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Abaporu

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The background of the painting suggests a natural setting. Here, earth is depicted as a simple small green mound upon which the subject sits. The vegetation is represented by a cactus at the right of the figure and a golden sun or flower which crowns the composition. The sky is a plain pale blue
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Tarsila described the subject of the painting as "a monstrous solitary figure, enormous feet, sitting on a green plain, the hand supporting the featherweight minuscule head. In front a cactus exploding in an absurd flower." This "monstrous" figure is, in fact, human. An unadorned, undressed,
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sexless, and ageless human whose anatomy has been distorted. Beginning with a huge foot and hand at the bottom of the picture, the figure slowly shrinks to a tiny head at the top.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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It is considered the most valuable painting by a Brazilian artist, having reached the value of $ 1.4 million, paid by Argentine collector
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Content in this edit is translated from the existing Portuguese Knowledge article at ]; see its history for attribution.
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The subject matter – one man, the sun and a cactus – inspired Oswald de Andrade to write the
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in 1924. However, the closest resemblance of Abaporu can be found in the Spanish
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85 cm Ă— 73 cm (33 in Ă— 29 in)
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to the source of your translation. A model attribution edit summary is
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in an auction in 1995. It is currently displayed at the
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can be traced back to the French modernists, specially
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After Tarsila's death in 1973, the painting passed to
248:) is an oil painting on canvas by Brazilian painter 58: 440: 227: 221: 215: 209: 252:. It was painted as a birthday gift to writer 83:accompanying your translation by providing an 49:Click for important translation instructions. 36:expand this article with text translated from 233: 265:Latin American Art Museum of Buenos Aires 192:Latin American Art Museum of Buenos Aires 441: 18: 256:, who was her husband at the time. 13: 16:1928 painting by Tarsila do Amaral 14: 485: 407:, SĂŁo Paulo, Tenenge, 1986 p. 104 362:"Christie's - Latin American Art" 127: 23: 287: 410: 397: 379: 354: 93:You may also add the template 1: 405:Tarsila: Sua Obra e Seu Tempo 347: 327: 280:and consequently create the 7: 10: 490: 57:Machine translation, like 187: 179: 163: 153: 145: 135: 126: 121: 95:{{Translated|pt|Abaporu}} 38:the corresponding article 308:, who taught Tarsila in 243:the man that eats people 464:Oil on canvas paintings 282:Anthropophagic Movement 228: 222: 216: 210: 104:For more guidance, see 418:"ISTOÉ - Independente" 277:Manifesto AntropĂłfago 106:Knowledge:Translation 77:copyright attribution 393:on 27 November 2012. 449:Brazilian paintings 334:Pietro Maria Bardi 261:Eduardo Costantini 85:interlanguage link 403:Amaral, Aracy A. 254:Oswald de Andrade 250:Tarsila do Amaral 197: 196: 140:Tarsila do Amaral 117: 116: 50: 46: 481: 459:Modern paintings 433: 432: 430: 429: 420:. Archived from 414: 408: 401: 395: 394: 389:. Archived from 383: 377: 376: 374: 373: 364:. Archived from 358: 247: 244: 241: 238: 235: 231: 225: 219: 213: 131: 119: 118: 96: 90: 63:Google Translate 48: 44: 27: 26: 19: 489: 488: 484: 483: 482: 480: 479: 478: 439: 438: 437: 436: 427: 425: 416: 415: 411: 402: 398: 385: 384: 380: 371: 369: 360: 359: 355: 350: 330: 290: 245: 242: 239: 236: 170:Anthropophagism 113: 112: 111: 94: 88: 51: 28: 24: 17: 12: 11: 5: 487: 477: 476: 471: 466: 461: 456: 454:1928 paintings 451: 435: 434: 409: 396: 378: 352: 351: 349: 346: 329: 326: 289: 286: 195: 194: 189: 185: 184: 181: 177: 176: 167: 161: 160: 155: 151: 150: 147: 143: 142: 137: 133: 132: 124: 123: 115: 114: 110: 109: 102: 91: 69: 66: 55: 52: 45:(January 2023) 33: 32: 31: 29: 22: 15: 9: 6: 4: 3: 2: 486: 475: 472: 470: 469:Plants in art 467: 465: 462: 460: 457: 455: 452: 450: 447: 446: 444: 424:on 2014-03-06 423: 419: 413: 406: 400: 392: 388: 382: 368:on 2013-02-12 367: 363: 357: 353: 345: 343: 342:New York City 339: 335: 325: 323: 319: 318:Pablo Picasso 315: 311: 307: 306:Fernand LĂ©ger 303: 300:The style of 298: 294: 285: 283: 279: 278: 272: 271:, Argentina. 270: 266: 262: 257: 255: 251: 230: 224: 218: 212: 207: 206:Tupi language 203: 202: 193: 190: 186: 182: 178: 175: 171: 168: 166: 162: 159: 158:Oil on canvas 156: 152: 148: 144: 141: 138: 134: 130: 125: 120: 107: 103: 100: 92: 86: 82: 78: 74: 70: 67: 64: 60: 56: 54: 53: 47: 41: 40:in Portuguese 39: 34:You can help 30: 21: 20: 426:. Retrieved 422:the original 412: 404: 399: 391:the original 381: 370:. Retrieved 366:the original 356: 331: 301: 299: 297:background. 295: 291: 288:The painting 275: 273: 269:Buenos Aires 258: 200: 199: 198: 81:edit summary 72: 43: 35: 314:Surrealists 226:(people) + 443:Categories 428:2012-10-06 372:2012-10-06 348:References 338:Christie's 328:Provenance 232:(to eat), 180:Dimensions 174:Surrealism 344:in 1995. 322:Joan MirĂł 99:talk page 220:(man) + 211:abapor’u 188:Location 165:Movement 75:provide 302:Abaporu 237:  201:Abaporu 122:Abaporu 97:to the 79:in the 42:. 204:(from 154:Medium 136:Artist 474:Cacti 310:Paris 59:DeepL 320:and 234:lit. 223:poro 149:1928 146:Year 73:must 71:You 340:in 217:abá 214:", 61:or 445:: 316:, 229:’u 172:, 431:. 375:. 246:' 240:' 208:" 108:. 101:.

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Knowledge:Translation

Tarsila do Amaral
Oil on canvas
Movement
Anthropophagism
Surrealism
Latin American Art Museum of Buenos Aires
Tupi language
Tarsila do Amaral
Oswald de Andrade
Eduardo Costantini
Latin American Art Museum of Buenos Aires
Buenos Aires
Manifesto AntropĂłfago
Anthropophagic Movement
Fernand LĂ©ger
Paris
Surrealists
Pablo Picasso
Joan MirĂł
Pietro Maria Bardi
Christie's

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