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A Marvelous Order

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238:. Moses' plans include the demolition of Jacobs' home and the surrounding West Village neighborhood to make way for housing towers. In response, Jacobs leads an activist movement, culminating in a riot—exemplifying the conflicts and heightened human emotions that surround decisions about what to build, what to preserve and what to destroy, which impact towns and cities everywhere. The narrative foregrounds questions about urban development and protest, and the influence these forces have on the lives of people, rendered through music, poetry and animation. 125: 105: 90: 801: 813: 202:
The completed opera had its world premiere on October 20, 2022 at the Center for the Performing Arts at Penn State, in the culmination of a multi-year partnership which included three creative development residencies.
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was given a work-in-progress "pre-premiere" in March 2016 at the '62 Center for Theater and Dance at Williams College. An excerpt was presented in June 2017 at the
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The opera is set in the 1950s and 1960s and centers around the feud between two historical figures: Robert Moses and Jane Jacobs, and their conflicts over
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From the opera's earliest stages, the mixture of libretto, music, and visuals defined the project. All three of the opera's creators worked in tandem.
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Dashon Burton, Eric Dudley, Jeffrey Gavet, Avery Griffin, Jonathan Woody
165:. The work was conceived by three artists—Greenstein, Smith and director 158: 695:"Preview an Opera About New York City's Dramatic Urban Planning History" 195:, outdoors, in concert, with animation projected onto the building’s 169:, who also created animation that is projected throughout the opera. 615: 196: 150: 62: 800: 128: 142: 29: 812: 392:"A Marvelous Order: A Gentrification Opera for Our Times" 587:"'A Marvelous Order' Review: Battling the Power Broker" 516:"'A Marvelous Order' Review: Battling the Power Broker" 568:"'A Kinetic Cloud of Humanity for Moynihan Train Hall" 789: 739:"Robert Moses and Jane Jacobs Battle in a New Opera" 497:"Why Libraries May Never Stop Being People Places" 825: 234:and the neighborhoods around Moses' proposed 129:Footage from a workshop presentation, 2016 418:"Urban myth and reality ignite new opera" 347:"F*&% Robert Moses. Let's Start Over" 773: 714: 565: 776:"Jane Jacobs and Robert Moses, In Song" 736: 416:Marcisz, Christopher (March 11, 2016). 415: 389: 826: 774:Wiedeman, Reeves (February 15, 2016). 758: 494: 460: 692: 670: 609: 607: 363: 715:Goodyear, Sarah (October 19, 2015). 693:Ferro, Shaunacy (October 19, 2015). 737:Peregoy, Beau (February 12, 2016). 613: 584: 513: 441: 13: 671:Ferro, Shaunacy (April 21, 2014). 663: 604: 539: 14: 865: 495:Jacobs, Karrie (April 21, 2022). 461:Barone, Joshua (April 12, 2017). 383: 357: 811: 799: 364:Lange, Alexandra (May 4, 2016). 210:received a rave review from the 123: 103: 88: 849:Operas set in the United States 633: 578: 559: 390:McArdle, Molly (May 25, 2016). 533: 507: 488: 454: 435: 409: 339: 157:about New York urban activist 1: 332: 191:in the plaza in front of the 761:"Jane Jacobs inspires opera" 759:Taylor, Kate (May 4, 2014). 442:Zax, Tayla (June 21, 2017). 7: 854:Operas based on real people 10: 870: 236:Lower Manhattan Expressway 217: 122: 117: 111:Design & Architecture 102: 87: 82: 77: 57: 49: 39: 28: 23: 542:"A 'Marvelous' Endeavor" 179:in New York City by the 844:English-language operas 620:www.amarvelousorder.com 366:"Imagining Jane Jacobs" 241: 225: 189:Brooklyn Public Library 183:. In 2021, excerpts of 181:River to River Festival 232:Washington Square Park 566:van Straaten, Laura. 744:Architectural Digest 645:Architectural Digest 305:Christopher Herbert 109:Discussed on KCRW's 94:Discussed on WNYC's 647:. February 12, 2016 616:"A Marvelous Order" 591:Wall Street Journal 546:PennStater Magazine 520:Wall Street Journal 422:The Berkshire Eagle 247: 212:Wall Street Journal 766:The Globe and Mail 501:The New York Times 467:The New York Times 246: 187:were presented by 161:and urban planner 614:Frankel, Joshua. 540:Weiner, Natalie. 396:Brooklyn Magazine 330: 329: 208:A Marvelous Order 185:A Marvelous Order 173:A Marvelous Order 138:A Marvelous Order 134: 133: 73: 72: 24:A Marvelous Order 861: 816: 815: 804: 803: 795: 785: 770: 755: 753: 751: 733: 731: 729: 711: 709: 707: 689: 687: 685: 657: 656: 654: 652: 637: 631: 630: 628: 626: 611: 602: 601: 599: 597: 585:Waleson, Heidi. 582: 576: 575: 563: 557: 556: 554: 552: 537: 531: 530: 528: 526: 514:Waleson, Heidi. 511: 505: 504: 492: 486: 485: 483: 481: 458: 452: 451: 439: 433: 432: 430: 428: 413: 407: 406: 404: 402: 387: 381: 380: 378: 376: 361: 355: 354: 343: 319:Kamala Sankaram 298:Blythe Gaissert 248: 245: 206:The premiere of 127: 126: 107: 106: 92: 91: 75: 74: 69: 66: 65:.amarvelousorder 64: 21: 20: 869: 868: 864: 863: 862: 860: 859: 858: 824: 823: 822: 810: 798: 790: 788: 749: 747: 727: 725: 705: 703: 683: 681: 666: 664:Further reading 661: 660: 650: 648: 639: 638: 634: 624: 622: 612: 605: 595: 593: 583: 579: 564: 560: 550: 548: 538: 534: 524: 522: 512: 508: 493: 489: 479: 477: 459: 455: 440: 436: 426: 424: 414: 410: 400: 398: 388: 384: 374: 372: 362: 358: 353:. May 17, 2021. 345: 344: 340: 335: 312:Tesia Kwarteng 277:Melisa Bonetti 262:Megan Schubert 244: 228: 220: 193:Central Library 147:Judd Greenstein 124: 104: 89: 61: 34:Judd Greenstein 17: 12: 11: 5: 867: 857: 856: 851: 846: 841: 836: 821: 820: 808: 787: 786: 781:The New Yorker 771: 756: 734: 712: 690: 667: 665: 662: 659: 658: 632: 603: 577: 572:New York Times 558: 532: 506: 487: 453: 434: 408: 382: 356: 337: 336: 334: 331: 328: 327: 324: 321: 320: 317: 314: 313: 310: 307: 306: 303: 300: 299: 296: 293: 292: 289: 286: 285: 282: 279: 278: 275: 272: 271: 268: 264: 263: 260: 256: 255: 252: 243: 240: 227: 224: 219: 216: 167:Joshua Frankel 155:Tracy K. Smith 132: 131: 120: 119: 115: 114: 100: 99: 85: 84: 80: 79: 78:External media 71: 70: 59: 55: 54: 51: 47: 46: 44:Tracy K. Smith 41: 37: 36: 26: 25: 15: 9: 6: 4: 3: 2: 866: 855: 852: 850: 847: 845: 842: 840: 837: 835: 832: 831: 829: 819: 814: 809: 807: 802: 797: 796: 793: 783: 782: 777: 772: 768: 767: 762: 757: 746: 745: 740: 735: 724: 723: 718: 713: 702: 701: 696: 691: 680: 679: 674: 669: 668: 646: 642: 636: 621: 617: 610: 608: 592: 588: 581: 573: 569: 562: 547: 543: 536: 521: 517: 510: 502: 498: 491: 476: 472: 468: 464: 457: 449: 445: 438: 423: 419: 412: 397: 393: 386: 371: 367: 360: 352: 348: 342: 338: 325: 323: 322: 318: 316: 315: 311: 309: 308: 304: 302: 301: 297: 295: 294: 290: 288: 287: 283: 281: 280: 276: 274: 273: 270:Rinde Eckert 269: 267:Robert Moses 266: 265: 261: 258: 257: 253: 250: 249: 239: 237: 233: 223: 215: 213: 209: 204: 200: 198: 194: 190: 186: 182: 178: 177:Fulton Center 174: 170: 168: 164: 160: 156: 152: 148: 144: 140: 139: 130: 121: 116: 113: 112: 101: 98: 97: 86: 81: 76: 68: 60: 56: 52: 48: 45: 42: 38: 35: 31: 27: 22: 19: 806:Architecture 779: 764: 750:November 28, 748:. Retrieved 742: 728:November 28, 726:. Retrieved 720: 706:November 28, 704:. Retrieved 700:Mental Floss 698: 684:November 28, 682:. Retrieved 678:Fast Company 676: 649:. Retrieved 644: 635: 623:. Retrieved 619: 594:. Retrieved 590: 580: 571: 561: 549:. Retrieved 545: 535: 523:. Retrieved 519: 509: 500: 490: 478:. Retrieved 466: 456: 447: 437: 425:. Retrieved 421: 411: 399:. Retrieved 395: 385: 373:. Retrieved 369: 359: 350: 341: 284:Kelvin Chan 259:Jane Jacobs 229: 221: 211: 207: 205: 201: 184: 172: 171: 163:Robert Moses 137: 136: 135: 110: 96:On The Media 95: 18: 834:2022 operas 596:October 31, 551:October 31, 525:October 31, 448:The Forward 291:Tomás Cruz 159:Jane Jacobs 828:Categories 333:References 251:Character 40:Librettist 480:March 28, 475:0362-4331 427:March 4, 401:March 4, 375:March 4, 199:facade. 197:Art Deco 151:libretto 50:Language 792:Portals 722:CityLab 651:July 9, 625:July 9, 254:Singer 218:History 58:Website 53:English 839:Operas 473:  370:Curbed 141:is an 818:Opera 149:to a 143:opera 118:Video 83:Audio 30:Opera 16:Opera 752:2018 730:2018 708:2018 686:2018 653:2023 627:2023 598:2022 553:2022 527:2022 482:2019 471:ISSN 429:2019 403:2019 377:2019 351:WNYC 242:Cast 226:Plot 67:.com 214:. 153:by 145:by 63:www 32:by 830:: 778:. 763:. 741:. 719:. 697:. 675:. 643:. 618:. 606:^ 589:. 570:. 544:. 518:. 499:. 469:. 465:. 446:. 420:. 394:. 368:. 349:. 794:: 784:. 769:. 754:. 732:. 710:. 688:. 655:. 629:. 600:. 574:. 555:. 529:. 503:. 484:. 450:. 431:. 405:. 379:.

Index

Opera
Judd Greenstein
Tracy K. Smith
www.amarvelousorder.com
Discussed on WNYC's On The Media
Discussed on KCRW's Design & Architecture
Footage from a workshop presentation, 2016
opera
Judd Greenstein
libretto
Tracy K. Smith
Jane Jacobs
Robert Moses
Joshua Frankel
Fulton Center
River to River Festival
Brooklyn Public Library
Central Library
Art Deco
Washington Square Park
Lower Manhattan Expressway
"F*&% Robert Moses. Let's Start Over"
"Imagining Jane Jacobs"
"A Marvelous Order: A Gentrification Opera for Our Times"
"Urban myth and reality ignite new opera"
"New Opera Tells Story Of Robert Moses And Jane Jacobs — In The City Where They Battled"
"An Opera About Robert Moses Is Among the River to River Festival Highlights"
ISSN
0362-4331
"Why Libraries May Never Stop Being People Places"

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