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A Little Life

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475:, Sam Sacks called the story "an epic study of trauma and friendship, written with such intelligence and depth of perception that it will be one of the benchmarks against which all other novels that broach those subjects (and they are legion) will be measured". He said, "what's remarkable about this novel, and what sets it apart from so many books centered on damaged protagonists, is the poise and equanimity with which Ms. Yanagihara presents the most shocking aspects of Jude's life. There is empathy in the writing but no judgment, and Jude's suffering, though unfathomably extreme, is never used to extort a cheap emotional response". 237:
loneliness grows more intense, he enters an abusive relationship with fashion executive Caleb, who is disgusted by Jude's limp and his increasing use of a wheelchair. Jude finally breaks off the relationship after Caleb rapes him, and they meet a final time when Caleb follows him to dinner with Harold, humiliates him, and then follows Jude to his apartment, where he brutally beats and rapes him, leaving him for dead. Jude nonetheless refuses to report the incident to the police, believing he deserved it. Besides Harold, only Andy – Jude's doctor and ongoing confidante – knows the truth of the failed relationship.
260:, and the pair enter a period of their life which Willem dubs "The Happy Years". However, while picking up Malcolm and his wife from the train station for a visit, Willem is involved in a car accident with a drunk driver, which kills all three occupants. With his close friend and lover dead, Jude descends once again into self-destructive habits, losing such an excessive amount of weight that his remaining loved ones stage another intervention. Though they are able to get him to gain weight and to attend therapy, years of depression and despair finally overtake Jude, and he takes his own life. 249:
Willem, Andy accidentally divulges the information. Willem is horrified but, after a difficult fight, Jude finally confesses that he does not enjoy sex, and tells Willem about the years of sexual and physical abuse he endured. Jude also reveals that he escaped state care at age 14 and hitchhiked, performing sexual acts as payment to drivers. He also explains to Willem that the damage to his legs was caused by a man called Dr. Traylor, who picked Jude up and held him captive while he cured him of venereal disease, assaulted him, and eventually ran him over with his car.
288:, Yanagihara states that "one of the things wanted to do with this book was create a protagonist who never got better... to begin healthy (or appear so) and end sick – both the main character and the plot itself". The first 16 years of Jude's life, plagued by sexual, physical, and psychological abuse, continue to haunt him as he enters adulthood. His trauma directly affects his mental and physical health, relationships, beliefs, and the ways in which he navigates the world. He struggles to move beyond the damage the past has wrought upon his body and psyche. 274:
This is shown from the moment that he follows Brother Luke into the greenhouse, as well as the moments in which he knew what he was doing in the motel rooms was wrong, but still had felt dedication and love for Luke since up until those moments in his life, he was the only person who was kind to him. The social and emotional lives of each male character are the fabric that weaves the novel together, creating a narrative bubble that provides clues about the historical moment in which the story is situated.
449:, Nicole Lee described Yanagihara's novel as "a witness to human suffering pushed to its limits, drawn in extraordinary detail by incantatory prose". She wrote that "through insightful detail and her decade-by-decade examination of these people's lives, Yanagihara has drawn a deeply realized character study that inspires as much as devastates. It's a life, just like everyone else's, but in Yanagihara's hands, it's also tender and large, affecting and transcendent; not a little life at all". 245:
there. After the break-up with Caleb brings back this childhood trauma, Jude finally decides to kill himself but survives the attempt. In the aftermath, Willem comes back home and begins to live with him. Jude continues to refuse therapy but begins to tell Willem the least traumatic stories about his childhood, which Willem finds disturbing and horrifying. The two soon begin a relationship, but Jude continues to struggle with opening up, and does not enjoy having sex with him.
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which results in the pair adopting him when Jude turns 30. While thankful, the time before the adoption is filled with further bouts of self-harm, as Jude believes he is inherently unworthy of affection. Meanwhile, the rest of the group finds success in their respective fields, with Willem becoming a star of theater and then film. JB finds success as an artist but also becomes addicted to
506:, Ilana Masad wrote that Yanagihara explored "just what the title implies", which is, "the little bits of the little lives, so big when looked at close up, of four characters who live together in college and keep alive their friendship for decades after", and dubbed the novel "a remarkable feat, far from little in size, but worth every single page". 436:
sensationalist. It is not included for shock value or titillation, as is sometimes the case in works of horror or crime fiction. Jude's suffering is so extensively documented because it is the foundation of his character". He concluded that the book "can also drive you mad, consume you, and take over your life. Like the axiom of equality,
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is not misery porn; if that's what you're looking for, you will be disappointed, denied catharsis. There are truths here that are almost too much to bear – that hope is a qualified thing, that even love, no matter how pure and freely given, is not always enough. This book made me realize how merciful
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in the novel that is depicted in explicit details, with descriptions of how Jude does it and how he feels while doing so. Harold's realization is excruciatingly painful, more so than the news that Jude has indeed finally died by suicide. Harold's self-deception does not save him or Jude from pain; if
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The story is built on the care and service that Jude elicits from a circle of supporters who fight to protect him from his self-destructive ways; truly, there are newborns envious of the devotion he inspires. The loyalty can be mortifying for the reader, who is conscripted to join in, as a witness to
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Despite this apparent closeness with his friends, Jude finds himself unable to divulge either detail of his past or current state of mind to his roommate. Nonetheless, he thrives in his law practice, and develops a close parent-child relationship with his former professor, Harold, and his wife Julia,
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by a presumed-heterosexual author. Mendelsohn's review prompted a response from Gerald Howard, the book's editor, taking issue not with Mendelsohn's dislike of the novel but "his implication that my author has somehow, to use his word, 'duped' readers into feeling the emotions of pity and terror and
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A core focus of the novel is the evolution of the relationships between Jude, Willem, JB, Malcolm and Jude's adoptive father, Harold. Jude's life in particular is populated by men who love and care about him, as well as men who exploit and abuse him, and those who fall in between the two categories.
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It becomes clear that Jude was sexually traumatized at a very young age, making it difficult for him to engage in romantic relationships. His friends and loved ones begin questioning this isolation as he enters his forties, with Willem especially being baffled with regard to Jude's sexuality. As his
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may be the most beautiful, profoundly moving novel I've ever read. But I would never recommend it to anyone". Chu also said that Yanagihara's descriptions embodied his feelings, citing that "Jude's inability to address his wounds" compelled him to begin to address his own: "his struggle to find his
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In an attempt to curb his cutting, Jude decides to instead burn himself as a form of self-harm, but accidentally inflicts third-degree burns that require a skin graft. The wound is so severe that Andy tells him he has to tell Willem what happened, or else he will do it for him. Before Jude can tell
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and repeatedly sexually assaulted by the brothers. He recalls a period when one of the brothers, Brother Luke, ran away with him, forcing him into years of child prostitution. After he was rescued by the police, Jude was placed in state care, where the abuse continued at the hands of the counselors
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The novel focuses on the lives of four friends: Jude St. Francis, a disabled genius with a mysterious past; Willem Ragnarsson, a kind, handsome man who aspires to be an actor; Malcolm Irvine, an architect working at a prestigious firm; and Jean-Baptiste "JB" Marion, a quick-witted painter who wants
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all of the awards". He said that no book he previously read had "captured as perfectly the inner life of someone hoarding the unwanted souvenirs of early trauma – the silence, the self-loathing, the chronic and aching pain" as this one, and found Yanagihara's prose to be "occasionally so stunning"
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played the lead Jude St. Francis in the adaptation, which received generally positive reviews. Theatre critic Matt Trueman wrote that, despite the play's sometime suffocating trauma and violence, it "is van Hove at his best, theatre that leaves an ineradicable mark". The Dutch-language production
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The novel's main focus is the enigmatic lawyer, Jude. He suffers from a damaged spine which leaves him with a limp and excruciating pain in his legs that comes and goes. Unbeknownst to his friends, he also frequently self-harms; one such bout of cutting led Willem to take him to Andy Contractor,
233:, where JB mocks Jude by doing a crude imitation of his limp. In spite of successful treatment, and a great deal of apologizing, Jude finds it impossible to forgive JB. Willem refuses to forgive him too, causing the group to fragment, with only Malcolm remaining friends with all three of them. 175:
perspective privileging the thoughts of Jude, Willem, JB and Malcolm is employed. As the story gradually shifts its focus towards Jude, its perspective progressively molds entirely around each character's interactions with Jude and the experiences of Jude himself. This literary perspective is
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to be "a surprisingly subversive novel – one that uses the middle-class trappings of naturalistic fiction to deliver an unsettling meditation on sexual abuse, suffering, and the difficulties of recovery". He praised Yanagihara's rendering of Jude's abuse, saying it "never feels excessive or
27: 1309: 366:, the book received "positive" reviews (or a "A-" based on twenty-one critic reviews) based on forty-nine critic reviews with 34 being "rave", nine being "positive", three being "mixed" and three being "pan". On 1386: 252:
The relationship continues, with Willem sleeping with women (and not with Jude). The two settle into a comfortable life together, which is shaken when Jude's legs become worse, and he must reluctantly
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follows a chronological narrative with flashbacks frequently interspersed throughout. The novel's narrative perspectives shift throughout the story's progression. During the beginning of the novel, a
1111: 425:. By violating the canons of current literary taste, by embracing melodrama and exaggeration and sentiment, it can access emotional truth denied more modest means of expression". 682: 2162: 748:
directed the adaptation, which had a run time of over four hours. Van Hove collaborated with Yanagihara on the script after being given copies of the novel by two friends.
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is "shot through with pain", but "far from being all dark"; in fact, it is "an unforgettable novel about the enduring grace of friendship", he concluded. Similarly, in
941: 1992: 1374: 311: 1664: 561:, one can get the impression that Yanagihara is somewhere high above with a magnifying glass, burning her beautiful boys like ants". Chu later received the 2079: 1487: 489:
most fiction really is, even at its darkest, and it's a testament to Yanagihara's ability that she can take such ugly material and make it beautiful".
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for its technical execution, its depictions of violence, which he found ethically and aesthetically gratuitous, and its position with respect to the
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to make a name in the art world. The book follows their relationships changing under the influence of success, wealth, addiction, and pride.
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also wrote critically of the novel, saying Yanagihara introduces "great shock value into her story to override its predictability".
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Rushton, A. (2019). A Bubble in the Vein: Suicide, Community, and the Rejection of Neoliberalism in Hanya Yanagihara's
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entry? With the trauma plot, the logic goes: evoke the wound and we will believe that a body, a person, has borne it.
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Although Jude's body manages to heal, the rape causes him to flash back to his childhood, wherein he was raised in a
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Jude's doctor and trusted friend. It is clear that he suffers from debilitating mental trauma from his childhood.
2254: 1668: 1573: 966: 667: 1925: 1604: 826: 524: 2309: 2304: 2294: 2249: 2234: 1036: 992:. In World Literature, Neoliberalism, and the Culture of Discontent (pp. 195-213). Palgrave Macmillan, Cham. 463:
that it would push him "back to the beginning of a paragraph for a second read". As he phrased it, "indeed,
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was met with widespread acclaim from critics upon release. In 2015, the novel received rave reviews from
160:. Lengthy and tackling difficult subject matter, it garnered critical acclaim and became a best seller. 967:
The Key to Me: Fiction writers love it. Filmmakers can't resist it. But the trauma plot is wearing thin.
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In August 2020, the theatre company Liver & Lung presented an unofficial musical adaptation of
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feels elemental, irreducible – and, dark and disturbing though it is, there is beauty in it".
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An English-language version of Tachelet's stage adaptation premiered on 14 March 2023 at the
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May/June 2015 issue, a magazine that aggregates critic reviews of books, the book received a
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is "the long-awaited gay novel", as "it engages with aesthetic modes long coded as queer:
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to run in the West End with James Norton, Omari Douglas, Luke Thompson and Zach Wyatt"
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called Jude "one of the most accursed characters to ever darken a page". She went on,
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criticized "the masochism and its authorial intent", articulating: "Reading
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cinema trailer released featuring James Norton, Luke Thompson & cast"
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in July 2015 to discuss the book. In 2019, the novel was ranked 96th on
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Jude's unending mortifications. Can we so easily invest in this walking
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on 7 January 2022, to celebrate the release of Yanagihara's new novel,
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in Kuala Lumpur, Malaysia. Seven songs from the album were released on
580:'s list of the 100 best books of the 21st century. In a 2022 review of 363: 253: 805:, and was released to cinema for a limited time on 28 September 2023. 1844: 592:
stated that the novel's reputation "has since become more divisive".
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review – James Norton's sexually abused lawyer is spared no misery"
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Lorentzen, Christian (24 September 2015). "Sessions with a Poker".
2025:"BAM's Next Wave Festival Returns With an Ivo van Hove Production" 801:. This theatre adaptation was filmed while being performed at the 1345:
is the best novel of the year. I wouldn't recommend it to anyone"
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review – Hanya Yanagihara drama is not for the faint-hearted"
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Is Far from Little in Size, but It's Worth Every Single Page"
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Review: Director Ivo van Hove Draws Blood and Tears at BAM"
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and made the shortlist of six books in September 2015.
1847:. International Dublin Literary Award. 12 April 2017. 1827:"2016 Women's Prize for Fiction Shortlist Revealed" 1748:"The Man Booker Prize 2015 | The Man Booker Prizes" 180:told by an older Harold, nine years in the future. 1954: 1899:Comes to the Stage. The Audience Can't Look Away" 1142:: a darkly beautiful tale of love and friendship" 256:. He manages to learn to walk again with his new 2226: 744:on 23 September 2018 in Amsterdam, Netherlands. 277: 1960:, Stadsschouwburg, Amsterdam – a world of pain" 1314:, by Hanya Yanagihara, inspires and devastates" 600:In July 2015, the novel was longlisted for the 1691:"Pulitzer winner makes Booker Prize shortlist" 1923: 753:with English subtitles was shown at the 2022 1683: 371: 1990: 328:anything, it adds to both their suffering. 2022: 1801:"2016 Carnegie Medals Shortlist Announced" 1719:"2015 Finalists: fiction | Kirkus Reviews" 1665:"Man Booker Prize announces 2015 longlist" 1406: 827:"How I Wrote My Novel: Hanya Yanagihara's 824: 468:peace emboldened me to try to find mine". 25: 1638:Review: A Collage of Unrelenting Torment" 1571: 1465: 1284: 820: 818: 1605:"The 100 best books of the 21st century" 318: 1952: 1006: 859: 509:A notable negative opinion appeared in 362:, and other publications. According to 2227: 2096: 1892: 1625: 1549:"Andrea Long Chu of New York Magazine" 1482: 1437: 1097: 1062: 1037:"Fiction Chronicle: Jude, the Obscure" 927: 860:Maloney, Jennifer (3 September 2015). 815: 740:debuted Koen Tachelet's adaptation of 525:representation of queer life or issues 183:The book is divided into seven parts: 2160: 1631: 1372: 1131: 1129: 1093: 1091: 1034: 336: 268: 2128: 1953:Trueman, Matt (September 28, 2018). 1291:: The Great Gay Novel Might Be Here" 1030: 1028: 1002: 1000: 855: 853: 789:in South West London, followed by a 683:Andrew Carnegie Medal for Excellence 531:Christian Lorentzen, writing in the 1522: 1438:Howard, Gerald (17 December 2015). 1338: 1307: 1135: 825:Yanagihara, Hanya (28 April 2015). 716:International Dublin Literary Award 156:is a 2015 novel by American writer 13: 1632:Kumar, Naveen (October 26, 2022). 1572:Hollander, Sophia (16 July 2015). 1126: 1088: 622: 14: 2341: 2240:2015 LGBTQ-related literary works 2203: 1025: 997: 885: 850: 373: 1924:D'Addario, Daniel (2022-10-21). 1285:Greenwell, Garth (31 May 2015). 755:Edinburgh International Festival 392: 387: 382: 377: 372: 2275:Novels about child prostitution 2177: 2154: 2129:Wood, Alex (23 November 2022). 2122: 2090: 2072: 2044: 2016: 1991:Mark Fisher (August 21, 2022). 1984: 1973:from the original on 2018-09-30 1946: 1917: 1886: 1875:from the original on 2018-09-21 1851: 1837: 1819: 1793: 1769: 1740: 1711: 1657: 1597: 1565: 1541: 1523:Chu, Andrea Long (2022-01-12). 1516: 1476: 1459: 1431: 1400: 1389:from the original on 2015-03-13 1366: 1355:from the original on 2015-10-15 1332: 1301: 1278: 1249: 1220: 1195: 1161: 1114:from the original on 2015-03-20 1063:Anshaw, Carol (30 March 2015). 944:from the original on 2021-07-31 909:from the original on 2018-03-16 211: 31:Cover of the first U.S. edition 1098:Powers, John (19 March 2015). 1056: 1009:"The Subversive Brilliance of 1007:Michaud, Jon (28 April 2015). 978: 956: 934:and the Socialism of the Rich" 921: 731: 16:2015 novel by Hanya Yanagihara 1: 2161:Akbar, Arifa (5 April 2023). 808: 278:Trauma, recovery, and support 1445:The New York Review of Books 1417:The New York Review of Books 1136:Cha, Steph (19 March 2015). 928:McCann, Sean (3 June 2016). 563:Pulitzer Prize for Criticism 512:The New York Review of Books 331: 163: 7: 2330:Doubleday (publisher) books 2280:Literature about pedophilia 2265:Novels set in New York City 2260:Novels with bisexual themes 2060:www.adelaidefestival.com.au 2023:Sarah Bahr (June 2, 2022). 1893:Siegal, Nina (2018-09-21). 1777:"2015 National Book Awards" 1373:Masad, Ilana (2015-03-10). 1035:Sacks, Sam (6 March 2015). 965:(January 3 and 10, 2022). " 761:, and in March 2023 at the 571:Late Night with Seth Meyers 484:'s Steph Cha remarks that " 10: 2346: 2325:Nonlinear narrative novels 2320:Kirkus Prize-winning works 2315:Novels by Hanya Yanagihara 1308:Lee, Nicole (2015-04-10). 282:In an article written for 2103:: Concept Album Released" 1831:Women's Prize for Fiction 1412:"A Striptease Among Pals" 759:Brooklyn Academy of Music 757:, in October 2022 at the 711: 698:Women's Prize for Fiction 678: 628: 621: 618: 615: 612: 609: 595: 565:in 2023 for her article. 528:sadness and compassion". 496:contributor John Powers, 263: 137: 125: 113: 103: 95: 87: 77: 67: 59: 46: 36: 24: 2270:Novels about child abuse 1339:Chu, Jeff (2015-10-14). 108:Kirkus Prize for Fiction 2290:Fiction about self-harm 1583:The Wall Street Journal 1267:(in French). 2023-10-04 1042:The Wall Street Journal 893:"Book Marks reviews of 871:The Wall Street Journal 568:Yanagihara appeared on 473:The Wall Street Journal 421:, sentimental fiction, 359:The Wall Street Journal 178:first-person narratives 173:third-person omniscient 2255:Novels with gay themes 1469:London Review of Books 534:London Review of Books 316: 229:. The group stages an 186: 1868:Toneelgroep Amsterdam 1752:themanbookerprize.com 866:Became a Sleeper Hit" 795:Harold Pinter Theatre 738:Toneelgroep Amsterdam 586:theatrical adaptation 431:'s Jon Michaud found 319:Self-harm and suicide 303: 197:The Axiom of Equality 2310:Novels about suicide 2305:Books about adoption 2295:Novels about orphans 2250:American LGBT novels 2235:2015 American novels 2056:- Adelaide Festival" 1845:"The 2017 Shortlist" 1781:www.nationalbook.org 1375:"Hanya Yanagihara's 1065:"Hanya Yanagihara's 897:by Hanya Yanagihara" 736:The theatre company 145:PS3625.A674 L58 2015 55:Cardon Webb (design) 2300:Novels about actors 2099:"Songs Inspired by 2097:Rabinowitz, Chloe. 1699:. 15 September 2015 1613:. 21 September 2019 1410:(3 December 2015). 1319:The Washington Post 990:All My Puny Sorrows 988:and Miriam Toews's 663:National Book Award 446:The Washington Post 21: 2245:2010s LGBTQ novels 2030:The New York Times 1904:The New York Times 1807:. 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Index


Hanya Yanagihara
Peter Hujar
Doubleday
Kirkus Prize for Fiction
ISBN
0-385-53925-8
Dewey Decimal
LC Class
Hanya Yanagihara
third-person omniscient
first-person narratives
crystal meth
intervention
monastery
amputate
prosthetics
New York Magazine
The New Yorker
Parul Sehgal
chalk outline
DSM
self-harm
The New Yorker
The Atlantic
The Wall Street Journal
Book Marks
Bookmarks
Garth Greenwell
melodrama

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