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A Passage to India

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537: 548:"unknowable" Orient, rather than characterizing it with exoticism, ancient wisdom and mystery. Postcolonial theorists like Maryam Wasif Khan have termed this novel a Modern Orientalist text, meaning that it portrays the Orient in an optimistic, positive light while simultaneously challenging and critiquing European culture and society. However, Benita Parry suggests that it also mystifies India by creating an "obfuscated realm where the secular is scanted, and in which India's long traditions of mathematics, science and technology, history, linguistics and jurisprudence have no place." 261: 585:
Hinduism is chaotic and orderless, and subsequently uses Hindu characters as the background to the main narrative. Said also identifies the failed attempt at friendship between Aziz and Fielding as a reinforcement of the perceived cultural distance between the Orient and the West. The inability of the two men to begin a meaningful friendship is indicative of what Said suggests is the irreconcilable otherness of the Orient, something that has originated from the West and also limits Western readers in how they understand the Orient.
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is also a commentary on gender, and a British woman's place within the empire. Khan argued that the female characters coming to "the Orient" to break free of their social roles in Britain represent the discord between Englishwomen and their social roles at home, and tells the narrative of "pioneering
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is largely based upon the era of writing and the nature of the critical work. While many earlier critiques found that Forster's book showed an inappropriate friendship between colonizers and the colonized, new critiques on the work draw attention to the depictions of sexism, racism and imperialism in
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Because the newcomers had expressed a desire to meet Indians, Mr. Turton, the city tax collector, invites several to his house, but the party turns out awkwardly, due to the Indians' timidity and the Britons' bigotry. Also there is Cyril Fielding, principal of Chandrapore's government-run college for
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While awaiting the trial, Mrs Moore becomes concerned at her failing health; taking a ship to England, she dies on the way. Then during the trial, Adela admits that she had been similarly disoriented by the cave's echo. She was no longer sure who or what had attacked her and, despite great demand to
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Asked by Adela whether he has more than one wife, Aziz is disconcerted by her bluntness and ducks into a cave to compose himself. When he comes out, he is told by the guide that Adela has gone into a cave by herself. After quarreling with the guide, Aziz discovers Adela's field glasses broken on the
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Stereotyping and Orientalist thought is also explored in postcolonial critiques. Said suggests that Forster deals with the question of British-Indian relationships by separating Muslims and Hindus in the narrative. He says Forster connects Islam to Western values and attitudes while suggesting that
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Aziz is arrested on arrival and charged with sexually assaulting Adela. The run-up to his trial increases racial tensions. Adela alleges that Aziz followed her into the cave and that she fended him off by swinging her field glasses at him. The only evidence is the field glasses in the possession of
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in early 20th-century novels, Said suggests that though the work subverted typical views on colonialism and colonial rule in India, it also fell short of outright condemning either nationalist movements in India or colonialism itself. Of Forster's attitude toward colonizer-colonized relationships,
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Meanwhile, Dr. Aziz, a young Indian Muslim physician, is called from dining with friends by Major Callendar, Aziz's superior at the hospital, but is delayed. Disconsolate at finding him gone, Aziz walks back and enters his favourite mosque on impulse. Seeing Mrs Moore there, he yells at her not to
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Aziz mistakenly believes that the women are offended that he has not followed through on his promise and arranges an outing to the caves at great expense to himself. Fielding and Godbole are supposed to accompany the expedition, but they miss the train. In the first cave they visit, Mrs. Moore is
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Although he is vindicated, Aziz is angry that Fielding befriended Adela after she nearly ruined his life. Believing it to be the gentlemanly thing to do, Fielding convinces Aziz not to seek monetary redress, but the men's friendship suffers and Fielding departs for England. Believing that he is
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of Bihar), Adela thinks she finds herself alone with Dr. Aziz in one of the caves (when in fact he is in an entirely different cave; whether the attacker is real or a reaction to the cave is ambiguous), and subsequently panics and flees; it is assumed that Dr. Aziz has attempted to assault her.
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Two years later, Aziz has moved to the Hindu-ruled state of Mau and is now the Raja's chief physician by the time Fielding returns, married to Stella, Mrs. Moore's daughter from a second marriage. Though the two meet and Aziz still feels drawn to Fielding, he realises that they cannot be truly
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emerged at a time where portrayals of India as a savage, disorganized land in need of domination were more popular in mainstream European literature than romanticized depictions. Forster's novel departed from typical narratives about colonizer-colonized relationships and emphasized a more
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ground and puts them in his pocket. He then looks down the hill and sees Adela speaking to Miss Derek, who has arrived with Fielding in a car. Aziz runs down and greets Fielding, but Miss Derek and Adela drive off, leaving Fielding, Mrs. Moore and Aziz to return to Chandrapore by train.
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when it was first published challenged specific details and attitudes included in the book that Forster drew from his own time in India. Early critics also expressed concern at the interracial camaraderie between Aziz and Fielding in the book. Others saw the book as a vilification of
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At the party, Fielding and Aziz become friends and Aziz promises to take Mrs. Moore and Adela to see the distant Marabar Caves. Ronny arrives and, finding Adela "unaccompanied" with Dr. Aziz and Professor Godbole, rudely breaks up the party.
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perspectives on the importance of interpersonal relationships, and effects of colonialism on Indian society. More recent critiques by postcolonial theorists and literary critics have reinvestigated the text as a work of
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British schoolmistress Adela Quested and her elderly friend Mrs. Moore visit the fictional Indian city of Chandrapore. Adela is to decide if she wants to marry Mrs. Moore's son, Ronny Heaslop, the city magistrate.
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persist in her accusation, withdraws the charge. When the case is dismissed, Heaslop breaks off his engagement to Adela and she stays at Fielding's house until a return to England is arranged.
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fiction contributing to a discourse on colonial relationships by a European. Today it is one of the seminal texts in the postcolonial Orientalist discourse, among other books like
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Indians, who invites Adela and Mrs. Moore to a tea party with him and a Hindu-Brahmin professor named Narayan Godbole. At Adela's request, he extends his invitation to Dr. Aziz.
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has also critiqued the book's orientalist depiction of India and its use of racialized bodies, especially in the case of Aziz, as sexual objects rather than individuals.
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profane this sacred place, but the two then chat and part as friends. When Mrs. Moore relates her experience later, Ronny becomes indignant at the native's presumption.
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overcome with claustrophobia and disturbed by the echo. When she declines to continue, Adela and Aziz climb the hill to the upper caves, accompanied by a guide.
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The story revolves around four characters: Dr. Aziz, his British friend Mr. Cyril Fielding, Mrs. Moore, and Miss Adela Quested. During a trip to the fictitious
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Aziz's trial, and its run-up and aftermath, bring to a boil the common racial tensions and prejudices between Indians and the British during the colonial era.
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based on the novel that ran on the West End in 1960, and on Broadway in 1962. A 1965 BBC television version of the play was broadcast in their
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leaving to marry Adela for her money, and bitter at his friend's perceived betrayal, Aziz vows never again to befriend a white person.
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Khan, Maryam Wasif (22 June 2016). "Enlightenment Orientalism to Modernist Orientalism: The Archive of Forster's A Passage to India".
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Khan, Maryam Wasif (22 June 2016). "Enlightenment Orientalism to Modernist Orientalism: The Archive of Forster's A Passage to India".
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included the novel in its "All Time 100 Novels" list. The novel is based on Forster's experiences in India, deriving the title from
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Aziz. When Fielding proclaims his belief in Aziz's innocence, he is ostracised and condemned as a blood-traitor.
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A young British schoolmistress who is visiting India with the vague intention of marrying Ronny Heaslop.
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in the 1920s. It was selected as one of the 100 great works of 20th-century English literature by the
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is a reflection of Forster's visit to India in 1912–13 and his duration as private secretary to
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The 45-year-old, unmarried British headmaster of the small government-run college for Indians.
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intended to direct a theatrical adaptation of the novel, but the project was never realised.
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Delusions and discoveries : India in the British imagination, 1880-1930
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Englishwomen whose emergent feminism found form and voice in the colony".
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Other scholars have examined the book with a critical postcolonial and
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Indian physician who works at the British hospital in Chandrapore.
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wrote an additional version for the stage, that premiered at the
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Detailed analyses, chapter summaries, a quiz and essay questions
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One of the most notable critiques comes from literary professor
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The British head doctor and Aziz's superior at the hospital.
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friends until India becomes independent from British rule.
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A Passage to India: a close look in studies in literature
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lens. Maryam Wasif Khan's reading of the book suggests
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The British superintendent of police in Chandrapore.
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A prominent Indian lawyer called in to defend Aziz.
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Forster 1238:Culture and Imperialism 562:Culture and Imperialism 1157:Parry, Benita (2004). 1121:Parry, Benita (1998). 1026:Bloom, Harold (2004). 642:NBC University Theatre 582: 541: 533: 471:Mrs. Moore's daughter. 269: 1947:BBC television dramas 1804:The Celestial Omnibus 1316:10.1353/mfs.2016.0027 1204:10.1353/mfs.2016.0027 895:"All Time 100 Novels" 679:The Indian filmmaker 578: 539: 528: 263: 1856:Aspects of the Novel 1664:Original 1924 review 1571:Hart-Davis, Rupert: 1486:"A Passage to India" 1402:"A Passage to India" 1046:www.tribuneindia.com 1028:Novelists and Novels 666:, A play written by 1972:Postcolonial novels 1967:Novels set in India 1942:1924 British novels 1890:A Diary for Timothy 1831:The Classical Annex 1746:The Longest Journey 1466:on 19 February 1997 1101:The British Library 901:. 16 October 2005. 279:, the Maharajah of 34: 33:A Passage to India 1816:The Eternal Moment 1770:A Passage to India 1754:A Room with a View 1678:"Passage to India" 1648:A Passage To India 1631:A Passage To India 1617:A Passage to India 1606:A Passage to India 1547:The New York Times 1435:. 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IMDb. 1410:Archived 1371:23584165 1256:29600508 1141:40922011 909:23 April 903:Archived 873:Archived 843:Archived 764:See also 730:Richmond 590:feminist 559:in both 495:humanist 436:Amritrao 344:A young 341:Dr. Aziz 224:magazine 205:and the 145:59352597 60:Language 1909:Related 1778:Maurice 1686:(poem). 1620:at the 1439:18 July 1353:132–135 1289:4831769 676:series. 158:823.912 63:English 1874:(1951) 1859:(1927) 1819:(1928) 1781:(1971) 1773:(1924) 1765:(1910) 1757:(1908) 1749:(1907) 1741:(1905) 1730:Novels 1579:  1369:  1359:  1330:  1322:  1287:  1277:  1254:  1244:  1218:  1210:  1173:  1139:  1129:  1076:  1002:  968:  934:  716:Oscars 664:(play) 653:, and 607:Awards 512:, and 346:Muslim 101:, (UK) 50:Author 1882:Other 1328:S2CID 1216:S2CID 612:1924 518:, by 508:, by 457:Hindu 416:Hindu 234:" in 72:novel 68:Genre 1577:ISBN 1559:2015 1528:2015 1498:2015 1472:2015 1441:2017 1418:2015 1367:OCLC 1357:ISBN 1320:ISSN 1285:OCLC 1275:ISBN 1252:OCLC 1242:ISBN 1208:ISSN 1171:ISBN 1137:OCLC 1127:ISBN 1108:2017 1074:ISBN 1053:2022 1013:2015 1000:ISBN 979:2015 966:ISBN 945:2015 932:ISBN 911:2010 899:Time 881:2015 851:2015 820:2015 710:and 686:The 565:and 222:Time 175:Text 139:OCLC 106:(US) 1634:at 1609:at 1312:doi 1200:doi 1167:163 728:in 515:Kim 183:at 1938:: 1807:(" 1680:. 1549:. 1545:. 1514:. 1458:. 1408:. 1404:. 1387:. 1365:. 1355:. 1326:. 1318:. 1308:62 1306:. 1283:. 1250:. 1228:^ 1214:. 1206:. 1196:62 1194:. 1169:. 1149:^ 1135:. 1099:. 1088:^ 1044:. 897:. 867:. 841:. 837:. 808:. 706:, 702:, 698:, 649:, 522:. 445:A 287:. 240:. 86:c. 84:, 1862:" 1840:" 1836:" 1833:" 1829:" 1826:" 1822:" 1795:" 1715:e 1708:t 1701:v 1561:. 1530:. 1500:. 1474:. 1443:. 1420:. 1373:. 1334:. 1314:: 1291:. 1258:. 1222:. 1202:: 1179:. 1143:. 1110:. 1055:. 1015:. 981:. 947:. 913:. 883:. 853:. 822:. 384:) 27:.

Index

A Passage to India (film)
A Passage to India (play)

E. M. Forster
novel
British India
Edward Arnold
Harcourt Brace
OCLC
59352597
Dewey Decimal
LC Class
A Passage to India
Wikisource
E. M. Forster
British Raj
Indian independence movement
Modern Library
James Tait Black Memorial Prize
Time magazine
Walt Whitman
Passage to India
Leaves of Grass
Marabar Caves
Barabar Caves

Rajgir Hills
Tukojirao III
Dewas Senior
Ross Masood

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