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136:. Lambert met Ivers, a map maker, in Damascus in 1919 and later Ivers was granted permission to assist Lambert in London. The portrait was painted in Lambert's studio in Kensington, London. It is thought that the sitters face was actually that of William Ewart Archibald McLeod (#32933 7th F.A.B.), and the portrait is a composite of him and Thomas Ivers. Both men knew George Lambert.
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When composing the work, Lambert deliberately set out to "created a new model for the military portrait" eschewing the heroic and dashing soldier on horseback. The painting was intended to represent the typical
Australian light horseman—mainly men from the farms, dairies and orchards across
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wrote of the
Australian lighthorseman: "So far as a distinctive type has been evolved it is … young men long of limb and feature, spare of flesh, easy and almost tired in bearing ... He bears himself modestly ... A felt slouch hat, a shirt with sleeves rolled to the elbows, long trousers".
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in 1921, on the advice of its director
Bernard Hall. The painting remains part of the National Gallery of Victoria's Australian art collection. It was part of the National Gallery of Victoria's
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noted that "Lambert gave this serviceman a sensuousness through his sharp-focus rendering of flesh and musculature, and in the way he portrayed the taut neck and wiry arms."
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The portrait palette, and other features such as the downward look and slender neck, were influenced by the artist's appreciation of the works of
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observed, "the feeling way the eyes have been painted and the expression of that sensitiveness around the mouth are truly wonderful".
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states that the work is "recognised as an image that captured the spirit and character of the
Australian soldier".
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77.0 cm × 62.0 cm (30.3 in × 24.4 in)
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Reviewing the painting for an exhibition of
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112:. The portrait depicts an Australian soldier in Palestine during
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The sitter for the portrait was Thomas Henry (Harry) Ivers, a
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Forging the Nation: Federation - the First 20 years
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218:. National Gallery of Victoria. 20 February 2015
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536:Paintings in the National Gallery of Victoria
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188:exhibition in 2015, marking the centenary of
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333:- National Gallery of Victoria collection.
195:The painting appeared on a stamp in 1974.
16:1920 painting by George Washington Lambert
92:http://www.ngv.vic.gov.au/col/work/5822
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551:Portraits by Australian artists
304:"A sergeant of the Light Horse"
284:. National Gallery of Australia
278:"A sergeant of the Light Horse"
306:. National Gallery of Victoria
282:George W Lambert Retrospective
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108:painting by Australian artist
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431:A Sergeant of the Light Horse
330:A Sergeant of the Light Horse
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155:National Gallery of Australia
101:A Sergeant of the Light Horse
24:A Sergeant of the Light Horse
383:Across the Black Soil Plains
241:"George Lambert 1873 - 1930"
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147:H.S. Gullett
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509:Kit Lambert
159:Hans Heysen
140:Composition
114:World War I
525:Categories
511:(grandson)
391:The Sonnet
199:References
166:Botticelli
66:Dimensions
375:Paintings
190:ANZAC Day
180:from the
82:Melbourne
426:(c 1916)
130:sergeant
74:Location
490:Related
222:25 July
172:History
124:Subject
88:Website
482:(1927)
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116:. The
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38:Artist
505:(son)
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310:3 May
288:4 May
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104:is a
312:2013
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253:2013
224:2015
106:1920
52:1920
48:Year
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