Abbas Kiarostami - Knowledge

1777:, a fellow filmmaker and close friend, quoted Kiarostami on his Facebook wall on 8 June 2016: "I do not believe I could stand and direct any more films. They destroyed it ." After this comment, a campaign was set up by Iranians on both Twitter and Facebook to investigate the possibility of medical error during Kiarostami's procedure. However, Ahmad Kiarostami, his eldest son, denied any medical error in his father's treatment after Shirvani's comment and said that his father's health was no cause for alarm. After Kiarostami's death, Head of the Iranian Medical Council Dr. Alireza Zali sent a letter to his French counterpart, Patrick Bouet, urging him to send Kiarostami's medical file to Iran for further investigation. Nine days after Kiarostami's death, on 13 July 2016, his family issued a formal complaint of medical maltreatment through Kiarostami's personal doctor. 2082: 326: 1453: 1790: 49: 1919: 1108: 997:, revealing an unusual method of filmmaking and abandoning many scriptwriting conventions. Kiarostami focused on the socio-political landscape of Iran. The images are seen through the eyes of one woman as she drives through the streets of Tehran over a period of several days. Her journey is composed of ten conversations with various passengers, which include her sister, a hitchhiking prostitute, and a jilted bride and her demanding young son. This style of filmmaking was praised by a number of critics. 1027:. Although the film lacks a clear storyline, Geoff Andrew argues that the film is "more than just pretty pictures". He adds, "Assembled in order, they comprise a kind of abstract or emotional narrative arc, which moves evocatively from separation and solitude to community, from motion to rest, near-silence to sound and song, light to darkness and back to light again, ending on a note of rebirth and regeneration."He notes the degree of artifice concealed behind the apparent simplicity of the imagery. 300: 1303:, which included a myriad of references to his own film material, connecting common themes and subject matter between each of the films. Stephen Bransford has contended that Kiarostami's films do not contain references to the work of other directors, but are fashioned in such a manner that they are self-referenced. Bransford believes his films are often fashioned into an ongoing dialectic with one film reflecting on and partially demystifying an earlier film. 7093: 1344: 5671: 1593: 775:, conning a family into believing they would star in his new film. The family suspects theft as the motive for this charade, but the impersonator, Hossein Sabzian, argues that his motives were more complex. The part-documentary, part-staged film examines Sabzian's moral justification for usurping Makhmalbaf's identity, questioning his ability to sense his cultural and artistic flair. Ranked No. 42 in 449: 1434:

assertion. This thought—which, for me, is the very thought of this film —is a difficult thought, perhaps the most difficult. It's a slow thought, always underway, fraying a path so that the path itself becomes thought. It is that which frays images so that images become this thought, so that they become the evidence of this thought—and not to "represent" it.

820:. The film follows a father and his young son as they drive from Tehran to Koker in search of two young boys who they fear might have perished in the 1990 earthquake. As the father and son travel through the devastated landscape, they meet earthquake survivors forced to carry on with their lives amid disaster. That year Kiarostami won a 327: 1573:. While acknowledging substantial cultural differences, much of Western critical writing about Kiarostami positions him as the Iranian equivalent of such directors, by virtue of a similarly austere, "spiritual" poetics and moral commitment. Some draw parallels between certain imagery in Kiarostami's films with that of 1934:, where he began his film-making career some 40 years before. Attendees held banners with the titles of his movies and pictures of his most famous posters, as they praised the support Kiarostami contributed to culture, and particularly to filmmaking in Iran. The ceremony was hosted by famous Iranian actor 1335:, Kiarostami consistently tried to redefine film by forcing the increased involvement of the audience. In his later years, he also progressively trimmed the timespan within his films. Akrami thinks that this reduces filmmaking from a collective endeavor to a purer, more basic form of artistic expression. 1438:

In other words, wanting to accomplish more than just represent life and death as opposing forces, but rather to illustrate the way in which each element of nature is inextricably linked, Kiarostami devised a cinema that does more than just present the viewer with the documentable "facts," but neither

2140:

organized a workshop as well as the festival of Kiarostami's work, titled "Abbas Kiarostami: Visions of the Artist". Ben Gibson, Director of the London Film School, said, "Very few people have the creative and intellectual clarity to invent cinema from its most basic elements, from the ground up. We

439:

in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play

2093:

While Kiarostami has won significant acclaim in Europe for several of his films, the Iranian government has refused to permit the screening of his films, to which he responded "The government has decided not to show any of my films for the past 10 years... I think they don't understand my films and

2018:

Kiarostami has received worldwide acclaim for his work from both audiences and critics, and, in 1999, he was voted the most important Iranian film director of the 1990s by two international critics' polls. Four of his films were placed in the top six of Cinematheque Ontario's Best of the '90s poll.

1660:, has studied the relations and interconnections between Kiarostami's poems and his films. The results of the analysis reveal how Kiarostami's treatment of "uncertain reality" is similar in his poems and films. Kiarostami's poetry is reminiscent of the later nature poems of the Persian painter-poet 558:

was my first experience in cinema and I must say a very difficult one. I had to work with a very young child, a dog, and an unprofessional crew except for the cinematographer, who was nagging and complaining all the time. Well, the cinematographer, in a sense, was right because I did not follow the

1433:

Existence resists the indifference of life-and-death, it lives beyond mechanical "life," it is always its own mourning, and its own joy. It becomes figure, image. It does not become alienated in images, but it is presented there: the images are the evidence of its existence, the objectivity of its

1142:

is the deconstructed portrait of a marriage, acted with well-intentioned fervour by Juliette Binoche, but persistently baffling, contrived, and often simply bizarre – a highbrow misfire of the most peculiar sort." He concluded that the film is "unmistakably an example of Kiarostami's compositional

2061:

have argued that "there's no getting around the fact that the movies of Abbas Kiarostami divide audiences—in this country, in his native Iran, and everywhere else they're shown." Rosenbaum argues that disagreements and controversy over Kiarostami's movies have arisen from his style of film-making

1747:. On 3 April 2016, Reza Paydar, the director of Kiarostami's medical team, made a statement denying that the filmmaker had cancer. However, in late June he left Iran for treatment in a Paris hospital, where he died on 4 July 2016. The week before his death, Kiarostami had been invited to join the 1443:

means more than simply life, it is projective, containing an irreducibly fictive element, but in this "being more than" life, it is therefore contaminated by mortality. Nancy is giving a clue, in other words, toward the interpretation of Kiarostami's statement that lying is the only way to truth.

5686: 1722:

When you take a tree that is rooted in the ground and transfer it from one place to another, the tree will no longer bear fruit. And if it does, the fruit will not be as good as it was in its original place. This is a rule of nature. I think if I had left my country, I would be the same as the

688:

The film tells a simple account of a conscientious eight-year-old schoolboy's quest to return his friend's notebook in a neighboring village lest his friend be expelled from school. The traditional beliefs of Iranian rural people are portrayed. The film has been noted for its poetic use of the

583:

tells the story of Qassem Julayi, a troubled and troublesome boy from a small Iranian city. Intent on attending a football match in far-off Tehran, he scams his friends and neighbors to raise money, and journeys to the stadium in time for the game, only to meet with an ironic twist of fate. In

1287:

of his hand as he enters the house and closes the door, followed by a shot of the dog, Kiarostami believed that if the three scenes could be captured as a whole it would have a more profound impact in creating tension over the situation. That one shot took around forty days to complete until

758: 1515:, classical Persian poetry is directly quoted in the film, highlighting the artistic link and intimate connection between them. This in turn reflects on the connection between the past and present, between continuity and change. The characters recite poems mainly from classical Persian poet 623: 1816:

echoed the sentiment, saying Iran's cinema owes its global reputation to his fellow director, but that this visibility did not translate into greater visibility for his work in his homeland. "Kiarostami gave the Iranian cinema the international credibility that it has today," he told

1664:. On the other hand, the succinct allusion to philosophical truths without the need for deliberation, the non-judgmental tone of the poetic voice, and the structure of the poem—absence of personal pronouns, adverbs, or over-reliance on adjectives—as well as the lines containing a 1531:

has a long shot of a wheat field with rippling golden crops through which the doctor, accompanied by the filmmaker, is riding his scooter in a twisting road. In response to the comment that the other world is a better place than this one, the doctor recites this poem of Khayyam:

1393:) that it is the fiction of a documentary (in fact, Kiarostami shot the film several months after the earthquake), and that it is rather a document about "fiction": not in the sense of imagining the unreal, but in the very specific and precise sense of the technique, of the 1009:

wrote that Kiarostami, "in addition to being perhaps the most internationally admired Iranian filmmaker of the past decade, is also among the world masters of automotive cinema...He understands the automobile as a place of reflection, observation and, above all, talk."

5910: 3779: 434:

Kiarostami had a reputation for using child protagonists, for documentary-style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of

6593:

Tanya Shilina-Conte, "Abbas Kiarostami's 'Lessons of Darkness:’ Affect, Non-Representation, and Becoming-Imperceptible". Special Issue on "Abbas Kiarostami". Iran Namag, A Quarterly of Iranian Studies 2, no. 4 (Winter 2017/2018), University of Toronto,

10211:

Contemporary Persian and Classical Persian are the same language, but writers since 1900 are classified as contemporary. At one time, Persian was a common cultural language of much of the non-Arabic Islamic world. Today it is the official language of

1552:

It has been argued that the creative merit of Kiarostami's adaptation of Sohrab Sepehri and Forough Farrokhzad's poems extends the domain of textual transformation. Adaptation is defined as the transformation of a prior to a new text. Sima Daad of the

5883: 987:

chief programmer, Geoff Andrew, said in referring to the film: "Like his previous four features, this film is not about death but life-and-death: how they're linked, and what attitude we might adopt with regard to their symbiotic inevitability."

971:. The trip was originally intended as research in preparation for the filming, but Kiarostami ended up editing the entire film from the video footage shot there. The high number of orphans in Uganda has resulted from the deaths of parents in the 1910:. They then allowed the waves of the Seine to carry away photos of Kiarostami that the crowd had left floating on the river. It was a symbolic moment of saying goodbye to a film director that many Iranians have come to passionately appreciate. 1120:(2010), again starring Juliette Binoche, was made in Tuscany and was Kiarostami's first film to be shot and produced outside Iran. The story of an encounter between a British man and a French woman, it was entered in competition for the 5746: 584:

addressing the boy's determination to reach his goal, alongside his indifference to the effects of his amoral actions, the film examined human behavior and the balance of right and wrong. It furthered Kiarostami's reputation for

725:, in which 40,000 people died. Kiarostami uses the themes of life, death, change, and continuity to connect the films. The trilogy was successful in France in the 1990s and other Western European countries such as the 332:; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including 2062:

because what in Hollywood would count as essential narrative information is frequently missing from Kiarostami's films. Camera placement, likewise, often defies standard audience expectations: in the closing sequences of

518:, Kiarostami helped set up a filmmaking department at the Institute for Intellectual Development of Children and Young Adults (Kanun) in Tehran. Its debut production, and Kiarostami's first film, was the twelve-minute 1718:, when many of his peers fled the country. He believes that it was one of the most important decisions of his career. His permanent base in Iran and his national identity have consolidated his ability as a filmmaker: 1639:, a collection of over thirty photographs, mostly of snow landscapes, taken in his hometown Tehran, between 1978 and 2003. In 1999, he also published a collection of his poems. Kiarostami also produced Mozart's opera 1929:

Artists, cultural authorities, government officials, and the Iranian people gathered to say goodbye to Kiarostami on 10 July in an emotional funeral, six days after his death in France. The ceremony was held at the

1827:'s 22nd niece Esin Celebi also expressed her condolences over the demise of Kiarostami in a separate message. Iran's representative office at the United Nations Educational, Scientific and Cultural Organization, 1823:. "But his films were unfortunately not seen as much in Iran. He changed the world's cinema; he freshened it and humanized it in contrast with Hollywood's rough version." Persian mystic and poet 1299:

scenes or complicated chase scenes in large-scale productions, instead attempting to mold the medium of film to his own specifications. Kiarostami appeared to have settled on his style with the

10336: 1931: 2113:, who had invited him said, "It's a terrible sign of what's happening in my country today that no one seems to realize or care about the kind of negative signal this sends out to the entire 5741: 1314:

filmed them while they drove around Tehran. The camera was allowed to roll, capturing the faces of the people involved during their daily routine, using a series of extreme-close shots.

5597: 2039:

passed on, I was very depressed. But after seeing Kiarostami's films, I thanked God for giving us just the right person to take his place." Critically acclaimed directors such as

909:

It is the drama of a man, Mr. Badii, determined to commit suicide. The film involved themes such as morality, the legitimacy of the act of suicide, and the meaning of compassion.

475:

and creating commercials. Between 1962 and 1966, he shot around 150 advertisements for Iranian television. In the late 1960s, he began creating credit titles for films (including

464:. His first artistic experience was painting, which he continued into his late teens, winning a painting competition at the age of 18 shortly before he left home to study at the 1838:

said on Twitter that the director's "different and profound attitude towards life and his invitation to peace and friendship" would be a "lasting achievement." Foreign Minister

1580:

While most English-language writers, such as David Sterritt and the Spanish film professor Alberto Elena, interpret Kiarostami's films as spiritual, other critics, including

930:

village. An unusual feature of the movie is that many of the characters are heard but not seen; at least thirteen to fourteen speaking characters in the film are never seen.

7613: 2078:, parts of the soundtrack are masked or silenced. Critics have argued that the subtlety of Kiarostami's cinematic expression is largely resistant to critical analysis. 7469: 1557:

contends that Kiarostami's adaptation arrives at the theoretical realm of adaptation by expanding its limit from inter-textual potential to trans-generic potential.

1070:, with themes of female self-sacrifice. The film has been described as "a compelling exploration of the relationship between image, sound and female spectatorship." 1362:

Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements (

7303: 3496: 3029: 4626: 431:

movement that started in the late 1960s and emphasized the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

3743:

Mohammed Afkhami, Sussan Babaie, Venetia Porter, Natasha Morris. "Honar: The Afkhami Collection of Modern and Contemporary Iranian Art." Phaidon Press, 2017.

2204:

Kiarostami has won the admiration of audiences and critics worldwide and received at least seventy awards up to the year 2000. Here are some representatives:

1310:, which was filmed in a moving automobile in which Kiarostami was not present. He gave suggestions to the actors about what to do, and a camera placed on the 7129: 1320: 1739:

In March 2016, Kiarostami was hospitalized due to intestinal bleeding and reportedly went into a coma after undergoing two operations. Sources, including a

9720: 7521: 7515: 7451: 7391: 5186: 844:

as "diagrammatical", linking the zig-zagging patterns in the landscape and the geometry of forces of life and the world. A flashback of the zigzag path in

5991: 5653: 4422: 7503: 4569: 1019:, a poetic feature with no dialogue or characterization. It consists of five long shots of nature which are single-take sequences, shot with a hand-held 532:

followed in 1972. The department became one of Iran's most noted film studios, producing not only Kiarostami's films but acclaimed Persian films such as

6076: 10351: 1968:, accused Kiarostami of plagiarism, stating that he edited private footage shot by Akbari into the film without her permission. In her 2019 short film 5830: 7138: 5937: 3710:(poetry by Rumi) (four volumes) (Persian / English dual language), English Translation by Iman Tavassoly and Paul Cronin, Sticking Place Books (2016) 6221: 6179: 5340:

Karimi-Hakkak, Ahmad. "From Kinetic Poetics to a Poetic Cinema: Abbas Kiarostami and the Esthetics of Persian Poetry." University of Maryland (2005)

4271: 3970: 5812: 5494: 5414: 3909: 7606: 6404: 5444: 5351: 5055: 3891: 1985: 1740: 1353: 962: 6377: 4496: 5126: 689:

Iranian rural landscape and its realism, both important elements of Kiarostami's work. Kiarostami made the film from a child's point of view.

5618: 4999: 4038: 10361: 10341: 8165: 1771:

on 8 July 2016, while a crowd of Iranian film directors, actors, actresses and other artists were in Tehran airport to pay their respects.

1624:, painting, or photography. They expressed their interpretation of the world and their understanding of our preoccupations and identities. 1348: 10261: 5635: 5594: 737:(1997) comprise a trilogy, given their common theme of the preciousness of life. In 1987, Kiarostami was involved in the screenwriting of 7296: 6049: 4177: 3819: 1425:, rather than as documentary or imagination, is tied to the way Kiarostami deals with life-and-death (cf. the remark by Geoff Andrew on 8218: 7599: 6656: 4011: 3696:(poetry by Saadi) (Persian / English dual language), English Translation by Iman Tavassoly and Paul Cronin, Sticking Place Books (2015) 3689:(poetry by Hafez) (Persian / English dual language), English Translation by Iman Tavassoly and Paul Cronin, Sticking Place Books (2015) 4713: 4358: 3703:(poetry by Nima) (Persian / English dual language), English Translation by Iman Tavassoly and Paul Cronin, Sticking Place Books (2015) 10321: 7122: 6351: 1222: 1148: 780: 6614:

Andreas Kramer, Jan Röhnert (ed.), Poetry and Film / Lyrik und Film. Abbas Kiarostami and / und Jim Jarmusch, Frankfurt am Main 2020

6122: 4859: 4447: 4072: 1460:

The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. In the

10331: 10316: 10266: 3724:(two volumes) (Persian / English Dual Language), English Translation by Iman Tavassoly and Paul Cronin, Sticking Place Books (2016) 3717:(two volumes) (Persian / English Dual Language), English Translation by Iman Tavassoly and Paul Cronin, Sticking Place Books (2016) 2250: 1565:

Kiarostami's "complex" sound-images and philosophical approach have caused frequent comparisons with "mystical" filmmakers such as

5843: 1226: 1147:, however, praised the film, noting that "Kiarostami is rather brilliant in the way he creates offscreen spaces." Binoche won the 419:, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and 10286: 10276: 5082: 4973: 4217: 2351: 2190:. Founded by the director Martin Scorsese, its goal is to find and reconstruct world cinema films that have been long neglected. 5778: 2342:

Lifetime Achievement Award for Contribution to World Cinematography (BIAFF – Batumi International Art-house film Festival, 2010)

7289: 6686: 5026: 4551: 4533: 4381: 2199: 2141:

are very lucky to have the chance to see a master like Kiarostami thinking on his feet." He was later made Honorary Associate.

1781:, another famous Iranian cinema director, also criticized the medical team that treated Kiarostami and demanded legal action. 10356: 10281: 10256: 6609: 6571: 6554: 6540: 6526: 6495: 4926: 4770: 3748: 3558: 1306:

He continued experimenting with new modes of filming, using different directorial methods and techniques. A case in point is

1288:

Kiarostami was fully content with the scene. Kiarostami later commented that the breaking of scenes would have disrupted the

636:(1977). With a 112-minute runtime, it was considerably longer than his previous work. The film revolved around the life of a 3851: 1230: 468:

School of Fine Arts. He majored in painting and graphic design and supported his studies by working as a traffic policeman.

10346: 7670: 7115: 2081: 2006:

In 2022, Akbari accused Kiarostami of raping her twice, in Tehran when she was 25 and he was about 60, and in London after

1679:

Kiarostami's three volumes of original verse, plus his selections from classical and contemporary Persian poets, including

1500: 1283:

about how to film the boy and the attacking dog. While the cinematographer wanted separate shots of the boy approaching, a

5869: 5855: 5575: 1755:

judges. Ali Ahani, Iran's ambassador to France stated that Kiarostami's body would be transferred to Iran to be buried at

10371: 10306: 6676: 6278: 5793: 5240: 3553: : French translation by Tayebeh Hashemi and Jean-Restom Nasser, ÉRÈS (PO&PSY); Bilingual edition (3 June 2010) 2358: 2326: 2306: 1768: 1657: 1246: 1218: 1206:

Jury in Cannes Film Festival 2005. He was announced as the president of the Cinéfondation and short film sections of the

7962: 1488:, suggests the mutual existence of life with its endless possibilities, and death as a factual moment of anyone's life. 10296: 5270: 4618: 10366: 7662: 7622: 7312: 6512: 6481: 6467: 6449: 5227: 4203: 4099: 3877: 3682:(Persian / English dual language), English Translation by Iman Tavassoly and Paul Cronin, Sticking Place Books (2015) 3675:(Persian / English dual language), English Translation by Iman Tavassoly and Paul Cronin, Sticking Place Books (2015) 3668:(Persian / English dual language), English Translation by Iman Tavassoly and Paul Cronin, Sticking Place Books (2015) 3658: 3644: 3630: 3608: 3590: 3572: 1465: 1369:

The boundary between fiction and non-fiction is significantly reduced in Kiarostami's cinema. The French philosopher

733:. But, Kiarostami did not consider the three films to comprise a trilogy. He suggested that the last two titles plus 722: 7107: 4518: 1946:, who stressed his professional abilities. He was later buried in a private ceremony in the northern Tehran town of 10326: 8601: 8213: 8158: 6766: 6145: 4760: 1480:

Some film critics believe that the assemblage of light versus dark scenes in Kiarostami's film grammar, such as in

1397:

of constructing images. For the image by means of which, each time, each opens a world and precedes himself in it (

380: 5762: 5724: 4649: 1452: 926:, addressing themes of gender equality and the benefits of progress, by means of a stranger's sojourn in a remote 10291: 10271: 10182: 9613: 7543: 6597: 2546: 824:, the first professional film award of his career, for his direction of the film. The last film of the so-called 681: 171: 6604:, exh. cat. Situation Kunst Bochum, Museum Wiesbaden, Kunstsammlungen Chemnitz (Ostfildern: Hatje Cantz, 2012), 10311: 10301: 9253: 8764: 8273: 7742: 6649: 2043:

have commented that "Kiarostami represents the highest level of artistry in the cinema." The Austrian director

946:

Prize for lifetime achievement in directing, but surprised everyone by giving it away to veteran Iranian actor

685:(1987) that he began to gain recognition outside Iran. These films created the basis of his later productions. 4577: 4432: 1318:

was an experiment that used digital cameras to virtually eliminate the director. This new direction towards a

9361: 6916: 6084: 4477: 3213: 2273: 1088: 603: 1984:

were filmed without her knowledge. In 2022, Akbari and Maher revealed that they had been asking distributor

6681: 6023: 668: 494: 5111:

Ganz, A. & Khatib, L. (2006) "Digital Cinema: The transformation of film practice and aesthetics," in

10045: 9064: 8543: 8151: 6870: 6229: 4799: 4278: 3974: 3913: 3086: 1767:, based on his own will, after it was flown back to Tehran from Paris. His body was returned to Tehran's 1332: 1153: 939: 374: 8278: 5498: 5418: 4407: 4181: 852:

from 1987, shot before the earthquake. This symbolically links to the post-earthquake reconstruction in

10376: 9336: 9142: 7573: 7555: 5130: 3895: 2175: 592:

simplicity, and stylistic complexity, as well as his fascination with physical and spiritual journeys.

540: 6381: 5813:"Abbas Kiarostami: a highly sophisticated, self-possessed master of cinematic poetry – Peter Bradshaw" 5448: 5355: 5059: 1503:, argues that one aspect of Kiarostami's cinematic style is that he is able to capture the essence of 10241: 9366: 8293: 8237: 7096: 6642: 6204: 6200: 4888: 4500: 2635: 1405:) (as are those of dreams, phantasms or bad films): it is to be invented, cut and edited. Thus it is 1207: 1199: 1195: 1191: 1125: 899: 812: 363: 4826: 4307: 4154: 1627:

Kiarostami was a noted photographer and poet. A bilingual collection of more than 200 of his poems,

1429:, cited above, to the effect that Kiarostami's films are not about death but about life-and-death): 1233:

in 2011. He also made regular appearances at many other film festivals across Europe, including the

9866: 9809: 9750: 8824: 8647: 8078: 7726: 6718: 6171: 5469: 2423: 1842:

also said Kiarostami's death was a loss for international cinema. In a statement, French President

1632: 1554: 571: 965:, to film a documentary about programs assisting Ugandan orphans. He stayed for ten days and made 471:

As a painter, designer, and illustrator, Kiarostami worked in advertising in the 1960s, designing

10131: 9735: 9730: 9715: 9626: 9126: 7077: 7034: 6930: 6798: 6742: 6408: 5380: 5003: 4131: 3736: 2966: 2695: 2668: 2484: 2345: 2187: 2161: 1812:– who had been due to fly to Paris to visit his friend – said he was "very sad, in total shock". 1744: 1074: 869: 707: 642: 585: 185: 7754: 5548: 3619: 1789: 9583: 9134: 9051: 8857: 7822: 7019: 6996: 6956: 6814: 6734: 4831: 3390: 3126: 2780: 2464: 2319: 2296: 2122: 2106: 1996: 1650: 1229:

in 2004, the Capalbio Cinema Festival in 2007 (in which he was president of the jury), and the

1096: 914: 776: 632: 378:(2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films 348: 199: 7379: 6980: 1507:

and create poetic imagery within the landscape of his films. In several of his movies such as

1468:

disaster, they also represent the power of human resilience to overcome and defy destruction.

885: 9976: 9804: 9781: 9636: 9383: 8563: 8334: 8253: 7982: 7421: 6949: 6862: 6710: 4916: 4335: 3826: 3370: 3066: 2399: 1234: 1116: 771:(1990), which narrates the story of the real-life trial of a man who impersonated film-maker 662: 640:

accused of accepting bribes; suicide was among its themes. In 1979, he produced and directed

565: 534: 368: 6304: 6251: 5740: 4015: 2047:

had admired the work of Abbas Kiarostami as among the best of any living director. In 2006,

10251: 10246: 10016: 9881: 9861: 9799: 9558: 9228: 8893: 8878: 8808: 8787: 8769: 8714: 8596: 8527: 8410: 8203: 8198: 8187: 8014: 7782: 7473: 6782: 6774: 5962: 4717: 4600: 4366: 2821: 2614: 2593: 2260: 2243: 2159:

Kiarostami and his cinematic style have been the subject of several books and three films,

2145: 2098: 2070:, the audience is forced to imagine the dialogue and circumstances of important scenes. In 1839: 1617: 1581: 1413:

at my street on which I walk up and down ten times a day, I construct for an instant a new

1214: 1187: 919: 767: 745: 465: 453: 398: 342: 178: 121: 20: 6355: 3600: 2217: 2054:

s panel of critics ranked Kiarostami as the best contemporary non-American film director.

1843: 1324:

is defined as a micro-budget filmmaking practice, allied with a digital production basis.

8: 9941: 9680: 9598: 9450: 9435: 9351: 9258: 9215: 9059: 8722: 7898: 7886: 7373: 7257: 7024: 6963: 6897: 6329: 6112: 4672: 4451: 4076: 3582: 3464: 2573: 2336: 2223: 2094:

so prevent them being shown just in case there is a message they don't want to get out".

1903:

paid tribute to Kiarostami: "a sophisticated, self-possessed master of cinematic poetry"

1867: 1846:

praised the director for forging "close artistic ties and deep friendships" with France.

1727:

Kiarostami frequently wore dark spectacles or sunglasses, which he required because of a

1609: 1496: 739: 520: 514: 7738: 6053: 4225: 1808:

said he was "deeply shocked and saddened" by the news. Oscar-winning Iranian film-maker

10085: 10070: 10040: 9901: 9745: 9486: 9404: 9291: 9273: 8774: 8675: 8430: 8369: 8324: 8283: 8268: 8174: 7874: 7646: 6583: 6300: 5323: 3944: 2208: 2180: 2137: 2130: 2058: 1851: 1715: 1524: 1504: 1272:, his films exhibit a singular style, often employing techniques of his own invention. 1084: 1067: 1063: 1005: 979: 972: 821: 436: 7946: 5153: 5090: 4977: 1918: 1366:). Kiarostami has stated, "We can never get close to the truth except through lying." 10151: 10090: 9996: 9961: 9946: 9931: 9842: 9705: 9618: 9578: 9563: 9481: 9476: 9389: 9296: 9248: 8990: 8842: 8779: 8632: 8576: 8405: 8248: 8118: 7854: 7802: 7774: 7539: 7491: 7415: 7403: 7361: 7245: 7179: 7149: 7137: 7039: 6629: 6605: 6567: 6550: 6536: 6522: 6508: 6491: 6477: 6463: 6445: 5352:"Adaption, Fidelity, and Transformation: Kiarostami and the Modernist Poetry of Iran" 5327: 5278: 5223: 4922: 4766: 4046: 3948: 3744: 3654: 3640: 3626: 3604: 3586: 3568: 3554: 2720: 2302: 1935: 1824: 1813: 1774: 1708: 1167: 1020: 947: 875: 788: 772: 283: 48: 7281: 7203: 5306:

Khatereh Sheibani (2006). "Kiarostami and the Aesthetics of Modern Persian Poetry".

4537: 4385: 3731:, English Translation by Iman Tavassoly and Paul Cronin, Sticking Place Books (2016) 2286: 2118: 1995:

to halt circulation of the film, to which MK2 has yet to respond. Consequently, the

1641: 1203: 1107: 1079: 10172: 10001: 9991: 9936: 9916: 9896: 9891: 9824: 9700: 9667: 9603: 9501: 9496: 9331: 9243: 9210: 8998: 8888: 8670: 8313: 8122: 8002: 7990: 7906: 7870: 7722: 7674: 7439: 7427: 7269: 7239: 6942: 6878: 6838: 6790: 5993:Η σκηνοθέτρια Μάνια Ακμπάρι κατηγορεί τον Αμπάς Κιαροστάμι για βιασμό και λογοκλοπή 5938:"Amina Maher's "Letter to My Mother" is a courageous and unflinching self-portrait" 5521: 5315: 4555: 3936: 3149: 2883: 2229: 2035:

said of Kiarostami's films: "Words cannot describe my feelings about them ... When

1939: 1879: 1696: 1566: 1261: 1162: 1059: 1015: 923: 697: 656: 525: 505: 424: 420: 404: 320: 312: 237: 1584:

and Hamish Ford, have rated the influence of spirituality in his films as lower.

1058:

which features close-ups of many notable Iranian actresses and the French actress

402:

was also ranked one of the 50 greatest movies of all time in the famous decennial

10187: 10146: 10105: 10011: 9966: 9926: 9725: 9690: 9651: 9646: 9593: 9346: 9321: 9301: 9278: 9268: 9223: 9096: 9027: 8814: 8751: 8660: 8637: 8627: 8571: 8498: 8329: 8090: 8034: 7858: 7830: 7579: 7533: 7509: 7397: 7367: 7337: 7191: 7155: 7044: 6830: 6806: 6559: 5766: 5728: 5601: 5579: 4947: 4248: 3855: 3792: 3585:

and Michael C. Beard, Harvard Film Archive; Bilingual edition (28 February 2002)

2842: 2760: 2740: 2126: 2102: 2040: 2020: 2019:

He has gained recognition from film theorists, critics, as well as peers such as

1964: 1873: 1805: 1778: 1756: 1646: 1473: 1280: 1175: 1092: 993: 904: 800: 792: 509: 354: 192: 7634: 6453: 2998: 2110: 1669: 1516: 619:, a story about three teenagers coming into conflict over a suit for a wedding. 10156: 10141: 10136: 10126: 10065: 10060: 10055: 10035: 10006: 9971: 9906: 9886: 9876: 9819: 9755: 9710: 9695: 9573: 9538: 9506: 9466: 9445: 9440: 9425: 9356: 9341: 9238: 9083: 8937: 8847: 8706: 8511: 8062: 8050: 8022: 7954: 7862: 7794: 7762: 7734: 7690: 7642: 7567: 7527: 7497: 7485: 7463: 7445: 7355: 7343: 6988: 6923: 6750: 6726: 6500: 6274: 5831:"Iran bids farewell to film director Abbas Kiarostami, darling of world cinema" 5704: 5572: 4952: 3761: 3034: 2933: 2504: 2443: 2312: 2266: 2086: 2044: 2032: 1943: 1900: 1835: 1809: 1798: 1752: 1748: 1661: 1570: 1520: 1370: 1129: 1037: 1032: 943: 674: 615: 609: 428: 6476:(Contemporary Film Directors), University of Illinois Press 2003 (paperback), 5742:"Abbas Kiarostami: Martin Scorsese pays tribute to 'one of our great artists'" 5319: 5248: 4860:"No Così relationship: visa row scuppers ENO's bid to secure Abbas Kiarostami" 1292:

and content of the film's structure, preferring to let the scene flow as one.

1265: 10235: 10192: 10177: 10100: 10095: 10080: 10075: 10050: 9911: 9871: 9789: 9641: 9631: 9608: 9588: 9491: 9420: 9371: 9306: 9263: 9035: 8950: 8927: 8922: 8852: 8834: 8819: 8804: 8800: 8727: 8642: 8548: 8519: 8482: 8456: 8415: 8303: 8110: 8106: 8098: 8030: 7998: 7930: 7918: 7914: 7890: 7866: 7842: 7770: 7758: 7718: 7682: 7331: 7233: 7221: 7060: 6854: 6758: 5654:"Tributes flow for Iranian filmmaker Abbas Kiarostami, giant of world cinema" 5282: 4942: 4050: 3615: 3106: 3046: 2681: 2648: 2559: 2525: 2239: 2166: 2024: 1692: 1377:, has argued that his films are neither quite fiction nor quite documentary. 1295:

Unlike other directors, Kiarostami showed no interest in staging extravagant

1121: 1053: 984: 894: 857: 837: 804: 796: 713: 637: 548: 482: 477: 359: 337: 299: 7591: 5705:"Abbas Kiarostami's body arrives in Tehran among mourning crowds of artists" 1707:

In 1969, Kiarostami married Parvin Amir-Gholi. They had two sons, Ahmad and

1099:

was impossible to direct because of refusal of permission to travel abroad.

1040:

set on a train traveling through Italy. The other segments were directed by

10110: 9986: 9956: 9794: 9760: 9685: 9675: 9568: 9522: 9379: 9316: 9233: 9088: 9040: 9019: 8982: 8966: 8942: 8917: 8792: 8759: 8586: 8535: 8425: 8308: 8263: 8086: 8038: 8010: 7970: 7926: 7814: 7810: 7798: 7786: 7750: 7702: 7694: 7686: 7654: 7650: 7561: 7549: 7479: 7457: 7433: 7409: 7385: 7263: 7251: 7029: 6117: 5605: 4893: 4804: 3952: 2955: 2946: 2863: 2114: 2036: 2028: 1959: 1861: 1819: 1759:

cemetery. However, it was later announced that his body would be buried in

1680: 1613: 1605: 1601: 1464:, these themes play a central role. As illustrated in the aftermath of the 1269: 1257: 1134: 1045: 880: 416: 76: 4103: 3940: 1906:

The crowd that had gathered for this service in Paris held a vigil by the

1186:

Kiarostami was a jury member at numerous film festivals, most notably the

1151:

at Cannes for her performance in the film. Kiarostami's penultimate film,

336:

and documentaries. Kiarostami attained critical acclaim for directing the

10221: 9981: 9834: 9814: 9740: 9430: 9326: 9283: 9014: 8288: 7978: 7878: 7834: 7710: 7706: 7185: 7173: 5672:"سفیر ایران در فرانسه: پیگیر ترخیص و انتقال پیکر کیارستمی به ایران هستیم" 2412: 2279: 2256: 1973: 1907: 1728: 1620:, was a filmmaker who expressed himself in other genres, such as poetry, 1471:

Unlike the Koker films, which convey an instinctual thirst for survival,

1363: 1157:, set and shot in Japan, received largely positive reviews from critics. 1144: 1024: 1000: 726: 718: 224: 5759: 5721: 4776: 1695:, were translated into English in 2015 and were published in bilingual ( 392:

were ranked among the 100 best foreign films in a 2018 critics' poll by

10217: 9921: 9829: 9776: 9311: 8746: 8655: 8606: 8591: 8558: 8506: 8490: 8477: 8420: 8298: 8070: 8058: 8018: 7994: 7942: 7826: 7638: 7209: 6822: 6625: 5636:"Abbas Kiarostami, Palme d'Or-winning Iranian film-maker, dies aged 76" 2800: 1899:

wrote: "Abbas Kiarostami, Acclaimed Iranian Filmmaker, Dies at 76" and

1714:

Kiarostami was one of the few directors who remained in Iran after the

1621: 967: 953:

In 2001, Kiarostami and his assistant, Seifollah Samadian, traveled to

412: 333: 219: 8680: 5238: 3956: 2121:

boycotted the festival in protest. Kiarostami had been invited by the

1343: 654:

In the early 1980s, Kiarostami directed several short films including

8873: 8399: 8208: 8143: 8130: 8074: 8046: 7966: 7846: 7197: 6846: 4427: 2950: 2909: 1311: 1041: 927: 848:(1992) in turn triggers the spectator's memory of the previous film, 528:

short film about a schoolboy's confrontation with an aggressive dog.

6050:"Close Up: Iranian Cinema Past Present and Future, by Hamid Dabashi" 8958: 8665: 8438: 8395: 7167: 6909: 6634: 5619:

Abbas Kiarostami leaves Iran to receive treatment at Paris hospital

3233: 2149: 1891: 1885: 1284: 597: 589: 5595:"Medical team director denies report on Abbas Kiarostami's cancer. 1477:

explores the fragility of life and focuses on how precious it is.

757: 9471: 8687: 8611: 8553: 8258: 7215: 7139:

Busan International Film Festival for Asian Filmmaker of the Year

6452:, catalogue of an exhibition together with the Spanish filmmaker 4836: 4308:"Abbas Kiarostami Season: National Film Theatre, 1st-31 May 2005" 3253: 1947: 1923: 1760: 1751:

in Hollywood as part of efforts to increase the diversity of its

1381:, he argues, is neither representation nor reportage, but rather 954: 730: 551:

style of film making. When discussing his first film, he stated:

110: 5573:

Leading Iranian filmmaker Abbas Kiarostami battles coma, cancer.

3729:

In the Shadow of Trees: The Collected Poetry of Abbas Kiarostami

1831:

also opened a memorial book for signature to honour Kiarostami.

622: 9118: 8898: 8695: 8461: 8451: 8446: 8390: 8385: 5480: 2292: 2233: 1990: 1828: 1794: 1764: 1592: 1296: 1289: 1279:

in 1970, Kiarostami had major differences with his experienced

958: 472: 461: 98: 72: 10337:

Recipients of the Austrian Cross of Honour for Science and Art

4100:"Notes on Close Up – Iranian Cinema: Past, Present and Future" 1793:

People place candles and flowers in memorial of Kiarostami at

883:. Between 1995 and 1996, he was involved in the production of 9150: 8883: 8581: 5760:

UNESCO opens memorial book for signature to honour Kiarostami

4612: 4610: 1684: 1673: 1538: 918:

in 1999, which won the Grand Jury Prize (Silver Lion) at the

559:

conventions of film making that he had become accustomed to.

94: 5495:"Uncertain Reality: A Topos in Kiarostami's Poems and Films" 4039:"The Paradox at the Heart of Abbas Kiarostami's Early Films" 1953: 10213: 8932: 8829: 5794:"Abbas Kiarostami, Acclaimed Iranian Filmmaker, Dies at 76" 5722:

Iran urges France to send home Kiarostami's medical dossier

1763:, a resort town about 40 km (25 mi) northeast of 1688: 1574: 743:, which he edited but did not direct. In 1989, he released 448: 5691:خبرگزاری باشگاه خبرنگاران – آخرین اخبار ایران و جهان – YJC 4607: 4132:"A Talk with the Artist: Abbas Kiarostami in Conversation" 3138:

posthumous, story concept by Kiarostami before his passing

1331:. According to film professors such as Jamsheed Akrami of 7161: 5779:"Artists, officials mourn loss of auteur Abbas Kiarostam" 4519:"Days in the Country: Representations of Rural Space ..." 2332:

Glory to the Filmmaker Award, Venice Film Festival (2008)

1856: 1138:

describes the film as an "intriguing oddity", and said, "

452:

Kiarostami majored in painting and graphic design at the

393: 2152:

co-organized a festival of the Kiarostami's work titled

1699:/English) editions by Sticking Place Books in New York. 1389:

t all looks like reporting, but everything underscores (

5844:

Iranians Pay Tribute to Late Filmmaker Abbas Kiarostami

4673:"43rd Annual San Francisco International Film Festival" 2921:

documentary film on Kiarostami's own films, especially

2089:

speaking on Abbas Kiarostami's funeral, in Tehran, Iran

1743:

spokesman, reported that Kiarostami was suffering from

1030:

In 2005, Kiarostami contributed the central section to

5870:"Iran: thousands mourn film director Abbas Kiarostami" 4754: 4752: 4750: 4748: 4373: 1456:

Kiarostami (left) at the Estoril Film Festival in 2010

7311: 5634:

Pulver, Andrew; Dehghan, Saeed Kamali (4 July 2016).

5475:(Portuguese) – a newspaper article on the display of 4601:"Concepts of Suicide in Kiarostami's Taste of Cherry" 2173:(2003), directed by Pat Collins and Fergus Daly, and 1327:

Kiarostami's cinema offers a different definition of

1174:

enjoyed a highly positive critical reception, with a

5911:"واکنش کامران عدل به ادعاها علیه کیارستمی: مهمل است" 5684: 4400: 3740:(edited by Paul Cronin), Sticking Place Books (2015) 1062:

as they watch a film based on a partly mythological

6576:Laurent Kretzschmar, "Is Cinema Renewing Itself?", 6547:

Le réel, face et pile: Le cinéma d'Abbas Kiarostami

4745: 4562: 4379: 4014:. Zeitgeist, the spirit of the time. Archived from 3500:, in which each is by a different Iranian director 922:. The film contrasted rural and urban views on the 423:. He was part of a generation of filmmakers in the 6402: 6299: 6219: 5856:"Mourning crowds bid farewell to Abbas Kiarostami" 5118: 4598: 4592: 4475: 4471: 4469: 3820:"Abbas Kiarostami Films Featured at Wexner Center" 3579:Walking with the Wind (Voices and Visions in Film) 19:"Kiarostami" redirects here. For the surname, see 6396: 5513: 5445:"Simplicity and Bliss: Poems of Abbas Kiarostami" 5415:"Religion and Spirituality in Kiarostami's Works" 5305: 4516: 4512: 4510: 3715:Night: Poetry from the Contemporary Persian Canon 2186:Kiarostami was a member of the advisory board of 1932:Center for the Intellectual Education of Children 717:, because all three films feature the village of 10233: 6272: 6169: 6077:"Carried by the wind: Films by Abbas Kiarostami" 4448:"Life and Nothing More… (Abbas Kiarostami) 1991" 3790: 889:, a collaboration with 40 other film directors. 816:, regarded by critics as the second film of the 8214:Inscription of Xerxes the Great in Van Fortress 6370: 6275:"Abbas Kiarostami Controversy at the 40th NYFF" 6163: 6110: 5590: 5588: 5492: 5442: 5391:(38). Book review by Hamish Ford. February 2006 5239:Injy El-Kashef and Mohamed El-Assyouti (2001). 5083:"With liberty for all: the films of Kiarostami" 5053: 4758: 4466: 4420: 4305: 4152: 4125: 4123: 4121: 4064: 3927:Mathew, Shaj (2021). "Ekphrastic Temporality". 1672:, a "season word") gives much of this poetry a 1170:based on 24 of Kiarostami's still photographs, 1095:. But the following year's performances at the 963:International Fund for Agricultural Development 721:in northern Iran. The films also relate to the 6074: 5629: 5627: 5486: 5185:21.1 (1999), p.82. Also, cf., Jean Luc Nancy. 5151: 5024: 4762:Historical Dictionary of Middle Eastern Cinema 4554:. British Film Institute. 2005. Archived from 4531: 4525: 4507: 4445: 4329: 4327: 4325: 4129: 3963: 3854:. British Film Institute. 2002. Archived from 3817: 3784: 3722:Night: Poetry from the Classical Persian Canon 3639:: Cahiers du Cinéma Livres (5 September 2002) 2987:Víctor Erice–Abbas Kiarostami: Correspondences 1587: 1373:, writing about Kiarostami, and in particular 832:(1994), which expands a peripheral scene from 8159: 7621: 7607: 7297: 7123: 6650: 6047: 5733: 5687:"پیکر کیارستمی در لواسان به خاک سپرده می‌شود" 5633: 5334: 5124: 4882: 4880: 4827:"Iranian film 'Shirin' a rewarding challenge" 4382:"Close-Up: Holding a Mirror up to the Movies" 4240: 4097: 4006: 4004: 4002: 4000: 3998: 3996: 3994: 3992: 3567:: Cahiers du Cinéma Livres (24 October 1997) 3519:also written by Chiara Maranon, who directed 2193: 1421:For Jean-Luc Nancy, this notion of cinema as 1143:technique, though not a successful example." 595:In 1975, Kiarostami directed two short films 6354:. Museum of Modern Art. 2007. Archived from 6344: 5585: 5049: 5047: 4705: 4670: 4616: 4333: 4301: 4299: 4118: 443: 6222:"Iran's leading filmmaker denied U.S. visa" 5985: 5983: 5624: 5301: 5299: 5018: 4356: 4322: 4146: 3825:. Wexner center for the art. Archived from 3140:also written by Adel Yaraghi, who directed 1976:, daughter of Akbari, who also appeared in 1447: 1439:is it simply a matter of artifice. Because 942:award ceremony, Kiarostami was awarded the 840:have called the style of filmmaking in the 8219:Achaemenid inscription in the Kharg Island 8166: 8152: 7614: 7600: 7304: 7290: 7130: 7116: 6657: 6643: 6602:Abbas Kiarostami. Images, Still and Moving 5568: 5566: 5546: 5497:. Iran Heritage Foundation. Archived from 5447:. Iran Heritage Foundation. Archived from 5417:. Iran Heritage Foundation. Archived from 5354:. Iran Heritage Foundation. Archived from 5058:. Iran Heritage Foundation. Archived from 4877: 4488: 4414: 4196: 4091: 3989: 2013: 1338: 867:Kiarostami next wrote the screenplays for 765:Kiarostami's first film of the decade was 10352:Crystal Simorgh for Best Director winners 10220:and one of the two official languages of 6330:"Abbas Kiarostami workshop 2–10 May 2005" 6106: 6104: 6102: 6017: 6015: 5438: 5436: 5412: 5375: 5373: 5349: 5080: 5044: 4921:. Andrews McMeel Publishing. p. 93. 4908: 4742:, (London: BFI Publishing, 2005) pp 73–4. 4439: 4296: 4263: 4246: 3878:"The 100 greatest foreign-language films" 1954:Sexual assault and plagiarism allegations 1223:San Sebastian International Film Festival 1051:In 2008, Kiarostami directed the feature 613:, followed by the fifty-four-minute film 6472:Mehrnaz Saeed-Vafa, Jonathan Rosenbaum, 6244: 5989: 5980: 5909:Rashidan, Masoumeh (10 September 2020). 5908: 5884:"آیا عباس کیارستمی فیلم "ده" را نساخت؟!" 5810: 5519: 5343: 5296: 5232: 5145: 4992: 4966: 4886: 4759:Ginsberg, Terri; Lippard, Chris (2010). 4641: 4544: 4070: 3920: 2251:Thessaloniki International Film Festival 2080: 1917: 1788: 1741:Ministry of Health and Medical Education 1591: 1451: 1342: 1106: 991:The following year, Kiarostami directed 950:for his contribution to Iranian cinema. 836:into the central drama. Critics such as 756: 621: 447: 6505:The Evidence of Film – Abbas Kiarostami 6380:. US today. 22 May 2007. Archived from 5563: 5540: 5220:The Evidence of Film – Abbas Kiarostami 5074: 4857: 4702:, (London: BFI Publishing, 2005) p. 32. 4384:. Combustible Celluloid. Archived from 4350: 4269: 4175: 3811: 2352:Austrian Decoration for Science and Art 1256:Though Kiarostami has been compared to 787:received praise from directors such as 711:(1994) are described by critics as the 411:Kiarostami had worked extensively as a 10234: 8173: 6293: 6213: 6099: 6021: 6012: 5935: 5791: 5433: 5408: 5406: 5370: 5127:"The White Balloon and Iranian Cinema" 5002:. Cannes Film Festival. Archived from 4797: 4689:(London: BFI Publishing, 2005), p. 35. 4647: 4102:. Strictly Film School. Archived from 3926: 3844: 3544: 2200:List of awards won by Abbas Kiarostami 1649:in 2003 before being performed at the 1547:A drum sounds melodious from distance 1166:was released posthumously in 2017. An 9180: 8351: 8235: 8185: 8147: 7595: 7285: 7111: 6638: 6322: 6281:from the original on 14 February 2007 6182:from the original on 27 February 2007 6041: 5520:Jeffries, Stuart (29 November 2005). 4914: 4570:"Festival de Cannes: Taste of Cherry" 4494: 4036: 3973:. Firouzan Film. 2004. Archived from 3791:Panel of critics (14 November 2003). 1491: 1409:, insofar as, if one day I happen to 1227:São Paulo International Film Festival 1181: 961:at the request of the United Nations 781:The Top 50 Greatest Films of All Time 485:) and illustrating children's books. 319: 6664: 6266: 6143: 6125:from the original on 8 February 2007 5936:Martin, Rebecca (28 February 2021). 4887:Bradshaw, Peter (2 September 2010). 4711: 4169: 3780:دادخواهی بر سر میراث فرهنگی کیارستمی 2978:initial story concept by Kiarostami 1895:also reacted to Kiarostami's death. 1734: 1596:Installation art by Abbas Kiarostami 547:In the 1970s, Kiarostami pursued an 440:a major role in Kiarostami's works. 10362:Deaths from gastrointestinal cancer 10342:Roberto Rossellini Prize recipients 6521:, Melhoramentos; 1 edition (2004), 6252:"Iranian director hands back award" 6068: 6052:. Brightlightsfilms. Archived from 5473:(Kiarostami shows snow photographs) 5403: 3002:also written and directed by Erice 2359:International Antalya Film Festival 2327:Kolkata International Film Festival 2307:Locarno International Film Festival 2171:Abbas Kiarostami: The Art of Living 1938:, and included speeches by painter 1769:Imam Khomeini International Airport 1247:Cinematic style of Abbas Kiarostami 1219:Locarno International Film Festival 1202:. He was also the president of the 316: 13: 6024:"Mania Akbari Tells Her Own Story" 5027:"Kiarostami to head Capalbio jury" 4664: 4629:from the original on 14 March 2010 3033:, in which each is by a different 2997:collaboration with noted director 1240: 1231:Küstendorf Film and Music Festival 1213:Other representatives include the 920:Venice International Film Festival 14: 10388: 8254:Counsels of Adurbad-e Mahrspandan 7313:Crystal Simorgh for Best Director 6619: 6490:, Rowman & Littlefield 2020, 6488:Abbas Kiarostami's Cinema of Life 6407:. Sense of Cinema. Archived from 6113:"Abbas Kiarostami – Not A Martyr" 5990:Venardou, Evanna (20 June 2022). 5749:from the original on 5 July 2016. 5129:. Sense of Cinema. Archived from 4918:Roger Ebert's Movie Yearbook 2012 4858:Higgins, Charlotte (5 May 2009). 4798:Pulver, Andrew (29 August 2008). 3852:"2002 Ranking for Film Directors" 2249:Honorary Golden Alexander Prize, 2003:from a Kiarostami retrospective. 1635:. His photographic work includes 879:(1995), for his former assistant 10322:Officers of the Legion of Honour 9181: 7092: 7091: 6194: 6144:Wray, John (23 September 2007). 4976:. IndiePix. 2004. Archived from 4915:Ebert, Roger (6 December 2011). 4765:. Scarecrow Press. p. 236. 4716:. Zeitgeistfilms. Archived from 4499:. Zeitgeistfilms. Archived from 4277:. Zeitgeistfilms. Archived from 4075:. Open Democracy. Archived from 4073:"10 x Ten: Kiarostami's journey" 2370: 1942:and prize-winning film director 1702: 1658:Ca' Foscari University of Venice 1545:Take the present to the promises 1519:or modern Persian poets such as 1251: 1023:camera, along the shores of the 807:and was released across Europe. 679:It was not until his release of 298: 263: 47: 10332:Persian-language film directors 10317:Italian-language film directors 10267:English-language film directors 10262:Directors of Palme d'Or winners 10183:Mohammad Ebrahim Bastani Parizi 9614:Mohammad Hanif (Iranian writer) 6562:and Elisa Resegotti (editors), 6437:(London: BFI Publishing, 2005). 6426: 6352:"Abbas Kiarostami: Image Maker" 6172:"The world's 40 best directors" 6137: 5955: 5929: 5902: 5876: 5862: 5848: 5837: 5823: 5811:Bradshaw, Peter (4 July 2016). 5804: 5792:Grimes, William (4 July 2016). 5785: 5771: 5753: 5715: 5697: 5678: 5664: 5646: 5612: 5471:Kiarostami mostra fotos de neve 5463: 5263: 5212: 5195: 5171: 5105: 5025:Nick Vivarelli (11 June 2007). 4935: 4851: 4819: 4791: 4732: 4692: 4679: 4534:"Kiarostami: The Art of Living" 4210: 4037:Brody, Richard (26 July 2019). 4030: 3910:"Directors' top 100 | BFI" 3793:"The world's 40 best directors" 3311:How to Make Use of Leisure Time 1560: 321:[ʔæbˌbɒːskijɒːɾostæˈmi] 259: 10287:Iranian documentary filmmakers 10277:French-language film directors 9254:Mahmoud Mosharraf Azad Tehrani 8274:Karnamak-i Artaxshir-i Papakan 6507:, Yves Gevaert, Belgium 2001, 6460:The Cinema of Abbas Kiarostami 6022:Edemen, Fatma (25 July 2022). 5383:The Cinema of Abbas Kiarostami 5222:, Yves Gevaert, Belgium 2001, 5201:Jean-Luc Nancy, "On Evidence: 5177:Jean-Luc Nancy, "On Evidence: 4536:. Film Ireland. Archived from 4178:"Abbas Kiarostami Masterclass" 3902: 3884: 3870: 3773: 3166: 2954:written with Ermanno Olmi and 2365: 2357:Honorary Golden Orange Prize, 1543:But I would say wine is better 488: 364:Cannes Film Festival that year 358:(1997), which was awarded the 1: 9362:Mohammad-Reza Shafiei Kadkani 8602:Abu'l Hasan Mihyar al-Daylami 8352: 6917:Two Solutions for One Problem 6378:"Martin Scorsese goes global" 5056:"Cooling Down a 'Hot Medium'" 4619:"Abbas Kiarostami, interview" 4497:"And Life Goes On (synopsis)" 4450:. MovieMartyr. Archived from 4410:. Bfi Video Publishing. 1998. 4272:"Where Is the Friend's Home?" 4249:"Where Is the friend's home?" 4012:"Abbas Kiarostami: Biography" 3892:"Critics' top 100 | BFI" 3767: 3509:The Girl in the Lemon Factory 3484:Is There a Place to Approach? 3214:Two Solutions for One Problem 3023:Is There a Place to Approach? 2289:Award, Cannes Festival (2005) 2154:Abbas Kiarostami: Image Maker 2117:". The Finnish film director 1466:1990 Manjil–Rudbar earthquake 1347:Kiarostami interviewing with 1013:In 2003, Kiarostami directed 810:In 1992, Kiarostami directed 723:1990 Manjil–Rudbar earthquake 672:(1982). In 1983, he directed 607:. In early 1976, he released 604:Two Solutions for One Problem 569:(1973), Kiarostami released 16:Iranian filmmaker (1940–2016) 10357:Deaths from cancer in France 10282:Iranian contemporary artists 10257:Akira Kurosawa Award winners 6767:Where Is the Friend's House? 6598:Silke von Berswordt-Wallrabe 5890:(in Persian). 31 August 2020 4617:Geoff Andrew (25 May 2005). 4380:Jeffrey M. Anderson (2000). 4206:. Stanford University. 1999. 3971:"Abbas Kiarostami Biography" 3653:: P.O.L. (12 December 1997) 2833:story concept by Kiarostami 2680:third and final film of the 2214:Prix Cine Decouvertes (1992) 1784: 495:Abbas Kiarostami filmography 7: 10347:University of Tehran alumni 9065:Mohammad Qoli Salim Tehrani 6586:, "Lessons from a Master," 6403:Mehrnaz Saeed-Vafa (2002). 5192:. vol. 6 no. 15, July 2002. 5154:"Kiarostami's Genius Style" 4599:Constantine Santas (2000). 4476:Jonathan Rosenbaum (1997). 4204:"Films by Abbas Kiarostami" 4180:. Channel 4. Archived from 3755: 2547:Where Is the Friend's Home? 2455:written with Parviz Davayi 2101:, Kiarostami was refused a 1588:Poetry, art and photography 1333:William Paterson University 940:San Francisco Film Festival 898:(Golden Palm) award at the 850:Where Is the Friend's Home? 761:Kiarostami directing a film 693:Where Is the Friend's Home? 682:Where Is the Friend's Home? 381:Where Is the Friend's Home? 172:Where Is the Friend's Home? 10: 10393: 10372:21st-century Iranian poets 10307:20th-century Iranian poets 9143:Mirza Mohammad Taqi Sepehr 8236: 7574:Mohammad Ali Bashe Ahangar 7556:Mohammad Hossein Mahdavian 6580:. vol. 6 no 15, July 2002. 5685:آخرین اخبار ایران و جهان. 5187:Is Cinema Renewing Itself? 4517:Stephen Bransford (2003). 4338:. The Criterion Collection 3603:Livres (5 September 2002) 2285:President of the Jury for 2197: 2194:Selected honors and awards 2176:Abbas Kiarostami: A Report 1980:, said that her scenes in 1913: 1656:Riccardo Zipoli, from the 1509:Where is the Friend's Home 1244: 1089:Festival d'Aix-en-Provence 541:Bashu, the Little Stranger 492: 18: 10297:Iranian graphic designers 10209: 10165: 10119: 10025: 9851: 9769: 9660: 9551: 9531: 9515: 9459: 9413: 9397: 9367:Mohammad-Hossein Shahriar 9204: 9191: 9187: 9176: 9111: 9076: 9007: 8975: 8910: 8903:Emad al-Din Faqih Kermani 8866: 8739: 8620: 8470: 8378: 8362: 8358: 8347: 8294:Shahrestanha-ye Eranshahr 8244: 8231: 8194: 8181: 7629: 7623:BFI Fellowship recipients 7319: 7145: 7087: 7069: 7053: 7012: 6973: 6889: 6702: 6695: 6672: 6566:, Electa (30 April 2004) 6535:, Publisher: Mani (2000) 6305:"No entry for Kiarostami" 6273:Celestine Bohlen (2002). 6170:Panel of critics (2006). 5320:10.1080/00210860601005088 4423:"Celebrating film-making" 4155:"Abbas Kiarostami Season" 3581:: English translation by 2636:Life, and Nothing More... 2109:. The festival director, 1711:. They divorced in 1982. 1208:2014 Cannes Film Festival 1126:2010 Cannes Film Festival 1073:That summer, he directed 813:Life, and Nothing More... 630:Kiarostami then directed 444:Early life and background 297: 292: 273: 243: 233: 209: 161: 153: 127: 117: 105: 83: 58: 46: 37: 30: 10367:Postmodernist filmmakers 9782:Mirza Fatali Akhundzadeh 8825:Zartosht Bahram e Pazhdo 8648:Shahab al-Din Suhrawardi 8544:Fakhruddin As'ad Gurgani 8204:Old Persian inscriptions 6997:"Where Is My Romeo?" in 6205:Review of Geoff Andrew, 6111:Stuart Jeffries (2005). 5992: 5658:South China Morning Post 5522:"Landscapes of the mind" 5493:Riccardo Zipoli (2005). 5443:Narguess Farzad (2005). 5205:, by Abbas Kiarostami," 5181:, by Abbas Kiarostami," 5054:Jamsheed Akrami (2005). 4552:"Where is the director?" 4421:Hemangini Gupta (2005). 4306:David Parkinson (2005). 4153:David Parkinson (2005). 2274:École Normale Supérieure 1633:Harvard University Press 1555:University of Washington 1448:Themes of life and death 1379:Life and Nothing More... 1375:Life and Nothing More... 1160:Kiarostami's final film 1102: 933: 846:Life and Nothing More... 752: 649: 499: 408:poll conducted in 2012. 38: 10327:Film people from Tehran 10132:Houshang Moradi Kermani 9736:Houshang Moradi Kermani 9731:Jaafar Modarres-Sadeghi 9716:Mohammad-Ali Jamalzadeh 9627:Zeyn al-Abedin Maraghei 9127:Zayn al-Abidin Shirvani 9101:Abbas Foroughi Bastami 8186: 7470:Mohammad-Hossein Latifi 7078:Lessons with Kiarostami 6931:Tribute to the Teachers 6799:Through the Olive Trees 6743:First Case, Second Case 6517:Jean-Claude Bernardet, 6220:Andrew O'Hehir (2002). 6075:Jason Anderson (2002). 5152:Charles Mudede (1999). 5115:, vol. 4 no 1, pp 21–36 4889:"Certified Copy Review" 4446:Jeremy Heilman (2002). 4130:Shahin Parhami (2004). 3818:Karen Simonian (2002). 3737:Lessons with Kiarostami 3273:Tribute to the Teachers 2669:Through the Olive Trees 2485:First Case, Second Case 2325:World's great masters, 2209:Prix Roberto Rossellini 2188:World Cinema Foundation 2162:Opening Day of Close-Up 2068:Through the Olive Trees 2014:Reception and criticism 1745:gastrointestinal cancer 1600:Kiarostami, along with 1339:Fiction and non-fiction 1075:Wolfgang Amadeus Mozart 862:Through the Olive Trees 854:Through the Olive Trees 830:Through the Olive Trees 822:Prix Roberto Rossellini 708:Through the Olive Trees 643:First Case, Second Case 460:Kiarostami was born in 186:Through the Olive Trees 109:Tok Mazra'eh Cemetery, 10292:Iranian film directors 10272:Fellini Gold Medalists 9584:Ghassem Hashemi Nezhad 9135:Reza-Qoli Khan Hedayat 8756:Shams al-Din Qays Razi 8499:Khwaja Abdullah Ansari 7823:Michelangelo Antonioni 6999:To Each His Own Cinema 6815:The Wind Will Carry Us 6519:Caminhos de Kiarostami 6277:. Human Rights Watch. 6254:. BBC. 17 October 2002 6048:Dorna Khazeni (2002). 5125:Adrian Martin (2001). 4832:The Hollywood Reporter 4098:Hamid Dabashi (2002). 3637:Le vent nous emportera 3625:: P.O.L. (5 May 2002) 3494:one of 15 segments in 3027:one of 15 segments in 2781:The Wind Will Carry Us 2346:Japan's Medal of Honor 2320:University of Toulouse 2297:British Film Institute 2123:New York Film Festival 2107:New York Film Festival 2090: 2085:Iranian film director 1997:British Film Institute 1926: 1922:Kiarostami's grave at 1802: 1725: 1651:English National Opera 1597: 1550: 1529:The Wind Will Carry Us 1513:The Wind Will Carry Us 1501:University of Maryland 1486:The Wind Will Carry Us 1457: 1436: 1419: 1359: 1275:During the filming of 1112: 1097:English National Opera 915:The Wind Will Carry Us 777:British Film Institute 762: 729:, Sweden, Germany and 701:(1992) (also known as 627: 561: 457: 390:The Wind Will Carry Us 349:The Wind Will Carry Us 200:The Wind Will Carry Us 77:Imperial State of Iran 10312:Iranian screenwriters 10302:Iranian photographers 10120:Children's literature 9977:Rasoul Mollagholipour 9867:Rakhshan Bani-E'temad 9810:Gholam-Hossein Sa'edi 9805:Alireza Koushk Jalali 9751:Gholam-Hossein Sa'edi 9637:Shahriyar Mandanipour 8879:Shah Ni'matullah Wali 8723:Kamal al-Din Esfahani 8564:Ayn-al-Quzat Hamadani 8335:Shikand-gumanig Vizar 8318:Anthology of Zadspram 7422:Rasoul Mollagholipour 6950:Orderly or Disorderly 5963:"Letter to my mother" 5578:31 March 2016 at the 5203:Life and Nothing More 5179:Life and Nothing More 4800:"Film Review: Shirin" 4714:"Ten (film) synopsis" 4671:Jeff Lambert (2000). 4650:"Not Quite a Memoire" 3941:10.1353/nlh.2021.0011 3371:Orderly or Disorderly 2897:alternatively titled 2884:Five Dedicated to Ozu 2707:alternatively titled 2655:alternatively titled 2303:Gold Leopard of Honor 2084: 2064:Life and Nothing More 1921: 1792: 1720: 1645:, which premiered in 1629:Walking with the Wind 1595: 1534: 1455: 1431: 1387: 1346: 1235:Estoril Film Festival 1110: 985:National Film Theatre 834:Life and Nothing More 760: 703:Life and Nothing More 663:Orderly or Disorderly 625: 553: 456:College of Fine arts. 451: 10017:Sohrab Shahid-Saless 9882:Pouran Derakhshandeh 9862:Mohammad Reza Aslani 9800:Amir Reza Koohestani 9559:Ali Mohammad Afghani 9229:Mohammad Reza Aslani 9158:Mahmud Saba Kashani 8894:Fazlallah Astarabadi 8770:Afdal al-Din Kashani 8765:Nasīr al-Dīn al-Tūsī 8715:Fakhr al-Din al-Razi 8597:Afdal al-Din Kashani 8411:Abu Tahir Khosrovani 8199:Behistun Inscription 8015:Helena Bonham Carter 7783:Richard Attenborough 7755:Krzysztof Kieślowski 7474:Amir-Shahab Razavian 7380:Rakhshan Bani-Etemad 6981:"Dinner for One" in 6871:Like Someone in Love 6545:Youssef Ishaghpour, 5967:Cinematic Perception 5765:10 July 2016 at the 5727:11 July 2016 at the 5600:8 April 2016 at the 5549:"Besides censorship" 5501:on 27 September 2007 5477:Untitled Photographs 5451:on 27 September 2007 5421:on 27 September 2007 5358:on 27 September 2007 5209:21.1 (1999), p.85–6. 5093:on 22 September 2006 5062:on 27 September 2007 4540:on 10 December 2009. 4532:Maximilian Le Cain. 4503:on 16 February 2007. 4478:"Fill in the Blanks" 4435:on 20 November 2018. 4357:Ed Gonzalez (2002). 3929:New Literary History 3620:Jean-Claude Carrière 3446:Volte sempre, Abbas! 3087:Like Someone in Love 2822:The Deserted Station 2335:Honorary doctorate, 2318:Honorary doctorate, 2272:honorary doctorate, 2261:Venice Film Festival 2244:Cannes Film Festival 2179:(2014), directed by 2165:(1996), directed by 2146:Museum of Modern Art 2099:September 11 attacks 1840:Mohammad-Javad Zarif 1729:sensitivity to light 1637:Untitled Photographs 1618:Alejandro Jodorowsky 1391:indique à l'évidence 1321:digital micro-cinema 1215:Venice Film Festival 1188:Cannes Film Festival 1154:Like Someone in Love 912:Kiarostami directed 900:Cannes Film Festival 864:in the US theaters. 466:University of Tehran 454:University of Tehran 375:Like Someone in Love 262: 1969; 122:University of Tehran 21:Kiarostami (surname) 9942:Varuzh Karim-Masihi 9681:Abolhassan Etessami 9599:Mahmoud Dowlatabadi 9451:Abdul Ali Mustaghni 9436:Khalilullah Khalili 9376:Manouchehr Sheybani 9352:Tahereh Saffarzadeh 9259:Mohammad-Taqi Bahar 9216:Mehdi Akhavan-Sales 8858:Zu'l-Fiqar Shirvani 8703:Faramarz-e Khodadad 8289:Shabuhragan of Mani 7899:John Paul Getty Jr. 7887:Bernardo Bertolucci 7374:Varuzh Karim-Masihi 7258:Tony Leung Chiu-wai 6983:Lumière and Company 6964:Roads of Kiarostami 6898:The Bread and Alley 6531:Marco Dalla Gassa, 6462:, Saqi Books 2005, 6411:on 17 February 2007 6232:on 17 February 2007 5547:Ari Siletz (2006). 5251:on 17 February 2007 4720:on 16 February 2007 4574:festival-cannes.com 4558:on 2 February 2006. 4228:on 29 February 2016 4106:on 17 February 2007 4018:on 18 February 2007 3916:on 9 February 2016. 3898:on 7 February 2016. 3734:Kiarostami, Abbas, 3727:Kiarostami, Abbas, 3720:Kiarostami, Abbas, 3713:Kiarostami, Abbas, 3706:Kiarostami, Abbas, 3699:Kiarostami, Abbas, 3692:Kiarostami, Abbas, 3685:Kiarostami, Abbas, 3678:Kiarostami, Abbas, 3671:Kiarostami, Abbas, 3664:Kiarostami, Abbas, 3651:La Lettre du Cinema 3583:Ahmad Karimi-Hakkak 3545:Books by Kiarostami 3465:Roads of Kiarostami 2647:second film of the 2337:University of Paris 2313:Prix Henri-Langlois 2224:Pier Paolo Pasolini 2097:In the wake of the 1970:Letter to My Mother 1868:The Huffington Post 1653:in London in 2004. 1631:, was published by 1610:Pier Paolo Pasolini 1497:Ahmad Karimi-Hakkak 1401:) is not pregiven ( 1277:The Bread and Alley 892:Kiarostami won the 886:Lumière and Company 521:The Bread and Alley 10086:Ebrahim Pourdavoud 10071:Ahmad Kamyabi Mask 10041:Najaf Daryabandari 9902:Behrouz Gharibpour 9746:Shahrnush Parsipur 9721:Aboutorab Khosravi 9623:Aboutorab Khosravi 9487:Gulrukhsor Safieva 9405:Edward Haghverdian 9069:Rasa Salim Tehrani 8788:Abu'l Majd Tabrizi 8775:Fakhr-al-Din Iraqi 8431:Abusaeid Abolkheir 8370:Muhammad ibn Wasif 8325:Zand-i Wahman yasn 8284:Dana-i Menog Khrat 8269:Book of Arda Viraf 8175:Persian literature 7875:Thelma Schoonmaker 7647:Emeric Pressburger 7522:Abolhassan Davoudi 7516:Ahmad-Reza Darvish 7452:Ahmad-Reza Darvish 7392:Mohammad Bozorgnia 6989:Middle section in 6584:Jonathan Rosenbaum 6440:Erice-Kiarostami. 6405:"Abbas Kiarostami" 6332:. Pars times. 2005 6301:Jacques Mandelbaum 6150:The New York Times 6146:"Minister of Fear" 6087:on 27 October 2014 5798:The New York Times 5413:Nacim Pak (2005). 5350:Sima Daad (2005). 5271:"Abbas Kiarostami" 5133:on 27 January 2007 5081:Ben Sachs (2003). 5006:on 5 December 2013 5000:"Abbas Kiarostami" 4980:on 22 October 2007 4974:"Abbas Kiarostami" 4943:"24 Frames (2018)" 4675:. Sense of Cinema. 4603:. Sense of Cinema. 4454:on 6 February 2012 4334:Godfrey Cheshire. 4284:on 27 January 2007 4218:"Abbas Kiarostami" 3858:on 13 October 2018 3538:documentary short 3428:The Birth of Light 3302:documentary short 3283:documentary short 2558:first film of the 2181:Bahman Maghsoudlou 2138:London Film School 2131:Harvard University 2091: 2059:Jonathan Rosenbaum 1927: 1897:The New York Times 1852:The New York Times 1834:Iranian President 1803: 1598: 1525:Forough Farrokhzad 1492:Poetry and imagery 1458: 1403:donnée toute faite 1360: 1182:Film festival work 1149:Best Actress Award 1113: 1111:Kiarostami in 2015 1085:Christophe Rousset 1068:Khosrow and Shirin 1006:The New York Times 856:in 1994. In 1995, 763: 628: 626:Kiarostami in 1977 458: 366:. In later works, 113:, Shemiranat, Iran 53:Kiarostami in 2013 10377:Poets from Tehran 10229: 10228: 10205: 10204: 10201: 10200: 10152:Farhad Hasanzadeh 10091:Hamid Samandarian 10032:Amrollah Abjadian 9997:Fereydoun Rahnema 9962:Mohsen Makhmalbaf 9947:Samuel Khachikian 9932:Ebrahim Hatamikia 9843:Mohammad Yaghoubi 9839:Mirza Aqa Tabrizi 9706:Houshang Golshiri 9619:Houshang Golshiri 9579:Mahshid Amirshahi 9564:Ghazaleh Alizadeh 9547: 9546: 9482:Abolqasem Lahouti 9477:Iskandar Khatloni 9390:Fereydoon Moshiri 9337:Mohammad Mokhtari 9297:Forugh Farrokhzad 9249:Manouchehr Atashi 9172: 9171: 9168: 9167: 9161: 9155: 9147: 9139: 9131: 9123: 9104: 9093: 9056: 9052:Abdul-Qādir Bēdil 9045: 9032: 9024: 8995: 8991:Muhtasham Kashani 8987: 8963: 8955: 8947: 8843:Nozhat al-Majales 8839: 8797: 8784: 8780:Mahmud Shabistari 8747:Abu Tahir Tarsusi 8732: 8719: 8711: 8700: 8692: 8684: 8652: 8633:Suzani Samarqandi 8577:Abu-al-Faraj Runi 8568: 8540: 8532: 8528:Masud Sa'd Salman 8524: 8516: 8503: 8495: 8487: 8443: 8435: 8406:Abu Shakur Balkhi 8343: 8342: 8279:Cube of Zoroaster 8249:Ayadgar-i Zariran 8227: 8226: 8141: 8140: 8119:Michael G. Wilson 7855:Michael Parkinson 7775:Leslie Hardcastle 7589: 7588: 7540:Ebrahim Hatamikia 7504:Parviz Sheikhtadi 7492:Ebrahim Hatamikia 7416:Ebrahim Hatamikia 7404:Kiumars Pourahmad 7362:Mohsen Makhmalbaf 7279: 7278: 7246:Hirokazu Kore-eda 7180:Gulnara Sarsenova 7150:Mohsen Makhmalbaf 7105: 7104: 7040:The White Balloon 7008: 7007: 6610:978-3-7757-3436-3 6572:978-88-370-2390-4 6555:978-2-84490-063-0 6549:, Farrago (2000) 6541:978-88-8012-147-3 6527:978-85-359-0571-7 6496:978-1-5381-3700-0 5385:by Alberto Elena" 5277:. 28 April 2005. 4928:978-1-4494-2150-2 4772:978-0-8108-6090-2 4580:on 22 August 2011 4336:"Taste of Cherry" 4079:on 9 January 2007 4071:Ed Hayes (2002). 3953:Project MUSE 3749:978-0-7148-7352-7 3601:Cahiers du Cinéma 3559:978-2-7492-1223-4 3542: 3541: 3292:Jahan-nama Palace 3164: 3163: 2854:docufiction film 2812:documentary film 2721:The White Balloon 2626:docufiction film 2605:documentary film 2537:documentary film 2516:documentary film 2218:François Truffaut 1962:, who starred in 1936:Parviz Parastooie 1844:François Hollande 1825:Jalal al-Din Rumi 1814:Mohsen Makhmalbaf 1775:Mohammad Shirvani 1735:Illness and death 1168:experimental film 948:Behrooz Vossoughi 876:The White Balloon 789:Quentin Tarantino 773:Mohsen Makhmalbaf 504:In 1970 when the 405:Sight & Sound 306: 305: 249:Parvin Amir-Gholi 154:Years active 10384: 10242:Abbas Kiarostami 10173:Aydin Aghdashloo 10002:Rasul Sadr Ameli 9992:Kambuzia Partovi 9952:Abbas Kiarostami 9937:Abdolreza Kahani 9917:Ebrahim Golestan 9897:Farrokh Ghaffari 9892:Bahman Farmanara 9825:Abbas Nalbandian 9701:Ebrahim Golestan 9668:Jalal Al-e-Ahmad 9604:Soudabeh Fazaeli 9502:Mirzo Tursunzoda 9497:Payrav Sulaymoni 9332:Shams Langeroodi 9288:Parviz Eslampour 9244:Aminollah Rezaei 9211:Ahmadreza Ahmadi 9202: 9201: 9189: 9188: 9178: 9177: 9159: 9153: 9145: 9137: 9129: 9121: 9102: 9091: 9060:Naw'i Khabushani 9054: 9043: 9030: 9022: 8993: 8985: 8961: 8953: 8945: 8889:Abu Ali Qalandar 8837: 8795: 8782: 8730: 8717: 8709: 8698: 8690: 8678: 8671:Najm al-Din Razi 8650: 8566: 8538: 8530: 8522: 8514: 8501: 8493: 8485: 8441: 8433: 8360: 8359: 8349: 8348: 8314:Dadestan-i Denig 8233: 8232: 8183: 8182: 8168: 8161: 8154: 8145: 8144: 8134: 8126: 8123:Barbara Broccoli 8114: 8102: 8094: 8082: 8066: 8054: 8042: 8026: 8006: 8003:David Cronenberg 7991:Isabelle Huppert 7986: 7974: 7963:Souleymane Cissé 7958: 7950: 7939:Abbas Kiarostami 7934: 7922: 7910: 7907:Elizabeth Taylor 7902: 7894: 7882: 7871:Sydney Samuelson 7850: 7838: 7818: 7806: 7790: 7778: 7766: 7746: 7739:Gérard Depardieu 7730: 7723:Vanessa Redgrave 7714: 7698: 7678: 7675:Laurence Olivier 7666: 7663:Sidney Bernstein 7658: 7616: 7609: 7602: 7593: 7592: 7440:Rasul Sadr-Ameli 7428:Bahman Farmanara 7350:Abbas Kiarostami 7327: 7306: 7299: 7292: 7283: 7282: 7270:Kiyoshi Kurosawa 7240:Ryuichi Sakamoto 7228:Abbas Kiarostami 7132: 7125: 7118: 7109: 7108: 7095: 7094: 6791:And Life Goes On 6700: 6699: 6666:Abbas Kiarostami 6659: 6652: 6645: 6636: 6635: 6626:Abbas Kiarostami 6533:Abbas Kiarostami 6474:Abbas Kiarostami 6421: 6420: 6418: 6416: 6400: 6394: 6393: 6391: 6389: 6374: 6368: 6367: 6365: 6363: 6348: 6342: 6341: 6339: 6337: 6326: 6320: 6319: 6317: 6315: 6297: 6291: 6290: 6288: 6286: 6270: 6264: 6263: 6261: 6259: 6248: 6242: 6241: 6239: 6237: 6228:. Archived from 6217: 6211: 6198: 6192: 6191: 6189: 6187: 6167: 6161: 6160: 6158: 6156: 6141: 6135: 6134: 6132: 6130: 6108: 6097: 6096: 6094: 6092: 6083:. Archived from 6072: 6066: 6065: 6063: 6061: 6045: 6039: 6038: 6036: 6034: 6019: 6010: 6009: 6007: 6005: 5987: 5978: 5977: 5975: 5973: 5959: 5953: 5952: 5950: 5948: 5933: 5927: 5926: 5924: 5922: 5906: 5900: 5899: 5897: 5895: 5880: 5874: 5873: 5866: 5860: 5859: 5852: 5846: 5841: 5835: 5834: 5827: 5821: 5820: 5808: 5802: 5801: 5789: 5783: 5782: 5775: 5769: 5757: 5751: 5750: 5744: 5737: 5731: 5719: 5713: 5712: 5701: 5695: 5694: 5682: 5676: 5675: 5668: 5662: 5661: 5650: 5644: 5643: 5631: 5622: 5616: 5610: 5592: 5583: 5570: 5561: 5560: 5558: 5556: 5544: 5538: 5537: 5535: 5533: 5517: 5511: 5510: 5508: 5506: 5490: 5484: 5467: 5461: 5460: 5458: 5456: 5440: 5431: 5430: 5428: 5426: 5410: 5401: 5400: 5398: 5396: 5389:Senses of Cinema 5377: 5368: 5367: 5365: 5363: 5347: 5341: 5338: 5332: 5331: 5303: 5294: 5293: 5291: 5289: 5267: 5261: 5260: 5258: 5256: 5247:. Archived from 5241:"Strategic lies" 5236: 5230: 5218:Jean-Luc Nancy, 5216: 5210: 5199: 5193: 5175: 5169: 5168: 5166: 5164: 5149: 5143: 5142: 5140: 5138: 5122: 5116: 5109: 5103: 5102: 5100: 5098: 5089:. Archived from 5078: 5072: 5071: 5069: 5067: 5051: 5042: 5041: 5039: 5037: 5022: 5016: 5015: 5013: 5011: 4996: 4990: 4989: 4987: 4985: 4970: 4964: 4963: 4961: 4959: 4939: 4933: 4932: 4912: 4906: 4905: 4903: 4901: 4884: 4875: 4874: 4872: 4870: 4855: 4849: 4848: 4846: 4844: 4839:. 29 August 2008 4823: 4817: 4816: 4814: 4812: 4795: 4789: 4788: 4786: 4784: 4775:. Archived from 4756: 4743: 4736: 4730: 4729: 4727: 4725: 4709: 4703: 4696: 4690: 4683: 4677: 4676: 4668: 4662: 4661: 4659: 4657: 4652:. Firouzan Films 4645: 4639: 4638: 4636: 4634: 4614: 4605: 4604: 4596: 4590: 4589: 4587: 4585: 4576:. Archived from 4566: 4560: 4559: 4548: 4542: 4541: 4529: 4523: 4522: 4521:Sense of Cinema. 4514: 4505: 4504: 4492: 4486: 4485: 4473: 4464: 4463: 4461: 4459: 4443: 4437: 4436: 4431:. Archived from 4418: 4412: 4411: 4404: 4398: 4397: 4395: 4393: 4377: 4371: 4370: 4369:on 12 June 2007. 4365:. Archived from 4354: 4348: 4347: 4345: 4343: 4331: 4320: 4319: 4317: 4315: 4303: 4294: 4293: 4291: 4289: 4283: 4276: 4267: 4261: 4260: 4258: 4256: 4244: 4238: 4237: 4235: 4233: 4224:. Archived from 4214: 4208: 4207: 4200: 4194: 4193: 4191: 4189: 4173: 4167: 4166: 4164: 4162: 4150: 4144: 4143: 4141: 4139: 4127: 4116: 4115: 4113: 4111: 4095: 4089: 4088: 4086: 4084: 4068: 4062: 4061: 4059: 4057: 4034: 4028: 4027: 4025: 4023: 4008: 3987: 3986: 3984: 3982: 3977:on 21 March 2008 3967: 3961: 3960: 3924: 3918: 3917: 3912:. Archived from 3906: 3900: 3899: 3894:. Archived from 3888: 3882: 3881: 3874: 3868: 3867: 3865: 3863: 3848: 3842: 3841: 3839: 3837: 3831: 3824: 3815: 3809: 3808: 3806: 3804: 3788: 3782: 3777: 3565:Abbas Kiarostami 3171: 3170: 2895:documentary film 2657:And Life Goes On 2375: 2374: 2230:Federico Fellini 2057:Critics such as 2053: 1994: 1958:In August 2020, 1940:Aidin Aghdashlou 1880:Associated Press 1676:characteristic. 1567:Andrei Tarkovsky 1537:They promise of 1357: 1262:Vittorio De Sica 1066:romance tale of 1060:Juliette Binoche 1038:portmanteau film 938:In 2000, at the 924:dignity of labor 698:And Life Goes On 506:Iranian New Wave 425:Iranian New Wave 421:graphic designer 331: 330: 329: 323: 318: 309:Abbas Kiarostami 302: 267: 265: 261: 238:Iranian New Wave 164: 90: 68: 66: 51: 41: 32:Abbas Kiarostami 28: 27: 10392: 10391: 10387: 10386: 10385: 10383: 10382: 10381: 10232: 10231: 10230: 10225: 10197: 10188:Ehsan Yarshater 10161: 10147:Poopak NikTalab 10115: 10106:Ahmad Tafazzoli 10021: 10012:Parviz Shahbazi 9967:Dariush Mehrjui 9927:Abolfazl Jalili 9847: 9765: 9726:Mostafa Mastoor 9691:Simin Daneshvar 9656: 9652:Iraj Pezeshkzad 9647:Mansour Koushan 9594:Simin Daneshvar 9543: 9527: 9511: 9455: 9409: 9393: 9384:She'r-e Nimaa'i 9347:Yadollah Royaee 9322:Siavash Kasraie 9302:Hossein Monzavi 9292:Parvin E'tesami 9279:Hushang Ebtehaj 9269:Simin Behbahani 9224:Qeysar Aminpour 9200: 9183: 9164: 9107: 9097:Neshat Esfahani 9072: 9028:Asir-e Esfahani 9003: 8971: 8906: 8862: 8815:Bahram-e-Pazhdo 8752:Awhadi Maraghai 8735: 8661:Falaki Shirvani 8638:Hassan Ghaznavi 8616: 8612:Mahsati Ganjavi 8572:Uthman Mukhtari 8466: 8374: 8354: 8339: 8330:Drakht-i Asurig 8240: 8223: 8190: 8177: 8172: 8142: 8137: 8129: 8117: 8105: 8097: 8091:Paul Greengrass 8085: 8069: 8057: 8045: 8035:Christopher Lee 8029: 8009: 7989: 7977: 7961: 7953: 7947:Ousmane Sembène 7937: 7925: 7913: 7905: 7897: 7885: 7859:Lynda La Plante 7853: 7841: 7831:Martin Scorsese 7821: 7809: 7793: 7781: 7769: 7749: 7733: 7717: 7701: 7681: 7669: 7661: 7633: 7625: 7620: 7590: 7585: 7580:Behrouz Afkhami 7544:Bahram Tavakoli 7534:Vahid Jalilvand 7510:Parviz Shahbazi 7398:Dariush Mehrjui 7368:Dariush Mehrjui 7338:Yadollah Samadi 7323: 7315: 7310: 7280: 7275: 7192:Tsai Ming-liang 7156:Hou Hsiao-hsien 7141: 7136: 7106: 7101: 7083: 7065: 7049: 7045:Willow and Wind 7004: 6969: 6885: 6807:Taste of Cherry 6691: 6677:Cinematic style 6668: 6663: 6622: 6617: 6600:et al. (eds.): 6578:Film-Philosophy 6560:Alberto Barbera 6458:Alberto Elena, 6442:Correspondences 6429: 6424: 6414: 6412: 6401: 6397: 6387: 6385: 6376: 6375: 6371: 6361: 6359: 6350: 6349: 6345: 6335: 6333: 6328: 6327: 6323: 6313: 6311: 6298: 6294: 6284: 6282: 6271: 6267: 6257: 6255: 6250: 6249: 6245: 6235: 6233: 6218: 6214: 6199: 6195: 6185: 6183: 6168: 6164: 6154: 6152: 6142: 6138: 6128: 6126: 6109: 6100: 6090: 6088: 6073: 6069: 6059: 6057: 6056:on 13 July 2009 6046: 6042: 6032: 6030: 6028:Altyazı Fasikül 6020: 6013: 6003: 6001: 5994: 5988: 5981: 5971: 5969: 5961: 5960: 5956: 5946: 5944: 5934: 5930: 5920: 5918: 5907: 5903: 5893: 5891: 5882: 5881: 5877: 5872:. 10 July 2016. 5868: 5867: 5863: 5858:. 10 July 2016. 5854: 5853: 5849: 5842: 5838: 5833:. 11 July 2016. 5829: 5828: 5824: 5809: 5805: 5790: 5786: 5777: 5776: 5772: 5767:Wayback Machine 5758: 5754: 5745:. 5 July 2016. 5739: 5738: 5734: 5729:Wayback Machine 5720: 5716: 5703: 5702: 5698: 5683: 5679: 5670: 5669: 5665: 5652: 5651: 5647: 5632: 5625: 5617: 5613: 5602:Wayback Machine 5593: 5586: 5580:Wayback Machine 5571: 5564: 5554: 5552: 5545: 5541: 5531: 5529: 5518: 5514: 5504: 5502: 5491: 5487: 5468: 5464: 5454: 5452: 5441: 5434: 5424: 5422: 5411: 5404: 5394: 5392: 5379: 5378: 5371: 5361: 5359: 5348: 5344: 5339: 5335: 5308:Iranian Studies 5304: 5297: 5287: 5285: 5269: 5268: 5264: 5254: 5252: 5245:Al-Ahram Weekly 5237: 5233: 5217: 5213: 5200: 5196: 5190:Film-Philosophy 5176: 5172: 5162: 5160: 5150: 5146: 5136: 5134: 5123: 5119: 5110: 5106: 5096: 5094: 5079: 5075: 5065: 5063: 5052: 5045: 5035: 5033: 5023: 5019: 5009: 5007: 4998: 4997: 4993: 4983: 4981: 4972: 4971: 4967: 4957: 4955: 4948:Rotten Tomatoes 4941: 4940: 4936: 4929: 4913: 4909: 4899: 4897: 4885: 4878: 4868: 4866: 4856: 4852: 4842: 4840: 4825: 4824: 4820: 4810: 4808: 4796: 4792: 4782: 4780: 4779:on 20 July 2013 4773: 4757: 4746: 4737: 4733: 4723: 4721: 4710: 4706: 4697: 4693: 4684: 4680: 4669: 4665: 4655: 4653: 4646: 4642: 4632: 4630: 4615: 4608: 4597: 4593: 4583: 4581: 4568: 4567: 4563: 4550: 4549: 4545: 4530: 4526: 4515: 4508: 4493: 4489: 4474: 4467: 4457: 4455: 4444: 4440: 4419: 4415: 4406: 4405: 4401: 4391: 4389: 4388:on 24 June 2019 4378: 4374: 4355: 4351: 4341: 4339: 4332: 4323: 4313: 4311: 4304: 4297: 4287: 4285: 4281: 4274: 4268: 4264: 4254: 4252: 4251:. World records 4247:Rebecca Flint. 4245: 4241: 4231: 4229: 4216: 4215: 4211: 4202: 4201: 4197: 4187: 4185: 4184:on 8 March 2007 4174: 4170: 4160: 4158: 4151: 4147: 4137: 4135: 4128: 4119: 4109: 4107: 4096: 4092: 4082: 4080: 4069: 4065: 4055: 4053: 4035: 4031: 4021: 4019: 4010: 4009: 3990: 3980: 3978: 3969: 3968: 3964: 3925: 3921: 3908: 3907: 3903: 3890: 3889: 3885: 3876: 3875: 3871: 3861: 3859: 3850: 3849: 3845: 3835: 3833: 3832:on 10 July 2007 3829: 3822: 3816: 3812: 3802: 3800: 3789: 3785: 3778: 3774: 3770: 3758: 3666:A Wolf on Watch 3547: 3169: 3139: 3026: 3001: 2953: 2896: 2761:Willow and Wind 2741:Taste of Cherry 2654: 2373: 2368: 2202: 2196: 2127:Ohio University 2051: 2041:Martin Scorsese 2021:Jean-Luc Godard 2016: 2010:had premiered. 1988: 1956: 1916: 1874:The Independent 1849:Media, such as 1806:Martin Scorsese 1801:(Cinema Museum) 1787: 1779:Dariush Mehrjui 1757:Behesht-e Zahra 1737: 1716:1979 revolution 1705: 1647:Aix-en-Provence 1590: 1563: 1549: 1546: 1544: 1542: 1527:. One scene in 1494: 1482:Taste of Cherry 1474:Taste of Cherry 1450: 1351: 1341: 1281:cinematographer 1254: 1249: 1243: 1241:Cinematic style 1184: 1176:Rotten Tomatoes 1105: 1093:William Shimell 936: 905:Taste of Cherry 801:Jean-Luc Godard 793:Martin Scorsese 755: 735:Taste of Cherry 652: 556:Bread and Alley 549:individualistic 510:Dariush Mehrjui 502: 497: 491: 446: 415:, film editor, 355:Taste of Cherry 325: 324: 288: 269: 266: 1982) 257: 253: 250: 229: 205: 193:Taste of Cherry 162: 149: 118:Alma mater 101: 92: 88: 79: 70: 64: 62: 54: 42: 39: 33: 24: 17: 12: 11: 5: 10390: 10380: 10379: 10374: 10369: 10364: 10359: 10354: 10349: 10344: 10339: 10334: 10329: 10324: 10319: 10314: 10309: 10304: 10299: 10294: 10289: 10284: 10279: 10274: 10269: 10264: 10259: 10254: 10249: 10244: 10227: 10226: 10210: 10207: 10206: 10203: 10202: 10199: 10198: 10196: 10195: 10190: 10185: 10180: 10175: 10169: 10167: 10163: 10162: 10160: 10159: 10157:Ramak NikTalab 10154: 10149: 10144: 10142:Hengameh Mofid 10139: 10137:Babak NikTalab 10134: 10129: 10127:Samad Behrangi 10123: 10121: 10117: 10116: 10114: 10113: 10108: 10103: 10098: 10093: 10088: 10083: 10078: 10073: 10068: 10066:Saleh Hosseini 10063: 10061:Ramak NikTalab 10058: 10056:Sadegh Hedayat 10053: 10048: 10046:Mohammad Ghazi 10043: 10038: 10036:Jaleh Amouzgar 10033: 10029: 10027: 10023: 10022: 10020: 10019: 10014: 10009: 10007:Mohammad Sadri 10004: 9999: 9994: 9989: 9984: 9979: 9974: 9972:Reza Mirkarimi 9969: 9964: 9959: 9954: 9949: 9944: 9939: 9934: 9929: 9924: 9919: 9914: 9909: 9907:Bahman Ghobadi 9904: 9899: 9894: 9889: 9887:Asghar Farhadi 9884: 9879: 9877:Hajir Darioush 9874: 9869: 9864: 9859: 9855: 9853: 9849: 9848: 9846: 9845: 9840: 9837: 9832: 9827: 9822: 9820:Hengameh Mofid 9817: 9812: 9807: 9802: 9797: 9792: 9787: 9786:Mohsen Yalfani 9784: 9779: 9773: 9771: 9767: 9766: 9764: 9763: 9758: 9756:Bahram Sadeghi 9753: 9748: 9743: 9738: 9733: 9728: 9723: 9718: 9713: 9711:Sadegh Hedayat 9708: 9703: 9698: 9696:Nader Ebrahimi 9693: 9688: 9683: 9678: 9673: 9670: 9664: 9662: 9658: 9657: 9655: 9654: 9649: 9644: 9639: 9634: 9629: 9624: 9621: 9616: 9611: 9606: 9601: 9596: 9591: 9586: 9581: 9576: 9574:Reza Amirkhani 9571: 9566: 9561: 9555: 9553: 9549: 9548: 9545: 9544: 9542: 9541: 9539:Muhammad Iqbal 9535: 9533: 9529: 9528: 9526: 9525: 9519: 9517: 9513: 9512: 9510: 9509: 9507:Satim Ulugzade 9504: 9499: 9494: 9489: 9484: 9479: 9474: 9469: 9467:Sadriddin Ayni 9463: 9461: 9457: 9456: 9454: 9453: 9448: 9446:Massoud Nawabi 9443: 9441:Youssof Kohzad 9438: 9433: 9428: 9426:Wasef Bakhtari 9423: 9417: 9415: 9411: 9410: 9408: 9407: 9401: 9399: 9395: 9394: 9392: 9387: 9377: 9374: 9369: 9364: 9359: 9357:Sohrab Sepehri 9354: 9349: 9344: 9342:Nosrat Rahmani 9339: 9334: 9329: 9324: 9319: 9314: 9309: 9304: 9299: 9294: 9289: 9286: 9281: 9276: 9271: 9266: 9261: 9256: 9251: 9246: 9241: 9239:Ahmad NikTalab 9236: 9231: 9226: 9221: 9220:Hormoz Alipour 9218: 9213: 9208: 9206: 9199: 9198: 9195: 9193: 9185: 9184: 9174: 9173: 9170: 9169: 9166: 9165: 9163: 9162: 9156: 9148: 9140: 9132: 9124: 9115: 9113: 9109: 9108: 9106: 9105: 9099: 9094: 9086: 9084:Hatef Esfahani 9080: 9078: 9074: 9073: 9071: 9070: 9067: 9062: 9057: 9049: 9046: 9038: 9033: 9031:(c. 1620–1648) 9025: 9017: 9011: 9009: 9005: 9004: 9002: 9001: 8996: 8988: 8979: 8977: 8973: 8972: 8970: 8969: 8964: 8956: 8948: 8940: 8938:Kamal Khujandi 8935: 8930: 8925: 8920: 8914: 8912: 8908: 8907: 8905: 8904: 8901: 8896: 8891: 8886: 8881: 8876: 8870: 8868: 8864: 8863: 8861: 8860: 8855: 8850: 8848:Khwaju Kermani 8845: 8840: 8832: 8827: 8822: 8817: 8812: 8798: 8790: 8785: 8777: 8772: 8767: 8762: 8757: 8754: 8749: 8743: 8741: 8737: 8736: 8734: 8733: 8725: 8720: 8712: 8707:Nizami Ganjavi 8704: 8701: 8693: 8685: 8673: 8668: 8663: 8658: 8653: 8645: 8640: 8635: 8630: 8624: 8622: 8618: 8617: 8615: 8614: 8609: 8604: 8599: 8594: 8589: 8584: 8579: 8574: 8569: 8561: 8556: 8551: 8546: 8541: 8533: 8525: 8517: 8512:Qatran Tabrizi 8509: 8504: 8496: 8488: 8480: 8474: 8472: 8468: 8467: 8465: 8464: 8459: 8454: 8449: 8444: 8436: 8428: 8423: 8418: 8413: 8408: 8403: 8393: 8388: 8382: 8380: 8376: 8375: 8373: 8372: 8366: 8364: 8356: 8355: 8345: 8344: 8341: 8340: 8338: 8337: 8332: 8327: 8322: 8319: 8316: 8311: 8306: 8301: 8296: 8291: 8286: 8281: 8276: 8271: 8266: 8264:Book of Jamasp 8261: 8256: 8251: 8245: 8242: 8241: 8229: 8228: 8225: 8224: 8222: 8221: 8216: 8211: 8206: 8201: 8195: 8192: 8191: 8179: 8178: 8171: 8170: 8163: 8156: 8148: 8139: 8138: 8136: 8135: 8127: 8115: 8103: 8095: 8083: 8067: 8063:Cate Blanchett 8055: 8051:Stephen Frears 8043: 8027: 8023:Richard Lester 8007: 7987: 7975: 7959: 7955:Terence Davies 7951: 7935: 7923: 7911: 7903: 7895: 7883: 7863:Verity Lambert 7851: 7839: 7819: 7807: 7803:Maureen O'Hara 7795:Clint Eastwood 7791: 7779: 7767: 7763:Fred Zinnemann 7747: 7735:Peggy Ashcroft 7731: 7715: 7699: 7691:Akira Kurosawa 7679: 7671:John Brabourne 7667: 7659: 7643:Michael Powell 7630: 7627: 7626: 7619: 7618: 7611: 7604: 7596: 7587: 7586: 7584: 7583: 7577: 7571: 7568:Reza Mirkarimi 7565: 7559: 7553: 7547: 7537: 7531: 7528:Saeed Roustayi 7525: 7519: 7513: 7507: 7501: 7498:Asghar Farhadi 7495: 7489: 7486:Asghar Farhadi 7483: 7477: 7467: 7464:Asghar Farhadi 7461: 7455: 7449: 7446:Reza Mirkarimi 7443: 7437: 7431: 7425: 7419: 7413: 7407: 7401: 7395: 7389: 7383: 7377: 7371: 7365: 7359: 7356:Kianoush Ayari 7353: 7347: 7344:Kianoush Ayari 7341: 7335: 7329: 7320: 7317: 7316: 7309: 7308: 7301: 7294: 7286: 7277: 7276: 7274: 7273: 7267: 7261: 7255: 7249: 7243: 7237: 7231: 7225: 7219: 7213: 7207: 7204:Kōji Wakamatsu 7201: 7195: 7189: 7183: 7177: 7171: 7165: 7159: 7153: 7146: 7143: 7142: 7135: 7134: 7127: 7120: 7112: 7103: 7102: 7100: 7099: 7088: 7085: 7084: 7082: 7081: 7073: 7071: 7067: 7066: 7064: 7063: 7057: 7055: 7054:Related topics 7051: 7050: 7048: 7047: 7042: 7037: 7032: 7027: 7022: 7016: 7014: 7010: 7009: 7006: 7005: 7003: 7002: 6994: 6986: 6977: 6975: 6971: 6970: 6968: 6967: 6960: 6953: 6946: 6939: 6934: 6927: 6920: 6913: 6906: 6901: 6893: 6891: 6887: 6886: 6884: 6883: 6875: 6867: 6863:Certified Copy 6859: 6851: 6843: 6835: 6827: 6819: 6811: 6803: 6795: 6787: 6779: 6771: 6763: 6755: 6751:Fellow Citizen 6747: 6739: 6731: 6727:A Wedding Suit 6723: 6715: 6711:The Experience 6706: 6704: 6697: 6696:Films directed 6693: 6692: 6690: 6689: 6684: 6679: 6673: 6670: 6669: 6662: 6661: 6654: 6647: 6639: 6633: 6632: 6621: 6620:External links 6618: 6616: 6615: 6612: 6595: 6591: 6590:, 14 June 1996 6588:Chicago Reader 6581: 6574: 6557: 6543: 6529: 6515: 6501:Jean-Luc Nancy 6498: 6484: 6470: 6456: 6438: 6433:Geoff Andrew, 6430: 6428: 6425: 6423: 6422: 6395: 6384:on 23 May 2011 6369: 6343: 6321: 6292: 6265: 6243: 6212: 6193: 6162: 6136: 6098: 6067: 6040: 6011: 5979: 5954: 5928: 5901: 5875: 5861: 5847: 5836: 5822: 5803: 5784: 5781:. 8 July 2016. 5770: 5752: 5732: 5714: 5696: 5677: 5663: 5660:. 6 July 2016. 5645: 5623: 5611: 5584: 5562: 5539: 5512: 5485: 5462: 5432: 5402: 5369: 5342: 5333: 5314:(4): 509–537. 5295: 5262: 5231: 5211: 5194: 5170: 5144: 5117: 5104: 5087:The Mac Weekly 5073: 5043: 5017: 4991: 4965: 4934: 4927: 4907: 4876: 4850: 4818: 4790: 4771: 4744: 4738:Geoff Andrew, 4731: 4704: 4698:Geoff Andrew, 4691: 4685:Geoff Andrew, 4678: 4663: 4640: 4606: 4591: 4561: 4543: 4524: 4506: 4487: 4482:Chicago Reader 4465: 4438: 4413: 4399: 4372: 4363:Slant Magazine 4349: 4321: 4295: 4262: 4239: 4209: 4195: 4168: 4145: 4117: 4090: 4063: 4043:The New Yorker 4029: 3988: 3962: 3935:(2): 239–260. 3919: 3901: 3883: 3869: 3843: 3810: 3783: 3771: 3769: 3766: 3765: 3764: 3762:Cinema of Iran 3757: 3754: 3753: 3752: 3741: 3732: 3725: 3718: 3711: 3704: 3697: 3690: 3683: 3676: 3669: 3662: 3648: 3634: 3612: 3594: 3576: 3562: 3546: 3543: 3540: 3539: 3536: 3533: 3530: 3525: 3521: 3520: 3517: 3514: 3511: 3506: 3502: 3501: 3497:Persian Carpet 3492: 3489: 3486: 3481: 3477: 3476: 3474: 3471: 3468: 3461: 3457: 3456: 3454: 3451: 3448: 3443: 3439: 3438: 3436: 3433: 3430: 3425: 3421: 3420: 3418: 3415: 3412: 3407: 3403: 3402: 3400: 3397: 3394: 3387: 3383: 3382: 3380: 3377: 3374: 3367: 3363: 3362: 3360: 3357: 3354: 3349: 3345: 3344: 3337: 3334: 3331: 3326: 3322: 3321: 3319: 3316: 3313: 3308: 3304: 3303: 3300: 3297: 3294: 3289: 3285: 3284: 3281: 3278: 3275: 3270: 3266: 3265: 3263: 3260: 3257: 3250: 3246: 3245: 3243: 3240: 3237: 3230: 3226: 3225: 3223: 3220: 3217: 3210: 3206: 3205: 3203: 3200: 3197: 3192: 3188: 3187: 3184: 3181: 3178: 3175: 3168: 3165: 3162: 3161: 3159: 3156: 3153: 3146: 3142: 3141: 3136: 3133: 3130: 3123: 3119: 3118: 3116: 3113: 3110: 3103: 3099: 3098: 3096: 3093: 3090: 3083: 3079: 3078: 3076: 3073: 3070: 3067:Certified Copy 3063: 3059: 3058: 3056: 3053: 3050: 3043: 3039: 3038: 3030:Persian Carpet 3019: 3016: 3013: 3011:Persian Carpet 3008: 3004: 3003: 2995: 2992: 2989: 2984: 2980: 2979: 2976: 2973: 2970: 2963: 2959: 2958: 2945:directed with 2943: 2940: 2937: 2930: 2926: 2925: 2919: 2916: 2913: 2906: 2902: 2901: 2893: 2890: 2887: 2880: 2876: 2875: 2873: 2870: 2867: 2860: 2856: 2855: 2852: 2849: 2846: 2839: 2835: 2834: 2831: 2828: 2825: 2818: 2814: 2813: 2810: 2807: 2804: 2797: 2793: 2792: 2790: 2787: 2784: 2777: 2773: 2772: 2770: 2767: 2764: 2757: 2753: 2752: 2750: 2747: 2744: 2737: 2733: 2732: 2730: 2727: 2724: 2717: 2713: 2712: 2705: 2702: 2699: 2692: 2688: 2687: 2678: 2675: 2672: 2665: 2661: 2660: 2645: 2642: 2639: 2632: 2628: 2627: 2624: 2621: 2618: 2611: 2607: 2606: 2603: 2600: 2597: 2590: 2586: 2585: 2583: 2580: 2577: 2570: 2566: 2565: 2556: 2553: 2550: 2543: 2539: 2538: 2535: 2532: 2529: 2522: 2518: 2517: 2514: 2511: 2508: 2505:Fellow Citizen 2501: 2497: 2496: 2494: 2491: 2488: 2481: 2477: 2476: 2474: 2471: 2468: 2461: 2457: 2456: 2453: 2450: 2447: 2444:A Wedding Suit 2440: 2436: 2435: 2433: 2430: 2427: 2420: 2416: 2415: 2409: 2406: 2403: 2400:The Experience 2396: 2392: 2391: 2388: 2385: 2382: 2379: 2372: 2369: 2367: 2364: 2363: 2362: 2355: 2349: 2343: 2340: 2333: 2330: 2323: 2316: 2310: 2300: 2290: 2283: 2277: 2270: 2267:Akira Kurosawa 2264: 2254: 2247: 2237: 2227: 2221: 2215: 2212: 2198:Main article: 2195: 2192: 2119:Aki Kaurismäki 2105:to attend the 2087:Asghar Farhadi 2045:Michael Haneke 2033:Akira Kurosawa 2015: 2012: 1955: 1952: 1944:Asghar Farhadi 1915: 1912: 1901:Peter Bradshaw 1836:Hassan Rouhani 1810:Asghar Farhadi 1799:Ferdows Garden 1786: 1783: 1749:Academy Awards 1736: 1733: 1704: 1701: 1662:Sohrab Sepehri 1642:Così fan tutte 1589: 1586: 1571:Robert Bresson 1562: 1559: 1535: 1521:Sohrab Sepehri 1505:Persian poetry 1493: 1490: 1449: 1446: 1371:Jean-Luc Nancy 1340: 1337: 1253: 1250: 1245:Main article: 1242: 1239: 1183: 1180: 1178:score of 92%. 1140:Certified Copy 1130:Peter Bradshaw 1117:Certified Copy 1104: 1101: 1091:starring with 1080:Così fan tutte 944:Akira Kurosawa 935: 932: 754: 751: 675:Fellow Citizen 651: 648: 616:A Wedding Suit 566:The Experience 501: 498: 490: 487: 445: 442: 437:Persian poetry 429:Persian cinema 369:Certified Copy 304: 303: 295: 294: 290: 289: 287: 286: 281: 277: 275: 271: 270: 255: 251: 248: 247: 245: 241: 240: 235: 231: 230: 228: 227: 222: 217: 213: 211: 207: 206: 204: 203: 196: 189: 182: 175: 167: 165: 159: 158: 155: 151: 150: 148: 147: 144: 141: 138: 135: 131: 129: 125: 124: 119: 115: 114: 107: 103: 102: 93: 91:(aged 76) 85: 81: 80: 71: 60: 56: 55: 52: 44: 43: 35: 34: 31: 15: 9: 6: 4: 3: 2: 10389: 10378: 10375: 10373: 10370: 10368: 10365: 10363: 10360: 10358: 10355: 10353: 10350: 10348: 10345: 10343: 10340: 10338: 10335: 10333: 10330: 10328: 10325: 10323: 10320: 10318: 10315: 10313: 10310: 10308: 10305: 10303: 10300: 10298: 10295: 10293: 10290: 10288: 10285: 10283: 10280: 10278: 10275: 10273: 10270: 10268: 10265: 10263: 10260: 10258: 10255: 10253: 10250: 10248: 10245: 10243: 10240: 10239: 10237: 10223: 10219: 10215: 10208: 10194: 10193:Ahmad Kasravi 10191: 10189: 10186: 10184: 10181: 10179: 10178:Ali Latifiyan 10176: 10174: 10171: 10170: 10168: 10164: 10158: 10155: 10153: 10150: 10148: 10145: 10143: 10140: 10138: 10135: 10133: 10130: 10128: 10125: 10124: 10122: 10118: 10112: 10109: 10107: 10104: 10102: 10101:Jafar Shahidi 10099: 10097: 10096:Jalal Sattari 10094: 10092: 10089: 10087: 10084: 10082: 10081:Mohammad Moin 10079: 10077: 10076:Ahmad Shamlou 10074: 10072: 10069: 10067: 10064: 10062: 10059: 10057: 10054: 10052: 10051:Lili Golestan 10049: 10047: 10044: 10042: 10039: 10037: 10034: 10031: 10030: 10028: 10024: 10018: 10015: 10013: 10010: 10008: 10005: 10003: 10000: 9998: 9995: 9993: 9990: 9988: 9985: 9983: 9980: 9978: 9975: 9973: 9970: 9968: 9965: 9963: 9960: 9958: 9955: 9953: 9950: 9948: 9945: 9943: 9940: 9938: 9935: 9933: 9930: 9928: 9925: 9923: 9920: 9918: 9915: 9913: 9912:Fereydun Gole 9910: 9908: 9905: 9903: 9900: 9898: 9895: 9893: 9890: 9888: 9885: 9883: 9880: 9878: 9875: 9873: 9872:Bahram Beyzai 9870: 9868: 9865: 9863: 9860: 9858:Saeed Aghighi 9857: 9856: 9854: 9850: 9844: 9841: 9838: 9836: 9833: 9831: 9828: 9826: 9823: 9821: 9818: 9816: 9813: 9811: 9808: 9806: 9803: 9801: 9798: 9796: 9793: 9791: 9790:Bahram Beyzai 9788: 9785: 9783: 9780: 9778: 9775: 9774: 9772: 9768: 9762: 9759: 9757: 9754: 9752: 9749: 9747: 9744: 9742: 9739: 9737: 9734: 9732: 9729: 9727: 9724: 9722: 9719: 9717: 9714: 9712: 9709: 9707: 9704: 9702: 9699: 9697: 9694: 9692: 9689: 9687: 9684: 9682: 9679: 9677: 9674: 9671: 9669: 9666: 9665: 9663: 9661:Short stories 9659: 9653: 9650: 9648: 9645: 9643: 9642:Abbas Maroufi 9640: 9638: 9635: 9633: 9632:Ahmad Mahmoud 9630: 9628: 9625: 9622: 9620: 9617: 9615: 9612: 9610: 9609:Reza Ghassemi 9607: 9605: 9602: 9600: 9597: 9595: 9592: 9590: 9589:Reza Baraheni 9587: 9585: 9582: 9580: 9577: 9575: 9572: 9570: 9567: 9565: 9562: 9560: 9557: 9556: 9554: 9550: 9540: 9537: 9536: 9534: 9530: 9524: 9521: 9520: 9518: 9514: 9508: 9505: 9503: 9500: 9498: 9495: 9493: 9492:Loiq Sher-Ali 9490: 9488: 9485: 9483: 9480: 9478: 9475: 9473: 9470: 9468: 9465: 9464: 9462: 9458: 9452: 9449: 9447: 9444: 9442: 9439: 9437: 9434: 9432: 9429: 9427: 9424: 9422: 9421:Nadia Anjuman 9419: 9418: 9416: 9412: 9406: 9403: 9402: 9400: 9396: 9391: 9388: 9385: 9381: 9378: 9375: 9373: 9372:Ahmad Shamlou 9370: 9368: 9365: 9363: 9360: 9358: 9355: 9353: 9350: 9348: 9345: 9343: 9340: 9338: 9335: 9333: 9330: 9328: 9325: 9323: 9320: 9318: 9315: 9313: 9310: 9308: 9307:Hushang Irani 9305: 9303: 9300: 9298: 9295: 9293: 9290: 9287: 9285: 9282: 9280: 9277: 9275: 9272: 9270: 9267: 9265: 9264:Reza Baraheni 9262: 9260: 9257: 9255: 9252: 9250: 9247: 9245: 9242: 9240: 9237: 9235: 9232: 9230: 9227: 9225: 9222: 9219: 9217: 9214: 9212: 9209: 9207: 9203: 9197: 9196: 9194: 9190: 9186: 9179: 9175: 9157: 9152: 9149: 9144: 9141: 9136: 9133: 9128: 9125: 9120: 9117: 9116: 9114: 9110: 9100: 9098: 9095: 9090: 9087: 9085: 9082: 9081: 9079: 9075: 9068: 9066: 9063: 9061: 9058: 9053: 9050: 9047: 9042: 9039: 9037: 9036:Kalim Kashani 9034: 9029: 9026: 9021: 9018: 9016: 9013: 9012: 9010: 9006: 9000: 8999:'Orfi Shirazi 8997: 8992: 8989: 8984: 8981: 8980: 8978: 8974: 8968: 8965: 8960: 8957: 8952: 8949: 8944: 8941: 8939: 8936: 8934: 8931: 8929: 8926: 8924: 8923:Salman Savaji 8921: 8919: 8916: 8915: 8913: 8909: 8902: 8900: 8897: 8895: 8892: 8890: 8887: 8885: 8882: 8880: 8877: 8875: 8872: 8871: 8869: 8865: 8859: 8856: 8854: 8853:Badr Shirvani 8851: 8849: 8846: 8844: 8841: 8836: 8835:Homam Tabrizi 8833: 8831: 8828: 8826: 8823: 8821: 8820:Pur-Baha Jami 8818: 8816: 8813: 8810: 8806: 8802: 8799: 8794: 8791: 8789: 8786: 8781: 8778: 8776: 8773: 8771: 8768: 8766: 8763: 8761: 8758: 8755: 8753: 8750: 8748: 8745: 8744: 8742: 8738: 8729: 8728:Shams Tabrizi 8726: 8724: 8721: 8716: 8713: 8708: 8705: 8702: 8697: 8694: 8689: 8686: 8682: 8677: 8674: 8672: 8669: 8667: 8664: 8662: 8659: 8657: 8654: 8649: 8646: 8644: 8643:Faramarz Nama 8641: 8639: 8636: 8634: 8631: 8629: 8626: 8625: 8623: 8619: 8613: 8610: 8608: 8605: 8603: 8600: 8598: 8595: 8593: 8590: 8588: 8585: 8583: 8580: 8578: 8575: 8573: 8570: 8565: 8562: 8560: 8557: 8555: 8552: 8550: 8549:Ahmad Ghazali 8547: 8545: 8542: 8537: 8534: 8529: 8526: 8521: 8520:Nizam al-Mulk 8518: 8513: 8510: 8508: 8505: 8500: 8497: 8492: 8489: 8484: 8483:Nasir Khusraw 8481: 8479: 8476: 8475: 8473: 8469: 8463: 8460: 8458: 8457:Kisai Marvazi 8455: 8453: 8450: 8448: 8445: 8440: 8437: 8432: 8429: 8427: 8424: 8422: 8419: 8417: 8416:Shahid Balkhi 8414: 8412: 8409: 8407: 8404: 8401: 8397: 8394: 8392: 8389: 8387: 8384: 8383: 8381: 8377: 8371: 8368: 8367: 8365: 8361: 8357: 8350: 8346: 8336: 8333: 8331: 8328: 8326: 8323: 8320: 8317: 8315: 8312: 8310: 8307: 8305: 8304:Menog-i Khrad 8302: 8300: 8297: 8295: 8292: 8290: 8287: 8285: 8282: 8280: 8277: 8275: 8272: 8270: 8267: 8265: 8262: 8260: 8257: 8255: 8252: 8250: 8247: 8246: 8243: 8239: 8234: 8230: 8220: 8217: 8215: 8212: 8210: 8207: 8205: 8202: 8200: 8197: 8196: 8193: 8189: 8184: 8180: 8176: 8169: 8164: 8162: 8157: 8155: 8150: 8149: 8146: 8132: 8128: 8124: 8120: 8116: 8112: 8111:Tilda Swinton 8108: 8107:Amanda Nevill 8104: 8100: 8099:Olivia Colman 8096: 8092: 8088: 8084: 8080: 8079:Steve McQueen 8076: 8072: 8068: 8064: 8060: 8056: 8052: 8048: 8044: 8040: 8036: 8032: 8031:Philip French 8028: 8024: 8020: 8016: 8012: 8008: 8004: 8000: 7999:Ralph Fiennes 7996: 7992: 7988: 7984: 7980: 7976: 7972: 7968: 7964: 7960: 7956: 7952: 7948: 7944: 7940: 7936: 7932: 7931:Bob Weinstein 7928: 7924: 7920: 7919:Lewis Gilbert 7916: 7915:Robert Altman 7912: 7908: 7904: 7900: 7896: 7892: 7891:Jeremy Thomas 7888: 7884: 7880: 7876: 7872: 7868: 7867:David Puttnam 7864: 7860: 7856: 7852: 7848: 7844: 7843:Michael Caine 7840: 7836: 7832: 7828: 7824: 7820: 7816: 7812: 7808: 7804: 7800: 7796: 7792: 7788: 7784: 7780: 7776: 7772: 7771:Alec Guinness 7768: 7764: 7760: 7759:Jeanne Moreau 7756: 7752: 7748: 7744: 7743:David Francis 7740: 7736: 7732: 7728: 7727:Anthony Smith 7724: 7720: 7719:Graham Greene 7716: 7712: 7708: 7704: 7700: 7696: 7692: 7688: 7684: 7683:Jeremy Isaacs 7680: 7676: 7672: 7668: 7664: 7660: 7656: 7652: 7648: 7644: 7640: 7636: 7632: 7631: 7628: 7624: 7617: 7612: 7610: 7605: 7603: 7598: 7597: 7594: 7581: 7578: 7575: 7572: 7569: 7566: 7563: 7560: 7557: 7554: 7551: 7548: 7545: 7541: 7538: 7535: 7532: 7529: 7526: 7523: 7520: 7517: 7514: 7511: 7508: 7505: 7502: 7499: 7496: 7493: 7490: 7487: 7484: 7481: 7478: 7475: 7471: 7468: 7465: 7462: 7459: 7456: 7453: 7450: 7447: 7444: 7441: 7438: 7435: 7432: 7429: 7426: 7423: 7420: 7417: 7414: 7411: 7408: 7405: 7402: 7399: 7396: 7393: 7390: 7387: 7384: 7381: 7378: 7375: 7372: 7369: 7366: 7363: 7360: 7357: 7354: 7351: 7348: 7345: 7342: 7339: 7336: 7333: 7332:Khosrow Sinai 7330: 7326: 7322: 7321: 7318: 7314: 7307: 7302: 7300: 7295: 7293: 7288: 7287: 7284: 7271: 7268: 7265: 7262: 7259: 7256: 7253: 7250: 7247: 7244: 7241: 7238: 7235: 7234:Seijun Suzuki 7232: 7229: 7226: 7223: 7222:Studio Ghibli 7220: 7217: 7214: 7211: 7208: 7205: 7202: 7199: 7196: 7193: 7190: 7187: 7184: 7181: 7178: 7175: 7172: 7169: 7166: 7163: 7160: 7157: 7154: 7151: 7148: 7147: 7144: 7140: 7133: 7128: 7126: 7121: 7119: 7114: 7113: 7110: 7098: 7090: 7089: 7086: 7080: 7079: 7075: 7074: 7072: 7068: 7062: 7061:Koker trilogy 7059: 7058: 7056: 7052: 7046: 7043: 7041: 7038: 7036: 7033: 7031: 7028: 7026: 7023: 7021: 7018: 7017: 7015: 7011: 7001: 7000: 6995: 6993: 6992: 6987: 6985: 6984: 6979: 6978: 6976: 6972: 6966: 6965: 6961: 6959: 6958: 6954: 6952: 6951: 6947: 6945: 6944: 6940: 6938: 6935: 6933: 6932: 6928: 6926: 6925: 6921: 6919: 6918: 6914: 6912: 6911: 6907: 6905: 6902: 6900: 6899: 6895: 6894: 6892: 6888: 6881: 6880: 6876: 6873: 6872: 6868: 6865: 6864: 6860: 6857: 6856: 6852: 6849: 6848: 6844: 6841: 6840: 6836: 6833: 6832: 6828: 6825: 6824: 6820: 6817: 6816: 6812: 6809: 6808: 6804: 6801: 6800: 6796: 6793: 6792: 6788: 6785: 6784: 6780: 6777: 6776: 6772: 6769: 6768: 6764: 6761: 6760: 6759:First Graders 6756: 6753: 6752: 6748: 6745: 6744: 6740: 6737: 6736: 6732: 6729: 6728: 6724: 6721: 6720: 6716: 6713: 6712: 6708: 6707: 6705: 6701: 6698: 6694: 6688: 6685: 6683: 6680: 6678: 6675: 6674: 6671: 6667: 6660: 6655: 6653: 6648: 6646: 6641: 6640: 6637: 6631: 6627: 6624: 6623: 6613: 6611: 6607: 6603: 6599: 6596: 6592: 6589: 6585: 6582: 6579: 6575: 6573: 6569: 6565: 6561: 6558: 6556: 6552: 6548: 6544: 6542: 6538: 6534: 6530: 6528: 6524: 6520: 6516: 6514: 6513:2-930128-17-8 6510: 6506: 6502: 6499: 6497: 6493: 6489: 6486:Julian Rice, 6485: 6483: 6482:0-252-07111-5 6479: 6475: 6471: 6469: 6468:0-86356-594-8 6465: 6461: 6457: 6455: 6451: 6450:84-96540-24-3 6447: 6443: 6439: 6436: 6432: 6431: 6410: 6406: 6399: 6383: 6379: 6373: 6358:on 3 May 2007 6357: 6353: 6347: 6331: 6325: 6310: 6306: 6302: 6296: 6280: 6276: 6269: 6253: 6247: 6231: 6227: 6223: 6216: 6210: 6208: 6202: 6197: 6181: 6177: 6173: 6166: 6151: 6147: 6140: 6124: 6120: 6119: 6114: 6107: 6105: 6103: 6086: 6082: 6078: 6071: 6055: 6051: 6044: 6029: 6025: 6018: 6016: 5999: 5995: 5986: 5984: 5968: 5964: 5958: 5943: 5939: 5932: 5916: 5912: 5905: 5889: 5885: 5879: 5871: 5865: 5857: 5851: 5845: 5840: 5832: 5826: 5818: 5814: 5807: 5799: 5795: 5788: 5780: 5774: 5768: 5764: 5761: 5756: 5748: 5743: 5736: 5730: 5726: 5723: 5718: 5710: 5706: 5700: 5692: 5688: 5681: 5673: 5667: 5659: 5655: 5649: 5641: 5637: 5630: 5628: 5620: 5615: 5608: 5607: 5603: 5599: 5596: 5591: 5589: 5581: 5577: 5574: 5569: 5567: 5551:. Iranian.com 5550: 5543: 5527: 5523: 5516: 5500: 5496: 5489: 5482: 5478: 5474: 5472: 5466: 5450: 5446: 5439: 5437: 5420: 5416: 5409: 5407: 5390: 5386: 5384: 5376: 5374: 5357: 5353: 5346: 5337: 5329: 5325: 5321: 5317: 5313: 5309: 5302: 5300: 5284: 5280: 5276: 5272: 5266: 5250: 5246: 5242: 5235: 5229: 5228:2-930128-17-8 5225: 5221: 5215: 5208: 5204: 5198: 5191: 5188: 5184: 5180: 5174: 5159: 5155: 5148: 5132: 5128: 5121: 5114: 5108: 5092: 5088: 5084: 5077: 5061: 5057: 5050: 5048: 5032: 5028: 5021: 5005: 5001: 4995: 4979: 4975: 4969: 4954: 4950: 4949: 4944: 4938: 4930: 4924: 4920: 4919: 4911: 4896: 4895: 4890: 4883: 4881: 4865: 4861: 4854: 4838: 4834: 4833: 4828: 4822: 4807: 4806: 4801: 4794: 4778: 4774: 4768: 4764: 4763: 4755: 4753: 4751: 4749: 4741: 4735: 4719: 4715: 4708: 4701: 4695: 4688: 4682: 4674: 4667: 4651: 4644: 4628: 4624: 4620: 4613: 4611: 4602: 4595: 4579: 4575: 4571: 4565: 4557: 4553: 4547: 4539: 4535: 4528: 4520: 4513: 4511: 4502: 4498: 4491: 4483: 4479: 4472: 4470: 4453: 4449: 4442: 4434: 4430: 4429: 4424: 4417: 4409: 4403: 4387: 4383: 4376: 4368: 4364: 4360: 4353: 4337: 4330: 4328: 4326: 4309: 4302: 4300: 4280: 4273: 4270:Chris Darke. 4266: 4250: 4243: 4227: 4223: 4219: 4213: 4205: 4199: 4183: 4179: 4176:Chris Payne. 4172: 4156: 4149: 4133: 4126: 4124: 4122: 4105: 4101: 4094: 4078: 4074: 4067: 4052: 4048: 4044: 4040: 4033: 4017: 4013: 4007: 4005: 4003: 4001: 3999: 3997: 3995: 3993: 3976: 3972: 3966: 3958: 3954: 3950: 3946: 3942: 3938: 3934: 3930: 3923: 3915: 3911: 3905: 3897: 3893: 3887: 3879: 3873: 3857: 3853: 3847: 3828: 3821: 3814: 3798: 3794: 3787: 3781: 3776: 3772: 3763: 3760: 3759: 3750: 3746: 3742: 3739: 3738: 3733: 3730: 3726: 3723: 3719: 3716: 3712: 3709: 3705: 3702: 3698: 3695: 3691: 3688: 3684: 3681: 3680:Wind and Leaf 3677: 3674: 3673:With the Wind 3670: 3667: 3663: 3660: 3659:2-86744-589-2 3656: 3652: 3649: 3646: 3645:2-86642-347-X 3642: 3638: 3635: 3632: 3631:2-86744-889-1 3628: 3624: 3621: 3617: 3616:Nahal Tajadod 3613: 3610: 3609:2-86642-346-1 3606: 3602: 3598: 3595: 3592: 3591:0-674-00844-8 3588: 3584: 3580: 3577: 3574: 3573:2-86642-196-5 3570: 3566: 3563: 3560: 3556: 3552: 3549: 3548: 3537: 3534: 3531: 3529: 3526: 3523: 3522: 3518: 3515: 3512: 3510: 3507: 3504: 3503: 3499: 3498: 3493: 3490: 3487: 3485: 3482: 3479: 3478: 3475: 3472: 3469: 3467: 3466: 3462: 3459: 3458: 3455: 3452: 3449: 3447: 3444: 3441: 3440: 3437: 3434: 3431: 3429: 3426: 3423: 3422: 3419: 3416: 3413: 3411: 3408: 3405: 3404: 3401: 3398: 3395: 3393: 3392: 3388: 3385: 3384: 3381: 3378: 3375: 3373: 3372: 3368: 3365: 3364: 3361: 3358: 3355: 3353: 3350: 3347: 3346: 3342: 3341:Solution No.1 3338: 3335: 3332: 3330: 3327: 3324: 3323: 3320: 3317: 3314: 3312: 3309: 3306: 3305: 3301: 3298: 3295: 3293: 3290: 3287: 3286: 3282: 3279: 3276: 3274: 3271: 3268: 3267: 3264: 3261: 3258: 3256: 3255: 3251: 3248: 3247: 3244: 3241: 3238: 3236: 3235: 3231: 3228: 3227: 3224: 3221: 3218: 3216: 3215: 3211: 3208: 3207: 3204: 3201: 3198: 3196: 3193: 3190: 3189: 3185: 3182: 3179: 3176: 3173: 3172: 3160: 3157: 3154: 3152: 3151: 3147: 3144: 3143: 3137: 3134: 3131: 3129: 3128: 3124: 3121: 3120: 3117: 3114: 3111: 3109: 3108: 3107:Meeting Leila 3104: 3101: 3100: 3097: 3094: 3091: 3089: 3088: 3084: 3081: 3080: 3077: 3074: 3071: 3069: 3068: 3064: 3061: 3060: 3057: 3054: 3051: 3049: 3048: 3044: 3041: 3040: 3036: 3032: 3031: 3024: 3020: 3017: 3014: 3012: 3009: 3006: 3005: 3000: 2996: 2993: 2990: 2988: 2985: 2982: 2981: 2977: 2974: 2971: 2969: 2968: 2964: 2961: 2960: 2957: 2952: 2948: 2944: 2941: 2938: 2936: 2935: 2931: 2928: 2927: 2924: 2920: 2917: 2914: 2912: 2911: 2907: 2904: 2903: 2900: 2894: 2891: 2888: 2886: 2885: 2881: 2878: 2877: 2874: 2871: 2868: 2866: 2865: 2861: 2858: 2857: 2853: 2850: 2847: 2845: 2844: 2840: 2837: 2836: 2832: 2829: 2826: 2824: 2823: 2819: 2816: 2815: 2811: 2808: 2805: 2803: 2802: 2798: 2795: 2794: 2791: 2788: 2785: 2783: 2782: 2778: 2775: 2774: 2771: 2768: 2765: 2763: 2762: 2758: 2755: 2754: 2751: 2748: 2745: 2743: 2742: 2738: 2735: 2734: 2731: 2728: 2725: 2723: 2722: 2718: 2715: 2714: 2710: 2706: 2703: 2700: 2698: 2697: 2693: 2690: 2689: 2686: 2684: 2679: 2676: 2673: 2671: 2670: 2666: 2663: 2662: 2658: 2653: 2651: 2646: 2643: 2640: 2638: 2637: 2633: 2630: 2629: 2625: 2622: 2619: 2617: 2616: 2612: 2609: 2608: 2604: 2601: 2598: 2596: 2595: 2591: 2588: 2587: 2584: 2581: 2578: 2576: 2575: 2571: 2568: 2567: 2564: 2562: 2557: 2554: 2551: 2549: 2548: 2544: 2541: 2540: 2536: 2533: 2530: 2528: 2527: 2526:First Graders 2523: 2520: 2519: 2515: 2512: 2509: 2507: 2506: 2502: 2499: 2498: 2495: 2492: 2489: 2487: 2486: 2482: 2479: 2478: 2475: 2472: 2469: 2467: 2466: 2462: 2459: 2458: 2454: 2451: 2448: 2446: 2445: 2441: 2438: 2437: 2434: 2431: 2428: 2426: 2425: 2421: 2418: 2417: 2414: 2411:written with 2410: 2407: 2404: 2402: 2401: 2397: 2394: 2393: 2389: 2386: 2383: 2380: 2377: 2376: 2371:Feature films 2360: 2356: 2353: 2350: 2347: 2344: 2341: 2338: 2334: 2331: 2328: 2324: 2321: 2317: 2314: 2311: 2308: 2304: 2301: 2298: 2294: 2291: 2288: 2284: 2281: 2278: 2275: 2271: 2268: 2265: 2262: 2258: 2255: 2252: 2248: 2245: 2241: 2238: 2235: 2231: 2228: 2225: 2222: 2219: 2216: 2213: 2210: 2207: 2206: 2205: 2201: 2191: 2189: 2184: 2182: 2178: 2177: 2172: 2168: 2167:Nanni Moretti 2164: 2163: 2157: 2155: 2151: 2147: 2144:In 2007, the 2142: 2139: 2134: 2132: 2128: 2125:, as well as 2124: 2120: 2116: 2112: 2108: 2104: 2100: 2095: 2088: 2083: 2079: 2077: 2073: 2069: 2065: 2060: 2055: 2050: 2046: 2042: 2038: 2034: 2030: 2026: 2025:Nanni Moretti 2022: 2011: 2009: 2004: 2002: 1998: 1992: 1987: 1983: 1979: 1975: 1971: 1967: 1966: 1961: 1951: 1949: 1945: 1941: 1937: 1933: 1925: 1920: 1911: 1909: 1904: 1902: 1898: 1894: 1893: 1888: 1887: 1882: 1881: 1876: 1875: 1870: 1869: 1864: 1863: 1858: 1854: 1853: 1847: 1845: 1841: 1837: 1832: 1830: 1826: 1822: 1821: 1815: 1811: 1807: 1800: 1796: 1791: 1782: 1780: 1776: 1772: 1770: 1766: 1762: 1758: 1754: 1750: 1746: 1742: 1732: 1730: 1724: 1719: 1717: 1712: 1710: 1703:Personal life 1700: 1698: 1694: 1690: 1686: 1682: 1677: 1675: 1671: 1667: 1663: 1659: 1654: 1652: 1648: 1644: 1643: 1638: 1634: 1630: 1625: 1623: 1619: 1615: 1611: 1607: 1603: 1594: 1585: 1583: 1578: 1576: 1572: 1568: 1558: 1556: 1548: 1540: 1533: 1530: 1526: 1522: 1518: 1514: 1510: 1506: 1502: 1498: 1489: 1487: 1483: 1478: 1476: 1475: 1469: 1467: 1463: 1462:Koker trilogy 1454: 1445: 1442: 1435: 1430: 1428: 1424: 1418: 1417:of my street. 1416: 1412: 1408: 1404: 1400: 1396: 1392: 1386: 1384: 1380: 1376: 1372: 1367: 1365: 1355: 1350: 1345: 1336: 1334: 1330: 1325: 1323: 1322: 1317: 1313: 1309: 1304: 1302: 1301:Koker trilogy 1298: 1293: 1291: 1286: 1282: 1278: 1273: 1271: 1267: 1263: 1259: 1252:Individualism 1248: 1238: 1237:in Portugal. 1236: 1232: 1228: 1225:in 1996, the 1224: 1221:in 1990, the 1220: 1217:in 1985, the 1216: 1211: 1209: 1205: 1201: 1197: 1193: 1189: 1179: 1177: 1173: 1169: 1165: 1164: 1158: 1156: 1155: 1150: 1146: 1141: 1137: 1136: 1131: 1127: 1123: 1119: 1118: 1109: 1100: 1098: 1094: 1090: 1086: 1083:conducted by 1082: 1081: 1076: 1071: 1069: 1065: 1061: 1057: 1055: 1049: 1047: 1043: 1039: 1035: 1034: 1028: 1026: 1022: 1018: 1017: 1011: 1008: 1007: 1002: 998: 996: 995: 989: 986: 982: 981: 976: 974: 973:AIDS epidemic 970: 969: 964: 960: 956: 951: 949: 945: 941: 931: 929: 925: 921: 917: 916: 910: 908: 906: 901: 897: 896: 890: 888: 887: 882: 878: 877: 872: 871: 865: 863: 859: 858:Miramax Films 855: 851: 847: 843: 842:Koker trilogy 839: 838:Adrian Martin 835: 831: 827: 826:Koker trilogy 823: 819: 818:Koker trilogy 815: 814: 808: 806: 805:Nanni Moretti 802: 798: 797:Werner Herzog 794: 790: 786: 782: 778: 774: 770: 769: 759: 750: 748: 747: 742: 741: 736: 732: 728: 724: 720: 716: 715: 714:Koker trilogy 710: 709: 704: 700: 699: 694: 690: 686: 684: 683: 678: 676: 671: 670: 665: 664: 659: 658: 647: 645: 644: 639: 638:tax collector 635: 634: 624: 620: 618: 617: 612: 611: 606: 605: 600: 599: 593: 591: 587: 582: 578: 574: 573: 568: 567: 560: 557: 552: 550: 545: 543: 542: 537: 536: 531: 527: 526:neo-realistic 523: 522: 517: 516: 511: 507: 496: 486: 484: 483:Masoud Kimiai 480: 479: 474: 469: 467: 463: 455: 450: 441: 438: 432: 430: 426: 422: 418: 414: 409: 407: 406: 401: 400: 395: 391: 387: 383: 382: 377: 376: 371: 370: 365: 361: 357: 356: 351: 350: 345: 344: 340:(1987–1994), 339: 338:Koker trilogy 335: 328: 322: 317:عباس کیارستمی 314: 310: 301: 296: 291: 285: 282: 279: 278: 276: 272: 246: 242: 239: 236: 232: 226: 223: 221: 218: 215: 214: 212: 208: 202: 201: 197: 195: 194: 190: 188: 187: 183: 181: 180: 176: 174: 173: 169: 168: 166: 160: 156: 152: 145: 142: 139: 136: 133: 132: 130: 126: 123: 120: 116: 112: 108: 104: 100: 96: 86: 82: 78: 74: 61: 57: 50: 45: 40:عباس کیارستمی 36: 29: 26: 22: 10111:Abbas Zaryab 9987:Jafar Panahi 9957:Majid Majidi 9951: 9795:Bahman Forsi 9761:Goli Taraqqi 9686:Javad Mojabi 9676:Sadeq Chubak 9672:Shamim Bahar 9569:Bozorg Alavi 9523:Asad Gulzoda 9380:Nima Yooshij 9317:Bijan Jalali 9234:Aref Qazvini 9182:Contemporary 9119:Mirza Ghalib 9089:Azar Bigdeli 9048:Saba Kashani 9041:Hazin Lāhiji 9020:Saib Tabrizi 8983:Vahshi Bafqi 8967:Baba Faghani 8943:Ahli Shirazi 8918:Ubayd Zakani 8793:Amir Khusrau 8783:(1288–1320s) 8760:Sultan Walad 8587:Banu Goshasp 8536:Omar Khayyam 8426:Rabia Balkhi 8309:Jamasp Namag 8087:Peter Morgan 8039:John Boorman 8011:Bryan Forbes 7971:Ridley Scott 7938: 7927:Jack Cardiff 7815:Jean Simmons 7811:Nicolas Roeg 7799:Denis Forman 7787:Maggie Smith 7751:Derek Jarman 7703:Dirk Bogarde 7695:Dilys Powell 7687:Deborah Kerr 7655:Orson Welles 7651:Satyajit Ray 7635:Marcel Carné 7562:Mehdi Jafari 7550:Narges Abyar 7480:Majid Majidi 7458:Majid Majidi 7434:Majid Majidi 7410:Majid Majidi 7386:Sirus Alvand 7349: 7324: 7264:Chow Yun-fat 7252:Im Kwon-taek 7227: 7076: 7030:Crimson Gold 6998: 6990: 6982: 6962: 6955: 6948: 6941: 6936: 6929: 6922: 6915: 6908: 6903: 6896: 6877: 6869: 6861: 6853: 6845: 6837: 6829: 6821: 6813: 6805: 6797: 6789: 6781: 6773: 6765: 6757: 6749: 6741: 6733: 6725: 6719:The Traveler 6717: 6709: 6665: 6601: 6587: 6577: 6563: 6546: 6532: 6518: 6504: 6487: 6473: 6459: 6454:Víctor Erice 6441: 6434: 6427:Bibliography 6413:. Retrieved 6409:the original 6398: 6386:. Retrieved 6382:the original 6372: 6360:. Retrieved 6356:the original 6346: 6334:. Retrieved 6324: 6312:. Retrieved 6308: 6295: 6283:. Retrieved 6268: 6256:. Retrieved 6246: 6234:. Retrieved 6230:the original 6225: 6215: 6206: 6196: 6184:. Retrieved 6176:The Guardian 6175: 6165: 6153:. Retrieved 6149: 6139: 6127:. Retrieved 6118:The Guardian 6116: 6089:. Retrieved 6085:the original 6080: 6070: 6058:. Retrieved 6054:the original 6043: 6031:. Retrieved 6027: 6002:. Retrieved 5997: 5970:. Retrieved 5966: 5957: 5945:. Retrieved 5942:Cinema Femme 5941: 5931: 5919:. Retrieved 5917:(in Persian) 5914: 5904: 5892:. Retrieved 5887: 5878: 5864: 5850: 5839: 5825: 5817:The Guardian 5816: 5806: 5797: 5787: 5773: 5755: 5735: 5717: 5708: 5699: 5690: 5680: 5666: 5657: 5648: 5640:The Guardian 5639: 5614: 5606:Tehran Times 5604: 5553:. Retrieved 5542: 5530:. Retrieved 5526:The Guardian 5525: 5515: 5503:. Retrieved 5499:the original 5488: 5476: 5470: 5465: 5453:. Retrieved 5449:the original 5423:. Retrieved 5419:the original 5393:. Retrieved 5388: 5382: 5360:. Retrieved 5356:the original 5345: 5336: 5311: 5307: 5286:. Retrieved 5275:The Guardian 5274: 5265: 5253:. Retrieved 5249:the original 5244: 5234: 5219: 5214: 5206: 5202: 5197: 5189: 5182: 5178: 5173: 5161:. Retrieved 5158:The Stranger 5157: 5147: 5135:. Retrieved 5131:the original 5120: 5112: 5107: 5095:. Retrieved 5091:the original 5086: 5076: 5064:. Retrieved 5060:the original 5034:. Retrieved 5030: 5020: 5008:. Retrieved 5004:the original 4994: 4982:. Retrieved 4978:the original 4968: 4956:. Retrieved 4946: 4937: 4917: 4910: 4898:. Retrieved 4894:The Guardian 4892: 4867:. Retrieved 4864:The Guardian 4863: 4853: 4841:. Retrieved 4830: 4821: 4809:. Retrieved 4805:The Guardian 4803: 4793: 4781:. Retrieved 4777:the original 4761: 4739: 4734: 4722:. Retrieved 4718:the original 4707: 4699: 4694: 4686: 4681: 4666: 4654:. Retrieved 4648:Judy Stone. 4643: 4631:. Retrieved 4623:The Guardian 4622: 4594: 4584:23 September 4582:. Retrieved 4578:the original 4573: 4564: 4556:the original 4546: 4538:the original 4527: 4501:the original 4490: 4481: 4456:. Retrieved 4452:the original 4441: 4433:the original 4426: 4416: 4402: 4390:. Retrieved 4386:the original 4375: 4367:the original 4362: 4352: 4340:. Retrieved 4312:. Retrieved 4286:. Retrieved 4279:the original 4265: 4253:. Retrieved 4242: 4230:. Retrieved 4226:the original 4221: 4212: 4198: 4186:. Retrieved 4182:the original 4171: 4159:. Retrieved 4148: 4136:. Retrieved 4134:. Synoptique 4108:. Retrieved 4104:the original 4093: 4081:. Retrieved 4077:the original 4066: 4054:. Retrieved 4042: 4032: 4020:. Retrieved 4016:the original 3979:. Retrieved 3975:the original 3965: 3932: 3928: 3922: 3914:the original 3904: 3896:the original 3886: 3872: 3860:. Retrieved 3856:the original 3846: 3834:. Retrieved 3827:the original 3813: 3801:. Retrieved 3797:The Guardian 3796: 3786: 3775: 3735: 3728: 3721: 3714: 3707: 3700: 3693: 3686: 3679: 3672: 3665: 3650: 3636: 3623:Avec le vent 3622: 3596: 3578: 3564: 3550: 3528:Seagull Eggs 3527: 3508: 3495: 3483: 3463: 3445: 3427: 3409: 3389: 3369: 3351: 3340: 3339:also called 3328: 3310: 3291: 3272: 3252: 3232: 3212: 3194: 3148: 3125: 3105: 3085: 3065: 3045: 3028: 3022: 3010: 2999:Víctor Erice 2986: 2965: 2956:Paul Laverty 2947:Ermanno Olmi 2932: 2922: 2908: 2898: 2882: 2864:Crimson Gold 2862: 2841: 2820: 2799: 2779: 2759: 2739: 2719: 2708: 2694: 2682: 2667: 2656: 2649: 2634: 2613: 2592: 2572: 2560: 2545: 2524: 2503: 2483: 2463: 2442: 2424:The Traveler 2422: 2398: 2315:Prize (2006) 2282:Prize (2003) 2269:Award (2000) 2232:Gold Medal, 2226:Award (1995) 2220:Award (1993) 2203: 2185: 2174: 2170: 2160: 2158: 2153: 2143: 2135: 2115:Muslim world 2111:Richard Peña 2096: 2092: 2075: 2071: 2067: 2063: 2056: 2049:The Guardian 2048: 2037:Satyajit Ray 2029:Chris Marker 2017: 2007: 2005: 2000: 1981: 1977: 1969: 1963: 1960:Mania Akbari 1957: 1928: 1905: 1896: 1890: 1884: 1878: 1872: 1866: 1862:The Guardian 1860: 1850: 1848: 1833: 1820:The Guardian 1818: 1804: 1773: 1738: 1726: 1721: 1713: 1706: 1678: 1665: 1655: 1640: 1636: 1628: 1626: 1614:Derek Jarman 1606:Satyajit Ray 1602:Jean Cocteau 1599: 1579: 1564: 1561:Spirituality 1551: 1536: 1528: 1517:Omar Khayyám 1512: 1508: 1495: 1485: 1481: 1479: 1472: 1470: 1461: 1459: 1440: 1437: 1432: 1426: 1422: 1420: 1414: 1410: 1406: 1402: 1398: 1394: 1390: 1388: 1382: 1378: 1374: 1368: 1361: 1328: 1326: 1319: 1315: 1307: 1305: 1300: 1294: 1276: 1274: 1270:Jacques Tati 1258:Satyajit Ray 1255: 1212: 1185: 1171: 1161: 1159: 1152: 1139: 1135:The Guardian 1133: 1115: 1114: 1078: 1072: 1052: 1050: 1046:Ermanno Olmi 1031: 1029: 1014: 1012: 1004: 999: 992: 990: 978: 977: 966: 952: 937: 913: 911: 903: 893: 891: 884: 881:Jafar Panahi 874: 868: 866: 861: 853: 849: 845: 841: 833: 829: 825: 817: 811: 809: 784: 766: 764: 744: 738: 734: 712: 706: 702: 696: 692: 691: 687: 680: 673: 667: 666:(1981), and 661: 655: 653: 641: 631: 629: 614: 608: 602: 596: 594: 581:The Traveler 580: 576: 572:The Traveler 570: 564: 562: 555: 554: 546: 539: 533: 529: 519: 513: 503: 476: 470: 459: 433: 417:art director 413:screenwriter 410: 403: 397: 389: 385: 379: 373: 367: 353: 352:(1999), and 347: 341: 308: 307: 198: 191: 184: 177: 170: 163:Notable work 137:photographer 106:Burial place 89:(2016-07-04) 69:22 June 1940 25: 10252:2016 deaths 10247:1940 births 10222:Afghanistan 10026:Translators 9982:Amir Naderi 9852:Screenplays 9835:Pari Saberi 9815:Bijan Mofid 9741:Bijan Najdi 9431:Raziq Faani 9414:Afghanistan 9327:Esmail Khoi 9284:Bijan Elahi 9160:(1813–1893) 9154:(1808–1854) 9146:(1801–1880) 9138:(1800–1871) 9130:(1779–1837) 9122:(1797–1869) 9103:(1798–1857) 9092:(1722–1781) 9055:(1642–1720) 9044:(1692–1766) 9023:(1607–1670) 9015:Taleb Amoli 8994:(1500–1588) 8986:(1523–1583) 8962:(1487–1524) 8954:(1483–1556) 8946:(1454–1535) 8838:(1238–1314) 8796:(1253–1325) 8718:(1149–1209) 8710:(1141–1209) 8699:(1126–1189) 8691:(1120–1190) 8651:(1155–1191) 8567:(1098–1131) 8539:(1048–1131) 8531:(1046–1121) 8523:(1018–1092) 8515:(1009–1072) 8502:(1006–1088) 8494:(1058–1111) 8486:(1004–1088) 8321:Warshtmansr 7979:Danny Boyle 7879:Alan Yentob 7835:Robert Wise 7711:Elem Klimov 7707:Bette Davis 7325:Not Awarded 7186:Yash Chopra 7174:Edward Yang 7035:The Journey 7013:Screenplays 6682:Filmography 6415:27 February 6362:28 February 6336:23 February 6314:23 February 6285:23 February 6258:23 February 6236:23 February 6201:Daniel Ross 6186:23 February 6129:23 February 6091:23 February 6060:23 February 5709:payvand.com 5555:27 February 5532:28 February 5505:23 February 5455:23 February 5425:23 February 5395:23 February 5362:23 February 5255:23 February 5163:23 February 5137:23 February 5113:New Cinemas 5097:27 February 5066:23 February 5031:Variety.com 5010:23 February 4984:23 February 4900:17 February 4811:17 February 4724:23 February 4656:23 February 4495:Film Info. 4392:22 February 4342:23 February 4314:23 February 4288:27 February 4255:27 February 4188:23 February 4161:23 February 4138:23 February 4110:23 February 4083:23 February 4022:23 February 3981:23 February 3862:23 February 3836:23 February 3803:23 February 3343:in English 3254:The Colours 3167:Short films 2967:Men at Work 2711:in English 2709:The Journey 2659:in English 2413:Amir Naderi 2366:Filmography 2287:Caméra d'Or 2280:Konrad Wolf 2257:Silver Lion 1989: [ 1974:Amina Maher 1908:River Seine 1622:set designs 1582:David Walsh 1441:"existence" 1399:s'y précède 1364:docufiction 1352: [ 1266:Éric Rohmer 1204:Caméra d'Or 1145:Roger Ebert 1025:Caspian Sea 1001:A. O. Scott 983:editor and 870:The Journey 727:Netherlands 579:) in 1974. 508:began with 489:Film career 372:(2010) and 225:poetry film 216:Documentary 128:Occupations 87:4 July 2016 10236:Categories 10218:Tajikistan 9922:Ali Hatami 9830:Akbar Radi 9777:Reza Abdoh 9516:Uzbekistan 9460:Tajikistan 9312:Iraj Mirza 8656:Adib Sabir 8592:Borzu-Nama 8559:Manuchehri 8507:Asadi Tusi 8491:Al-Ghazali 8478:Bābā Tāher 8442:(980–1037) 8434:(967–1049) 8299:Bundahishn 8071:Hugh Grant 8059:Mel Brooks 8019:Tim Burton 7995:Judi Dench 7983:David Rose 7943:Mike Leigh 7827:John Mills 7639:David Lean 7210:Rithy Panh 7020:Final exam 6957:The Chorus 6823:ABC Africa 6735:The Report 6564:Kiarostami 6178:. London. 6155:24 October 6081:Eye Weekly 6000:(in Greek) 5915:Ensaf News 4712:Ten info. 4625:. London. 4458:31 January 4408:"Close-Up" 4359:"Close Up" 4232:12 January 4056:9 December 3768:References 3391:The Chorus 3127:Final Exam 2801:ABC Africa 2465:The Report 2293:Fellowship 2240:Palme d'Or 1674:haikuesque 1577:concepts. 1427:ABC Africa 1423:"evidence" 1383:"evidence" 1349:Habib Bavi 1122:Palme d'Or 968:ABC Africa 895:Palme d'Or 669:The Chorus 563:Following 535:The Runner 524:(1970), a 493:See also: 360:Palme d'Or 220:minimalism 65:1940-06-22 10166:Essayists 8874:Ibn Yamin 8400:Shahnameh 8353:Classical 8209:Ganjnameh 8131:Spike Lee 8075:Greg Dyke 8047:Al Pacino 7967:John Hurt 7847:Ken Loach 7198:Tsui Hark 6943:Toothache 6904:Breaktime 6879:24 Frames 6847:10 on Ten 5328:170722699 5283:0261-3077 5207:Discourse 5183:Discourse 4958:23 August 4428:The Hindu 4051:0028-792X 3949:241183294 3180:Director 3150:24 Frames 3037:director 3021:only the 2951:Ken Loach 2910:10 on Ten 2384:Director 2136:In 2005, 1785:Reactions 1541:in heaven 1499:, of the 1312:dashboard 1172:24 Frames 1163:24 Frames 1077:'s opera 1042:Ken Loach 860:released 657:Toothache 530:Breaktime 396:Culture. 293:Signature 157:1962–2016 134:Filmmaker 9532:Pakistan 9274:Dehkhoda 8959:Ismail I 8809:Golestān 8731:(d.1248) 8628:Iranshah 8439:Avicenna 8396:Ferdowsi 7168:Andy Lau 7097:Category 6937:Solution 6910:So Can I 6783:Close-Up 6775:Homework 6444:, 2006, 6309:Le Monde 6303:(2002). 6279:Archived 6180:Archived 6123:Archived 5763:Archived 5747:Archived 5725:Archived 5598:Archived 5582:Payvand. 5576:Archived 5528:. London 5288:4 August 4953:Fandango 4633:12 April 4627:Archived 3799:. London 3756:See also 3597:10 (ten) 3410:Solution 3329:Solution 3234:So Can I 2615:Close-Up 2594:Homework 2150:MoMA PS1 2076:Close-Up 2072:Homework 1999:removed 1892:Le Monde 1886:Euronews 1415:evidence 1407:evidence 1285:close-up 980:Time Out 785:Close-Up 768:Close-Up 746:Homework 660:(1980), 598:So Can I 590:diegetic 577:Mossafer 512:'s film 399:Close-Up 386:Close-Up 384:(1987), 346:(1990), 343:Close-Up 274:Children 234:Movement 179:Close-Up 140:producer 9472:Farzona 9398:Armenia 8688:Khaqani 8607:Mu'izzi 8554:Hujwiri 8421:Bal'ami 8259:Dēnkard 7216:Ann Hui 7025:The Key 6991:Tickets 6974:Segment 6703:Feature 6033:25 July 6004:21 June 5972:21 June 5947:21 June 5921:21 June 5894:21 June 5036:16 June 4843:17 July 4837:Reuters 4783:3 March 3183:Writer 3035:Iranian 3025:segment 2934:Tickets 2685:trilogy 2652:trilogy 2574:The Key 2563:trilogy 2387:Writer 2295:of the 1948:Lavasan 1924:Lavasan 1914:Funeral 1761:Lavasan 1697:Persian 1539:houries 1358:in 2013 1124:in the 1064:Persian 1033:Tickets 955:Kampala 928:Kurdish 740:The Key 731:Finland 705:), and 586:realism 478:Gheysar 473:posters 362:at the 313:Persian 268: 256: 252: 143:painter 111:Lavasan 9552:Novels 9192:Poetry 8951:Fuzuli 8928:Hatefi 8899:Nasimi 8805:Bustan 8696:Anvari 8681:c.1220 8679:(1142– 8462:Ayyuqi 8452:Asjadi 8447:Unsuri 8391:Daqiqi 8386:Rudaki 8238:Middle 8133:(2023) 8125:(2022) 8113:(2020) 8101:(2019) 8093:(2017) 8081:(2016) 8065:(2015) 8053:(2014) 8041:(2013) 8025:(2012) 8005:(2011) 7985:(2010) 7973:(2009) 7957:(2007) 7949:(2005) 7933:(2002) 7921:(2001) 7909:(2000) 7901:(1999) 7893:(1998) 7881:(1997) 7849:(1996) 7837:(1995) 7817:(1994) 7805:(1993) 7789:(1992) 7777:(1991) 7765:(1990) 7745:(1989) 7729:(1988) 7713:(1987) 7697:(1986) 7677:(1985) 7665:(1984) 7657:(1983) 7582:(2024) 7576:(2023) 7570:(2022) 7564:(2021) 7558:(2020) 7552:(2019) 7546:(2018) 7536:(2017) 7530:(2016) 7524:(2015) 7518:(2014) 7512:(2013) 7506:(2012) 7500:(2011) 7494:(2010) 7488:(2009) 7482:(2008) 7476:(2007) 7466:(2006) 7460:(2005) 7454:(2004) 7448:(2003) 7442:(2002) 7436:(2001) 7430:(2000) 7424:(1999) 7418:(1998) 7412:(1997) 7406:(1996) 7400:(1995) 7394:(1994) 7388:(1993) 7382:(1992) 7376:(1991) 7370:(1990) 7364:(1989) 7358:(1988) 7352:(1987) 7346:(1986) 7340:(1985) 7334:(1984) 7328:(1983) 7272:(2024) 7266:(2023) 7260:(2022) 7254:(2021) 7248:(2019) 7242:(2018) 7236:(2017) 7230:(2016) 7224:(2015) 7218:(2014) 7212:(2013) 7206:(2012) 7200:(2011) 7194:(2010) 7188:(2009) 7182:(2008) 7176:(2007) 7170:(2006) 7164:(2005) 7158:(2004) 7152:(2003) 6924:Colors 6882:(2017) 6874:(2012) 6866:(2010) 6858:(2008) 6855:Shirin 6850:(2004) 6842:(2003) 6834:(2002) 6826:(2001) 6818:(1999) 6810:(1997) 6802:(1994) 6794:(1992) 6786:(1990) 6778:(1989) 6770:(1987) 6762:(1984) 6754:(1983) 6746:(1979) 6738:(1977) 6730:(1976) 6722:(1974) 6714:(1973) 6687:Awards 6608: 6594:Canada 6570: 6553: 6539: 6525: 6511: 6494: 6480: 6466: 6448: 6388:29 May 5888:Tabnak 5481:Lisbon 5326: 5281: 5226: 4925: 4869:6 July 4769: 4049: 3957:802090 3955: 3947: 3747: 3657: 3643: 3629: 3607: 3589: 3571: 3557: 3551:Havres 3352:Driver 3195:Recess 3186:Notes 3047:Shirin 2390:Notes 2361:(2014) 2354:(2014) 2348:(2013) 2339:(2010) 2329:(2007) 2322:(2007) 2309:(2005) 2299:(2005) 2276:(2003) 2263:(1999) 2253:(1999) 2246:(1997) 2236:(1997) 2234:UNESCO 2211:(1992) 2027:, and 1829:UNESCO 1795:Tehran 1765:Tehran 1709:Bahman 1616:, and 1297:combat 1290:rhythm 1268:, and 1054:Shirin 959:Uganda 803:, and 633:Report 610:Colors 462:Tehran 388:, and 334:shorts 284:Bahman 244:Spouse 99:France 73:Tehran 9770:Plays 9151:Qaani 9112:1800s 9077:1700s 9008:1600s 8976:1500s 8911:1400s 8884:Hafez 8867:1300s 8801:Saadi 8740:1200s 8676:Attar 8666:Am'aq 8621:1100s 8582:Sanai 8471:1000s 7070:Books 6890:Short 6226:Salon 5324:S2CID 4310:. BBC 4282:(PDF) 4275:(PDF) 4157:. BBC 3945:S2CID 3830:(PDF) 3823:(PDF) 3701:Water 3694:Tears 3614:With 3524:2014 3505:2013 3480:2007 3460:2005 3442:1999 3424:1997 3406:1995 3386:1982 3366:1980 3348:1980 3325:1978 3307:1977 3288:1977 3269:1977 3249:1976 3229:1975 3209:1975 3191:1972 3177:Film 3174:Year 3145:2017 3122:2016 3102:2012 3082:2012 3062:2010 3042:2008 3007:2007 2983:2006 2962:2006 2929:2005 2905:2004 2879:2003 2859:2003 2838:2002 2817:2002 2796:2001 2776:1999 2756:1999 2736:1997 2716:1995 2696:Safar 2691:1994 2683:Koker 2664:1994 2650:Koker 2631:1992 2610:1990 2589:1989 2569:1987 2561:Koker 2542:1987 2521:1984 2500:1983 2480:1979 2460:1977 2439:1976 2419:1974 2395:1973 2381:Film 2378:Year 2052:' 1993:] 1753:Oscar 1723:tree. 1693:Saadi 1685:Hafez 1356:] 1103:2010s 934:2000s 753:1990s 719:Koker 650:1980s 500:1970s 280:Ahmad 258:( 254: 210:Style 95:Paris 10214:Iran 9205:Iran 8933:Jami 8830:Rumi 8379:900s 8363:800s 6839:Five 6630:IMDb 6606:ISBN 6568:ISBN 6551:ISBN 6537:ISBN 6523:ISBN 6509:ISBN 6492:ISBN 6478:ISBN 6464:ISBN 6446:ISBN 6417:2007 6390:2007 6364:2007 6338:2007 6316:2007 6287:2007 6260:2007 6238:2007 6188:2007 6157:2008 6131:2007 6093:2007 6062:2007 6035:2022 6006:2022 5998:LiFO 5974:2022 5949:2022 5923:2022 5896:2022 5557:2007 5534:2007 5507:2007 5457:2007 5427:2007 5397:2007 5364:2007 5290:2019 5279:ISSN 5257:2007 5224:ISBN 5165:2007 5139:2007 5099:2007 5068:2007 5038:2007 5012:2007 4986:2007 4960:2018 4923:ISBN 4902:2012 4871:2016 4845:2012 4813:2012 4785:2012 4767:ISBN 4726:2007 4658:2007 4635:2010 4586:2009 4460:2007 4394:2007 4344:2007 4316:2007 4290:2007 4257:2007 4234:2023 4190:2007 4163:2007 4140:2007 4112:2007 4085:2007 4058:2019 4047:ISSN 4024:2007 3983:2007 3864:2007 3838:2007 3805:2007 3745:ISBN 3708:Fire 3687:Wine 3655:ISBN 3641:ISBN 3627:ISBN 3618:and 3605:ISBN 3587:ISBN 3569:ISBN 3555:ISBN 3535:Yes 3532:Yes 3516:Yes 3491:Yes 3488:Yes 3473:Yes 3470:Yes 3453:Yes 3435:Yes 3432:Yes 3417:Yes 3414:Yes 3399:Yes 3396:Yes 3379:Yes 3376:Yes 3359:Yes 3336:Yes 3333:Yes 3318:Yes 3315:Yes 3299:Yes 3296:Yes 3280:Yes 3277:Yes 3262:Yes 3259:Yes 3242:Yes 3239:Yes 3222:Yes 3219:Yes 3202:Yes 3199:Yes 3158:Yes 3155:Yes 3135:Yes 3115:Yes 3095:Yes 3092:Yes 3075:Yes 3072:Yes 3055:Yes 3052:Yes 3018:Yes 3015:Yes 2994:Yes 2991:Yes 2949:and 2942:Yes 2939:Yes 2918:Yes 2915:Yes 2899:Five 2892:Yes 2889:Yes 2872:Yes 2851:Yes 2848:Yes 2809:Yes 2806:Yes 2789:Yes 2786:Yes 2769:Yes 2749:Yes 2746:Yes 2729:Yes 2704:Yes 2677:Yes 2674:Yes 2644:Yes 2641:Yes 2623:Yes 2620:Yes 2602:Yes 2599:Yes 2582:Yes 2555:Yes 2552:Yes 2534:Yes 2531:Yes 2513:Yes 2510:Yes 2493:Yes 2490:Yes 2473:Yes 2470:Yes 2452:Yes 2449:Yes 2432:Yes 2429:Yes 2408:Yes 2405:Yes 2148:and 2129:and 2103:visa 2074:and 2066:and 1889:and 1691:and 1689:Rumi 1681:Nima 1666:kigo 1575:Sufi 1569:and 1523:and 1511:and 1484:and 1411:look 1329:film 1200:2005 1198:and 1196:2002 1192:1993 1044:and 1036:, a 1016:Five 902:for 873:and 828:was 601:and 538:and 427:, a 264:div. 146:poet 84:Died 59:Born 8188:Old 7162:NHK 6831:Ten 6628:at 6435:Ten 6207:Ten 5479:in 5316:doi 4740:Ten 4700:Ten 4687:Ten 4222:BFI 3937:doi 3513:No 3450:No 3356:No 3132:No 3112:No 2975:No 2972:No 2923:Ten 2869:No 2843:Ten 2830:No 2827:No 2766:No 2726:No 2701:No 2579:No 2008:Ten 2001:Ten 1986:MK2 1982:Ten 1978:Ten 1965:Ten 1857:CNN 1797:'s 1395:art 1316:Ten 1308:Ten 1190:in 1132:of 1087:at 1003:in 994:Ten 779:'s 515:Gāv 481:by 394:BBC 10238:: 10216:, 8807:/ 8121:/ 8109:/ 8089:/ 8077:/ 8073:/ 8061:/ 8049:/ 8037:/ 8033:/ 8021:/ 8017:/ 8013:/ 8001:/ 7997:/ 7993:/ 7981:/ 7969:/ 7965:/ 7945:/ 7941:/ 7929:/ 7917:/ 7889:/ 7877:/ 7873:/ 7869:/ 7865:/ 7861:/ 7857:/ 7845:/ 7833:/ 7829:/ 7825:/ 7813:/ 7801:/ 7797:/ 7785:/ 7773:/ 7761:/ 7757:/ 7753:/ 7741:/ 7737:/ 7725:/ 7721:/ 7709:/ 7705:/ 7693:/ 7689:/ 7685:/ 7673:/ 7653:/ 7649:/ 7645:/ 7641:/ 7637:/ 7542:/ 7472:/ 6503:, 6307:. 6224:. 6203:, 6174:. 6148:. 6121:. 6115:. 6101:^ 6079:. 6026:. 6014:^ 5996:. 5982:^ 5965:. 5940:. 5913:. 5886:. 5815:. 5796:. 5707:. 5689:. 5656:. 5638:. 5626:^ 5587:^ 5565:^ 5524:. 5435:^ 5405:^ 5387:. 5372:^ 5322:. 5312:39 5310:. 5298:^ 5273:. 5243:. 5156:. 5085:. 5046:^ 5029:. 4951:. 4945:. 4891:. 4879:^ 4862:. 4835:. 4829:. 4802:. 4747:^ 4621:. 4609:^ 4572:. 4509:^ 4480:. 4468:^ 4425:. 4361:. 4324:^ 4298:^ 4220:. 4120:^ 4045:. 4041:. 3991:^ 3951:. 3943:. 3933:52 3931:. 3795:. 3599:: 2305:, 2259:, 2242:, 2183:. 2169:, 2156:. 2133:. 2031:. 2023:, 1991:fr 1972:, 1950:. 1883:, 1877:, 1871:, 1865:, 1859:, 1855:, 1731:. 1687:, 1683:, 1670:季語 1612:, 1608:, 1604:, 1385:: 1354:fa 1264:, 1260:, 1210:. 1194:, 1128:. 1048:. 1021:DV 975:. 957:, 799:, 795:, 791:, 783:, 749:. 695:, 646:. 588:, 544:. 315:: 260:m. 97:, 75:, 10224:. 9386:) 9382:( 8811:) 8803:( 8683:) 8402:) 8398:( 8167:e 8160:t 8153:v 7615:e 7608:t 7601:v 7305:e 7298:t 7291:v 7131:e 7124:t 7117:v 6658:e 6651:t 6644:v 6419:. 6392:. 6366:. 6340:. 6318:. 6289:. 6262:. 6240:. 6209:. 6190:. 6159:. 6133:. 6095:. 6064:. 6037:. 6008:. 5976:. 5951:. 5925:. 5898:. 5819:. 5800:. 5711:. 5693:. 5674:. 5642:. 5621:, 5609:. 5559:. 5536:. 5509:. 5483:. 5459:. 5429:. 5399:. 5381:" 5366:. 5330:. 5318:: 5292:. 5259:. 5167:. 5141:. 5101:. 5070:. 5040:. 5014:. 4988:. 4962:. 4931:. 4904:. 4873:. 4847:. 4815:. 4787:. 4728:. 4660:. 4637:. 4588:. 4484:. 4462:. 4396:. 4346:. 4318:. 4292:. 4259:. 4236:. 4192:. 4165:. 4142:. 4114:. 4087:. 4060:. 4026:. 3985:. 3959:. 3939:: 3880:. 3866:. 3840:. 3807:. 3751:. 3661:. 3647:. 3633:. 3611:. 3593:. 3575:. 3561:. 1668:( 1056:, 907:. 677:. 575:( 311:( 67:) 63:( 23:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index