2013
1370:2013
1341:2013
1313:2013
1288:2013
1259:2013
1233:2013
1201:2013
1065:2013
1052:ISBN
1037:2013
1024:ISBN
1009:2013
996:ISBN
981:2013
754:and
711:Eyüp
681:Eyüp
649:and
598:and
578:and
524:and
143:Ulus
136:Died
112:1870
109:Born
954:in
896:in
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