44:
485:, perched on a cliff overlooking Long Island Sound, where Parsons worked on her art in her time off from the gallery. Her painting style changed in 1947, turning from small landscapes and portraits into a bold, subjective abstraction when she began to make constructions from bits of wood and other materials that washed up on the beach near her home; most often her constructions reflected the area around her North Fork home, but sometimes the pieces reflected her travels to the Caribbean and abroad.
247:, Parsons returned to America. She first traveled to Santa Barbara, California, where she taught sculpture classes for a short time. In 1936, she moved back to New York and had her first solo exhibition in New York at Midtown Gallery. Her watercolor paintings were well-received, and referred to in one review as "delightful" and "interestingly conceived". She would have nine more one-woman shows at Midtown over the next twenty years.
212:, the International Exhibition of Modern Art. She was delighted and inspired by what she saw and described this pivotal moment years later: "It was exciting, full of color and life. I felt like those paintings. I couldn't explain it, but I decided then that this was the world I wanted... art." Although her parents disapproved, she soon began studying art in the studio of
373:
who had visited her gallery, that lead to many of their major collaborative impacts on the contemporary arts scene. Later in the 1950s, Smith and Newman helped to remodel
Parsons’ gallery, creating an almost cube-shaped main space framed by white walls with subtly curved corners and a concrete floor
291:
In
September 1944, after four years at the Wakefield Gallery, Parsons was invited to start and manage a contemporary art division in the gallery of art dealer Mortimer Brandt. When Brandt moved to England after the war, Parsons subleased the space from him and opened her own gallery at the urging of
219:
In 1919, Parsons married
Schuyler Livingston Parsons, an affluent, New York City socialite ten years her senior. Her family hoped that Parsons would settle down into a conventional lifestyle, but the couple divorced in Paris, only three years later on the grounds of incompatibility, and as a result,
263:
In 1940, Parsons left
Sullivan's gallery and took a position managing a contemporary gallery in the Wakefield Bookshop at 64 East 55th Street. This was her first job managing a gallery on her own; she had full curatorial control regarding artists and exhibitions. She was soon representing many
304:
in
Manhattan. The gallery regularly exhibited twelve shows a season, from September to May, with each show lasting only two to three weeks. At a time when the market for avant-garde American art was minuscule, Parsons was the only dealer willing to represent artists like
378:, the painter, who met Parsons in 1950, said, "Betty and her gallery helped construct the center of the art world. She was one of the last of her breed." Many of the Abstract Expressionist artists she had launched left her gallery for more commercial galleries, such as
456:
Parsons was generous in promoting artists. She never refused walk-in artists with their artwork. Always encouraging and caring, she often gave critiques on the spot. Parsons nurtured the artists who assisted her and they were encouraged to show at her gallery.
255:
Following her one-woman show at the
Midtown Galleries, owner Alan Bruskin offered Parsons her first gallery job: selling art on commission. That position was short-lived and, in the fall of 1937, Parsons began working at the gallery of
488:
During her lifetime, Parsons' received important solo exhibitions at the
Whitechapel Gallery, London (1968), the Montclair Art Museum, New Jersey (1974) and Nigel Greenwood Gallery, London (1980). Following her death, the
555:
440:, and Oliver Steindecker (who was Mark Rothko's last assistant) among others. She ran the gallery until her death in 1982, after which it was taken over by her former gallery assistant
1512:
865:
1051:
895:
803:
193:
Betty Bierne
Pierson was born on January 31, 1900, the second of three daughters. She came from a wealthy New York family that divided its time between New York City,
993:
936:
240:
where she lived with a
British art student, Adge Baker, with whom she had a romantic relationship. The two separated in 1932, but remained lifelong friends.
1164:
469:
began working for Betty
Parsons as her assistant and that same year she included him in a group show, adding Benoh to her list of gallery artists.
1544:
1019:
1455:
1564:
532:
1574:
1500:
1110:
1491:
1483:
1236:
857:
490:
1090:
1048:
887:
795:
393:
noted, "She was resentful. She had struggled so long to get them established, and other dealers capitalized on her efforts."
1379:
1518:
221:
743:
493:
of East Hampton showed her paintings on paper in 1992; that same year, the Fine Arts Gallery of the Southampton Campus of
1569:
1539:
1513:
American Museum of Natural History, Dept. of Anthropology correspondence with Barnett Newman and Betty Parsons, 1944–1946
1405:
461:
had his first show a year after he began assisting Betty Parsons. Thomas Nozkowski worked for her after graduating from
497:
exhibited painted wood "constructions". Her work has also been exhibited at a number of other galleries, including the
181:, January 31, 1900 – July 23, 1982) was an American artist, art dealer, and collector known for her early promotion of
990:
1439:
774:
599:
1252:
615:
517:
314:
236:. In the summers, she studied painting with Arthur Lindsey on the coast of Brittany. She bought a small house in
971:
834:
513:
369:
his first solo show, and although failing to sell a single work, it was Rauschenberg's gift of one of them to
1534:
1161:
1139:, Betty Parsons Gallery Papers, Reel 4087–4089: Exhibition Records, Reel 4108: Artists Files, last names A-B.
204:
At the age of ten, Parsons was enrolled in Miss Chapin's school for girls in New York. She remained at the
1200:
1507:
650:
504:
Parsons is now represented by Alexander Gray Associates, New York, and Alison Jacques Gallery, London.
17:
1181:
225:
1559:
1015:
1132:
525:
448:
became a partner at Betty Parsons Gallery starting in 1983 and Hall later wrote Parsons biography.
501:, New York; Spanierman Gallery, New York; and Virginia Miller Galleries in Coral Gables, Florida.
477:
Parsons was also a painter, but her great love was sculpture, which she couldn't afford. In 1959,
444:(1951–2017) who then transformed it into his own establishment. Her friend of many years, painter
185:. She is regarded as one of the most influential and dynamic figures of the American avant-garde.
498:
401:
888:"Biographical Material: Artist Biography and Narratives, 1949–1982 (Box 39, Folder 5, Item 18)"
494:
482:
182:
123:
796:"Biographical Material: Artist Biography and Narratives, 1949–1982 (Box 39, Folder 5, Item 5)"
581:, November 2013. New York: Brant Publications, Inc. pp. 132–139. (an interview from 1977)
1107:
620:
478:
417:
365:
assisted with the installation. In 1951, on Clifford Still's recommendation, she boldly gave
362:
208:
for five years but was a mediocre student who was easily bored. In 1913, Parsons visited the
1554:
1549:
521:
1488:
677:
524:, New York; Her personal papers and those from the Betty Parsons Gallery are held at the
8:
560:
375:
366:
257:
198:
1233:
43:
1329:
1118:
1060:
1001:
703:
421:
53:
1435:
1208:
967:
830:
770:
595:
585:
547:
536:
445:
858:"Betty Parsons Gallery records and personal papers, circa 1920–1991, bulk 1946–1983"
1087:
326:
310:
301:
281:
244:
892:
Betty Parsons Gallery records and personal papers, circa 1920–1991, bulk 1946–1983
800:
Betty Parsons Gallery records and personal papers, circa 1920–1991, bulk 1946–1983
1495:
1240:
1168:
1114:
1094:
1055:
997:
589:
437:
425:
330:
318:
306:
273:
269:
735:
577:
458:
429:
390:
358:
322:
285:
265:
213:
1528:
1212:
433:
354:
233:
229:
205:
194:
164:
1304:
572:
462:
413:
409:
397:
383:
379:
346:
342:
338:
277:
237:
220:
her family disinherited her. Parsons remained in Paris and enrolled in the
49:
1434:. Denver New Haven: Denver Art Museum Yale University Press. p. 189.
396:
She later moved on to a younger generation of American artists, including
1260:
1136:
441:
334:
209:
1380:"A Finding Aid to the Betty Parsons Gallery records and personal papers"
1292:
387:
350:
159:
556:
Action, Gesture, Paint: Women Artists and Global Abstraction 1940-1970
370:
1354:
466:
405:
112:
1519:
Betty Parsons Gallery records and personal papers, circa 1920–1991
1281:
1182:"Lee Hall records (2.10), Rhode Island School of Design Archives"
655:
1186:
Rhode Island Archival and Manuscript Collections Online (RIAMCO)
1322:
542:
In 2016 her biography was included in the exhibition catalogue
317:
gallery and returned to Europe in 1947. Parsons showed work by
1297:
481:
designed her waterfront house-studio on the North Fork of the
361:, whom she had met in 1943, his first solo show; Rothko and
260:, a founding trustee of the Museum of Modern Art, New York.
575:, Introduction by Judith E. Stein. "The Parsons Effect".
1372:
930:
928:
1234:
http://bombmagazine.org/article/2171/thomas-nozkowski
1074:
894:. Archives of American Art, Smithsonian Institution.
864:. Archives of American Art, Smithsonian Institution.
852:
850:
848:
846:
802:. Archives of American Art, Smithsonian Institution.
1347:
736:"American National Biography Online: Parsons, Betty"
1521:, Archives of American Art, Smithsonian Institution
1515:, Archives of American Art, Smithsonian Institution
1448:
925:
357:, and Sari Dienes, among others. In 1950, she gave
843:
985:
983:
696:
243:In 1933, after losing her alimony support in the
1526:
1406:"Some Living American Women Artists/Last Supper"
917:"Betty Pierson Parsons: Houses and Landscapes".
553:In 2023 her work was included in the exhibition
531:Her image is included in the iconic 1972 poster
512:Parsons' work is held in the collections of the
1232:“Thomas Nozkowski by Francine Prose Interview”
1108:An Artist and Dealer and the Women She Promoted
644:
642:
640:
638:
636:
300:The Betty Parsons Gallery opened in 1946 at 15
980:
964:Betty Parsons : artist, dealer, collector
827:Betty Parsons : artist, dealer, collector
374:whose proportions fitted their ordered works.
1257:International Fine Print Dealers Association
1049:Betty Parsons's 2 Lives: She Was Artist, Too
633:
451:
1142:
769:. New York: Harry N. Abrams, Incorporated.
594:. New York City, NY: Harry N. Abrams, Inc.
188:
1043:
1041:
1039:
1037:
880:
790:
788:
786:
465:. Parsons showed his sculptures. In 1980,
148: 1919–1922)
42:
27:American artist, art dealer, and collector
767:Betty Parsons: artist, dealer, collector
591:Betty Parsons: Artist, Dealer, Collector
224:, where she studied under the sculptors
216:, whom she described as a poor teacher.
1034:
783:
472:
14:
1545:Art Students League of New York people
1527:
1429:
1423:
1022:from the original on September 9, 2016
491:Pollock-Krasner House and Study Center
966:. New York: H.N. Abrams. p. 68.
898:from the original on January 16, 2014
829:. New York: H.N. Abrams. p. 26.
806:from the original on January 16, 2014
648:
1489:National Museum of Women in the Arts
1398:
1148:Grosvenor, Robert. "Painting Wall,"
961:
868:from the original on August 18, 2012
824:
764:
730:
728:
584:
1565:20th-century American women artists
1305:"Betty Parsons | Islands in Greece"
1047:Carol Strickland (June 28, 1982), "
991:Artist With an Eye For Others' Work
989:Phyllis Braff (February 28, 1999),
746:from the original on March 22, 2016
250:
24:
1198:
1192:
1174:
934:
566:
533:Some Living American Women Artists
25:
1586:
1575:20th-century American LGBT people
1477:
725:
649:Aylon, Helne (November 1, 2013).
483:east end of Long Island, New York
1504:American Art: Lesbian, 1900–1969
1106:Holland Cotter (July 13, 2005),
264:contemporary artists, including
1501:Out of, or Back to, the Closet?
1484:Smithsonian American Art Museum
1432:Women of abstract expressionism
1410:Smithsonian American Art Museum
1334:Smithsonian American Art Museum
1286:
1275:
1245:
1226:
1162:Abstract expressionism timeline
1155:
1125:
1100:
1081:
1067:
1008:
955:
910:
616:Art Students League of New York
544:Women of Abstract Expressionism
518:Smithsonian American Art Museum
222:Académie de la Grande Chaumière
145:
1309:Whitney Museum of American Art
818:
758:
670:
514:Whitney Museum of American Art
48:Betty Parsons photographed by
13:
1:
626:
295:
7:
1239:September 27, 2017, at the
996:September 20, 2017, at the
609:
135:Schuyler Livingston Parsons
115:, Art Dealer, Art Collector
10:
1591:
1570:Artists from New York City
1540:American women art dealers
1508:glbtq Encyclopedia Project
520:, Washington, DC; and the
228:(formerly an assistant to
52:in front of a painting by
1386:. Smithsonian Institution
1282:Alexander Gray Associates
1093:January 15, 2014, at the
507:
452:Artists: employee-clients
155:
129:
119:
108:
100:
84:
61:
41:
34:
1456:"Action, Gesture, Paint"
1430:Marter, Joan M. (2016).
1384:Archives of American Art
1201:"School Picks President"
1171:retrieved March 16, 2010
1167:August 15, 2013, at the
1133:Archives of American Art
526:Archives of American Art
189:Early life and education
1199:Ap (January 27, 1983).
1097:L&M Arts, New York.
499:Anita Shapolsky Gallery
226:Émile-Antoine Bourdelle
1494:March 1, 2012, at the
1293:Alison Jacques Gallery
1113:April 3, 2015, at the
495:Long Island University
183:Abstract Expressionism
124:Abstract Expressionism
1016:"The art of the deal"
418:Richard Pousette-Dart
1535:American art dealers
1359:Museum of Modern Art
1054:May 8, 2017, at the
935:Robson, A. Deirdre.
921:. December 19, 1936.
651:"The Parsons Effect"
522:Museum of Modern Art
473:Painter and sculptor
179:Betty Bierne Pierson
66:Betty Bierne Pierson
1460:Whitechapel Gallery
1263:on January 15, 2014
943:. Oxford Art Online
561:Whitechapel Gallery
376:Helen Frankenthaler
367:Robert Rauschenberg
315:Art of This Century
258:Mary Quinn Sullivan
1205:The New York Times
1150:57th Street Review
1119:The New York Times
1061:The New York Times
1002:The New York Times
962:Hall, Lee (1991).
825:Hall, Lee (1991).
765:Hall, Lee (1991).
422:Walter Tandy Murch
95:New York, New York
79:New York, New York
54:Calvert Coggeshall
548:Denver Art Museum
546:organized by the
537:Mary Beth Edelson
420:, Jeanne Reynal,
172:
171:
16:(Redirected from
1582:
1560:Bisexual artists
1471:
1470:
1468:
1466:
1452:
1446:
1445:
1427:
1421:
1420:
1418:
1416:
1402:
1396:
1395:
1393:
1391:
1376:
1370:
1369:
1367:
1365:
1351:
1345:
1344:
1342:
1340:
1326:
1320:
1319:
1317:
1315:
1301:
1295:
1290:
1284:
1279:
1273:
1272:
1270:
1268:
1259:. Archived from
1249:
1243:
1230:
1224:
1223:
1221:
1219:
1196:
1190:
1189:
1178:
1172:
1159:
1153:
1146:
1140:
1129:
1123:
1104:
1098:
1085:
1079:
1078:
1071:
1065:
1045:
1032:
1031:
1029:
1027:
1012:
1006:
987:
978:
977:
959:
953:
952:
950:
948:
941:Grove Art Online
937:"Parsons, Betty"
932:
923:
922:
914:
908:
907:
905:
903:
884:
878:
877:
875:
873:
854:
841:
840:
822:
816:
815:
813:
811:
792:
781:
780:
762:
756:
755:
753:
751:
732:
723:
722:
720:
718:
708:
700:
694:
693:
691:
689:
674:
668:
667:
665:
663:
646:
605:
327:Theodoros Stamos
311:Peggy Guggenheim
302:East 57th Street
282:Theodoros Stamos
251:Gallery employee
245:Great Depression
168:
149:
147:
91:
76:January 31, 1900
75:
73:
46:
32:
31:
21:
1590:
1589:
1585:
1584:
1583:
1581:
1580:
1579:
1525:
1524:
1496:Wayback Machine
1480:
1475:
1474:
1464:
1462:
1454:
1453:
1449:
1442:
1428:
1424:
1414:
1412:
1404:
1403:
1399:
1389:
1387:
1378:
1377:
1373:
1363:
1361:
1355:"Betty Parsons"
1353:
1352:
1348:
1338:
1336:
1330:"Betty Parsons"
1328:
1327:
1323:
1313:
1311:
1303:
1302:
1298:
1291:
1287:
1280:
1276:
1266:
1264:
1253:"Betty Parsons"
1251:
1250:
1246:
1241:Wayback Machine
1231:
1227:
1217:
1215:
1197:
1193:
1180:
1179:
1175:
1169:Wayback Machine
1160:
1156:
1152:, January 1976.
1147:
1143:
1130:
1126:
1115:Wayback Machine
1105:
1101:
1095:Wayback Machine
1086:
1082:
1073:
1072:
1068:
1056:Wayback Machine
1046:
1035:
1025:
1023:
1014:
1013:
1009:
998:Wayback Machine
988:
981:
974:
960:
956:
946:
944:
933:
926:
916:
915:
911:
901:
899:
886:
885:
881:
871:
869:
856:
855:
844:
837:
823:
819:
809:
807:
794:
793:
784:
777:
763:
759:
749:
747:
734:
733:
726:
716:
714:
706:
702:
701:
697:
687:
685:
676:
675:
671:
661:
659:
647:
634:
629:
621:New York School
612:
602:
569:
567:Further reading
510:
475:
454:
438:Jack Youngerman
426:Leon Polk Smith
331:Ellsworth Kelly
319:William Congdon
307:Jackson Pollock
298:
274:Alfonso Ossorio
270:Adolph Gottlieb
253:
191:
162:
151:
143:
139:
136:
96:
93:
89:
80:
77:
71:
69:
68:
67:
57:
37:
28:
23:
22:
15:
12:
11:
5:
1588:
1578:
1577:
1572:
1567:
1562:
1557:
1552:
1547:
1542:
1537:
1523:
1522:
1516:
1510:
1498:
1486:
1479:
1478:External links
1476:
1473:
1472:
1447:
1440:
1422:
1397:
1371:
1346:
1321:
1296:
1285:
1274:
1244:
1225:
1191:
1173:
1154:
1141:
1124:
1099:
1088:Barnett Newman
1080:
1066:
1033:
1007:
979:
972:
954:
924:
909:
879:
842:
835:
817:
782:
775:
757:
724:
695:
669:
631:
630:
628:
625:
624:
623:
618:
611:
608:
607:
606:
600:
582:
578:Art in America
568:
565:
509:
506:
474:
471:
459:Richard Tuttle
453:
450:
430:Richard Tuttle
391:B. H. Friedman
359:Barnett Newman
323:Clyfford Still
297:
294:
286:Joseph Cornell
266:Saul Steinberg
252:
249:
214:Gutzon Borglum
190:
187:
170:
169:
157:
153:
152:
141:
137:
134:
133:
131:
127:
126:
121:
117:
116:
110:
109:Known for
106:
105:
102:
98:
97:
94:
92:(aged 82)
86:
82:
81:
78:
65:
63:
59:
58:
47:
39:
38:
35:
26:
9:
6:
4:
3:
2:
1587:
1576:
1573:
1571:
1568:
1566:
1563:
1561:
1558:
1556:
1553:
1551:
1548:
1546:
1543:
1541:
1538:
1536:
1533:
1532:
1530:
1520:
1517:
1514:
1511:
1509:
1505:
1502:
1499:
1497:
1493:
1490:
1487:
1485:
1482:
1481:
1461:
1457:
1451:
1443:
1441:9780300208429
1437:
1433:
1426:
1411:
1407:
1401:
1385:
1381:
1375:
1360:
1356:
1350:
1335:
1331:
1325:
1310:
1306:
1300:
1294:
1289:
1283:
1278:
1262:
1258:
1254:
1248:
1242:
1238:
1235:
1229:
1214:
1210:
1206:
1202:
1195:
1187:
1183:
1177:
1170:
1166:
1163:
1158:
1151:
1145:
1138:
1134:
1128:
1121:
1120:
1116:
1112:
1109:
1103:
1096:
1092:
1089:
1084:
1076:
1075:"Sari Dienes"
1070:
1063:
1062:
1057:
1053:
1050:
1044:
1042:
1040:
1038:
1021:
1017:
1011:
1004:
1003:
999:
995:
992:
986:
984:
975:
969:
965:
958:
942:
938:
931:
929:
920:
913:
897:
893:
889:
883:
867:
863:
859:
853:
851:
849:
847:
838:
832:
828:
821:
805:
801:
797:
791:
789:
787:
778:
776:0-8109-3712-3
772:
768:
761:
745:
741:
737:
731:
729:
712:
705:
699:
683:
679:
673:
658:
657:
652:
645:
643:
641:
639:
637:
632:
622:
619:
617:
614:
613:
603:
601:9780810937123
597:
593:
592:
587:
583:
580:
579:
574:
571:
570:
564:
562:
558:
557:
551:
549:
545:
540:
538:
534:
529:
527:
523:
519:
515:
505:
502:
500:
496:
492:
486:
484:
480:
470:
468:
464:
460:
449:
447:
443:
439:
435:
434:Robert Yasuda
431:
427:
423:
419:
415:
411:
407:
403:
399:
394:
392:
389:
385:
381:
377:
372:
368:
364:
360:
356:
355:Judith Godwin
352:
348:
344:
340:
336:
332:
328:
324:
320:
316:
312:
308:
303:
293:
292:her artists.
289:
287:
283:
279:
275:
271:
267:
261:
259:
248:
246:
241:
239:
235:
234:Ossip Zadkine
231:
230:Auguste Rodin
227:
223:
217:
215:
211:
207:
206:Chapin School
202:
201:, and Paris.
200:
196:
186:
184:
180:
176:
175:Betty Parsons
166:
161:
158:
154:
132:
128:
125:
122:
118:
114:
111:
107:
103:
99:
88:July 23, 1982
87:
83:
64:
60:
55:
51:
45:
40:
36:Betty Parsons
33:
30:
19:
1503:
1463:. Retrieved
1459:
1450:
1431:
1425:
1413:. Retrieved
1409:
1400:
1388:. Retrieved
1383:
1374:
1362:. Retrieved
1358:
1349:
1337:. Retrieved
1333:
1324:
1312:. Retrieved
1308:
1299:
1288:
1277:
1265:. Retrieved
1261:the original
1256:
1247:
1228:
1216:. Retrieved
1204:
1194:
1185:
1176:
1157:
1149:
1144:
1127:
1117:
1102:
1083:
1069:
1059:
1024:. Retrieved
1010:
1000:
963:
957:
945:. Retrieved
940:
918:
912:
900:. Retrieved
891:
882:
870:. Retrieved
861:
826:
820:
808:. Retrieved
799:
766:
760:
748:. Retrieved
739:
715:. Retrieved
710:
698:
686:. Retrieved
681:
678:"Adge Baker"
672:
660:. Retrieved
654:
590:
576:
573:Heléne Aylon
554:
552:
543:
541:
530:
516:, New York;
511:
503:
487:
476:
463:Cooper Union
455:
414:Agnes Martin
410:Jasper Johns
398:Mino Argento
395:
384:Sidney Janis
347:Michael Loew
343:Forrest Bess
339:Hedda Sterne
299:
290:
278:Hedda Sterne
262:
254:
242:
238:Montparnasse
218:
203:
192:
178:
174:
173:
90:(1982-07-23)
50:Lynn Gilbert
29:
1555:1982 deaths
1550:1900 births
1415:January 21,
1390:October 23,
1364:October 23,
1339:October 23,
1314:October 23,
1137:Smithsonian
862:Finding Aid
750:October 18,
740:www.anb.org
713:. Fall 1977
704:"Fall 1977"
563:in London.
442:Jack Tilton
402:José Bernal
335:Mark Rothko
313:closed her
210:Armory show
163: [
101:Nationality
1529:Categories
973:0810937123
836:0810937123
684:. ArtFacts
627:References
479:Tony Smith
388:Art critic
363:Tony Smith
351:Lyman Kipp
199:Palm Beach
160:Adge Baker
72:1900-01-31
18:Adge Baker
1465:April 27,
1213:0362-4331
586:Hall, Lee
380:Sam Kootz
371:John Cage
296:Gallerist
1492:Archived
1237:Archived
1218:April 4,
1165:Archived
1111:Archived
1091:Archived
1052:Archived
1026:July 18,
1020:Archived
994:Archived
947:June 13,
902:June 12,
896:Archived
872:June 12,
866:Archived
810:June 12,
804:Archived
744:Archived
711:Womanart
610:See also
588:(1991).
467:Ib Benoh
446:Lee Hall
406:Ib Benoh
120:Movement
113:Painting
104:American
1267:May 11,
919:ARTnews
717:July 5,
688:July 5,
662:July 5,
656:ARTnews
559:at the
195:Newport
156:Partner
150:
142:
138:
1438:
1211:
970:
833:
773:
682:Artist
598:
508:Legacy
309:after
284:, and
232:) and
177:(born
130:Spouse
56:(1977)
707:(PDF)
167:]
144:(
140:
1506:the
1467:2023
1436:ISBN
1417:2022
1392:2023
1366:2023
1341:2023
1316:2023
1269:2012
1220:2022
1209:ISSN
1131:The
1028:2016
968:ISBN
949:2012
904:2012
874:2012
831:ISBN
812:2012
771:ISBN
752:2017
719:2022
690:2022
664:2022
596:ISBN
382:and
85:Died
62:Born
535:by
1531::
1458:.
1408:.
1382:.
1357:.
1332:.
1307:.
1255:.
1207:.
1203:.
1184:.
1135:,
1058:"
1036:^
1018:.
982:^
939:.
927:^
890:.
860:.
845:^
798:.
785:^
742:.
738:.
727:^
709:.
680:.
653:.
635:^
550:.
539:.
528:.
436:,
432:,
428:,
424:,
416:,
412:,
408:,
404:,
400:,
386:.
353:,
349:,
345:,
341:,
337:,
333:,
329:,
325:,
321:,
288:.
280:,
276:,
272:,
268:,
197:,
165:fr
146:m.
1469:.
1444:.
1419:.
1394:.
1368:.
1343:.
1318:.
1271:.
1222:.
1188:.
1122:.
1077:.
1064:.
1030:.
1005:.
976:.
951:.
906:.
876:.
839:.
814:.
779:.
754:.
721:.
692:.
666:.
604:.
74:)
70:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
