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Agra gharana

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1828:) and resonant articulations of notes. As with the Gwalior gharana, the Agra singers accentuate the importance of the bandish and its methodical exposition. Singers following Faiyaz Khan's style resort to the dhrupadic nom-tom alaap before singing the bandish. The singers of this gharana are also great masters over 1794:
The gayaki (style of singing) of the Agra Gharana is a blend of khayal gayaki and dhrupad-dhamar. In training, both the khayal and dhrupad components run hand in hand and are not taught in an isolated fashion. This is obvious from the method of singing notes of the Agra Gharana which demands that the
1815:
The gharana adopts a kind of voice production which relies on a flatter version of the vowel sound "a", which makes its music agreeable to rhythmic variations and is best suited for a deep masculine voice. Emphasis is laid on bold, full-throated and robust voice production, and singing in the lower
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Most khayal performances by artists of Agra gharana commence with the nom-tom alaap, a tradition unique to the Agra gharana. Different facets of a raga are displayed with the help of
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projection of voice be more forceful and voluminous than usually encountered in khayal gayaki, as well as uttering notes open and bare (without grace notes).
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or the rhythmic component. In fact, layakari is the foundation on which the singers build the edifice of the bandish. Agra singers'
1816:
register (mandra) is favoured. Keeping in tune with its dhrupadic origins, the singers use broad and powerful ornamentations (
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are eagerly awaited, as are their nifty ways of arriving at the same, by building up anticipation within the listener.
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The Geography of Hindustani Music: The Influence of Region and Regionalism on the North Indian Classical Tradition
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The first known musician of this tradition is Nayak Gopal. The style prevalent then in the Gharana was "
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This is the only Gharana that has still continued to sing Dhrupad-Dhamar along with Nom-Tom Alap,
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Pran Piya Ustad Vilayat Hussain Khan: His Life and Contribution to the World of Music
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into Agra gharana which Khudabaksh learnt from Natthan Paribaksh of Gwalior.
1860: 1958: 1884: 1713: 1946: 67:". Ghagghe Khudabuksh (1790–1880 AD) introduced the "Khayal" style of 1894: 1942: 1878: 29: 2121:. India: Atlantic Publishers and Distributors. p. Appendix. 1799: 273: 150: 60: 2041:
Khyāl: Creativity Within North India's Classical Music Tradition
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The following maps are based on recorded accounts by
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Atlantic Publishers & Dist. 14: 2217: 2166: 2043:. CUP Archive. pp. 101–129. 42:Hindustani classical vocal music 2142:Jeffrey Michael Grimes (2008). 2028: 1973:Latafat Hussain Khan "Prem Das" 1930:Dipali Talukdar Nag (1922-2009) 1901:Shrikrishna Narayan Ratanjankar 2135: 2110: 2021:Ghulam Hussain Khan Raja Miyan 1790:Distinguishing characteristics 1: 2103: 1976:Ata Hussain Khan "Ratan Piya" 2176:ITC Sangeet Research Academy 1866: 7: 1982:Abdullah Khan "Manhar Piya' 1836: 1830: 1824: 1818: 1808: 10: 2222: 1773: 1771: 1759: 1757: 1749: 1747: 1739: 1737: 1729: 1727: 1702: 1700: 1692: 1690: 1682: 1680: 1672: 1670: 1660: 1654: 1652: 1644: 1640: 1638: 1636: 1624: 1622: 1614: 1612: 1604: 1602: 1594: 1592: 1538: 1536: 1534: 1526: 1524: 1522: 1510: 1508: 1500: 1496: 1494: 1492: 1480: 1476: 1474: 1472: 1460: 1458: 1401: 1399: 1397: 1395: 1393: 1391: 1389: 1381: 1379: 1377: 1367: 1365: 1357: 1353: 1351: 1349: 1343: 1341: 1339: 1327: 1323: 1321: 1319: 1315: 1250: 1242: 1240: 1226: 1222: 1212: 1210: 1202: 1200: 1192: 1190: 1180: 1178: 1172: 1170: 1168: 1162: 1160: 1158: 1146: 1144: 1130: 1128: 1124: 1120: 1118: 1116: 1114: 1112: 1110: 1108: 1106: 1100: 1082: 1080: 1066: 1064: 1042: 1040: 956: 954: 940: 938: 930: 928: 851: 849: 841: 839: 781: 779: 771: 769: 733: 731: 729: 699: 695: 689: 637: 635: 598: 592: 590: 588: 586: 558: 554: 552: 550: 548: 546: 491: 489: 487: 485: 483: 463: 459: 457: 455: 449: 433: 431: 380: 378: 376: 370: 368: 366: 360: 358: 356: 344: 340: 338: 336: 334: 332: 326: 324: 322: 320: 318: 306: 304: 243: 241: 239: 237: 235: 225: 221: 219: 217: 215: 213: 209: 189: 187: 125: 123: 103: 101: 2061:; Padmaja Punde (2001). 1909:"Sajan Piya" (1907–1993) 2141: 2035:Bonnie C. Wade (1984). 1979:Kaale Khan "Saras Piya" 2206:Music of Uttar Pradesh 2117:Ghosh, Tapasi (2008). 1921:"Premrang" (1912-1993) 1887:"Prempiya" (1886–1950) 1872:Mehboob Khan daraspiya 33: 2082:Tapasi Ghosh (2008). 2067:. Popular Prakashan. 1939:Sharafat Hussain Khan 1936:"Raspiya" (1927–2016) 1934:Shrikrishna Haldankar 1822:), extensive glides ( 75:Pedagogical genealogy 27: 1891:Vilayat Hussain Khan 1806:is elaborated using 81:Vilayat Hussain Khan 2003:Yaqoob Hussain Khan 1907:Khadim Hussain Khan 1903:"Sujan" (1899–1974) 44:descended from the 2059:Babanrao Haldankar 2018:Anwar Hussain Khan 2015:Ghulam Rasool Khan 2006:Yusuf Hussain Khan 2000:Yunus Hussain Khan 1994:Shabbir Ahmed Khan 895:Hasan & Saiyad 85:Yunus Hussain Khan 40:is a tradition of 34: 2155:978-1-109-00342-0 2128:978-81-269-0855-4 2095:978-81-269-0855-4 2074:978-81-7154-685-5 2050:978-0-521-25659-9 2012:Shamim Ahmed Khan 1997:Naseem Ahmed Khan 1985:Bashir Ahmed Khan 1970:Bande Hassan Khan 1949:" (1937 - ?) 1787: 1786: 996:Khan (Barodewale) 91:Ancestral Lineage 25: 2213: 2160: 2159: 2139: 2133: 2132: 2114: 2099: 2078: 2054: 1988:Aqeel Ahmed Khan 1919:Dhruvatara Joshi 1839: 1833: 1827: 1821: 1811: 95: 94: 50:Allauddin Khilji 26: 2221: 2220: 2216: 2215: 2214: 2212: 2211: 2210: 2181: 2180: 2169: 2164: 2163: 2156: 2148:. p. 139. 2140: 2136: 2129: 2115: 2111: 2106: 2096: 2075: 2051: 2031: 1991:Wasi Ahmed Khan 1955:(1942 - ?) 1925:Sumati Mutatkar 1913:Ramarao V. Naik 1869: 1792: 1715: 1580: 1561: 1548: 1447: 1440: 1425: 1418: 1411: 1303: 1286: 1278: 1271: 1264: 1024: 1023:Rangile Gharana 1009: 995: 988: 911: 910:Gwalior Gharana 896: 889: 824: 747: 616: 523: 512: 420: 413: 406: 399: 391: 291: 276: 275:Nauharbani Guru 254: 175: 153: 152:Gauharbani Guru 93: 77: 69:Gwalior Gharana 21: 17: 12: 11: 5: 2219: 2209: 2208: 2203: 2198: 2196:Vocal gharanas 2193: 2179: 2178: 2168: 2167:External links 2165: 2162: 2161: 2154: 2134: 2127: 2108: 2107: 2105: 2102: 2101: 2100: 2094: 2079: 2073: 2055: 2049: 2037:"Agra gharana" 2030: 2027: 2026: 2025: 2022: 2019: 2016: 2013: 2010: 2007: 2004: 2001: 1998: 1995: 1992: 1989: 1986: 1983: 1980: 1977: 1974: 1971: 1968: 1965: 1962: 1956: 1950: 1940: 1937: 1931: 1928: 1922: 1916: 1910: 1904: 1898: 1888: 1882: 1876: 1873: 1868: 1865: 1791: 1788: 1785: 1783: 1782: 1780: 1778: 1776: 1774: 1772: 1770: 1768: 1766: 1764: 1762: 1760: 1758: 1756: 1754: 1752: 1750: 1748: 1746: 1744: 1742: 1740: 1738: 1736: 1734: 1732: 1730: 1728: 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Rao 1951: 1948: 1944: 1941: 1938: 1935: 1932: 1929: 1926: 1923: 1920: 1917: 1914: 1911: 1908: 1905: 1902: 1899: 1897:" (1895–1962) 1896: 1892: 1889: 1886: 1883: 1880: 1877: 1874: 1871: 1870: 1864: 1862: 1858: 1854: 1850: 1846: 1841: 1838: 1832: 1826: 1820: 1813: 1810: 1805: 1801: 1796: 1784: 1722: 1720: 1717: 1665: 1662: 1658: 1656: 1651: 1642: 1634: 1632: 1587: 1585: 1582: 1563: 1547:Nisar Hussain 1543: 1540: 1532: 1530: 1528: 1520: 1518: 1517: 1498: 1490: 1488: 1478: 1470: 1468: 1453: 1451: 1426:"Kallan" Khan 1424:Ghulam Haider 1406: 1403: 1387: 1385: 1383: 1375: 1374: 1355: 1347: 1345: 1337: 1335: 1325: 1317: 1310: 1308: 1305: 1288: 1259: 1256: 1254: 1252: 1249: 1224: 1220: 1218: 1185: 1182: 1176: 1174: 1166: 1164: 1156: 1154: 1153: 1122: 1104: 1102: 1098: 1096: 1091: 1089: 1031: 1029: 1026: 1011: 994:Faiz Mohammed 989:("Sham-rang") 979: 977: 919: 917: 914: 913: 880: 878: 830: 828: 810: 808: 760: 758: 755: 748:(Jogi Bacche) 738: 735: 727: 725: 724: 697: 693: 691: 687: 685: 676: 674: 622: 620: 603: 600: 596: 594: 585: 556: 544: 542: 537: 535: 502: 496: 493: 481: 479: 478: 461: 453: 451: 447: 445: 426: 424: 393: 385: 382: 374: 372: 364: 362: 354: 352: 351: 342: 330: 328: 316: 314: 299: 297: 294: 293: 279: 278: 256: 248: 245: 233: 232: 223: 211: 182: 180: 177: 156: 155: 146: 144: 96: 88: 86: 82: 72: 70: 66: 62: 57: 55: 51: 47: 43: 39: 31: 28:Recording by 19: 2191:Agra gharana 2173:Agra gharana 2144: 2137: 2118: 2112: 2084: 2063: 2040: 2029:Bibliography 2024:Arif Hussain 1842: 1814: 1797: 1793: 1716:Hussain Khan 1581:Hussain Khan 1573:Abbasi Begum 1562:Hussain Khan 1554:Hydori Begum 1446:Mohammed Ali 1439:Ghulam Abbas 1285:Ghagge Khuda 1022: 909: 753: 500: 289: 274: 151: 78: 58: 38:Agra gharana 37: 35: 18: 1959:Subhra Guha 1927:(1916–2007) 1915:(1909–1998) 1885:Faiyaz Khan 1881:(1868–1913) 1875:Nathan Khan 1568:Qadri Begum 1304:("Rangile") 1302:Ramzan Khan 1008:Nathan Peer 46:Nauhar Bani 2185:Categories 2104:References 2009:Nasir khan 1947:Sagun Piya 1802:while the 987:Qayam Khan 888:Dayam Khan 818:Hyder Shah 746:Qader Shah 1961:(1956 - ) 1895:Pran Piya 1867:Exponents 1025:Parampara 292:Parampara 277:Parampara 154:Parampara 1943:Yashpaul 1879:Zohrabai 1831:layakari 1560:Tassaduq 1417:Mohammed 754:Daughter 522:Bichitra 501:Daughter 30:Zohrabai 1809:vistaar 1800:bandish 615:Surgyan 255:Haridas 61:Dhrupad 32:(1910). 2152:  2125:  2092:  2071:  2047:  1857:Tarana 1849:Thumri 1845:Khayal 1837:tihais 1825:meends 1819:gamaks 1714:Faiyaz 1579:Safdar 1263:Junggu 419:Malukh 412:Khalak 398:Lohang 392:Tansen 65:Dhamar 1853:Tappa 1287:Baksh 1277:Gulab 1270:Soosa 1010:Baksh 823:Wazir 513:Singh 511:Sujan 405:Alakh 390:Miyan 253:Swami 176:Gopal 174:Nayak 54:Delhi 2201:Agra 2150:ISBN 2123:ISBN 2090:ISBN 2069:ISBN 2045:ISBN 1861:Hori 1804:raga 1448:Khan 1441:Khan 1419:Khan 1412:Khan 1410:Sher 1279:Khan 1272:Khan 1265:Khan 897:Khan 825:Khan 617:Khan 524:Khan 83:and 36:The 421:Das 414:Das 407:Das 400:Das 52:of 2187:: 2039:. 1863:, 1859:, 1855:, 1851:, 1847:, 1812:. 87:. 56:. 2158:. 2131:. 2098:. 2077:. 2053:. 1945:" 1893:" 63:-

Index

Zohrabai
Hindustani classical vocal music
Nauhar Bani
Allauddin Khilji
Delhi
Dhrupad
Dhamar
Gwalior Gharana
Vilayat Hussain Khan
Yunus Hussain Khan
Gauharbani Guru
Parampara

Nayak
Gopal

Swami
Haridas

Nauharbani Guru
Parampara

Kirana Gharana
Parampara

Miyan
Tansen

Gwalior Gharana
Guru Parampara

Nathan Peer
Baksh

Ghagge Khuda
Baksh

Ramzan Khan
("Rangile")

Tassaduq
Hussain Khan

Safdar
Hussain Khan

Faiyaz
Hussain Khan

bandish
raga
Khayal
Thumri
Tappa
Tarana
Hori

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