2528:(descent) of the raga. The behlava is divided into the asthayi (notes from Ma to Sa) and the antara (noted from Ma, Pa, or Dha to Pa of the higher register). The asthayi section is sung twice before the antara. Then follows a swar-vistar in a medium tempo using heavy meends (glides) and taans. The dugun-ka-alap follows in which groups of two or four note combinations are sung in quicker succession while the basic tempo remains the same. The bol-alap is the next part where the words of the text are sung in different ways. Then there is in faster tempo the
2559:
2578:
36:
263:
These all disciples started their own
Gharanas and their descendants are still the most respected musicians of the subcontinent. Amir Khan also shared Miyan Banney khan's cheejs with the pupils of Pt. Balkrishnabuwa Ichalkaranjikar when he stayed in Miraj for sometime. However, his disciples included
302:
Mian Pyare Khan's sons were Ustad Umeed Ali Khan (1910 – 1979) and Ustad Ghulam Rasool Khan. They became respected classical vocalists of their times. Ustad Ghulam Rasool Khan had two sons, Ustad Hameed Ali Khan and Ustad Fateh Ali Khan. Ustad Fateh Ali Khan's son is Izat Fateh Ali Khan.
2517:(composition) is key as it provides the melody of the raga and indications on its performance. While doing bol-baant (rhythmic play using the words of the bandish) the Gwalior style uses all the words of sthayi or antara in proper sequence, without disturbing their meaning.
264:
among others his four sons. One of the sons, Pyare Khan, became a professional musician. Another son, Baba Sindhe Khan (1885 – 18 June 1950) became a music teacher and trained pupils such as the educator
2505:(fast melodic sequences) is emphasized. While there is raga vistar (melodic expansion) and alankar (melodic ornamentation) to enhance the beauty and meaning of the raga, there is no extra-slow-tempo
3266:
2547:
singing evolved in
Gwalior and there are many overlaps. In the khyal style there is one form, Mundi Dhrupad, that incorporates all the features of dhrupad singing but without the Mukhda.
1740:
367:
The following map is based on accounts that Makkan Khan and
Shakkar Khan were not related. These accounts are supported by research indicating that Makkan Khan's descendants were
190:) were Naththan Khan, Naththan Pir Bakhsh and his grandsons Haddu, Hassu and Natthu Khan. The head musician in the imperial court was Bade Mohammad Khan, who was famous for his
3557:
3537:
1472:
2223:
1340:
2116:
2558:
3051:
Apoorva
Gokhale (b. 1973) and Pallavi Joshi (b. 1980), disciple-duo of Pt. Gajananrao Joshi, Madhukar Joshi, Sucheta Bidkar, Manohar Joshi, and Arun Kashalkar.
2245:
1481:
2532:
where notes are sung with ornamentation. The bol-taans have melodic sequences set to the words of the bandish. The other taans, including the gamak, follow.
1421:
255:. Miyan Banney Khan's pupils included his cousin, Amir Khan (also known as "Meeran Bukhsh Khan"), Gamman Khan, Bhai Atta Muhammad, Ali Baksh Khan(father of
1465:
825:
1696:
355:
The students of
Krishnarao Shankar Pandit included his son, Laxman Krishnarao Pandit, Sharadchandra Arolkar, Balasaheb Poochwale, and his granddaughter
537:
3274:
1929:
3352:"Oriental Traditional Music from LPs & Cassettes: Hameed Ali Khan & Fateh Ali Khan (Gwalior Gharana) - Vol. 2 - Lok Virsa CL-0023 (1987)"
1938:
1333:
2893:
462:
387:
2180:
686:
3462:
2726:(1901 – 1990), disciple of Balakrishnabuwa Ichalkaranjikar, Vishnu Digambar Paluskar, Abdul Karim Khan, and Vinayakrao Patwardhan, received
3572:
309:(1893 – 1989) was a musician of the Gwalior gharana heritage. His father, Shankarrao Pandit was a student of Haddu Khan, Nathu Khan and
3605:
216:
Among the brothers' students were
Vasudeva Buwa Joshi (died 1890), who became a teacher; and Ramkrishna Deva, who became a musician in
3351:
3296:
328:
In 1914, Krishnarao
Shankar Pandit opened a school in Gwalior, the Shankar Gandharva Mahavidyalaya. In 1921, he was awarded the title
194:
style. Both Bade
Mohammad Khan and Naththan Pir Bakhsh belonged to the same tradition of Shahi Sadarang (also known as Nemat Khan,
336:
of
Gwalior; the State Musician of Maharashtra, an emeritus professor at Madhav Music College, Gwalior and an emeritus producer at
100:
3084:
209:
Hassu Khan (died 1859 CE) and Haddu Khan (died 1875 CE) continued to develop the
Gwalior style of singing. Haddu Khan's son
72:
2775:(1921 – 1955), son of Vishnu Digambar Paluskar who learned from Mirashibuwa, Narayanrao Vyas, and Vinayakrao Patwardhan.
3185:
3152:
3101:
2695:
Sharadchandra Arolkar (1912 - 1994), disciple of Krishnarao Shankar Pandit, Eknath Pandit and Krishnarao Mule (Beenkar)
79:
3521:
3415:
3247:
3222:
3195:
119:
2922:
2727:
53:
3648:
3643:
2678:
2629:
2513:
singers. Vilambit khyal-s are still rendered relatively briskly, rarely below 30 bpm. For Gwalior khyaliyas, the
221:
86:
17:
2577:
3162:
2939:
2623:
1492:
210:
57:
3590:
2535:
The sapat taan is important to the Gwalior style. It is the singing of notes in a straight sequence and at a
68:
3126:
2918:
2864:
2760:
2668:
2600:
1287:
280:
291:). Pyare Khan also remained a musician at the court of Maharajadhiraj Maharawal (Sir Jawahir Singh) of
148:
3029:
2914:
2689:
2283:
306:
2815:(Joshi) (1914 - 1989), son of Pt. Vishnu Keshav Utturkar (Joshi), Disciple of Yashwantbuwa Mirashi (
3638:
3633:
3538:"Mahal, once the citadel of musicians, now strums broken notes | Nagpur News - Times of India"
2645:
2564:
2094:
2972:(1948 – 2016), daughter and disciple of Shankar Bodas, also learned from elder brother Kashinath,
3041:
2568:
1718:
46:
2892:(1937 – 2011), disciple of B. R. Deodhar, Gajananrao Joshi, and Laxman Bodas. Also learned from
2737:
Shankarrao Sapre, disciple of Vishnu Digambar Paluskar who founded Shriram Sangeet Vidyalaya at
287:, also performing at the celebration. This was the singer, Qasim Afghan ("Qasimju") (born 1878,
2806:
2674:
2610:
2165:
3028:(b. 1974), daughter and disciple of Laxman Krishnarao Pandit. Also learned from grandfather,
2907:
2846:
2710:
349:
93:
3483:
3304:
2834:
2812:
2794:
2744:
292:
269:
256:
213:(1852 – 1922) was also a singer but his style departed from the methodical Gwalior style.
8:
2969:
2840:
2750:
2664:
2658:
2639:
2268:
2105:
2063:
1507:
344:. For his contribution to the world of classical music, he received awards including the
310:
3542:
3403:
3054:
2957:
2856:
252:
2520:
The behlava is a medium tempo rendition of the notes which follows the pattern of the
3517:
3411:
3243:
3218:
3191:
3158:
3080:
2713:(1898 – 1975), disciple of Vishnu Digambar Paluskar and Ramkrishnabuwa Vaze, awarded
2704:
2635:
2606:
2583:
1727:
333:
3035:
3015:
2997:
2987:
2977:
2973:
2949:
2877:(1933 – 2017), son and disciple of Laxmanrao Bodas. Also learned from Pralhad Ganu.
2874:
2790:
2778:
2766:
2698:
295:(1914 – 1949). He was also a teacher of Seth Vishandas of Hyderabad in Sindh near
3212:
3045:
2993:
2983:
2903:
2880:
2860:
2850:
2830:
2784:
2781:(1922 – 1980), son and disciple of Jamalo Khan who also learned from Seendo Khan.
2756:
2632:(1849 – 1926), disciple of Vasudevbuwa Joshi, Devjibuwa, and Chote Mohammed Khan.
1957:
1709:
337:
259:), Kale Khan, Mian Qadir(sarangi), Bhai Wadhawa, Bhai Wasawa, Baba Rehman Baksh.
279:
On 19 August 1922, Pyare Khan performed at the second annual celebration of the
2963:
2945:
2772:
2614:
2510:
1974:
3627:
3514:
Two Men and Music: Nationalism in the Making of an Indian Classical Tradition
2933:
2930:(1932 - 2019), disciple of DV Paluskar, BR Deodhar and Sharadchandra Arolkar.
2723:
2714:
345:
273:
265:
203:
183:
152:
3558:"Sahitya Akademi broadcasts recitation of Sant Singaji verses under 'Gamak'"
2501:(melodic modes) rather than obscure ones are selected and sapaat (straight)
3326:
3025:
3019:
3005:
2897:
2889:
2816:
2798:
2683:
2502:
2234:
1013:
356:
163:
2793:(1911 – 1987), son and disciple of Anant Manohar Joshi. Also learned from
3011:
3001:
2953:
2802:
341:
284:
229:
2868:
2731:
3484:"Impassioned recital by Arolkar | the writings of Mohan Nadkarni"
2497:
A distinguishing feature of the gharana is its simplicity: well known
2667:(1881 – 1967), disciple of Balakrishnabuwa Ichalkaranjikar, received
3378:
3190:. Publications Division Ministry of Information & Broadcasting.
35:
2536:
240:
236:
2540:
2525:
2521:
2514:
368:
296:
195:
171:
144:
3214:
Khyal: Creativity Within North India's Classical Music Tradition
3154:
Khyal: Creativity Within North India's Classical Music Tradition
151:. The rise of the Gwalior Gharana started with the reign of the
3433:
The Great Masters: profiles in Hindustani classical vocal music
2927:
2738:
372:
332:
at the All India Congress. Pandit became the court musician to
322:
314:
244:
2936:(b. 1942), disciple of Sharadchandra Arolkar and Jal Balporia.
2759:(1902 – 1984), disciple of Vishnu Digambar Paluskar, received
2544:
2529:
318:
288:
248:
199:
167:
156:
141:
2913:
Pt. Laxman Krishnarao Pandit (b. 1934), son and disciple of
2753:(1901 – 1970), son and disciple of Bade Inayat Hussain Khan.
2686:(1883 – 1966), disciple of Balakrishnabuwa Ichalkaranjikar.
2506:
2498:
217:
2648:(1872 – 1931), disciple of Balkrishnabuwa Ichalkaranjikar.
162:
The favourite singers of this patron of the arts, such as
2886:
Shankar Abhyankar (b. 1934), disciple of Narayanrao Vyas.
2613:
who learned from Chote Mohammed Khan and co-founded the
313:, Nathu Khan's son. Krishnarao Shankar Pandit practiced
2942:(1942 – 2010), son and disciple of Qurban Hussain Khan.
2906:(1941 - 2023), disciple of Govindrao Rajurkar, awarded
2849:(1928 – 2015), disciple of Bhai Lal Muhammad, awarded
2720:
Rajarambua Paradkar(1899-1975),disciple of Mirashibua
2620:
Faiz Mohammed Khan (d. 1920), disciple of Kadar Khan.
3435:. India: HarperCollins Publishers India. p. 38.
2701:(1897 – 1967), disciple of Vishnu Digambar Paluskar.
2661:(1871 – 1945), disciple of Bade Nissar Hussain Khan.
3379:"Soulful music tugs at the audience's heartstrings"
3356:
Oriental Traditional Music from LPs & Cassettes
3079:(2006 ed.). Delhi: Penguin Books. p. 57.
182:The Gwalior Gharana evolved during the time of the
166:, who was the most famous vocalist at the court of
60:. Unsourced material may be challenged and removed.
3603:
3057:(b. 1980), son and disciple of Iqbal Hussain Khan.
3331:Vijaya Parrikar Library of Indian Classical Music
2883:(1934 – 2020), disciple of Vinayakrao Patwardhan.
2707:(d. 1962), son and disciple of Ata Muhammad Khan.
251:and then took a musical position at the court of
3625:
3038:(b. 1973), disciple of Pt. Balasaheb Poonchwale.
2966:(b. 1944), son and disciple of Narayanrao Vyas.
299:and Mahant Girdharidas of Bhuman Shah, Punjab.
2638:(1852 – 1920), disciple of Bande Ali Khan and
186:(1526CE – 1857 CE). Among the early masters (
3450:. Pune: Aryabhushan Press. pp. 108–109.
3402:
2769:(1921 – 2016), disciple of Omkarnath Thakur.
2626:(1840 – 1923), son of Ustad Haddu Khan Saheb
243:, Miyan Banney Khan. He introduced Khyal in
235:Another prominent disciple of the duo was a
3460:
3448:Sangeetshastrakar va Kalavant Yancha Itihas
2591:
3014:(b. c. 1963 - 2023), son and disciple of
2787:(1924 – 1992), disciple of B. R. Deodhar.
2692:(1894 – 1989), disciple of Shankar Pandit
375:, thus reflecting different genealogies.
120:Learn how and when to remove this message
3571:Banerjee, Shoumojit (27 November 2017).
3570:
3516:. Oxford University Press. p. 297.
3430:
3240:Hindi Film Song: Music Beyond Boundaries
3074:
2597:Babasaheb Dixit, disciple of Hassu Khan.
362:
3242:. Bibliophile South Asia. p. 207.
3044:(b. 1971), disciple of D. V. Kane, Pt.
2829:Ustad Fateh Ali Khan (b.1948), awarded
2823:
224:(1849 – 1926) who brought the Gwaliori
14:
3626:
3511:
3237:
2921:and Sangeet Natak Akademi Fellowship-
2603:(1840 – 1905), disciple of Haddu Khan.
283:. He became a mentor to a singer from
3604:Sarvamangala, C.S. (5 October 2012).
3445:
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3271:ITC Sangeet Research Academy website
3210:
3150:
3102:"Exploring the syntax of syncretism"
2859:(1931 – 2015), wife and disciple of
371:and Shakkar Khan's descendants were
220:. It was Ramkrishna Deva's student,
58:adding citations to reliable sources
29:
3499:Gayanacharya Pandit Vishnu Digambar
3496:
3408:Indian Music: History and Structure
2956:, D. V. Panke, Rajabhau Kogje, and
27:Genre in Hindustani classical music
24:
3446:Joshi, Lakshman Dattatray (1935).
3256:
3211:Wade, Bonnie C. (1 January 1984).
3100:Kumar, Kuldeep (14 October 2016).
3077:The Lost World of Hindustani Music
2747:, disciple of Ramkrishnabuwa Vaze.
2487:
25:
3660:
3573:"Pandit Narayanrao Bodas no more"
138:Gwalior school of classical music
3297:"Afghanistan Ustad Qasim Afghan"
2728:Sangeet Natak Akademi Fellowship
2576:
2557:
2492:
840:
34:
3597:
3583:
3564:
3550:
3530:
3505:
3490:
3476:
3454:
3439:
3424:
3396:
3370:
3344:
3319:
3075:Mukherji, Kumar Prasad (2006).
2679:Balakrishnabuwa Ichalkaranjikar
2652:
2630:Balakrishnabuwa Ichalkaranjikar
886:
855:
239:dhrupad and dhamar singer from
222:Balakrishnabuwa Ichalkaranjikar
45:needs additional citations for
3377:Hasan, Shazia (6 March 2023).
3289:
3231:
3204:
3178:
3144:
3119:
3093:
3068:
2843:, son of Ustad Fateh Ali Khan.
211:Ustad Bade Inayat Hussain Khan
13:
1:
3461:Kumr, Ranee (29 March 2013).
3061:
3030:Pt. Krishnarao Shankar Pandit
2915:Pt. Krishnarao Shankar Pandit
2684:Yashwant Sadashiv Mirashibuwa
325:singing as well as layakari.
3187:The Gazetteer of India vol 2
2550:
7:
3157:. CUP Archive. p. 47.
2919:Sangeet Natak Akademi Award
2865:Sangeet Natak Akademi Award
2761:Sangeet Natak Akademi Award
2677:(1882 – 1956), disciple of
2669:Sangeet Natak Akademi Award
281:independence of Afghanistan
10:
3665:
2773:Dattatreya Vishnu Paluskar
2567:(1872 – 1931) founded the
268:(1901 – 1990); the singer
257:Ustad Bade Ghulam Ali Khan
177:
3463:"Music from the 'school'"
2690:Krishnarao Shankar Pandit
2471:
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407:
405:
307:Krishnarao Shankar Pandit
3431:Nadkarni, Mohan (1999).
3410:. Belgium: E. J. Brill.
2646:Vishnu Digambar Paluskar
2624:Bade Inayat Hussain Khan
2592:19th Century and Earlier
2565:Vishnu Digambar Paluskar
170:, came from the town of
3512:Bakhle, Janaki (2005).
3127:"Hassu Khan Haddu Khan"
3042:Manjusha Kulkarni-Patil
2996:(b. 1955), disciple of
2986:(b. 1950), disciple of
2970:Dr. Veena Sahasrabuddhe
2948:(b. 1943), disciple of
202:player in the court of
140:) is one of the oldest
3649:Music schools in India
3644:Indian classical music
3238:Ranade, A. D. (2006).
2807:Jaipur-Atrauli gharana
2675:Raja Bhaiya Poonchwale
2636:Bhaiyyasaheb Ganpatrao
149:Indian classical music
2908:Sangeet Natak Akademi
2847:Ghulam Hassan Shaggan
2711:Vinayakrao Patwardhan
2609:(c. 1850 – c. 1920),
363:Pedagogical genealogy
206:(1702 CE – 1748 CE).
3151:Wade, B. C. (1984).
3018:. Also learned from
3000:. Also learned from
2952:. Also learned from
2835:Pride of Performance
2824:Contemporary artists
2813:Vinayakbuva Utturkar
2795:Vilayat Hussain Khan
2745:Deenanath Mangeshkar
270:Bade Ghulam Ali Khan
54:improve this article
3591:"Shankar Abhyankar"
3501:. pp. 104–105.
3404:Te Nijenhuis, Emmie
2984:Dr. Vikas Kashalkar
2841:Izat Fateh Ali Khan
2751:Qurban Hussain Khan
2665:Anant Manohar Joshi
2659:Ramkrishnabuwa Vaze
2640:Inayat Hussain Khan
311:Nissar Hussain Khan
272:(1902 – 1968), and
228:(singing style) to
3606:"The eternal note"
3543:The Times of India
3301:www.afghanland.com
3055:Ateeq Hussain Khan
2964:Dr. Vidyadhar Vyas
2958:Babanrao Haldankar
2940:Iqbal Hussain Khan
2857:Vasundhara Komkali
2601:Vishnupant Chattre
2509:as in many modern
2284:Krishnarao Shankar
253:Nizam of Hyderabad
3327:"Ummeed Ali Khan"
3267:"Gwalior gharana"
3086:978-0-14-306199-1
2791:Gajananbuwa Joshi
2705:Lal Mohammad Khan
2607:Ghagge Nazir Khan
2584:Gururao Deshpande
2524:(ascent) and the
2485:
2484:
2235:Yashwant Sadashiv
1722:Gharana Parampara
539:Nathan Peer Baksh
334:Madhavrao Scindia
130:
129:
122:
104:
69:"Gwalior gharana"
16:(Redirected from
3656:
3618:
3617:
3615:
3613:
3601:
3595:
3594:
3587:
3581:
3580:
3568:
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3365:
3363:
3348:
3342:
3341:
3339:
3337:
3323:
3317:
3316:
3314:
3312:
3303:. Archived from
3293:
3287:
3286:
3284:
3282:
3273:. Archived from
3263:
3254:
3253:
3235:
3229:
3228:
3208:
3202:
3201:
3182:
3176:
3175:
3173:
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3148:
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3141:
3139:
3137:
3123:
3117:
3116:
3114:
3112:
3097:
3091:
3090:
3072:
3036:Shashwati Mandal
3026:Dr. Meeta Pandit
3016:Narayanrao Bodas
2998:Gajananrao Joshi
2988:Gajananrao Joshi
2978:Balwantrai Bhatt
2974:Gajananrao Joshi
2950:Gajananrao Joshi
2875:Narayanrao Bodas
2779:Manzoor Ali Khan
2767:Balwantrai Bhatt
2699:Omkarnath Thakur
2580:
2569:Gandharva school
2561:
378:
377:
348:in 1973 and the
125:
118:
114:
111:
105:
103:
62:
38:
30:
21:
3664:
3663:
3659:
3658:
3657:
3655:
3654:
3653:
3639:Gwalior culture
3634:Gwalior gharana
3624:
3623:
3622:
3621:
3611:
3609:
3602:
3598:
3589:
3588:
3584:
3569:
3565:
3556:
3555:
3551:
3546:. 9 April 2017.
3536:
3535:
3531:
3524:
3510:
3506:
3497:Deodhar, B. R.
3495:
3491:
3482:
3481:
3477:
3467:
3465:
3459:
3455:
3444:
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3294:
3290:
3280:
3278:
3265:
3264:
3257:
3250:
3236:
3232:
3225:
3217:. CUP Archive.
3209:
3205:
3198:
3184:
3183:
3179:
3169:
3167:
3165:
3149:
3145:
3135:
3133:
3125:
3124:
3120:
3110:
3108:
3098:
3094:
3087:
3073:
3069:
3064:
3046:Ulhas Kashalkar
2994:Ulhas Kashalkar
2904:Malini Rajurkar
2881:Sunanda Patnaik
2861:Kumar Gandharva
2851:Sitara-e-Imtiaz
2831:Sitara-i-Imtiaz
2826:
2785:Kumar Gandharva
2757:Narayanrao Vyas
2655:
2594:
2587:
2586:- (1889 – 1982)
2581:
2572:
2562:
2553:
2495:
2490:
2488:Recent pedagogy
2285:
2270:
2247:
2236:
2226:Ichalkaranjikar
2225:
2182:
2167:
2118:
2107:
2096:
2095:Vishnu Digambar
2065:
1977:
1960:
1959:Patiala Gharana
1940:
1931:
1743:Ichalkaranjikar
1742:
1731:
1729:
1721:
1720:Rampur-Sahaswan
1713:
1711:
1710:Ali Baksh &
1698:
1509:
1494:
1484:"Bhu Gandharva"
1483:
1474:
1467:
1449:
1447:
1425:
1423:
1344:
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1335:
1289:
1097:
1016:
890:
859:
827:
688:
541:
464:
389:
365:
338:All India Radio
330:Gayak Shiromani
262:
180:
134:Gwalior Gharana
126:
115:
109:
106:
63:
61:
51:
39:
28:
23:
22:
18:Gwalior Gharana
15:
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5:
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3489:
3475:
3453:
3438:
3423:
3416:
3395:
3369:
3358:. 12 June 2011
3343:
3318:
3307:on 4 July 2017
3288:
3277:on 23 May 2012
3255:
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2961:
2946:Arun Kashalkar
2943:
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2621:
2618:
2615:Mewati Gharana
2611:Qawwal Bacchon
2604:
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2064:Qurban Hussain
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2007:
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1976:Mewati Gharana
1972:
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1741:Balkrishnabuwa
1738:
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1716:
1712:Fateh Ali Khan
1707:
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1508:Inayat Hussain
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385:
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364:
361:
276:(born 1935).
179:
176:
128:
127:
42:
40:
33:
26:
9:
6:
4:
3:
2:
3661:
3650:
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3523:9780195166101
3519:
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3434:
3427:
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3417:90-04-03978-3
3413:
3409:
3405:
3399:
3384:
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3251:
3249:9788185002644
3245:
3241:
3234:
3226:
3224:9780521256599
3220:
3216:
3215:
3207:
3199:
3197:9788123022659
3193:
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2947:
2944:
2941:
2938:
2935:
2934:Neela Bhagwat
2932:
2929:
2926:
2924:
2923:Tagore Ratna.
2920:
2916:
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2740:
2736:
2733:
2729:
2725:
2724:B. R. Deodhar
2722:
2719:
2716:
2715:Padma Bhushan
2712:
2709:
2706:
2703:
2700:
2697:
2694:
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2523:
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2516:
2512:
2508:
2504:
2500:
2493:Singing style
2482:
2366:
2364:
2287:
2272:
2258:
2255:
2253:
2252:
2249:
2246:Neelkanthbuwa
2238:
2227:
2184:
2169:
2160:
2158:
2145:
2142:
2136:
2134:
2130:
2128:
2127:
2120:
2109:
2106:Anant Manohar
2098:
2067:
2050:
2044:
2042:
2038:
2036:
2021:
2019:
1980:
1979:
1963:
1962:
1942:
1933:
1911:
1908:
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1521:
1517:
1511:
1496:
1485:
1476:
1469:
1466:Faiz Mohammed
1455:
1453:
1427:
1357:
1355:
1346:
1341:Ramkrishnadev
1337:
1291:
1263:
1260:
1258:
1257:
1178:
1176:
1155:
1152:
1146:
1144:
1138:
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1128:
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968:
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829:
823:
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471:
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454:
452:
396:
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379:
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360:
358:
353:
351:
347:
346:Padma Bhushan
343:
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331:
326:
324:
320:
316:
312:
308:
304:
300:
298:
294:
290:
286:
282:
277:
275:
274:Farida Khanam
271:
267:
266:B. R. Deodhar
260:
258:
254:
250:
246:
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233:
231:
227:
223:
219:
214:
212:
207:
205:
204:Mohammad Shah
201:
197:
193:
189:
185:
184:Mughal Empire
175:
173:
169:
165:
160:
159:(1542–1605).
158:
154:
150:
146:
143:
139:
135:
124:
121:
113:
102:
99:
95:
92:
88:
85:
81:
78:
74:
71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
3610:. Retrieved
3599:
3585:
3576:
3566:
3552:
3541:
3532:
3513:
3507:
3498:
3492:
3478:
3466:. Retrieved
3456:
3447:
3441:
3432:
3426:
3407:
3398:
3386:. Retrieved
3382:
3372:
3360:. Retrieved
3355:
3346:
3334:. Retrieved
3330:
3321:
3309:. Retrieved
3305:the original
3300:
3291:
3279:. Retrieved
3275:the original
3270:
3239:
3233:
3213:
3206:
3186:
3180:
3168:. Retrieved
3153:
3146:
3134:. Retrieved
3131:Oxford Index
3130:
3121:
3109:. Retrieved
3105:
3095:
3076:
3070:
3020:Ashok Ranade
3006:Agra gharana
2928:Sharad Sathe
2898:Agra gharana
2894:Pralhad Ganu
2890:Ashok Ranade
2817:Mirashi Buwa
2799:Agra gharana
2653:20th Century
2534:
2519:
2496:
2117:Nilkanthbuwa
1975:
1958:
1939:Eknath "Mao"
1719:
1714:"Aliya-Fatu"
1697:Meeran Baksh
1495:Hussain Khan
1475:Hussain Khan
1015:Agra Gharana
1014:
887:
856:
826:Ghagge Khuda
542:(progenitor)
538:
366:
357:Meeta Pandit
354:
350:Tansen Award
329:
327:
305:
301:
278:
261:
234:
225:
215:
208:
191:
187:
181:
164:Miyan Tansen
161:
137:
133:
131:
116:
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
3608:. The Hindu
3281:29 December
3170:28 November
3136:28 November
3111:27 November
3012:Kedar Bodas
3002:Ram Marathe
2954:Ram Marathe
2833:(2010) and
2803:Bhurji Khan
2730:(1964) and
2539:pace. Both
2237:Mirashibuwa
2224:Ganpatibuwa
2166:Raja Bhaiya
1699:"Amir" Khan
1493:Bade Inayat
1482:Rehmat Khan
1473:Bade Nissar
1345:"Devjibuwa"
1334:Vasudevbuwa
1298:{{{BANNO}}}
841:Natthu Khan
369:dhrupadiyas
342:Doordarshan
285:Afghanistan
230:Maharashtra
198:singer and
110:August 2010
3628:Categories
3468:19 October
3164:0521256593
3062:References
2917:, awarded
2869:Padma Shri
2863:. Awarded
2732:Padma Shri
2168:Poonchwale
1288:Vishnupant
1096:Gul-e-Imam
888:Hassu Khan
857:Haddu Khan
373:khayaliyas
80:newspapers
3612:7 October
3577:The Hindu
3362:6 January
3336:6 January
3311:6 January
3106:The Hindu
2551:Exponents
1978:Parampara
1961:Parampara
1017:Parampara
891:(founder)
860:(founder)
352:in 1980.
293:Jaisalmer
192:taan bazi
3406:(1974).
3383:DAWN.COM
2867:and the
2741:in 1926.
2571:in 1901.
2537:vilambit
2119:Alurmath
2097:Paluskar
1424:Mohammed
1343:Paranjpe
241:Amritsar
155:emperor
2853:(2000).
2837:(1991).
2763:(1976).
2734:(1976).
2717:(1972).
2671:(1955).
2541:Dhrupad
2526:avaroha
2515:bandish
1930:Shankar
1448:Hussain
1446:Mehendi
1290:Chattre
463:Makkhan
297:Karachi
232:state.
196:dhrupad
178:History
172:Gwalior
145:Gharana
94:scholar
3520:
3414:
3388:26 May
3246:
3221:
3194:
3161:
3083:
2910:award.
2739:Nagpur
2511:Kirana
2286:Pandit
2248:Jangam
2181:Piyare
1941:Pandit
1932:Pandit
1728:Ghagge
390:Rasool
388:Ghulam
323:Tarana
315:Khayal
245:Punjab
237:Muslim
153:Mughal
96:
89:
82:
75:
67:
2545:Khyal
2530:murki
2522:aroha
2503:taans
2499:ragas
2108:Joshi
1730:Nazir
1422:Chote
1336:Joshi
828:Baksh
689:Baksh
687:Kadar
319:Tappa
289:Kabul
249:Sindh
226:gaeki
200:veena
188:ustad
168:Akbar
157:Akbar
142:Khyal
101:JSTOR
87:books
3614:2014
3518:ISBN
3470:2014
3412:ISBN
3390:2023
3364:2016
3338:2016
3313:2016
3283:2023
3244:ISBN
3219:ISBN
3192:ISBN
3172:2017
3159:ISBN
3138:2017
3113:2017
3081:ISBN
2801:and
2543:and
2507:alap
2271:Vaze
2183:Khan
2066:Khan
1732:Khan
1510:Khan
1468:Khan
1450:Khan
1426:Khan
1098:Khan
465:Khan
340:and
321:and
247:and
218:Dhar
132:The
73:news
3004:of
2896:of
2805:of
2797:of
147:in
56:by
3630::
3575:.
3540:.
3381:.
3354:.
3329:.
3299:.
3269:.
3258:^
3129:.
3104:.
2976:,
2819:).
359:.
317:,
174:.
3616:.
3593:.
3579:.
3560:.
3526:.
3486:.
3472:.
3420:.
3392:.
3366:.
3340:.
3315:.
3285:.
3252:.
3227:.
3200:.
3174:.
3140:.
3115:.
3089:.
3048:.
3032:.
3022:.
3008:.
2990:.
2980:.
2960:.
2900:.
2871:.
2809:.
2642:.
2617:.
136:(
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
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